Professional Documents
Culture Documents
Before you start to clear clutter you must ask yourself the following questions:
What are the effects of clutter on you?
What emotional issues/memories are attached to your clutter?
What emotional states do you connect to accumulating more clutter?
What is hard for you to let go of?
What are the benefits to your clutter?
When you start to clear clutter what feelings come up?
The positive effects of clearing clutter
In my workshops participants described feeling relaxed, liberated, independent, happy, peaceful,
proud, joyful, freedom, energy, in control, closure, and a sense of new opportunities as they let
go of clutter. They all spoke about creating space for new things to come into their lives. These
feelings are very common when you clear your clutter with awareness. Clearing your clutter with
conscious intent allows you are making space for something new. This is one of the key principles
of Fengshui that the internal and the external are connected, and in fact the external is a
reflection of the internal. This is why clutter clearing is so powerful. It helps you release stuck
energy from the past, allowing more energy to flow into your life to create the changes you want.
The Definition of Clutter
Karen Kingston author of Creating Sacred Space defines clutter by asking three questions:
1. Have I used this in the past year?
2. Do I love it?
3. Does it lift my energy when I look at it, use it?
If you said no to 2 out of 3 questions then it is clutter, let it go, let it go!
Questions to ask yourself as you are clearing out the clutter from your closet or any
part of your home.
I like to call them clear the way questions
(from the website: www.fengshuiontario.com)
1. Do I love it?
2. Do I need it?
3. Does it reflect who I am at this time in my life?
4. How does it make me feel? What positive and/or negative thoughts, memories or emotions
do I associate with this item?
5. Does it need to be fixed or repaired? If so am I willing to do it now?
6. If Im letting it go, will I sell, give, or throw it away, and when?
Questions To Ask About Your Clutter
How many do I already have, and is that enough?
Do I have enough time to use, review or read it?
Have I used this during the past year?
Do I have a specific plan to use this item within a reasonable time frame?
Does this fit with my own values and needs?
How does this compare with the things I value highly?
Does this just seem important because Im looking at it now?
Is it current?
Is it of good quality, accurate, and or reliable?
Is it easy to understand?
Would I buy it again if I didnt already own it?
Do I really need it?
Could I get it again if I found I really needed it?
Helpful Books:
"Clear your clutter with fengshui" by Karen Kingston
"Compulsive Hording and acquiring Workbook" by Stekete and Frost
"Messies" series by Sandra Felton
Nagging and belittling does not work, acting like a drill sergeant or task master just makes
people feel nervous or angry and interferes with their ability to learn new approaches,
they feel even more isolated and misunderstood and revert to bad habits.
Provide emotional support, express empathy statements like I can see how hard this is for
you.
Help the person make decisions but do not make decisions for them. The person with the
clutter needs to develop their own rules for deciding what to keep and what to let go of. As
a support you can remind them of these rules by asking the sorting questions like Is it
useful? Do you need it? Can you do without it? In the long run are you better keeping it or
letting it go? See the list of questions to ask.
Recognize that if you do it for them, you give them the message that they cannot do it
themselves, and does not allow them to learn new behaviors and may feel threatened and
secretly acquire and hide more clutter, quickly filling the space that you have cleared.
Be a cheerleader, sometimes we all need an extra boost when things get difficult. Calling
the person to remind them of their agreement or homework, telling them you believe they
can do it, and tell them when they are doing a good job increases motivation to do more.
Dont make decisions for them; help them to feel in control of the clutter clearing process.
Be willing to help them with hauling, many people who have a lot of clutter it would take
them a year or more to discard it all by themselves. This makes it easy to get discouraged
because progress is slow. Let the person with the clutter make the decisions and remain
fully in charge of the process.
Be a supportive coach by keeping them focused and asking the clearing questions, if you
are agreeing to work with them, work for 15 minutes at a time maximum.
Goal of exercise is to sort into three piles with your coach
Keep
Garbage
Donate
Then stop after 15 mintues and do something that feels good- go for a walk etc.
At other times accompany them on fun non-acquiring trips. For people who acquire too
many things, it can be extremely helpful to have someone go with them to a yard sale or a
tempting store to help them resist temptation and ask the acquiring questions, and make
the trip a success.
Realize that change does not happen overnight and what you are practicing is challenging
all or nothing thinking, perfectionism and internal criticism.
More Tips
Return things you may be storing for others to them. If they decline to take possession
of their items, inform them that the items will be donated/removed by a specific date. If
items have not been reclaimed by that date, move em out!
If you have inherited family items that you do not wish to keep, offer them to other
family members. See instructions above. If those who want to have the items ask you to
continue storing them, the answer is NO. They must retrieve them by a certain date, and
arrange storage themselves. You are moving the items out!
Relapse Prevention
Evaluate current reasons for cluttering
Get yourself support:
1.trusted family & friends
2.knowledgeable counselor
3. Knowledgeable professional organizer
4. Online support as provided above
Schedule regular times to organize & let go
Invite visitors home
Anticipate known stressors and your reactions
Apply skills developed so far and search out others to build on
Identify resources for the future
What is Fengshui?
History
4 Levels
Intentions
Land-Form Approach
Based on building shapes and arrangements of rooms in conjunction with the surrounding
terrain.
Cosmology Approach
Uses geomancy compass, called a Luo Pan, to see how home is situated in relationship to the
solar system, the stars, the sun, the moon the elements and directions.
Symbolic Approach
Looks for the meaning of objects and symbols with which a person surrounds him/herself.
The practitioner enters the home and reads the energy of the room or house. The Chi method
stresses a more direct interface with the house, rather than reliance on specified rules. The
house is likened to the body of a living spirit. The windows are the eyes and the door is the
mouth. Energy is inhaled into the home and flows according to the interior structure. The layout
of the rooms as well as the positioning of the furniture, will either be favorable to the flow of
energy or will impede it. If the energy flow through a house is good, then the occupants will be
healthy and have good fortune.
The Chi approach is the method that I work with. Usually a practitioner will train and specialize in
one method. The Chi method is considered a modern approach to Fengshui. What is the
difference? Let me give you an example, if a traditional Fengshui master came to your house
using a Luo pan compass, he may tell you to move, as it is not suitable for you based on your
birth date and the direction the home is built in. However if I came to your home using the Chi
method based on the Black Tantric Buddhist Sect we would acknowledge that you cannot always
move or structurally change your living space. We would look at adjustments and cures to bring
harmony into the current space. The Chi method works with what is there and seeks to enhance
it.
In the East, Fengshui is used before a building is built. A consultant will sense the earth energies
for the right placement of the building, including the directions the windows face, based on who
will occupy the building. In Western cultures Fengshui is often used after a building is built and is
curative. We adjust living spaces that already exist; this is considered a very modern approach.
People are taking an eclectic approach to creating a sense of meaning and harmony in their lives,
people are rebelling against formalized religion and being eclectic in drawing on different
practices to create a personal spirituality in their home or life.
Fengshui is based on the principle of creating ease and harmony in your home to create ease
and harmony in your life.
Four Levels of Fengshui
1.
2.
3.
4.
Physical
Mental
Emotional
Spiritual
Fengshui is a profound holistic system for examining our lives. Originally Fengshui was used to
consecrate land, diagnosis illness, bring about balance in the body and in the living space. Only
in the west have we picked up one branch of Fengshui that deals with interior design or furniture
placement. Like everything in North America we want things fast, like our food. We buy a
Fengshui book, read it, move our couch and wonder why we are not rich or in the perfect
relationship.
Fengshui was designed to function on four levels: the physical, the emotional, the mental and the
spiritual. When we examine our clutter on all four levels of our being and decide to clear on all
four levels of our being we are activating power to create what we truly want in our lives.
So when I teach my students I let them know that they need to do the internal Fengshui before
they do the external Fengshui of furniture placement. Once you have done this internal work
(mental, emotional and spiritual) and then make a physical placement in your home or office, it
has true power to create change in your life.
Setting Your Intentions
Before you start to clear clutter internally or externally it is important to set your intention,
otherwise the space you clear will fill right back up with what you just cleared. That is often why
piles of clutter keep returning to the same spot.
The belief under Fengshui is that energy flows where intention goes. This means that once you
set your intention, energy that you release from clutter clearing internally or externally naturally
flows towards what you intend.
Every six months it is an important ritual to write your intentions for the next 6 months. Intention
statements include those things that you want to have happen in your life.
Include anything else that affirms what is important for you at this time, such as clarity around
what you want, or feeling deserving of good in your life, any affirmation that you think is
important and vital and positive for you at this time. It is important that you handwrite this
statement rather than print it on a computer.
Now that you have drafted some idea of what you want to have happen, there are some
important guidelines to consider when you write your intention statement.
Last step: write the following sentence at the bottom, May this or something better now
manifest for the greatest good of everyone concerned. This last sentence is an opening to the
universe; it asks that whatever comes to you also benefits others. Sign it and date it.
Place your intention statement somewhere special and private.
Applied Fengshui
Clutter
Colour
Bagu Map
Clutter
Clutter represents our ability to hold on or let go appropriately. Clutter is defined as
anything you dont use or dont love. It is important to examine the role of clutter
in your life.
Why do people keep clutter?
In the courses I teach many students say it's because it's hard to let go of things from past
relationships for sentimental reasons; they fear that they might need it someday, and they find
that they have just thrown it out. Many students said their stuff represents part of their identity,
part of who they were in the past and who they are now. One woman said, My stuff defines me.
This is very common in North America where we do define ourselves by what we have. But you
are not your stuff. Many people spoke about clutter being a source of comfort, security and
safety. For many this was represented by books and papers. It is important to ask yourself what
is your clutter?
What are the effects of clutter?
Many people when asked this question say it is anchoring or grounding, and that clutter slows
them down. This is in fact true, as clutter will slow the pace of change in your life. If change is
something you are afraid of, you may be unconsciously holding on to clutter to slow the pace of
change down. For some people in my workshops clutter brings up issues of shame, and makes
them unable to focus. Clutter can also trigger feelings of frustration, irritation anger and feeling
of not having control. It is key to ask yourself what are the effects of clutter on you?
The subject of clutter seems to be universal; everyone in my workshops has clutter. When we
look at clutter from a Fengshui perspectives we need to look at one of the key principles of
Fengshui. Everything inside is outside. What does this mean? It means we need to look at clutter
from an inside out perspective. We also need to look at clutter from all four levels of our being,
physically, emotionally, mentally, and spiritually.
So ask yourself what is your clutter?
