Professional Documents
Culture Documents
NO 10
OCTBER
2014
13
14
REFLECTIONS
16
UPDATES
24
An Organic Form
Shenzhen Bao Airport, China
Studio Fuksas
Umbrella Structure
King David the Builder International Airport,
Kutaisi, Georgia
Ben van Berkel/UNStudio
Incorporating Regional Identity
Terminal 2, Mumbai
Skidmore, Owings & Merill LLP
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Subterranean School
Professional School Hanna
Arendt,Italy
Cleaa Claudio Lucchin & architetti
associate, Bolzano, Italy
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AIRPORTS
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INTERACTION
RESEARCH
110 Intelligent Building Envelope
EXPLORING DESIGN
118 Innovative Product Design
JURY OUTCOME
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A Metaphor of Function
By Pramod Beri
Inter-connected Spaces
Polymer Science & Engineering Lab, Pune
Beri Architects and Engineers Pvt Ltd,
Kolhapur
Three-Winged Swastik
Emergency Management and Research
Institute (EMRI), Ahmedabad
Studio Eethetics, Ahmedabad
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VIEWPOINTS
INSTITUTIONAL DESIGN
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ARCHITECTURE+ DESIGN
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Chhatrapati Shivaji
International Airport - Terminal
2, Mumbai (Architects:
Skidmore, Owings & Merrill
LLP)
All drawings and visuals for the
projects and articles, unless
mentioned otherwise, are
courtesy the architects/authors.
A N
I N D I A N
J O U R N A L
O F
A R C H I T E C T U R E
ust as there was a phase when hospitals all over went through a change in design
concepts, similarly in the recent times one witnesses a radical transformation in
the approach to planning of airports. With the increase in air traffic, security
issues, technology advancements and the initiative to revitalise the core functionality,
these structures have developed a vocabulary of their own. Modern materials and
advanced structural configurations have no doubt given flexibility to the planners for
visualising larger space volumes and grid spans. Along with increased efficiency,
there is also the attempt of making the whole experience of being at the airport
more satiating both visually and physically. The interior treatments often tend to be
on the border of being lavish.
In this Issue we publish a few contemporary airports build in India and abroad and
which encapsulate an urban planning scale. The Shenzhen International airport in
China is an example it is the largest single building complex to be built till date in
Shenzhen. Elements of architecture whether it is lighting, texture, play of shadow
and such others they all are artistically oriented. The King David airport in Georgia
boasts of a pleasant setting amidst the landscape of the hilly terrain. Elegant, smart,
sleek are but some adjectives used to explain it. Whereas the new Terminal 2 of the
Shivaji International airport in Mumbai brings flavours of traditional and regional
architecture with a contemporary feel. The terminals roof is said to be one of the
largest in the world without an expansion joint. The entire airport building whether it
is the external faade or then the interiors resonates with the vitality of informal
structured design.
Institutional architecture is another significant component of the contents of this
Issue. Bigger complexes, addressing sustainability concerns, more elaborate in design,
probing material dynamics thats the pulse felt here. The institutions published are
clear headed design statements bringing forth the aesthetics of simplicity and the
positive relatedness that evolves with nature in exposing the rawness of materials.
Do not miss-out the product design section that explores meaningful innovative
design. And yes, the much awaited jury outcome for the Architecture+Design &
CERA Awards 2014 also finds itself cushioned in the pages that follow--.
Image
of
the
Month
Any architectural project we do takes at least four or five years, so increasingly there is a discrepancy
between the acceleration of culture and the continuing slowness of architecture
Rem Koolhaas
Reflections
MobiVersum
MobiVersum was designed by Berlin-based architect Juergen Mayer H of J MAYER H Architects as an exhibition
and experience area for young visitors at Autostadt, Wolfsburg, Germany. It is integrated as part of the overall context
of Autostadt People, Cars, and What Moves Them. The installation provides an active introduction to the subject of
sustainability in all its facets for children of all ages. The shape of the imaginative, playful structures of solid wood is
reminiscent of roots and tree trunks. The sculptures, which can be used and entered, structure diversified spatial zones
with different thematic emphases and inspire the childrens curiosity to discover and explore.
Project architect: Christoph Emenlauer; Project team: Gal Gaon, Simon Kassner, Jesko Malkolm Johnsson-Zahn, Marta Ramrez Iglesias, Alexandra Virlan;
Architect on site: Jablonka Sieber Architekten, Berlin
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Updates
Fast Track Architecture
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Updates
Exhibition
Competition
Award
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the project. Over forty submissions were received for the award and
eight great timber projects will now be put forward for the final
judging in Singapore led by renowned architect, Matteo Thun.
