Sandra Nogii

Screenplay
WATCH OUT, SHES A SEX BOMB
/ FREEZE, I WANNA HEAR ONLY A BREEZE /

Doctors room. Its all in white, but with black curtains, black desk,
black arm chair with button for moving back, black flower pot with white
flower...On the table are black sheets of paper with white letters and
white sheets of paper with black letters. Doctor is black haired, in white
of course.
Shot 1 - Sign of yin yang. Camera goes back and we can see a
doctor wearing a chain with the sign of yin yang. He starts
coughing and sweating. Camera zooms in on the doctor.
He is in wide shot shaking with great excitement.
DOCTOR: I need a doctor.
He takes off his wedding ring, and throws it away.
Shot 2 - A black cactus with white flower. A ring falls on a prickle of
the
cactus.
Shot 3 - Doctors scared face.
DOCTOR: / I lost a ring. /Another problem with my wife.
He puts his hands on his face. We can hear knocking on the
door.
Shot 4 - Doctor's palms. His hands slowly move apart, so we see
doctors subjective shot. A pretty blond woman is entering. She
entered quickly and we couldnt see her very well. She closes the door,
her dress is flying and we see her backside. She is slim and pretty,
wearing a red dress and high-heeled red shoes.
Shot 5 - Back side of red high-heeled shoes. They are turning around,
so now we see front side of red high-heeled shoes.
Shot 6 - Doctors black shoes are moving nervously.
Shot 7 - Red high-heeled shoes start to move a few steps.
Shot 8 - Doctors black shoes are nervously touching one another.
Shot 9 - Red high heeled shoes are moving just for one step and
then they stop.
Shot 10 - Doctors black shoes are stepping one after another.
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Shot 11 - Camera goes slowly from red high heeled shoes up, so we
see the beautiful womans legs. She gently moves one leg in
front of the other.
Shot 12 - / Very quick. / Doctors black shoes are shaking.
Shot 13 - Camera slowly goes from the bottom of the womans red
dress
and we see her slim waist. Her dress has a heart shaped hollow , so in
the middle of a hollow is nice navel.
Shot 14 / Very quick. / Doctors black shoes are shaking.
Shot 15 - Camera slowly goes up from womans waist and we see her
beautiful breasts.
Shot 16 - / Very quick. / Doctors black shoes are shaking.
Shot 17 - Camera slowly goes from womans breasts up and we see
her beautiful face with her eyes shut. She is smiling.
Shot 18 - Doctors face. He is open mouthed.
DOCTOR: Open your eyes, you sleeping beauty.
Shot 19 - Womans face with her eyes shut.
LADY: Shut your mouth.
She opens her eyes and laughs.
Shot 20 - Doctors open mouth face. Suddenly the yin yang
sign falls off his neck.
DOCTOR: Take off your clothes, I want to check your
health.
Shot 21 - Womans smiling face.
LADY: You forgot again. You are a shrink. You should
check my thoughts. Thats why I am here.
Shot 22 - Doctors smiling face.
DOCTOR: I am all yours.
Shot 23 - Doctors subjective shot. Woman is in wide shot.
Doctors hand is entering in a shot, so first, the woman is
zoomed, and then we zoomed a doctors hand, which is
showing to the woman where to sit.
DOCTOR: Please, feel comfortable in a new golden arm
chair, which I bought for you.
Shot 24 - Doctor's subjective shot. Woman is sitting in an armchair.
LADY: Now I feel I am worthy of gold. Thank you.
Shot 25 - Womans subjective shot. Doctor is sitting behind his desk.
DOCTOR: My dream is fulfilled.
Shot 26 - Womans face. Suddenly, she becomes childish.
LADY: Mine is not. I want to be a star. I want to be a
star in the sky. Every night before I fall asleep I play with stars.
Because I am good at mathematics I do complicated
mathematical operations with stars. Then I make dresses of stars.
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I need at least a hundred stars for a nice dress. I look like a