Physical?
Emotional?
Mental?
Spiritual?
Take some time to write out your clutter on these four levels. When you clear on one level it
impacts all four. It is important for you to notice the links between these four levels of being with
your clutter. I will give you an example. You have an object left over from a failed relationship
(physical level). Every time you look at it impacts you on the emotional level with memories,
then on the mental level, where you may tell yourself that you failed at that relationship, which
leaves you with self doubt about reinvesting in a new relationship, and on the spiritual level you
decide not to trust men. It is important for you to decide what level is the easiest place for you to
start clearing.
When we start to clear clutter a lot of feelings may come forward. It is important to explore these
feelings before clearing clutter so that we dont get overwhelmed in the process and get stuck. In
my workshops I do an automatic writing exercise to explore these feelings. Automatic writing is a
way to bypass our critic that wants to stop us. The key to automatic writing is to use speed, to
write whatever comes into your mind without thinking, so if you are feeling hungry or stuck you
write about that.
Automatic Writing Exercises
So get out a piece of paper and a pen, and write at the top of the page when I start to clear
clutter what feelings come up? WAIT dont start yet. Next we do something, which is called quiet
mind. This brief exercise helps to quiet our mind of chatter before we start. Pick a spot across the
room. Stare at it for a short time, now let your mind travel up to the ceiling and back down, as
your eyes come back down ask yourself the question when I start to clear clutter what feelings
come up? And start writing. Pick one feeling from the list, Write what does ________(feeling)
mean? Again do the quiet mind and answer the question. Continue this process 5 times with your
answers.
This process helps to clear internal clutter and explore the feelings that prevent us from letting
go of our clutter on the physical, emotional, mental and spiritual levels.
Visualization Exercise
Pick one object of physical clutter from your list. Shut your eyes take three deep breaths, in
through the nose and out through the mouth. Imagine going to the place in your house where the
object is. (If you can physically go and hold the object do it). Take three deep breaths, let your
mind travel freely, be open to memories, associations, fears, smells, visual pictures, sounds, or
feelings in your body, even small feelings, thoughts that may seem unrelated. Breathe.
When you come out of the visualization jot down anything that came to you.
Colour
Under Fengshui there are colours that are suited to you based on your birthdate and gender.
These individualized colours are part of your consultation. Colour has been studied and proven to
impact your sense of well-being. For example, in the U.S., they are using pink rooms in prisons to
subdue violent prisoners. Now when babies are born with Neo natal jaundice they are put under
blue light, rather than having invasive surgeries. There have been studies that show that we are
affected by colour even when we are sleeping. Under Fengshui, colours are used as
enhancements (see mapping your room section for more info). Here is some general information
about the use of colour under Fengshui.
Red- stimulates appetite, good for a workroom or exercise room or an activity group room as it
stimulates movement and activity. If you are a procrastinator or in a sluggish time in your life,
paint a wall red and get ready to take off.
Orange- a social colour. It stimulates optimism, expansiveness, emotional balance, confidence,
change, striving, self motivation and a sense of community. Great for group rooms. A good
gathering colour.
Yellow- excellent for a home office. Stimulates flexibility and adaptability to change. It is also
associated with good luck. Yellow is a good colour in a counseling room. It gets people talking
and at the same time brings forth uplifting feelings and optimism. Clear yellow is a good colour
for a room where children will be, as it creates a positive feeling and contributes to the
development of thought processes.
Green- stimulates feeling of balance, and healing. Good colour for any room. Excellent for use in
bathrooms, the green you use in a bathroom should be a spring or a clean, leaf green.
Blue- stimulates you to seek inner truth. Blue allows for gentleness, contentment, patience and
composure. It has also been used for pain reduction. A study done in 1982 with 60 women who
had rheumatoid arthritis concluded exposure to blue light could substantially reduce pain. Blue is
excellent for a meditation room, or any room where you want to have feelings of peace.
Purple- stimulates our spiritual perspective. Do not paint an entire room this colour as it is best to
use as accents, or for one wall. Gold is a good balance for the purple. Lavender rooms are also
beneficial to use for convalescence.
White- good colour for all rooms. It holds within its energy the power of transformation. However,
if you have an all white room, use colour accessories or furniture, otherwise people will comment
that it feels unfriendly and too sterile.
Black- black room accessories are excellent for adding power to a room. Do not use black for a
whole room, as it is too overwhelming and depressing.
Mapping is the term used for establishing the different areas of each room. In each room there is
a love corner, a wealth/abundance corner, a self-awareness corner and a helpful people and
travel corner. The maps that we use in Fengshui are called the Bagua. On this site you can see a
modern map that everyone can use. The Bagua is overlaid from the mouth of Chi, which is the
door to the room. You line up your door to the entrance quadrant on the map.
Mapping is useful for determining where your clutter tends to go, and what part of your life it is
affecting. From my experience clutter tends to migrate to the areas that reflect the challenges in
our lives.
Mapping is what a Fengshui expert does when they come to your home, in order to recommend
enhancements.
In order to use this map, print yourself a hard copy of the modern Bagua. (Click here for a printerfriendly map) Stand in the doorway of your room with the map and you will be able to determine
the different areas of the room.
Below are some suggested enhancements used in each area.
WARNING: before you enhance any area you must clean and clear the area of clutter.
If you enhance an area without clearing it you will be aggravating the problems in
this area of your life.
something that represents the element of water is greatly beneficial in this area. This is a good
area to keep clear, especially if it is the entrance to a room. This can be a good place to locate
your desk and work related materials.
Helpful People and Travel - CH'IEN
This area represents your ability to network in business. In life it is about getting the right help at
the right time. On a spiritual level this area is about trusting your higher self or source. It is also
about travel. You may put images of your faith or symbols that represent your spiritual beliefs in
this area. Good colours are white, grays and black. This is a good place to locate your altar. It is
also a great place to locate photos of your good friends that are helpful to you. If this area is in
your office, place awards or plaques from business partners in this area. It is also a good place to
put your phone,fax and computer if you expect to network through these mediums.
Creativity and Children - TUI
This area is about your personal creativity and projects. Good colours for this area are white and
pastels and something that represents the element metal in this area is highly beneficial. If you
are working on a big project, place images or supporting materials for the project in this area. For
example, one client was finishing her thesis and chose to locate her writing area in the creativity
and children area of her home. Another client was completing a large project at work and used
the creativity area as his "thinking wall", mapping out all stages of the project.
This area is also about children. If you are trying to conceive, keep this area clear of clutter. This
can be a great area for children to play in and display their own creativity and artwork.
Centre
This area is about your ability to stay grounded in your life. This area is also about maintaining
balance in your life. This is represented by the element of earth. Good colours for this area are
yellow and earth tones. Keeping the center clear and free of clutter or furniture is highly
beneficial to maintaining the flow of energy in a room. If you find yourself scattered in your life,
this would be a good area to focus on.
Further Resources
Excerpts from Bridget's upcoming book: "Clutter and Perfectionism" (password required)
Newsletter
Additional books and links
Newsletter
Subscribe to our monthly e-newsletter. You can hear about upcoming workshops or what's new in
Fengshui. Each month we will tackle a Fengshui problem from our questions. Subscription is free.
Just send an e-mail to fengshui@interlog.com with the word subscribe in the subject line or in
the first line of the e mail.
Sample Newsletter
It is critical that you set your intentions for this year. On my website it gives you instructions
about how to write an intention statement. See intentions in the menu on the left.
One of the key principles of Fengshui is that energy goes where intention goes. This means that if
you plan to get organized in your home and clear clutter, you are releasing stagnant energy
which is fantastic. However, you want that energy to go where you want it to go, rather than
have it cause chaos, or go back into the same reoccurring issues in your life. When people don't
set their intentions before clearing clutter, the clutter returns. That is why there are areas of your
home or apartment that you just can't seem to keep clear.
Powerful Fengshui starts inside you. It means being clear about what you want to have happen in
your life. Think about setting an overall intention statement - that is positive and describes how
you would feel if you accomplished what you dream of - and write it as a statement. Then go
further and write about the specifics of what you want to have happen in your life in a positive
way, and in the present tense, as if it is already happening. End your statement with this phrase:
"May this or something better now manifest for the greatest good of everyone concerned."
This statement creates an opening for the universe to bring you perhaps something better than
you could imagine, and that benefits others as well as you. Sign it and date it and keep it
somewhere special. Getting clear about your intentions and writing them down is the first step in
"Fengshui-ing" your life.
Good Luck, and don't forget to check out all the great new clutter info on the site - it's like taking
a free Fengshui course online.
Individual Consultations
Bridget is a trained social worker, Fengshui consultant, Reconnective Healer-level III (Dr. Eric
Pearl), and Heart and Soul Healer (Ken Page). She brings all of her skills together to help you
reconnect to your higher self and your living space.
We provide a range of consultation and educational services. Whether it is for your own personal
healing, planning a staff retreat, or conference, our services are diverse and allow you to decide
what is right for you.
Home Consultations
Garden Consultations
Office Consultations
Inner Fengshui Healings
Fengshui as a gift
Home
The home consultation consists of using placement and colour to readjust the chi or energy
flowing through your living space. We also combine this with balancing the energy of your inner
space in your body. This is useful in addressing such issues as: letting go of the past, wanting a
fresh start in your life, or releasing a physical illness.
A consultation is key in moving forward in your life and releasing the past from in your living
space and in your body.
Our consultant will let you know what colours are highly beneficial for your healing energy, based
on your birthdate. These colours are to be used on your body and in your environment to support
you in your healing.
Consultations may include space clearing. This is a ritual that clears out the old stagnant energy
within the home. It gives you a new beginning and a fresh slate to work from.
Cost for home consultation is $100 per hour. (Two hour minimum)
Garden Consultation
Fengshui for your garden is as important as it is for your house. From May-October your garden
becomes the most dominent room in the house. Garden consultation for healing is useful.
Under Fengshui your garden does affect your overall well-being in the areas of love, health and
wealth. By the end of the consultation you will know what element (wood, water, fire, earth,
metal) dominates your garden and what colours are excellent for your garden based on your
birth date, and the birth dates of those who live in the home. We can also recommend some
excellent landscape architects with whom we work, who are Fengshui sensitive.
You can combine your consultation to include home, and garden.
Cost for Fengshui Garden consultation is $100 per hour. (Two hour minimum)
If travel is required outside Toronto, travel time is charged at $50 per hour.