The shortlisted projects, include The Tent by a21studio (Nha
Trang, Khanh Hoa, Vietnam); Pittwater House by Andrew Burges
Architects (Sydney, Australia); Earth Wind and Fire Atelier by Arcau
(Vannes, France); School 't Hofke by UArchitects (Eindhoven, The
Netherlands); Regional Terminal at Christchurch Airport by BVN
Donovan Hill (Christchurch, New Zealand); Salvaged Ring by
a21studio (Nha Trang, Khanh Hoa, Vietnam); Alex Monroe Studio
by DSDH (London, UK); and The Pinch by the Department of
Architecture, University of Hong Kong (Zhaotong, China).
Paul Finch, programme director, World Architecture Festival,
said: This was a great way to appreciate how a traditional'
material can be used to transform exteriors and interiors in new
and unexpected ways.
Updates
Trade news
Conference
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Years in India
Showrooms
GROWING STRONGER...
Project Feature
An Organic Form
Project: Shenzhen Baoan International Airport, Shenzhen, Guangdong, China
Architects: Studio Fuksas
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ARCHITECTURE+DESIGN O c t o b e r 2 0 1 4
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PLAN AT LEVEL 00
O c t o b e r 2 0 1 4 ARCHITECTURE+DESIGN
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1. BUS TERMINAL
2. BAR
3. DOMESTIC HARDSTAND HOLDROOM
4. HEALTH CHECK
5. PASSPORT CHECK / IMMIGRATION
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1. WAITING AREA
2. RECEPTION
3. AIRLINE LOUNE
4. BAR
5. OFFICE
6. GTC
7 INFOPOINT
8 AIRLAIN LOUNGE
9 HOLD ROOM
10 VIP BUILDING
11 PROJECTION ROOM
12 MASSAGE CENTER
13 INTERNATIONAL ARRIVALS
14 BAGGAGE CLAIM
15 OFFICE
16 RETAIL
17 CIP
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11. OFFICES
12. INTERNATIONAL DEPARTURE
13. VIP BUILDING
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ELEVATION
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and also the luggage claim hall. In front of the first floor
stand the CIP lounges. Between it and the main building
stands the outdoor courtyard.
Studio Fuksas are engaged on two further phases of the
airport extension, scheduled to complete in 2025 and
2035 respectively.
Photo credit: Archivio Fuksas
FactFile
Client: Shenzhen Airport (Group) Co, Ltd
Architects: Studio Fuksas, Shenzhen/Rome/Paris
Design team: Massimiliano and Doriana Fuksas
Interior design: Fuksas Designinternet-point, check-in island, securitycheck, gates, passport-check areas, shop box, baggage-claim islands, infopoint, ventilation trees, signage, commercial desk and washrooms
Developer: Shenzhen Planning Bureau; Shenzhen Airport (Group) Co, Ltd
Contractor: China State Construction Engineering Corporation, Beijing
Structures, faade and parametric design: Knippers Helbig Engineering
Architect of record: BIAD (Beijing Institute of Architectural Design)
Lighting consulting: Speirs & Major Associates
Cost of project: 734,000,000 Euros
Size: 5,381,955sq ft (approximately)
Year of completion: 2013 (Phase-1)
Airport Design
Umbrella Structure
Project: King David the Builder International Airport, Kutaisi, Georgia
Architects: Ben van Berkel/UNStudio, Amsterdam
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SITE PLAN
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SECTION
control cabin on the top level forms the focal point of the
tower, with a 360 degrees view on the surrounding landscape.
A spacious and comfortable interior ensures a workspace for
four to eight operators with optimal concentration. The exterior
of the tower is clad with a perforated skin on a concrete core
to use wind for ventilation purposes. LED light in-between the
skin and the core enhance the beacon effect of the tower at
dusk and dawn by changing colour whenever there is a
fluctuation in wind speed.
The design for the new airport incorporates numerous
sustainable elements. A large onsite underground source of
natural water provides the basis for the reduction of energy
consumption through concrete core activation and use for
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Automatic IceMaker
biofresh.liebherr.com
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1. COURTYARD
2. EXIT
3. ENTRANCE
4. LOBBY
5. CHECK-IN
6. LUGGAGE OUTBOUND
7. SECURITY
8. CUSTOMS
9. DEPARTURE LOBBY
10. TRANSFER DESK
11. LANDSIDE
12. LUGGAGE INBOUND
13. ADMINISTRATION
14. MIRROR BAR
15. AIRSIDE
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2. LOBBY
3. CIP FLOOR
4. CONGRESS ROOM
5. ADMINISTRATION
FactFile
Client: United Airports of Georgia LLC (Master Plan and Terminal)
Sakaeronavigatsia Ltd (Air Traffic Control Tower, offices and meteorological building)
Architects: UNStudio, Amsterdam/Shanghai/Hong Kong
Project team: Ben van Berkel (Principal), Caroline Bos, Gerard Loozekoot with
Frans van Vuure and Filippo Lodi, Roman Kristesiashvili, Tina Kortmann, Wendy van
der Knijff, Kristoph Nowak,Machiel Wafelbakker, Gustav Fagerstrm, Thomas
Harms, Deepak Jawahar, Nils Saprovskis, Patrik Noome
Consultants: MTM kft (Structural), SMG-SISU kft (MEP), OR else (Landscape
Architect), Arup (Structural expertise & Sustainability), Arup Aviation (Airport
planning), Studio ARCI (Local architect)
Contractors: Paul Schuler und Irao Group Ltd (Concrete Works); RutinKft (Steel
Structure); Hess Timber GmbH & Co KG (Wood Structure); Permasteelisa Interiors Srl
(Facades & Terminal Interior Ceiling/Trusses); Paul Schuler und Irao Group Ltd
(Terminal Interior); Black Sea Group, Tbilisi (Landscape); Jzsef and Zsuzsa
Keresztly (Site Management)
Total floor area: 4,500sq m (Terminal), 1,800sq m (Control Tower & Offices)
Year of completion: 2013
TRAFFIC CONTROL TOWER - ELEVATIONS
ELEVATION
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ARCHITECTURE+DESIGN O c t o b e r 2 0 1 4
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sprinkler basins. The floors of both the terminal and the traffic
control tower utilise this water for maintaining a regulated
temperature in the two volumes. In the terminal building
cantilevered roofs provide sun-shading on south and south-west
zones. A hybrid low pressure ventilation system is integrated
into the terminals main structure and there is a grey water
collection system in the floor underneath the terminal building.