princess, but I cant find my prince. I think that a moon is hiding
my prince from me. When I put on my dress of stars I play with a
moon like with a ball. I feel like a princess of the universe. And I
hope that some day my prince will come from that magic ball.
What do you say Doctor?
Shot 27 - Ladies subjective shot. Doctor is sitting behind his desk
gazing at her. Ladies hand is entering in the shot.
Camera zooms on her hand. She clicks her fingers,
and her hand goes out of the shot.
DOCTOR: You never now when your prince will come.
Maybe your prince is in front of you.
Shot 28 - Lady is in wide shot. She is still sitting.
LADY: Maybe I am blind. Maybe he is somewhere
around here. / She is turning around. / I cant see anybody. I cant
see anybody except you. You want to be my prince? If you want
to be my prince you have to seduce me as a prince. You have to
give me roses every day. You have to give me roses the same
color as my dress. Do you have red roses?
Shot 29 - Doctors face. The telephone receiver is in his hand.
DOCTOR: / Over the phone. / I want to order red roses,
please.
Shot 30 - Lady is in total shot. She hits arm leans with her hands.
She seems angry.
LADY: Put the phone down. Now its too late. What
do you think? I am the world famous lady. You think you can buy
me with red roses. You wouldnt buy me even with golden roses.
You are naive. You are naive because you send me white roses
every day. And I know very well why you send me white roses. /
She stands up. / It is your color. It is the color of your room, its the
color of your doctors coat, and its the color of your hospital.
What do you think? You think I need to be in a hospital? Thats
what you think. Everybody sends me flowers. All kinds
and colors, except white. You cant fool me. You are not my
shrink any more.
Shot 31 - Doctors face. He seems shocked and happy.
DOCTOR: Hysteria! Thats your diagnosis! Finally you
are going to be mine. I could hospitalize you
if I want. I am in love with you and for that
reason Ill do anything for you. From now on
you are going to be under my treatment. Ill
be your cure, believe me.
Shot 32 - Doctor's subjective shot. Lady is standing in front of him.
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She bends down and picks the sign of yin - yang which was
on the floor. She leans over to the doctor / camera / and
puts a chain on his neck.
Shot 33 - Camera is behind Lady. She is going to the mirror.
LADY: I can fool you like a little baby, my doctor.
When she stops in front of the mirror, we cut the shot.
Shot 34 - Camera is a mirror. Woman is putting on her lipstick and
looking at the camera, because camera is the mirror. She is speaking
to doctor watching herself in the mirror.
LADY: Critics are right. I am the pearl among all
actresses. Hysteria. Thats my role. I wanted to check whether I
could do it or not. I got a leading role in a film by SANDRA
UNIVERSAL. She sends a kiss to mirror (camera). Big letters beyond
her face.
FILM BY SANDRA UNIVERSAL
Shot 35 - Wide shot. Doctors subjective shot. Lady is exiting
the Doctors room. When she shut the door, he put his
hands on his face. / i.e. He put his hands in front of the
camera. /
Shot 36 - Big shot Door of Doctors office from the other side. At the
beginning of the shot we hear a noise of the door being shut.
Camera zooms a title on the door shut I am your shrink - dont
sink, Ill cure you when you blink.
Shot 37 - Lady is entering in the red jaguar and starting her
machine.
Shot 38 - Big shot. She is speeding up. To be precise, an indicator
shows the maximum speed, so pointer touches and
touches several times a last dash on the Speedo meter
which represent the top speed of Jaguar.
Shot 39 - Big shot. On the rear view mirror is a hanging toy jaguar
in a position ready to jump.
Shot 40 - Moving shot. Red jaguar is running very fast in the street.
Shot 41 - Moving shot. Jaguar animal is running very fast in the
street.
Shot 42 - Moving shot. Red jaguar is running faster then any other
car in the street.
Shot 43 - Moving shot. Jaguar animal is running and passing all
cars in the street.
Shot 44 - Wide shot. A red jaguar is running next to the jaguar.
Shot 45 - Big shot. Faces of two policemen are in a shot.
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FIRST POLICEMAN: A red jaguar is running too