Office/Business Consultation
Business consultation is useful if you are having a large staff turnover, a high rate of illness
amongst your staff, or if there has been a lot of change or chaos within your business. Fengshui
consultation is geared towards maximizing the business goals, while creating a supportive
healing environment so your staff work at maximum efficiency while maintaining their energy.
It is usually advised that the office consultation include a space clearing. This is a ceremony that
clears all of previous stagnant energies out of your business space. This allows for new
beginnings and a fresh start.
On Site
Cost: $100.00 per hour for space clearing and consultation.
If travel is required outside Toronto travel time will be charged at a rate of $50 per hour.
Inner Fengshui
What is Inner Fengshui? Inner Fengshui addresses all four levels of our being, the physical, the
emotional, the mental and the spiritual. Inner Fengshui refers to getting clear about what we
want to create in our life.
Individual Inner Fengshui sessions are 2 hours in length and are only required once. Many people
find the session life changing. This session removes the energy around any recurring issues and
patterns in your life. By doing this you raise your vibration and become less reactive. You heal
your past and change your future.
We look at blocks or breaks in your energetic field using hand scanning. We look for energy you
are using subconsciously to attract people who reflect your issues. The second thing we look for
is pieces of you out of time due to unresolved issues in your past. We look for any programs that
have been set in the past that tell you it's not safe to love, it's not safe to take your power or be
who you are. We also look for anyone you are energetically looping with in a negative way.
This session breaks Karma around men and women, women and women, and Karma around any
recurring issues and patterns in your life. We also offer a one day workshop that looks at Inner
Fengshui on the physical, the mental, the emotional and the spiritual levels called Fengshui for
the Soul. Individual Inner fengshui sessions cost $180 and are only required once. To book an
individual session contact fengshui@interlog.com or call 705-786-7806.
Fengshui as a Gift
Give the gift of Fengshui for a birthday, an anniversary or for friends moving into a new home.
Many people give consultations as gifts to their loved ones.
Some options include:
Consultation
Fengshui placement and color to readjust the chi or energy in the home.
This consultation can address issues in career, wealth, health and relationships.
Cost: $100 per hour. Usually time is based on the size of the home, and a flat fee is discussed.
Space Clearing Ceremony
Space clearing cleans on an energetic level, giving the occupants a "fresh start". Occupants can
participate in this ceremony if they wish.
It is often used as a consecration ceremony for new homes, or for new renovations done on
existing homes.
It is also useful if the occupants have been experiencing illness or chaos in their lives.
Cost: $100 per hour. Again it is based on the size of the home, and a flat fee is usually worked
out.
Measuring squalor
Measurement tools have been developed to quantify the scale of a clutter and hoarding
problem.. The National Study Group on Chronic Disorganization has developed a Clutter Hoarding
Scale, which measures four dimensions (Structure & Zoning Issues, Pets & Rodents, Household
Functions, and Sanitation & Cleanliness) on a scale of 1 to 5.
The material available online to go with the <cite>Treatments That Work: Compulsive Hoarding
and Acquiring workbook</cite> include material for a Clutter Image Ratingyou look at nine
pictures of a progressively cluttered room and pick the best match for your situation.
The "Degrees of Squalor" scale below was described by Kimmy in the Living in third degree
squalor...where do I start? (Internet Archive copy) thread that sowed the seed for Squalor
Survivors. This scale is purportedly used by psychologists, but I have not been able to find a
match in any textbooks or academic papers. I am keeping it online to give context to the name
and beginnings of this website.
First degree squalor
You are getting behind in tasks that you would normally manage, like laundry and
dishes. You are not the tidy person you once were. Little piles are starting to emerge and
your disorganization is starting to affect your life and inconvenience you. Things are just
starting to get out of hand and become unmanageable. A sign of first degree squalor could
be that you might be embarrassed for other people to see your mess...but you would still
let them in the house.
Second degree squalor
Now things are really starting to get out of hand. Signs that you have reached second
degree would include losing the use of normal household items like your bed, table,
television or telephone, because the piles have expanded to cover the items up. You start
to develop new methods of moving around your house, as normal movement is
impeded by your piles of stuff. You might start making excuses to discourage people
from entering your house.
Third degree squalor
At this stage, you have all the above, plus you have rotting food and animal faeces and/or
urine in the house, and this is the rule not the exception. You cannot cope with the
growing mess. Essential household repairs may not be done, because you are too afraid
to let a tradesperson see your house. Just the thought of someone seeing your mess
causes you great stress.
Fourth degree squalor
At fourth degree squalor, you have all of the above, plus you have human faeces and/or
urine in your house that is not in the toilet.
Finally...
Whatever stage of squalor you are at, know two things:
1. You are not the only person to have reached this degree of squalor. Other people have
been where you are...and come back.
2. You deserve better!
I was sitting here reading posts and it dawned on me that I am at level 1 in every room of the
house except the mud porch where my laundry is, and that is a level 1-2.I don't know what I
expected... fireworks to go off, or something magical when I hit that milestone... It just happened
slowly but surelythough there was a lot of kicking and screaming along the way, lol. This
happened over the space of two years, but it did happenone baby bite at a time. I still let
things go and have to run a maintenance marathon now and then but it is now all manageable!
Thank you, Squalor Survivors, and all the SS members for giving me the tools, encouragement,
laughter, and for always having a hankie ready for the giving along the way ......I could not have
gotten this far without you all. DustyDiva
There are some who hoard for what seem like sentimental reasons they keep many or
most of their old belongings. One adult patient of mine had all of her childhood toys, as well as
all the clothes she had ever owned since she was a youngster. There may be a number of
reasons behind such behavior. One may be superstitious bad luck may occur if they let go of any
of these things. Another may be the previously mentioned fear of the loss of something needed
one day. Such doubts may be further compounded if the individual is reluctant to grow up or has
some reason for not wanting to give up the past.
A different type of hoarding seems to relate more closely to the sort of hyperresponsible
thinking often seen in OCD. Here, hoarders save things they believe will be useful to others
rather than themselves. They would feel guilty and worry about being neglectful if they didn't
have these things around for others who might need them someday. They may also feel guilty if
they don't save a potentially useful item that could be repaired or recycled rather than discarded
or wasted. In reality, no one ever really needs the things they save, and most of the things saved
never get repaired or are too damaged to be fixed in any case.
Some who appear to hoard actually don't save things for their own sake. Their obsessive
doubts cause a fear that, when throwing trash away, something important will be thrown out
with it by mistake. These people compulsively thumb through every page of newspapers or
magazines, and they double-check the seams of paper bags, boxes, and envelopes to be certain
they have not thrown out money, jewelry, or important papers. Throwing things out can involve
hours of searching and checking. This can become so difficult and time-consuming, that they
may eventually just stop throwing things away altogether: This type of saving may not really be
true hoarding, but something more like a type of double-checking.
Compulsive hoarders can accumulate such large amounts of things that they create
storage problems and fire hazards. In particular, huge stacks of papers, excessive furniture, old
clothing, non-working appliances, etc., can quickly overwhelm a house or apartment. The range
of items saved can include something potentially useful such as reusable containers, except that
hoarders may have hundreds. The other end of the range may include such unlikely things as
cigarette ashes, pet hairs, or used tissues. Entire rooms become completely unusable. I know of
people who have been evicted or threatened with eviction due to the large amounts they have
collected. I also know of divorces resulting from a spouse refusing to live under such
overwhelmingly disorganized conditions. Several years ago in our are, a case was reported of a
woman who burned to death in a house filled with newspapers.
In the most extreme cases, homes can almost look as if they have been vandalized, with
floors covered with debris and rooms filled to overflowing with boxes and bags full of
possessions. The most famous example of a compulsive hoarder was Langley Collyer who,
between 1933 and 1948, filled a mansion on Fifth Avenue in Manhattan with 120 tons of refuse,
junk, and human waste. He would prowl the streets of Manhattan at night looking for items to
rescue from the trash. Both he and his invalid brother, Homer, were found dead among
possessions that included 11 pianos and all the components of a Model T Ford. Langley was
actually crushed by a falling heap of heavy items he had rigged as a booby trap for burglars.
There are other types of hoarding, such as having to make a "complete" collection of a
particular item to get a sense of "perfect" closure. There is "mental" hoarding, which is having to
memorize all informa-tion on a particular topic. There is also the hoarding of memories or
experiences. These symptoms seem to overlap with the problem of compulsive perfectionism. It
is not unusual for some hoarders to buy and save large amounts of useful things that they then
must maintain in a pristine and perfect condition. The items may be carefully wrapped,
packaged, and stored away, never to be touched by anyone. Ironically, many of the saved items
often deteriorate after years in storage, becoming totally unusable. Certain types of compulsive
buying may be related to hoarding, depending upon what is done with the purchase.
side window because the customer couldn't get to his door anymore. It quickly became clear that
the Eggert house was not the unique occurrence everyone thought it must be.
Things fall apart. You mean to, but then you don't. Or you do, but then you just lose track of it all.
For awhile, perhaps, there was the desire. Later, a kind of fatigue. Time gets away. Something
slips--a disconnect--and the heat goes. Tomorrow you will have to set everything right. But the
idea gets lost underneath, in the piles. No one is watching, anyway. No one's coming over. No
one's been notified.
"First, let's talk about the secret." Frank Staffenson, who headed St. Paul's environmental health
department until 1995, is sitting in his den running through his "dirty picture show," which
consists of slides from various garbage houses. For the past half hour, we've been touring
basements and kitchens discovered by postal workers, pizza drivers, scouts sent out to check the
premises after the utilities were cut off. This one, he says, eyeing the screen, inspectors went
into on a condemnation after a call from the neighbors, "which is like having your door kicked in
by cops--not a nice way to go. It means somebody's found out."
Inside, flashed up in the projector's illuminating beam, is a baby's crib coated in gray mold.
Beneath it, scattered across the carpeted floor, are boxes of breakfast cereal--Wheaties, Life--and
a pile of snagged lingerie. "Conception," Staffenson says, nodding at the next slide, "believe it or
not, occurred here," on a stained mattress covered over with crumpled newspapers. "This was
the home of a young couple who'd left the farm. The husband couldn't make it there--this was
the late '80s and the economy was pretty rough for some. They came down to the city and he
couldn't get work. She was 16, 17 maybe, pregnant, and just couldn't keep up with things. This is
the toilet"--click--"past full, spilling over, so they just shut the door and started using a bucket in
the kitchen. The nurse who drove out to the house went in the backyard and puked before she
called me."
We spend another hour in the dark, tracking cases whose addresses no longer matter much. The
particulars inside, after a while, appear like set objects in a series of still-lifes: the industrial
strength garbage bags, the spoiled food, the buckets, the stacks of newspapers. Broken glass
and a toddler with bleeding feet. Wrung-out diapers drying on a radiator. Kerosene lamps.
Captain Crunch. Fly-paper. Aluminum cans. Cat litter trays made from detergent boxes. Coke
cartons. TV Guide. The Eggert house, with a hide-a-bed buried four feet deep in trash, its sheets
still on. The kitchen of another house where a 70-year-old man, living alone, was found in the
middle of winter frozen to death, surrounded by junk mail and pet-food cans, with his feet stuck
in the oven.
In the days before visiting Staffenson, I'd dug through dozens of photographs, case files, and
court records at various city departments. In the wake of the news spectacle on Sherwood
Avenue, these garbage houses seemed to hit the media radar screen with alarming frequency
and, with each subsequent report, to take on an uneasy, morality-tale tone. As a series--a
"beat"--they constituted a ready-made story that came to stand for a whole host of suspicions
that many readers of daily papers were probably harboring about the breakdown of what one
report called "the environment of civic order." There was, too, in many accounts, the notion that
these personal narratives could be traced back to some unmanageable crisis--the death of a
spouse, the loss of a job, bankruptcy--that had by its tragic nature overwhelmed the victims (or
the perpetrators; the media couldn't seem to decide) and sent them into retreat, resignation,
surrender.
In August 1988, following the discovery of "yet another garbage house," St. Paul City Council
member Janice Rettman told the Minneapolis Star Tribune that these stories "blow people's
minds, because any one of us could face a personal tragedy that would cause us to lose track of
reality." In June 1992, city inspectors in Richfield located a man by the name of Richard
Schalekamp, a retired widower, living in a garbage house whose contents, in the days following
his removal to an assisted-living apartment, filled two dumpsters. "It's a real mess here," he told
one reporter who'd come along on the raid. "I don't know how it got so messed up. I guess things
just got out of hand."
Of the slides I viewed at Staffenson's house that morning, many were shot before the "original"
garbage house surfaced in the spring of 1988. Disturbing cases had been around for as long as
he could recall, Staffenson said, back to the early 1970s, though none was reported in the press.
It wasn't until the late '80s that the public attention needed to turn a handful of scattered,
unsanitary houses into a phenomenon reached critical mass. The secret began making news.
The Eggert house, or at least the one built by the media, seemed to hold a larger resonance;
seemed to offer, in the words of writer Joan Didion, a "conflation... of personal woe and public
distress." The father, we learned, was a Vietnam Vet, a former city worker who had recently lost
his job. The mother, a registered nurse. Somehow, on the way to a normal enough American life,
something had gone terribly wrong. Failing in their vigilance--against the accumulation of
everyday junk, against mundane dread--they had, as one national TV reporter put it, "simply
thrown up their hands, closed their doors, hung an invisible Do Not Disturb sign out, and gone
into private hiding."
Said another: "In this era of free-floating anxiety, when the world of hyper-technology, infinite
information, environmental overload, and constant assaults on the individual psyche is too much
with us, it seems this family, and others like them, just let go and got buried." A local
psychiatrist, after reviewing the salient details of the Eggert case, suggested "anti-depressants,
perhaps something on the order of Prozac, as a possible out for these people."
Last year, the Housing Inspections department in Minneapolis fielded 203 calls on its complaint
line about potential garbage houses. It's hard to tell, says supervisor Mike Osmonson, how many
of those turned out to be valid--meaning so full of litter as to constitute a fire or health hazard to
the residents. The office's current computer system isn't capable of culling them into a category
separate from, say, "clutter houses," with pathways through organized rubbish, or garden-variety
"cat houses," the worst of which, he recalls, had more than six dozen animals in its basement.
Among the garbage house cases that did prove true from those calls and from police department
referrals, the lessons suggested in the Sherwood Avenue reports kept playing out.
* On Valentine's Day, 1996, the house at 2119-21 Fremont Ave. N. was found to be occupied by
an elderly woman whose bathroom sink, toilet, and bathtub had been filled with "human waste"
years ago and the room sealed off. A grand piano sat in the living room under piles of aluminum
cans, microwave food cartons, and filthy clothing. It seemed, inspector Jim Strong said after
reviewing the file, "that nobody went to visit her anymore, so any reason to keep things from
turning into a chaos were gone. Nobody'd seen her in weeks. With houses like this one, you
know, we've to go in and search on the chance that, under all the stuff, there might be a body."
* That same year a search warrant was issued on Oct. 2 to the Minneapolis police, the
inspections department, and Animal Control, allowing them to forcibly enter the house at 2758
Sheridan Ave. N. An orange cat was found on the doorstep "literally covered with fleas." Inside,
the search party came across over 50 other cats and the occupant who, according to a later
report, "had scabs and sores on her hands and appeared to be ill." Her husband had phoned the
inspections department three days earlier, a Monday, canceling their arranged visit because, he
explained, "someone had died on the back steps Sunday night." In the snapshots, the living room
floor is a squalor of newspapers, ashtrays, TV sets, lawn chairs, bottles of vitamins. In the
basement, which was inaccessible, garbage bags and pans of cat litter obscure any view. In the
kitchen, shoes, plastic bags of human feces, Jell-O boxes, Dawn detergent. A loaded shotgun, as
one inspector mentioned in the file, was retrieved from a back bedroom, with "one round already
in the chamber."
* In May 1996, inspectors left their calling card on the door at 2809-11 Harriet Ave., with
instructions to clean up the shopping carts, clothing, and miscellaneous debris from the
premises. By the end of September, the female occupant, who was buying the property on a
contract-for-deed, was issued official clean-up orders. Two 30-yard dumpsters had been parked in
the driveway, but were removed that month for "nonpayment," though, the file notes, she was
working at two jobs to cover the cost. A search-warrant application, signed in late fall, stated that
"the inside of the house is filled with garbage and trash to a height of four feet throughout the
first floor." On Dec. 5, the occupant was officially notified that her house had been condemned,
with apologies from an assistant city attorney that "due to the Thanksgiving Holiday, there was a
delay in communicating this decision to you." In the Polaroid photos shot the day she was
evicted, three police officers stand in the entryway in what looks like outer-space gear--plastic
full-body suits, heavy duty gloves, rubber masks, and white boots, with their walkie-talkies and
guns strapped to black belts around their waists. In another shot, a Hennepin County Medical
Center ambulance sits idling at the curb, waiting to take her in. A handwritten note, presumably
penned by an inspector, mentions that the woman "wants to know, bottom line, what she has to
do."
The first night I drove down to Farmington to visit Brian Roman Eggert, who is now 23 years old, I
stopped at a service station for directions. The woman working the counter pulled out a local
map from beside the cash register and flipped it open, running her finger over the creases and
tracing the vague border between suburban Apple Valley and rural Farmington. "The trailer court
you're looking for is called Country View," she said, pointing to the cross-streets. "It's in this kind
of no-man's land between towns that everybody seems to want settled but nobody wants to
claim."
On the way, the road winds along past acres of new tract housing in enclaves with names like
Deer Meadow. There are bright yellow banners for Twin Cities Model Homes, and a sign
announcing the opening of a SuperAmerica "arriving soon to serve you." I knocked on the trailer
door several times before a woman who turned out to be Eggert's girlfriend opened the door.
"He's not home right now," she told me. "What do you want?"
I said I'd come to visit with him about--what should I say? A story? The garbage house he grew
up in? His suicide attempt a Minneapolis inspector had mentioned to me the week before? "I
wanted to ask him about the time nine years ago when he lived in St. Paul," I said. She stared at
me for a minute, then offered, quietly, "Well, that's a difficult subject for Brian to talk about." She
jotted down my number, but said they didn't own a phone.
The next morning, Brian Eggert answered the door and invited me in, apologizing for the mess
inside. Sit down, he said, gesturing to the couch. Nothing in the room was out of place. We talked
for a few minutes in stops and starts, about his two kids, about his job at Domino's pizza in
Farmington, the habit he'd picked up lately of ironing and folding his socks and lining them up in
a drawer, his plan, maybe next year, to train as a sign-language interpreter "so people who've
lost their senses won't feel so cut off." Finally, I turned on a tape recorder and asked him to talk
about what it had been like.
"The house I grew up in was full of garbage. When I was 12, my mom and dad moved out. They
went off to live somewhere else--her with a new boyfriend, him with a girlfriend. So it was just us
kids. I took care of my sisters and my baby brother then. Sometimes my folks would come
around and bring us clothes from Goodwill. I guess they just left, and abandoned us to the
garbage.
"The last three years we didn't have water. So we didn't have heat. I tried to collect some
blankets I found to keep us all warm. There weren't any lights. Sometimes the phone was on,
sometimes off. The stove and refrigerator, you know, didn't work. I'd go around the corner to the
Holiday station and steal food--bread mostly, and candy. I got real smart. I had to feed my family
and stay alive. Also, I'd take my baby brother down to the gas station for a bath. The people who
worked there must've got to wondering what we were up to.
"Nobody came to our house. Inside, it was just trash, newspapers, pizza boxes, buckets of, you
know, stuff, every type of litter you could imagine. Somebody later called it chaos. I tried to get it
cleaned up but that was hopeless. I thought for a while it might be normal, but then I figured out
it wasn't. I got scared that people would come in and find out. We had a front door, then an entry
way, then another door. So I'd slip between the two and stand there if somebody knocked, like
when my uncles came over sometimes. They'd just wait outside.
"Raising my little brother, Michael junior, was a hard thing. He used to call me dad. I taught him
how to talk, because my sisters couldn't really. I tried to teach him how to walk, too, but there
was so much garbage that he couldn't balance or stand up right.
"Somebody said, I can't remember who, that there was more trash in our house than there was in
the stadium after the '87 World Series. What happened was it just kept growing. We filled up
spaces, but we couldn't really get it organized. The day the police came to my door, I was so
scared. They were looking for my dad. I said he's not here. They said we have to come in and
look. When they did, one man just let out a long breath and said, 'Oh, my God.' They put us all in
the squad car then, and took us to the station. The next day, and this was pretty weird, I went to
school. I was sitting in social studies class and the teacher pulled out the newspaper to read out
loud to us. Like current events--politics, sports, the environment, crime, that type of thing. And
there it was on the front page. She started reading it. I just sat still. I wanted to turn invisible. It
told my address and my last name and all about the garbage and I just sat there listening to the
story about my house, like sitting in hell. After that, it was like our own little world just blew
apart."