fast.
SECOND POLICEMAN: A jaguar is really running too
fast.
FIRST POLICEMAN: Stop a jaguar!
SECOND POLICEMAN: I can not stop it.
FIRST POLICEMAN: Leave the jaguar. Stop the car!
Stop the red jaguar.
SECOND POLICEMAN: All right. You stop the black
one.
Shot 46 - Big shot. A jaguar is running.
Shot 47 - Big shot. Scared face of a second policeman.
Shot 48 - A jaguar is jumping over the second policeman, and growls.
Under the shot is the title: Catch me if you can.
Shot 49 - Wide shot. The first policeman is stopping a red jaguar.
The car stops.
Shot 50 - Wide shot. The subjective shot of the second policeman
threatening and we can see jaguar running away from the backside.
SECOND POLICEMAN: You can run, but you cant
hide.
Shot 51 - Big shot. The second policeman is turning his face to the
first policeman. Red jaguar is starting running away with squeaking of
wheels.
Shot 52 - Wide shot. Back side of a red jaguar and a jaguar
animal running next to each other.
Shot 53 - Moving shot. Red jaguar is overtaking all cars in the
street. We first sharpen red jaguar, and then we sharpen
overtaken cars.
Shot 54 - Moving shot. Jaguar (animal) is overtaking all cars in the
street. We first sharpen a jaguar, and then we sharpen an
overtaken cars.
Shot 55 - Big shot from the back side. Jaguar doesnt stop on the
red traffic light. / Red traffic light is in the right upper corner
of the shot./
Shot 56- Big shot. Red jaguar also doesnt stop on the red traffic
light. / Red traffic light is in the left upper corner of the
shot.(Its a one way street.)
Shot 57- Big shot. The policeman is speaking over the radio.
FIRST POLICEMAN: The jaguar has just run in front of
me. It was so fast I couldnt even see the jaguar.
Jaguar is
really running over 100 km per an hour like I watched yesterday in
a zoology program.

Shot 58 Second policeman is entering a shot and speaking

over the
radio.
SECOND POLICEMAN: And other jaguar has just run in
front of me. Jesus Christ, I have just
stopped a woman in red jaguar and she
simply ran away. Its nothing man. Watch
out for the first jaguar. / Pause. /
Shot 59 - First policeman is entering a shot speaking over the radio.
FIRST POLICEMAN: Some lunatic took a jaguar for a
walk. / Pause. / What color is the first jaguar?
Usual color. Have you ever seen a jaguar in the
Zoo? You have spotted ones and black ones. The deference is huge.
This one is black, but I prefer spotted jaguars. I like womens under
ware designed as a spotted jaguar. / Pause. / The line is cut.
Shot 60 - Wide shot. Red jaguar is stopping in front of a house which
has a shape of a beautiful white cake on five levels.
Shot 61 - Big shot. On the entrance is the sign Home, sweet home.
Lady opens the door and enters the house of five level white cake
look.
Shot 62- Wide moving shot. Interior of the house. Camera is
shooting arm chair in the shape of banana, telephone in the
shape of banana, chandelier in the shape of lemon,
sofa made of oranges cut in the middle, lumps in the shape
of apricots, brown desk made of logs decorated on its ends
with strawberries, chairs made of cherries cut in the middle,
cobalt ashtray decorated on its ends with blueberries,
rocking chair in the shape of a watermelon, shelves made of
cut melons. One side of the room, one wall is made of
blackberries and in the middle of that black wall is grapefruit
which indicates a moon and around grapefruit are white
mulberries, which indicate stars.
Shot 63- Wide moving shot. Lady is climbing up the white circle
stairs, which seem to be made of white whipping cream.
Shot 64- Wide moving shot. Lady is on the next level. The room is
made of chocolate; all around are chocolate sweets and
chocolates in wrapping material ( famous trademarks of
chocolates: Nestle, Milka, Crunch)
Shot 65- Wide moving shot. Lady is climbing up the white circle
stairs, which seem to be made of white whipping cream.
Shot 66- Wide moving shot. Lady is on the next level. The room is
made of biscuits of all kinds and biscuits in wrapping
material ( famous trademarks of biscuits: Petit
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Beurre)
Shot 67- Wide moving shot. Lady is climbing up the white circle
stairs, which seem to be made of white whipping cream.
Shot 68- Wide moving shot. Lady is on the next level. The room is
all colored, made of ice-cream scoops. There is also icecream in wrapping material ( famous trademarks of icecream. )
Shot 69- Wide moving shot. Lady is climbing up the white circle
stairs, which seem to be made of white whipping cream.
Shot 70- Wide moving shot. Lady is on the next level. All around
the room, on walls are broken eggs. On the ceiling are the whole eggs
hanging. That means that this, fifth level of white cake is made of
eggs.
Shot 71- Wide moving shot. Lady is climbing up the white circle
stairs, which seem to be made of white whipping cream.
Shot 72- Wide moving shot. Lady is at the top of a white cake
shaped house. The top of a white cake shaped house is all white, its
open aired and we can see a moon and stars because its night. On
the top of a white cake shaped house is only one white bed with four
bedposts looking like cones of whipping cream. The top of a house is
circled with big candles like ones we can see on a birthday cake.
Shot 73- Big shot. Black womans hand is lighting a candle.
Shot 74- Wide moving shot. Ladies subjective shot. All around
are flames of candles. Camera is turning itself in circle from its center.
When camera is finished a circle shooting lightening candles, it stops
on a face of a black woman, dressed as maid, lighting a candle. ( It is
the last candle in a circle. ) White nightdress is falling over the camera
just for one second and disappears. ( That means that a woman puts
on her nightdress on. ) In the shot is again a maid. Camera goes down
and we see beautiful breast in white nightdress. An actress jumps in
the bad.
Camera goes again in a circle and we see again lightening
candles.Camera goes up and we see a moon and stars.
Shot 75- Big shot. Lady is putting on white ballet shoes.
LADY: I need little practice of ballet with
a moon!
MAID: Wonderful!
Shot 76 - Big shot. A moon is in the middle of the shot, and
between Ladies stretched legs. ( That means that
ballerina is practicing with a moon.)
Shot 77 - Big shot. A moon is in the middle of the shot, and between
Ladies crossed legs.
Shot 78 - Big shot. A moon is in the middle of the shot, and between
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Ladies stretched legs. She quickly crosses her legs, and