"Is there a cure?" Dr. Thomas Mackenzie, a professor of psychiatry at the University of Minnesota
Medical School, turns from his office computer and poses the question, to no one in particular. It
hangs a moment in the air as he clicks the next slide up on screen. "Well, you would know there
isn't. There's no relief from your life," he answers, switching to a checklist that runs the spectrum
from hoarders to pack rats to bag people to syllogomania (the pathological collecting of rubbish).
"There's whatever your life's become, you try to distract yourself, find times when you can feel
productive or passionate. Do people recover? Yes. Is there a cure? No. And that's where things
get interesting."
Let's get a feel for the terrain here, Mackenzie goes on, leaning back in his swivel chair. First, let's
get in the model of accumulation and disposal, the ebb and flow of how we live: You take stuff in,
you feed stuff out--food, information, belongings. Maybe you own a house. You put in some
furniture. You fill up the closet with clothes. You commit the day's news to memory. There's room
for what's necessary. It's purposeful. You survive, carry around what you can, dispose of the rest.
Now, for a twist, let's throw in the notion of imagination, which on the American landscape these
days can be a highly mediated territory. You flip on the TV: rain forests, the latest genocide, noise
downloaded online. You flip on the radio: genocide in the Balkans, terrorist cults, Flight 800
plunging on fire into the sea. Advertisements, accidents, events piling up that you couldn't even
imagine might occur, and it seems that they all occur eventually if you just stay tuned in.
"That's the culture we're traveling in, late '80s, mid-'90s America," Mackenzie says. "Not much
about its effects can be demonstrated scientifically, remember, but we can agree it gets to
feeling pretty crazy after a while. How do you know what's of value and what's not? All the ads,
all the news scream out that 'this is important, this is essential!' And somewhere in the
imagination the idea gets planted: Without this stuff, I'm without protection. I'm lost. Anything
could happen. The possibilities seem infinite, in part, I suppose, because there's so little evidence
that as individuals we can control much of anything. Take technology--it's hyped as 'access to
information,' as x, y, and z, the solution to the crises. As freedom--from anxiety, from fear. But it
turns out that instead of being liberating, it's imprisoning. It's overload."
In late 1989, a 67-year-old woman, living alone in St. Paul, let city inspectors enter her home.
They found inside nearly a ton of newspapers piled halfway up the living room walls, filling all
available floor space save a pathway into the kitchen, where her stove was buried under more
stacks. She'd meant, she told a social worker later, "to clip out the recipes, but for some reason I
never could get around to it." In February, 1995, as reported by the Star Tribune, a young
suburban couple were taken from their garbage house after the sheriff's department discovered
"so much clutter and mess that there was nowhere to sit down in the house." According to the
complaint, William Pfozer, the husband, admitted during questioning that "things are getting
weird" and that conditions inside had "passed beyond hope."
"It's a wonderful notion," Mackenzie goes on, "to hold that the human nervous system, under the
conditions we're talking about, may not be evolving at the same speed as technology and
information." That we may be living now past saturation level, at overkill. "The question then
becomes, where do we look for meaning? How do we create meaning in the midst of all this
confusion, this inability to get rid of all we're made to take in? Look, the function of every
spiritual model that civilizations have ever created has been to relieve the pain of staring into the
abyss. They make meaning out of the chaos. So in this sense, how does one connect it to the
woman who saved every newspaper for 20 years, intending to cut out the recipes? It was, I
suppose, functional for her--a way to secure meaning. It was a solution once--a way to ensure a
future. And then, in time, it became a kind of surrender. With garbage houses, we surmise that
the resources their occupants have and the demands of the universe are badly mismatched."
The behavior of garbage house residents, figures Mackenzie, absurd as it may appear in passing
news reports, appears to be intentional. "You dive into a dumpster and come out with a pizza
box. Is that random? How many monkeys working like that would've done this act?" You could
argue, he says, that human cognition is all about organization, about discrimination: This is of
value, this is not. But remember, we're talking here about a society in which discriminating
between what's essential and what's garbage is nearly impossible. So, he adds, you develop the
tendency to accumulate everything--in case it might be useful. It might, on the off chance, be of
value, even critical to your existence.
"I tend to work an economy where there's got to be a pay-off, even if it's pain. And the pay-off,
for people who collect, must be the security of knowing. Knowing what is the question." That
somehow, even if it's garbage, it's a sort of security against panic? "Perhaps.
City Pages news intern Todd Renschler contributed to this story.
MIND UNDER
MATTER: Years of
excess
accumulation left
the resident of
this New York City
apartment, an
older woman,
little room in
which to navigate.
After the
Newspaper accounts of the avalanche duly noted that Moore was luckier
photographs were
than Homer and Langley Collyer, two pack-rat brothers who for four
taken, she threw
decades crammed their Harlem mansion with heaps of debris:
out several dozen
newspapers, old Christmas trees, sawhorses, perhaps a dozen pianos,
garbage bags
even a dismantled automobile. On March 21, 1947, Homer was found dead
worth of her
of starvation. It took another 18 days for city workers to uncover Langleys
belongings.
smothered body.
Day after day, year after year, Patrice Moore received a load of mail
newspapers, magazines, books, catalogs, and random solicitations. Each
day the 43-year-old recluse piled the new with the old, until floor-to-ceiling
stacks of disorganized paper nearly filled his windowless 10-by-10-foot
apartment in New York City. In late December, the avalanche came, and
Moore was buried standing up. He stood alone for two days, until
neighbors heard his muffled moaning. The landlord broke in with a
crowbar; it took another hour for neighbors and firefighters to dig Moore
out and get him medical help.
They cant organize themselves sufficiently to hold a job. As they age and their memories fade,
they may no longer even remember what theyve been hoarding. One 61-year-old man who
attends the Clutter Workshop, a support group in Hartford, Connecticut, gathered so many books,
papers, and pieces of junk mail that he filled as much of the house as his wife would tolerate.
Somewhere in there he lost a six-figure check for the sale of his parents house. You cant
imagine my total embarrassment at having to call the attorney and ask for a new one, he says.
How widespread is the disorder, and why is it so acute in certain individuals? Answers are hard to
gather in part because hoarders tend to be secretive about their habits. Nonetheless,
researchers have identified various interesting patterns. For example, hoarding often runs in
families. People with this problem tend to have a first-degree relative who also does, says
Randy O. Frost, a psychologist at Smith College. So it might be genetic, or it might be a
modeling effect.
+++
Hoarders tend to be emotional; they attach sentimental value to most of
their belongings, even used paper coffee cups or outdated calendars.
Theyre thinking about all their stuff the way you think about the contents
of your jewelry box, says Nicholas Maltby, a psychologist who works with
compulsive hoarders at the Institute of Living in Hartford. Hoarders are
often intelligent and well educated, and they typically think in complex
ways. They may have more creative minds than the rest of us in that they
can think of more uses for a possession than we can, says Frost.
Most fundamentally, scientists say, hoarders possess a profound inability to make decisions.
Frost describes combing through the possessions of one patient and coming across an article
from a travel magazine. The patient could not decide whether to throw away the article or, if she
kept it, whether to file it under travel or one of the various countries it discussed. So she made
several copies and put one in each category.
Indecisiveness extends to other areas of hoarders lives. They cannot
decide what they should be doing, so on any given day they may start a
dozen different projects. They bounce from one thing to another, says
Sanjaya Saxena, a professor of psychiatry at the University of California at
Los Angeles. They also have trouble deciding how much to say. They are
overtalkers. They have to give you every possible detail, rather than a
simple answer to a question.
Compulsive hoarding, unlike obsessive-compulsive disorder, does not respond to treatment with
antidepressant drugs, and unlike sufferers of obsessive-compulsive disorder, hoarders actually
enjoy being surrounded by all their stuff. Hoarding seems to be more like compulsive gambling
or compulsive shopping because its pleasurable to the person, Maltby says. Moreover, positronemission tomography brain scans indicate that hoarding and obsessive-compulsive disorder may
be quite distinct. In a study published in the June American Journal of Psychiatry, Saxena
reported that hoarders have lower activity in the cingulate gyrusa structure that runs through
the middle of the brain, front to backparticularly in areas known to be involved in decision
making and focusing attention. People with obsessive-compulsive disorder who are not hoarders
do not exhibit this characteristic at all; their brains, in contrast, show elevated activity in areas
that generate concerns about danger, contamination, and order.
Saxenas findings are corroborated by a recent study from the University of Iowa, involving a
group of people who had suffered lesions in various parts of their brains as a result of strokes or
other neurological diseases. Thirteen patients had never shown a tendency to hoard until they
suffered lesions in the mesial frontal regionwhich encompasses the anterior cingulate gyrusat
which point they fell victim to what the scientists described as a massive and disruptive
accumulation of useless objects.
The findings suggest that doctors may want to look outside the realm of obsessive-compulsive
disorder for drug treatments for hoarding, Saxena says. He plans to experiment with stimulants
typically given to people with attention deficit disorder. Well try Ritalin and also drugs that
seem to improve cognitive functioning in people with Alzheimers, he says. The goal would be
to improve attention and concentration and find out whether that helps hoarders.
In the meantime, Frost and Gail Steketee of Boston University are working to develop an effective
cognitive-behavioral treatment. Three different behaviors must be addressed, Frost says: the
organization of stuff, the acquisition of new stuff, and most important, the timely discarding of
stuff. The researchers are developing a
treatment model that calls for six months of therapy in which patients articulate their mental
struggle as they try to discard some of their possessions.
Maltby agrees that hands-on therapyhelping hoarders analyze their thoughts as they sift
through their stuffis crucial. The problem isnt solved by cleaning. Its not solved by coming in
and throwing out the hoarders stuff. They can collect it again. You have to solve the problem at
the decision-making level.
Sigmund Freud didnt see collecting as stemming from these kinds of motivations. He postulated
that collecting ties back to the time of toilet training, of course. Freud suggested that the loss of
control and what went down the toilet was a traumatic occurrence and that, therefore, the
collector is trying to gain back not only control but possessions that were lost so many years
ago. Well thats Freud.
While Freud may clearly have overstated the issue, his explanation serves as a nice segue into
the dark side of collecting, the psychopathological form described as hoarding. The
abnormality of the hoarder shows up in those instances where the aberrant behavior interferes
with an otherwise reasonable life. This can sometimes even include gross interference with the
lives of others, even leading to enforcement issues.