a
moon is now between her crossed legs. She quickly stretches her legs,
and the moon is now between her stretched legs.
Shot 79 - Big shot. Ladies legs surround a moon.
Shot 80 - Big shot. Ladies subjective shot. Face of a maid and
a moon is in the left top angle.
MAID: I like when you make pirouettes with a moon but
when you have black lace stockings, like you did yesterday.
Shot 81 - Big moving shot. In the shot are Ladies legs in black
lace stockings, both are stretched and on the tip of the toes
of one leg is the moon. She is making circles with a leg on which is a
moon. (That means that camera is moving forward and right of a
moon, and than back and left of the moon; and legs can do everything
necessary because we see only part of legs in stockings.)
Shot 82 - Big shot. Face of a maid and a moon is in the right top
angle.
MAID: I like when you are kicking a moon
Shot 83 - Big shot. Lady is moving her legs as she is driving a
bicycle, and on the top of her toes is a moon.
Shot 84 - Big shot. Face of a maid and a moon is just above her
head.
MAID: Not like that. Kick the moon like Ronaldo!
Shot 85 - Big moving shot. In the shot is a Ladies leg with sock
and snicker, and the leg is bent in the knee and on the tip of a snicker
is a moon. Ladies leg is stretching, and the camera is moving as her
leg is stretching, so it seems that she is kicking a moon.
Shot 86 - Big shot. Face of a maid is in front of a moon so we can
see her face surrounded with a moon.
MAID: Good shot. Brave girl! Now run to sleep!
Shot 87 - Big shot. Face of Lady on a white pillow.
LADY: I am running. Jesus, I am so tired that my eye
lids are closing without my control.
Shot 88 - Big shot. In the upper side of a shot, there is inner side of
an eyelid drawn by experts. In the bottom is a moon surrounded by
stars.
LADY (off voice ): I got a part
Shot 89 - Big shot. Inner side of an eyelid. Lady is blinking slowly,
so we see a moon and stars, and than inner side of an eyelid; again a
moon and stars, and than inner side of an eyelid
LADY ( off voice ): Fabulous screenplay
Shot 90 - Big shot. In the upper side of a shot, there is inner side of
an eyelid that is going down slowly until it covers whole shot, so we
cant see a moon and stars anymore.
8

LADY ( off voice ) : Now I am going to act in my

dream I know all the lines from the script by heart
MAID: ( off voice ) : Be sure I am your partner.
LADY: ( off voice ) : I always take you with me. Now I
am entering into a dream. Turn off the moon and stars!
Shot 91 - Wide shot. We see marine blue room in which chandelier is
moon surrounded with hanging stars. Lady is lying in a bed with white
sheets.
Shot 92 - Big shot. Her hand is in the shot. She clicks her fingers.
Shot 93 - Big shot. Maids hand in a white glove is turning the light
off.
Shot 94 Big shot. Hand in a black glove is turning the light on.
Shot 95 Wide shot. Lady is standing up from the bad.
LADY: Anyway, I cant sleep. / Pause. / Music, I want
some music.
Lady is putting a record on a gramophone.
Shot 96 Wide shot. Burglar whole in black and in black stocking
on his head is entering. He is holding a gun.
Shot 97 Wide shot. Lady is putting a record on a gramophone,
and a burglar is behind her back holding a gun.
BURGLER: Freeze, I am Ma Baker. Put your hands in
the air, give me all your money!
Lady was bent from the backside, so she is now putting her body
in an up wright position still with her back turned. In that moment we
can hear a voice from the record:
Freeze, I am Ma Baker. Put your hands in the air, give me
all your money. Its Bony M`s song Ma Baker.
Lady is easily turning around. She starts dancing.
Shot 98 - Big shot. Lady is dancing.
Shot 99 - Wide shot. Lady is dancing and bugler is holding a gun
pointed at her. After a few seconds, burglar starts dancing with a
woman, and now they are both dancing. He shot with his gun in the air.
Shot 100 - Burglar and Lady are in the bad. They are making love.
Burglar is still with black stocking on his head.
Shot 101 - Big shot. Football net, and a ball is entering in a football
net. People are shouting.
Shot 102 - Wide shot. Lady is in the audience eating popcorns.
Shot 103 - Wide shot. Football ground. A man is shooting a ball in a
football net.
Shot 104 - Big shot. Players are jumping on each other celebrating.
Shot 104 - Big shot. Players are jumping on each other celebrating.
Shot 105 - Big shot. A man who shot in a football net is putting a black
9

Stocking on his head.

Shot 106 - Big shot. Lady, in the audience. She sends him kisses.
Shot 107 - Wide shot. Train. Burglar and Lady are reading a book.
LADY:
Do you have a lighter?
BURGLAR:
Yes, sure. / He is giving her a light. /
LADY:
Thanks. / Pause. /
BURGLAR:
What are you reading?
LADY:
The Devils by Dostojevski.
BURGLAR:
Jesus Christ, me to. The Devils by
Dostojevski
LADY:
What a coincidence.
BURGLAR:
You read The Devils by Dostojevski and you
smoke what?
LADY:
I smoke Lucky strike.
BURGLAR:
You smoke Lucky strike. / Pause. / Jesus
Christ, I smoke Lucky strike, too.
LADY:
Imagine that!
BURGLAR:
Two coincidence on my way to Texas.
LADY:
I am going to Texas, too. Visiting my mother
BURGLAR:
Another one.
LADY:
What?
BURGLAR:
Coincidence
LADY:
Boohoo yeah, there are so many of them.
BURGLAR:
Do you want some crisps? There is a long ride to
our way to Texas
LADY:
Thats all right. I have them, too. Paprika flavor.
BURGLAR:
What a coincidence, this is paprika flavor, too.
LADY:
Something is wrong.
BURGLAR:
Everything is just fine. Lets see. Reading the
same book. Thats fantastic!
LADY: Going to Texas!
BURGLAR:
Smoking Lucky strike!
LADY:
Crisps!
BURGLAR:
Paprika flavor!
LADY:
Jesus Christ!
BURGLAR:
So many things / Pause. /
Whats happening with us?
LADY:
Thinking on the same things. / Pause./
/ Pause. Lady is standing up, trying to get her bag from the shelf. The
train stops and she falls down, on mans laps. /
LADY: Sorry, have I heart you?
BURGLAR:
You?! I am enjoying it.
10