Some theorists suggest that the behavior associated with hoarding can be an extreme variation
on compulsive buying. Compulsive buying, in turn, is closely related to major depression,
obsessive-compulsive disorder, and in particular, compulsive hoarding.
According to a study by Kyrios, Frost and Steketee, compulsive buying is thought to be influenced
by a range of cognitive domains including deficits in decision-making, emotional attachments to
objects, erroneous beliefs about possessions and other maladaptive beliefs. Some experts
have described the psychopathology of hoarding as repetitive acquisition syndrome.
hoarding as pathology
Probably the extreme illustration of this is the person who harms others in his/her passion for
collecting. Such extreme pathology is referenced by animal or people hoarders. The former is
the person we read about in the local paper with a headline that reads: Local Woman Found with
100s of Filthy, Diseased, Malnourished Cats. On the other hand, there are those collectors who
collect people, as in serial killers. Movies such as The Collector, The Bone Collector and Kiss the
Girls portray such persons in a context of a thrilling mystery for the entertainment of movie
goers.
In extreme instances of aberrant collecting what is one to do? Dr. Phil, The TV mental health
guru Philip McGraw, came to Amherst, Ohio to video and heal a Mr. Mishak who had a 10-year
accumulation of collectibles that ranged from old cereal boxes, windows, and toothpaste tubes
to dead cats. Dr. Phil interpreted Mr. Mishaks problem as compulsive hoarding that served as a
coping mechanism for managing anxiety and fear of losing control. The proposed therapy was
to provide a convoy of six big-rigs to haul away the collectibles Accompanying the trucks was a
requisite Dr. Phil TV crew. Since researchers have not agreed on the accountabilities for the
pathology of collecting, therapies have had limited success with such persons. We do not yet
know the full outcome of Dr. Phils therapy.
Mark B. McKinley, Ed.D., is professor of psychology at Lorain County Community College in
Elyria, Ohio. His e-mail address is: mckinley@lorainccc.edu.
References:
Jeffery Kluger, Who Should Own the Bones? Time, March 13, 2006, from
http://www.time.com/time/archive/preview/0,10987,1169901,00.html (April 4, 2006)
Kyrios, M., Frost R.O. Steketee G., Cognitions in Compulsive Buying and Acquisition, (Kluwer
Academic Publishers, April 2004), 28: 241-258.
Hawk, Jason, Dr. Phil Confronts, Amherst New Times, Wednesday, Feb. 8, 2006.
When you feel ready, slowly return to the room and sit for a moment with your eyes closed. Feel
yourself integrating with your surroundings. Slowly open your eyes and take on your day, or have
a peaceful sleep.
NHP: What effect does hoarding have on the family, particularly the children and the spouses of
people who hoard?
FN: Hoarding can be devastating for the family. You have to remember that people who live with
someone who hoards dont get to choose how they want to utilize their space. The person who
hoards has total control over what goes where. This can cause a lot of anger. Also, because most
hoarders are ashamed of their behavior, they usually wont let others into their homes. This can
cause all sorts of problems: leisure activities and social behaviors get disrupted, routine
maintenance of things around the house becomes impossible. Functional spaces in the home like
beds, kitchen tables, couches, and so forth can get lost under collections. And, of course, the
collections themselves can create health problems.
NHP: What causes people to hoard?
FN: We dont really know what causes hoarding. There are some theories.
Neurobiological bases are being investigated. It is believed that serotonin, a substance in our
bodies, might be involved. On a psychological level, it seems that hoarding almost serves as selfpreservation. People who hoard might associate loss of possessions with loss of identity and self.
This feeling might be related to deprivation. We also live in a society that puts a lot of emphasis
on acquiring objects, and this kind of sentiment might incline people to save things. Our selfworth is often equated with the number of possessions we have.
NHP: People who hoard may be evicted or lose their children because of the safety hazard posed
by clutter. Can you tell us what the hazards typically are and what local governments are doing
to address the problem of hoarding?
FN: There are currently many task forces being formed to deal with hoarding.
Previously, many tenant-landlord disputes led to the eviction of people from their homes and the
dumping of their possessions. Some of these people attempted suicide or simply quit functioning
after they lost their belongings. Now we recognize that hoarding is a disorder that needs to be
dealt with seriously and somewhat therapeutically. More and more, landlords and civic authorities
who are familiar with hoarding try to work with tenants that hoard to help them deal with their
possessions in more constructive ways, like letting people who hoard decide for themselves what
to discard. The welfare of children with parents who hoard, of course, is a major concern for local
governments. Some children may be removed from their homes if they dont have a bed to sleep
on, a place to do homework, or space to walk and play around in. Its certainly the case that their
physical health can be endangered by molds, infestations, and excessive dirt conditions that
can cause asthma and other health problems.
NHP: Hoarding must cause a lot of problems for the spouses and partners of people who hoard.
What would be your advice to the partner of someone who hoards?
FN: Now that its available, Id recommend that he or she read our book and then offer it to his
or her mate. Id suggest they talk about the problem in a non-threatening way and acknowledge
together that the hoarding is a serious problem causing further serious problems in their
relationship. Id advise them to go to a therapist together to work on the problem-after, of
course, first checking to make sure the therapist is familiar with hoarding and will actually do the
type of therapy we suggest in the book. If the person who hoards refuses to see a therapist for
hoarding, Id try to get him or her to go for the relationship issues. Getting your foot through a
well-trained therapist's door is the first step. If all else fails, the partner of the person who hoards
can do the intervention technique we suggest in the book, organizing friends and family
members to talk to the person who hoards about the problem.
NHP: What are some of the treatment options for compulsive hoarding?
FN: We recommend treatment using a cognitive behavioral approach because it directly
addresses the problematic thoughts and behaviors that incline someone to hoard. We feel
strongly that talk therapy, in particular, doesnt help hoarders at all. We also recommend
cleaning and clutter-reduction techniques as part of treatment. In particular, the three-and-a-halfbox technique weve devised and described in the book is very effective at helping people who
hoard deal with clutter. It is important for therapists to engage clients in therapy, but this is also
very difficult to accomplish. We think its imperative that people who hoard seek out therapists
with experience in treating hoarding. It is not like other forms of OCD.
NHP: Once people who hoard have overcome their compulsion to save, what can they do to
prevent relapse?
FN: Probably the most important thing for someone recovering from hoarding to focus on is the
careful use of functional space for its intended purpose. If a recovering individual experiences a
relapse, its important for them to return immediately to the techniques we describe in the book
without letting themselves feel overwhelmed or defeated. The good news is that once someone
who hoards accomplishes his or her goals and overcomes an urge to hoard, he or she will
probably never hoard with the same degree of severity as before. I advise people to keep
plugging along, setting up new goals and working on them everyday.
So it is not surprising that Steketees treatment plan focuses on helping hoarders learn to
organize their space, rather than focusing on getting rid of stuff. This is more palatable goal for
most hoarders, who know that their space is poorly organized.
The treatment also focuses on helping hoarders overcome the need to acquire things. The rules
for acquisition are: 1) immediate need for the object (this week), 2) time enough to acquire and
use the object, 3) money to buy it, and 4) an appropriate space for the object. This nips the
problem in the bud.
The treatment works, but its not a miracle. According to Steketee, its not unusual for someone
to move from 7 to 3 on a 9 point scale where 1 is neat and organized, and 9 is total mess. But
relapse is always a danger, as there is something very compelling about hoarding.
So what is the core of hoarding? Even Steketee and her colleagues are a little baffled about this.
As a borderline hoarder who closest friends include some hoarders, I can give some intriguing
answers.
Hoarding is about possibility. The thought I could use this item someday, is central to the
decision to hold onto something. For instance, I have a box of scrap pieces of wood and plastic,
which I keep because I might have a use someday. Every once in a while, I use a piece from my
scrap box. And that reinforces keeping it.
Or papers. I used to clip articles from papers, thinking I would write about the topic someday. I
had many files of articles on travel, psychology, and technology. The technology innovation that
has changed that is computers, and more specifically, the email program Gmail. Instead of
printing out articles, now I email them to myself. Since Gmail can hold thousands of articles, and
with a simple search I can find any of them, Ive tossed out my article files.
One of the beauties of computers is that even massive hoarding of articles or writing takes very
little space on a hard drive. I can hold every email Ive ever written in my life on a single USB
memory stick. So if you are a hoarder of articles, or papers, consider buying a scanner, and using
computer technology to hoard more effectively.
Another aspect of hoarding is sentiment. I hate throwing out something that reminds me of a
good time in my life, or almost anything that has significant meaning. So Id never throw away a
photograph or a letter from someone I care about. I will throw out cards, though, unless they
have a significant written message inside.
And some of hoarding is simply about difficulty in making decisions. For instance, I have too
many books. But it is hard to figure out which books to toss. Some rules are easy. A bad
paperback novel is easy to toss. But a good novel is tougher; maybe I will want to reread it
sometime.
And reference books are still arder. Will I need the information in this book sometime? I try to ask
myself realistically if the info is something Ill need in the foreseeable future, and especially if the
information is still even relevant. Thus old computer books are easy to toss, since in the
computer world things date quickly.
One trick Ive used successfully in de-hoarding is to remind myself that one of the advantages of
getting rid of things is that you can get new things! For instance, if you go through ones clothes
closet and toss all the clothing that doesnt fit and doesnt look good, then you get to buy some
cool new threads! The same is true with books. The key is to replace less than you toss.
Conquering hoarding is about psychological growth. Central to the process of growth is letting go
of the old in order to make room for the new. New things, new people, and new experiences.
Another aspect of de-hoarding is traveling through life less encumbered. That gives you more
flexibility to move, and change. The irony of hoarding is that the biggest hoarders I know love to
travel. And when they travel, they leave almost all of their stuff behind. And they are perfectly
happy living out of a suitcase or backpack, and dont miss their stuff at all.
Maybe this is really a metaphor for our psychological baggage. Travel light, and leave the junk
behind. Throw out old stuff, and organize what you keep. Let go of things, and make room for
new things.
Copyright 2007 The Psychology Lounge/TPL Productions
1. Brother Dan
April 19th, 2007 at 11:42 am
As the hoarding brother of a famous blogger, I heartily concur with your hoarding article.
Some tricks I use are:
1) taking long trips and using other peoples guest rooms, invariably less cluttered than
my apartment.
2) Moratorium on purchasing certain items. No books. I hoard 10-20 library books (few of
which I actually get around to reading) and then return them and get new ones (few of
which)
3) Donate generously to Goodwill! If you havent used it in a year or two, it goes in the
donation box.
4) Trial separation. Put a bunch of books, clothes, junk, whatever into boxes, close them
up, date them and then leave them in a corner for a year. If you havent missed whats in
them, just bring them to Goodwill and get rid of them sight unseen as the psychology guy
would have you do, or open them up and see what you havent been missing, then get rid
of them.
5) Pretend you are about to move a long way away and that it would cost big bucks to
store or move junk, then toss accordingly.
6) Pretend you died. Whats really important is not stuff, but is memories and people
connections. Toss accordingly.
2. An anti hoarder
April 19th, 2007 at 10:40 pm
Hallelujah!
Maybe this is really a metaphor for our psychological baggage. Travel light, and leave the
junk behind. Throw out old stuff, and organize what you keep. Let go of things, and make
room for new things.
One of the best lectures I attended was about this exact concept: traveling through life
with a lighter backpack. I say, throw out the old stuff, file the sentiments in boxes, be
realistic about what you keep, and get rid of old reference material and outdated, worn
clothing. I believe that clutter also clutters the mind so start tossing away. Plus its dust
collecters. Its also most rewarding giving to others who dont have much.
3. Lounge Wizard
April 30th, 2007 at 2:51 pm
Thanks for the comments. I like the suggestions for de-cluttering.
In thinking more about hoarding and accumulation, Im of two minds about it. Half of me
thinks its vitally important, and is key to flowing through life smoothly. But the other half
thinks its a false target. The New York Times often runs photos of famous successful
people in their offices. These offices usually are incredibly messy and cluttered. These
folks are too busy doing interesting things to straighten up.
So maybe its both things. But I think the key thing is to figure out: Is my life working the
way things are? If there is stress and strain on me or my significant others due to the
clutter and stuff, then its worth targeting. If not, then maybe it doesnt matter so much.
Probably better to figure out how to make life work better and have more meaning. To
paraphrase the rock star Warren Zevons biography Ill Sleep When Im Dead, maybe the
attitude we should take towards some decluttering and organization is Ill Straighten Up
When Im Dead.
Another powerful actor, acclaimed for her performance in "Mulholland Drive," Naomi Watts
commented about working with director David Lynch, "David saw me for myself and was OK with
my self-doubts. And I gave him the part of myself I felt I'd been hiding for so long, that didn't
need to be hidden. But he's an artist and he knows that creativity, humor and sexuality all come
out of a dark place."
Diamond believes an artist "can be understood as someone who strives to express him or herself
creatively rather than destructively. I see it as a conscious choice one makes in life, to aspire
either toward the light or the dark, positive or negative, the creative or destructive. The daimonic
demands expression, one way or the other. The artist -- be it the actor, musician, painter,
playwright, poet, novelist or simply a person who lives life very creatively -- is able to give voice
to his or her demons constructively rather than acting them out destructively. So acting and
"acting out" are two different things.
"Acting out is a compulsive, unconscious and generally destructive expression in life of the exact
same feelings the actor expresses on the stage or set. But the actor deliberately, and largely
consciously, chooses to express the daimonic artistically -- and this is therapeutic insofar as he or
she is liberated in some measure from the need to act out such passions literally as, say, a serial
killer or other violent criminal does.
"But to confront consciously one's inner demons -- the daimonic -- takes great courage. It is an
enormous struggle with one's self, a coming to terms with who one really is and how one really
feels, an arduous, demanding process in which pursuing or persisting in artistic work can be
instrumental."
In his book, Diamond writes about a number of prominent and accomplished artists who exhibit
varying degrees of success in accessing and expressing their demons in positive ways. One such
example, painter and sculptor Niki de St. Phalle, was able to find "a fertile outlet for her ferocious
rage toward men -- and the dominant masculine art establishment -- via the creative expression
of violence in her highly controversial work. Her famous 'shooting paintings' resulted from firing
live ammunition at paint-filled, white-washed balloons mounted on a blank, virginal canvas.
"Thus, rather than becoming a crazed killer or vengeful victimizer of men, de St. Phalle's fury -some of which stemmed from having been sexually abused by her father -- fostered a fecund
creativity, that served her well throughout her prolific career."
Picasso was also someone who prolifically expressed much violence and dark emotion through
his work, but was, Diamond points out, "also quite destructive, especially regarding the women
in his life." He is an example of what Diamond calls an angry "dysdaimonic genius" -- someone
possessed by the daimonic.
Other examples he cites include novelist Richard Wright and painters Jackson Pollock and Vincent
van Gogh. "The fact that van Gogh suffered from severe psychopathology -- including substance
abuse -- is indisputable," Diamond writes. "Indeed, the presence of marked psychopathology is
one of the defining hallmarks of dysdaimonia."
A "career criminal" and writer, Jack Henry Abbott "is an example of someone primarily evil, a
furious sociopathic personality, who abruptly became extremely creative, producing a criticallyacclaimed book championed by Norman Mailer, prior to committing murder and eventually
committing suicide in prison."
The difference between violent offenders like Abbott, Ted Bundy or Charles Manson and the
artist, Diamond suggests, is that "the artist endeavors to express his or her antisocial and
aggressive impulses (i.e., the daimonic) via acting, painting, music, etc., whereas the murderer is
driven to act out these destructive impulses in reality, imposing them unconsciously onto the
canvas of real life with little or no concern as to the devastatingly negative effects on the victims,
their families, and society in general."
All true artists at times function "in a state of daimonic possession to some extent," Diamond
says. "In Steven Spielberg's classic, Close Encounters of the Third Kind, Richard Dreyfuss gives us
an incredibly compelling, dynamic and utterly convincing view into the daimonic drivenness of
the artist. He actually is compelled, against all convention, to become an artist, a sculptor, in
order to find some way to realize and give meaning to the vision in his head -- in that story, a
vision implanted by extraterrestrial visitors.
"Dreyfuss' character says, 'I know this means something.' "
"He can't figure it out; that's what he's struggling with: trying to give meaning to his experience."
"But there is also a lot of destruction in that state: he's wrecking his marriage, wrecking his
home, his health, and this is very much true of that kind of daimonic possession state in intense
creativity. But art in general can be conceived of as a process of trying to perfectly realize in the
outer world a particular interior vision, emotion or idea, regardless of its origin."
Regarding the paradoxical coincidence of creativity and destructiveness (or evil), Diamond cites
Jungian analyst Liliane Frey-Rohn: "Evil is of fundamental importance also in the creative process.
For although creativity is usually evaluated as exclusively positive, the fact is that whenever
creative expression becomes an inner necessity, evil is also constellated."
This closeness of evil and creativity can be seen in the lives of those who are unsuccessful in
finding a positive creative voice. "If once the daimonic has been wakened," warns Diamond, "and
no constructive conduit for self-expression can be found, violence, destructiveness, and evil offer
convenient alternative outlets. Hence the perils and importance of assisting patients in pursuing
their creative proclivities."
The goal for psychotherapy with artists and other creative individuals, he explains, is "not to
eradicate the daimonic, to drug or rationalize the demons out of existence. Not only is this not
desirable; it is not possible, at least not in the long-run." As Rollo May put it, the therapist's task
is to awaken and confront the demons, not put them to sleep.
"There was a recent study done which concluded that psychotherapy was at least as effective for
treatment of at least some psychiatric disorders as psychotropic drugs -- and the positive effects
are more enduring! Why is this? Because when therapy is done well, the patient has integrated
cognitive and other tools to deal more constructively with his or her demons. Some artists like
Ingmar Bergman, for example, have learned to live with their demons rather than trying to
simply suppress or divorce them."
"In therapy, one learns to accept and even befriend one's demons -- the daimonic -- recognizing
that they not only make us who we are but that they participate in and invigorate our creativity."
The poet Rainer Maria Rilke dropped out of therapy after only a few analytic sessions, fearing, "If
my devils leave me, my angels will too."
"But that is a false fear as regards any therapy that respects, fosters, and cultivates the
daimonic," Diamond feels. "Still, many artists understandably resist therapeutic treatments
aimed at toning down or suppressing the daimonic cognitively, behaviorally or biochemically. "
"Creativity can be simplistically defined as the constructive expression of the daimonic. When the
artist gives voice to his or her darkest impulses in his or her work, the destructive impact is
minimized and the daimonic energy positively informs the work. When the serial killer or mass
murderer or terrorist gives voice to these antisocial impulses, evil is the result."
During the creative process, Diamond finds, "one can enter into what I call a state of 'benevolent
possession.' It's a sort of trance. The artist allows herself or himself to be swept up in the raging
current of primordial images, ideas, intuitions and emotions emanating from the daimonic or
unconscious, while, at the same time, retaining sufficient conscious control to render this raw
energy or prima materia into some new creative form."
"This kind of voluntary possession can be a constructive, integrating, even healing experience.
But its inducement demands specific attributes, discipline and skills, including adequate ego
strength to withstand and meaningfully structure (rather than succumbing to) daimonic chaos.
The boundary between benevolent and malevolent possession is perilously permeable."
"The insight, creativity, inspiration and ecstasy of voluntary possession," he explains, "can
quickly deteriorate into destructive, involuntary possession, otherwise known as madness or
psychosis." This is the dark side of creativity. This is, for example, one way of thinking about
mania in bipolar disorder, which has long been associated with possession, madness, and
creativity.
"Many artists with this syndrome welcome or seek to intentionally invite possession in order to
enhance their creativity. Drugs and alcohol are often employed precisely for this purpose, a sort
of chemical lubrication of the creative process. But such immersion in the unconscious can be
dangerous, and the artist can be swamped, inundated and swept away into full-blown mania. Or
the mood can suddenly switch to its opposite, triggering a major depressive episode. So this
shows that creativity can also be a dangerous business."
The idea of possession has been around a long time, he points out, and "it used to be believed -and still is by many people -- that it is caused by entities of some kind, demons, devils and so
forth."
JUNG is the one who talked about it most. He said the shadow, and the unconscious in general,
has the power to possess the individual due to its unconsciousness; the more unconsciousness
there is, the more vulnerability there is for that kind of possession in the negative sense.
"And he talked about complexes in particular, having the ability to take possession of one in a
destructive way."
An illustration is the Robert Louis Stevenson story "Dr. Jekyll and Mr. Hyde" in which an
unconscious personality, the shadow, has the power to take over, "because of its very
dissociation: that's what gives it its power. When Rollo May talked about it the daimonic, part of
the definition is the potentiality to be possessed, to be driven by it unconsciously, for it to take
over and usurp the whole personality."