LADY:
I am having fun, too.
/ Lady is standing up from the mans laps and again trying to catch her
bag from the shelf. The train starts to move. She falls on mans laps
again. /
LADY :
Its moving again. Sorry
BURGLAR:
Ive told you. I am enjoying it.
LADY:
It is embarrassing.
BURGLAR:
No its not.
/ Lady is standing up from the mans laps. She catches her bag and
takes news from the bag. /
LADY :
Daily news.
BURGLAR:
I have them, too, in my bag. Unbelievable! Do you
want to see?
LADY:
If you do that, probably you fall into my laps. So dont
do it.
BURGLAR:
Something great will happen of us! / Pause. / Tell
me, please, what color are your pence?
LADY:
I have red pence.
BURGLAR:
What are you saying? Red pence! I just bought
red pence for myself. I bought pence all color and bought red,
too. /
/ He starts opening the button on his trousers. He put his trousers
down and we see a man in red pants./
LADY:
You look wonderful!
BURGLAR:
Lets see your red pants
/ Lady is taking of her dress and we see a woman in a red underwear.
They start to kiss each other and a train goes into the tunnel. /
Next shot- Black shot. Train is in the tunnel.
Next shot- Burglar and Lady are making love.
BURGLAR:
You are naked, I am naked. What a coincidence!
LADY:
You have spots, I have spots. What a coincidence!
/ They kiss each other. /
BURGLAR:
Lets read the same book.
LADY:
Ill bet you are right.
/ They are reading the same book. Train goes into a tunnel. /
Next shot - Black shot. The train is in the tunnel. Lady and Burglar are
lightening the cigarettes.
Next shot - Wide shot. Lady and Burglar are smoking.
Next shot - Big shot. Womans hair start to burn.
LADY:
My hair is burning!
BURGLAR:
Oh sorry! What have I done!
/ The train goes into a tunnel. It could be seen that ladys hair is
burning. Burglar is trying to put out the fire. He finally succeeds. /
11

LADY:
My hair! I cant go to the mirror!
BURGLAR:
I can tell you its all burnt! I can tell you that! Its
my entire fault. I am so sorry.
LADY:
I cant go to the mirror!
BURGLAR:
Let me help you go to the mirror!
LADY:
No, I cant go now. I am so afraid.
BURGLAR:
You look beautiful. Short cut. You have nice short
cut.
LADY:
Ive never liked short cut. Thats my problem.
BURGLAR:
For a change.
LADY:
I dont like changes either.
BURGLAR:
I like changes. Good for me. / Pause. / I like short
cut. Good for me.
LADY:
At this moment I dont care.
BURGLAR:
I wanted to make you laugh.
LADY:
You know what does hair stile mean for a woman?
BURGLAR:
I know. Everything.
LADY:
Now I lost everything.
BURGLAR:
Come on. Youll have fun when you look in the
mirror.
LADY:
Is it so funny?
BURGLAR:
/ Burglar is giving her a mirror. / Look! Its very
funny!
/ Lady starts to scream. She opens her suitcase and put on black
leather trousers and black leather jacket. She starts the tape. Its
CLASH. /
BURGLAR:
Punk girl. You are now punk girl.
LADY:
Take me as a guitar!
BURGLAR:
Ill make couple of pirouettes with you!
LADY:
Watch out everybody!
/ He takes her as a guitar and dance with her as with a guitar. Her
short haircut is suitable for punk girl. Suddenly, conductor is entering. /
CONDUCTER: You are dancing pretty well.
LADY:
Dance with me! Take me as a guitar!
BURGLAR:
Please do.
/ Conductor is dancing with a woman and train stops. /
CONDUCTER: Now we are in mountains. There is nice ice castle
up in the mountains.
LADY:
Castle of ice, it seems nice.
BURGLAR:
Lets go in castle of ice. Be my ice queen.
LADY:
Be my ice king.
/ They are packing their things and going out of the train. /
CONDUCTER: Have a nice time.
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/ They are entering in the heart shaped gondola. Snow is everywhere.