Anxiety, like anger or rage, is another experience closely connected to creativity. "It is true that
not all creativity comes out of anxiety," Diamond clarifies, "in the same way that not all creativity
comes from anger or rage. But anxiety typically, to some extent, accompanies and spurs on the
creative process.
Anxiety can be thought of as one of those demons we don't want to deal with or even know
about. So we tend to deny it, avoid it. Drinking, drugs, compulsive gambling, sexual promiscuity,
workaholism -- all are futile attempts to avoid anxiety. Anxiety is related to the fear of the
unknown, of the unconscious, and of death.
"Creativity requires making use of this existential anxiety. There are two fundamental ways of
responding to anxiety: avoidance or confrontation. Creativity involves the confrontation of
anxiety, and of that which underlies the anxiety, i.e., discovering the meaning of one's anxiety."
Diamond adds that anxiety can be a signal that unacceptable (daimonic) impulses conflicting
with consciousness are "threatening to break through their repression. These impulsions can be
profoundly threatening to our sense of identity, our 'persona' as Jung called it, or our egos."
Such "unacceptable" impulses come from a dark inner territory Jung called "the shadow" and we
typically dread looking "in there" or having impulses appear unbidden. "But if we can stand firm
without running," Diamond says, "tolerating the anxiety these unwanted visitations, these 'close
encounters' engender, we can begin to give them form and hear what it is they want of us.
"Creativity comes from this refusal to run, this willing encounter with anxiety and what lies
beyond it. It is an opening up to the unknown, the unconscious, the daimonic. And it can be
terrifying. The real trick is learning to use the anxiety to work rather than escape. And all of this
requires immense courage, the courage to create.
"So anxiety stems from conflict -- either inner or outer conflict -- and creativity is an attempt to
constructively resolve that conflict. Why do people create? We create because we seek to give
some formal expression to inner experience. Certainly, that inner experience is sometimes joy,
peace, tranquility, love, etc. We wish to share that experience with our fellow human beings."
But, he continues, human nature being what it is, "more often the inner experience is conflict,
confusion, anxiety, anger, rage, lust, and so forth. So this is what fuels and informs the bulk of
creative work, and it is what gives it its resonance, intensity, and cutting edge."
Anxiety not only motivates most creative activity, Diamond notes, "it inevitably accompanies the
process. This is because in order to be creative -- to bring something new into being, something
unique, original, revolutionary -- one must take risks: the risk of making a fool of oneself; the risk
of being laughed at; the risk of failing; the risk of being rejected."
This is the reason "true creativity" requires so much courage, he explains. "One can never know
the outcome of the process at the outset. Yet, one is putting oneself on the line, fully committing
oneself to the uncertain project. Hence, one is plagued by the demons of doubt, discouragement,
despair, trepidation, intimidation, guilt, and so on. Who wouldn't feel anxious?
Nonetheless, it is during this process -- once we have decided unequivocally to throw ourselves
fully into it, for better or worse, to completely commit to it -- that there can be moments of
lucidity, clarity, passionate intensity that transcend all petty concerns.
"It is then -- when we stop worrying about what others will think, when we stop trying so hard,
when we relinquish ego control and surrender to the daimonic, when we relax or play -- that what
Jung termed the 'transcendent function' kicks in, and the conflict is resolved, the problem is
solved, the creative answer revealed."
So this kind of alliance with the daimonic aspect of our selves is of profound value. As Diamond
writes in his book: "By bravely voicing our inner 'demons' -- symbolizing those tendencies in us
that we most fear, flee from, and hence, are obsessed or haunted by -- we transmute them into
helpful allies, in the form of newly liberated, life-giving psychic energy, for use in constructive
activity. During this alchemical activity, we come to discover the surprising paradox that many
artists perceive: That which we had previously run from and rejected turns out to be the
redemptive source of vitality, creativity, and authentic spirituality." [END]
--Stephen A. Diamond, Ph.D. is a licensed clinical and forensic psychologist practicing in Los
Angeles, CA. Dr. Diamond is a designated forensic consultant for the Los Angeles Superior Court
(criminal division), and maintains a private psychotherapy practice where he sees many talented
individuals, including members of the Screen Actors Guild.
A former pupil and protege of Dr. Rollo May, he has taught at the Pacific Graduate School of
Psychology, J.F.K. University, the C.G. Jung Institute--Zurich and the Institute of Transpersonal
Psychology.
He was a contributing author to the best-selling anthology "Meeting the Shadow: The Hidden
Power of the Dark Side of Human Nature" (1991). And is the author of "Anger, Madness, and the
Daimonic: The Psychological Genesis of Violence, Evil, and Creativity" (1996/99). His most recent
publication, "Violence as Secular Evil," will appear in the Journal of Applied Psychoanalytic
Studies (January 2003).
Identifying & visualizing your dreams. List steps to accomplish your goals.
So why do you hang onto things? Do you have a fear that there's not enough? Or do you equate
an abundance of possessions with success? Or perhaps you are afraid to let go of the past? Get
to the root of why you collect things, address your fears, and then use the solutions outlined
above to take positive action toward simplifying your life. You'll be amazed at the freedom and
peace of mind you experience as a result.
YOU
COLLECTOR?
Collections are the outward manifestation of a deeply-felt principle or emotion, and are quite
different than ordinary garden-variety clutter. One man has a love of photography and takes
pictures of everything. Another woman buys more shoes than she could ever wear, to make up
for having hand-me-downs as a child. Someone else might keep all of her mothers old clothes
and papers after her death. Whether we love hats, unicorns, or butter tubs that we might use
someday, collecting makes us feel good it fulfills some NEED in our lives. What do you love to
collect?
However, as much as we love our keepsakes and mementos, any collection can become
overwhelming if it isnt kept in check. One of my clients actually considered building on an extra
room to house dozens of antique cups until she realized it was a choice between the
renovation and her sons college tuition! Another client spent hundreds of dollars a month on
storage units, because she couldnt bear to part with any of her childrens clothes or toys. The
trick is to establish a set of RULES for sorting, storing, and purging your mementos. Even if you
arent buried in memorabilia, its important that you properly store and protect your keepsakes
after all, your treasured memories deserve some respect!
SETTING PHYSICAL LIMITS
You may decide to establish a physical limit for your belongings. Perhaps you tell yourself that
you will keep no more than 10 ceramic frogs, setting numerical limit. Or, you could determine an
acceptable spatial limit I wont buy any more shoes than will fit on this shelf. Finally, you might
decide that you work better with an in / out ratio you get rid of one magazine every time you
bring a new one home. Either way, you are creating a very specific method for keeping your
belongings in check. You never need worry about losing control again!
THE DISCRIMINATING COLLECTOR
Collecting, like everything in life, should be about quality not just quantity. Resist the urge to
own every colored glass bottle on the planet be DISCERNING about your favorites. Perhaps
you can select a few representative samples of your collection, display them beautifully, and
discard the rest. Take some time to examine your treasures, asking yourself which ones really
mean something to you. You may find that a once beloved collection has lost its appeal. Take
picture or shoot a video tape of your collection for posterity then you will feel more free to let
go of the past without completely discarding years of memories.
STORING YOUR KEEPSAKES
The first rule for protecting your memorabilia is to select a space that is accessible, but not part
of your active storage. If you clearly separate mementos from those items you use regularly,
they are less likely to get damaged or lost. You may use any kind of container, but one with a lid
will keep out dust. I happen to prefer a cedar chest, because it insures that no creepy-crawlies
will decide to munch on my keepsakes. Insect infestation is a particularly important concern if
you are keeping old clothing or dried flowers. You may want to have that baby blanket or
wedding gown professionally cleaned and sealed before you store it away. And be very careful
about storing treasures in your garage, attic, basement. Never store anything in an unprotected
area if it might be damaged by moisture or extremes in temperature if it might melt, freeze,
warp, fade, or crack. Finally, be careful about the kind of packaging you use acid-free tissue
paper is a better choice than packing peanuts, which can melt over time.
GETTING YOUR PICTURES IN ORDER
Going through years of backlogged pictures and putting them in order can either be a nightmare
or a fun trip down memory lane depending on how you approach it. Before you do anything,
go wash your hands. The oils on your fingers can permanently damage your snapshots. And
remember that even Ansel Adams threw away the bad pictures. If its underdeveloped, fuzzy, too
bright, or youre making a goofy face, you can toss it. You wont go to hell. While were at it, lets
talk DUPLICATES why do you need 6 sets of prints from the company picnic? Keep one and
give the rest to the other people in the picture.
The easiest way to begin is to sort your snapshots by date. You can get a general idea of the time
period by the film grain (black and white, sepia, full-color) and the paper on which the photo is
printed (white edging is older than no edging, textured paper is older than smooth). Other clues
can be found within the pictures themselves. Are those hotpants from the 1960s? Perhaps you
remember that you took that cruise to Nassau in 1993. You may only be able to remember the
occasion that must have been a family reunion because theres Aunt Marge! Separate your
snapshots into piles according to the time period and the occasion. Then, label each photo on the
back with a crayon or special grease pencil a sharp pencil or pen will damage the picture. And
dont forget to label the negatives, as well.
STORING YOUR PHOTOGRAPHS
Once your pictures are in chronological order, youre ready to store them away. Always use ACIDFREE pages, mylar / polypropylene pockets, or an acid free box never magnetic pages, which
will eventually destroy your snapshots. You will probably want to put some identifying labels on
the pages or box dividers as you go along, so have a pen and some stickers handy. Keep your
negatives in the original packaging, labeled in chronological order, in a photo box or you may
buy special negative sleeves that fit into a ring-binder. And keep in mind that both photographs
and negatives are easily damaged by moisture and heat. The attic or basement probably is not
the best place for them. You may opt to keep your negatives in a fire safe or safety deposit box,
in case your photos are destroyed. After this point, be sure to keep some extra photo albums and
blank pages on hand, and reward yourself for organizing your pictures and negatives as soon as
you bring them home.
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Ramona Creel is a Professional Organizer and the founder of OnlineOrganizing.com offering a
world of organizing solutions! Visit www.onlineorganizing.com for organizing products, free tips,
a speakers bureau and even get a referral for a Professional Organizer near you. And if you are
interested in becoming a Professional Organizer, we have all the tools you need to succeed. If
you would like to reprint this article, you may do so as long as you include this full resource box
(Copyright Ramona Creel).