/
- Wide shot. Man and lady are in gondola. They are going up in the
mountains.
LADY:
Its so hot in this gondola.
BURGLAR:
I am your coat.
LADY:
Give me a hug.
BURGLAR:
Immediately.
LADY:
I cant look down. Its so high.
BURGLAR:
You are in my arms and you are afraid?!
It cant be true.
LADY:
I am afraid. Really I am.
BURGLAR:
To tell you a through I am afraid too.
/ Pause. /
LADY:
You are wonderful! Lets kiss!
BURGLAR:Thats what I wanted to say.
/ They kiss each other. Gondola stops in front of a castle of ice. The
castle looks like it was made of glass. Its so high that its top could not
be seen. Peak of a castle is in clouds. They entered the castle. Behind
the desk is receptionist. /
RECEPCIONIST: Good morning lovebirds.
BURGLAR:
Lovebirds?! How did you know?
RECEPCIONIST: The hotel is full of lovebirds. The
name of the hotel is Love nest.
LADY:
This is a place for us.
RECEPCIONIST: Only thing I don`t have a lovebird. I
am waiting for a quarrel between lovebirds. Then Ill steel a
lovebird from someone.
BURGLAR:
It could be me me! Dangerous receptionist!
LADY:
How many lovebirds are in the hotel?
RECEPCIONIST: There are hundreds of them here. The castle is
taller then a mountain.
BURGLAR:
I can hear them chirping.
LADY:
What is usually happening with lovebirds?
RECEPTIONIST: They fly away in love. Room number
100. Have a nice time.
BURGLAR:
Thank you.
LADY:
Chirp, chirp!
Next shot - Wide shot. They are in bed in their beautiful space room in
the castle. Maid is knocking on the door. Maid is the same black
woman from the cake shaped house.
BURGLAR:
Come on in.
MAID:
Breakfast for you Sir. / Pause. / Good morning Miss.
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LADY:
What do we have for breakfast?
MAID:
Fruits all colors.
BURGLAR:
Look at this!
LADY:
Beautiful shades of colors! And a little clown in the
middle.
MAID:
Look, and the clown says Good morning, too.
/ Maid is moving curtains. /
LADY:
Beautiful clouds down there.
BURGLAR: Clouds surround us.
MAID:
Clouds are everywhere.
LADY:
Clouds are so nice I could jump into them.
BURGLAR:
Ill make you beautiful nice foam so you can jump
into it.
MAID:
Jumping into clouds is forbidden!
/ Everybody laughs. /
MAID:
I brought you skates. We have nice skate ring behind
the castle.
LADY:
I would like to skate figure of eight through clouds.
BURGLAR:Stop it! Go in the bath and wait for me.
LADY:
Why should I go in the bath?
BURGLAR:To make hot water and skate through steam!
MAID:
Skate ring is an aria of natural ice. / Pause. / Have a
nice time!
/ Maid is going out. /
- Wide shot. Skate ring. Man is standing on ice and the woman is
skating on ice.
LADY:
I feel like a butterfly.
BURGLAR:You are really flying.
LADY:
Really I am, really I am
BURGLAR:Come here.
/ Woman is approaching. /
LADY:
You look like a lighthouse in the see on this skate ring,
darling...
/ She emrbraces him. /
BURGLAR:I am bad at skating, darling...
LADY:
Doesn`t metter, let`s try together!
/ She takes his arm and starts skating slowly with him. /
BURGLAR:This is wonderfull day.
LADY:
This is wonderfull day, darling.
/ They are skating. /
BURGLAR:Watch out!
/ They are falling becouse ice ring is melting. They start to sweem. Sun
is shining. Weather is hot. /
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LADY:
Now it`s summer, darling.
BURGLAR:I can see that. We are wittnesses of
changing winter into summer.
LADY:
These skates are too heavy.
BURGLAR:They are. Fortunattely, wonderfull beach is
here.
/ They are approaching a beach.They takes thair wet clothes and
skates off./
LADY:
We are naked, again.
BURGLAR:People are naked in the summer!
LADY: Yeah, look around, everybody are naked!
BURGLAR:You have spots, I have spots, what a
coindance!
LADY:
You are so lovely.
/ She kisses him. /
BURGLAR: Look, there is a nice pub down there!
LADY:
I like bars on the beach. I am so hot. Let`s
go for a drink!
- to be continued i

E-mail - sandrano@eunet.yu

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