The project was designed and constructed in two years
with the airport already having begun operations by
September 2012. Both the design and construction saw the
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Airport Designs
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LEVEL 1 PLAN
LEVEL 2 PLAN
LEVEL 3 PLAN
are lit by chandeliers that resemble lotus flowers, with cast glass
centres and cut metal petals. The warm wood ceiling is
actually metal, printed with a realistic facsimile of wood.
Although the terminal is four storeys, interconnecting light
slots and multi-storey light wells ensure that light penetrates
into the lower floors of the building, acting as a constant
reminder of the surrounding city and landscape. At dusk,
illuminated from within, the terminal glows like a sculpted
chandelier. Custom sculptural lighting fixtures reference
traditional Indian textile motifs. In the baggage claim hall,
where heavy passenger congestion calls for a relatively
column-free space, columns were placed within the baggage
claim belts.
The roof mega-columns and steel roof structure were kept
completely independent from the base concrete structures
below. The final design resulted in a departure hall entirely
free of columns through the use of composite mega-columns
spaced 64m in one direction and 34m in the perpendicular
direction. The structural system for the head house roof is
akin to a two-way flat slab system. Increasing the depth of
the trusses near the columns and running trusses in an
orthogonal grid as well as along a 45 grid results in an
overall truss depth of 4m for the roof system. The greater
truss depths near the columns create column pod areas,
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LEVEL 4 PLAN
HEADHOUSE ROOF 3D
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The project has also been felicitated with many awards, such as
the LEED India for New construction Gold from Indian Green
Building Council, NCSEA National Council of structural Engineers
Association - Excellence in Structural Engineering Award, Gold
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Jury Outcome
Architecture+Design
Jury
Architecture+Design and CERA take immense pleasure in announcing the jury outcome of the
eleventh cycle of the Architecture+Design & CERA Awards 2014. A panel of thirty architects
participated in the recently concluded jury meet. There was a group of five jurists respectively for
each category. The jury panelists included eminent architects from all over the country as well as
from South-East-Asia and Europe. This led the jury meets to acquire a wider perspective in gauging
creativity. The jury conclusions were at times unanimous and at other times a healthy disagreement
of opinions leading to debates and discussions for the final outcome.
Hiren Patel
Vimal Jain
Sandeep J
Architecture Paradigm,
Bangalore
Project
Wilson Garden House,
Bangalore
Manish Gulati
Sanjay Puri
Hiren Patel
Rajesh Shivaram
Anupam Bansal
Manish Gulati
MOFA Studio Pvt Ltd,
New Delhi
Project
National Institute of
Fashion Technogoly,
Kangra
The award
function for this cycle
is slated to take place in
Istanbul, Turkey, on the
15th of November, 2014.
Felicitations to the
Awardees!
Commendation
Awardee
Project
Commendation
Awardee
Sanjay Puri
Sanjay Puri Architects,
Mumbai
Special Mentions
Awardee
Hiren Patel
Hiren Patel Architects,
Ahmedabad
Project
The Courtyard House,
Ahmedabad
Vimal Jain
Architecture Paradigm, Bangalore
Project
Special Mentions
Awardee
Project
A Pavilion, Surat
Hiren Patel
Hiren Patel Architects,
Ahmedabad
A Community Centre,
Ahmedabad
Rajesh Shivaram
Technoarchitecture Inc, Bangalore
Technoarchitecture Office
Extension, Bangalore
Anupam Bansal
ABRD Architects Pvt Ltd, New Delhi
A Midrul
Namith Verma
Akshat Bhatt
Project
RAAS, Jodhpur
Ambrish Arora
Sanjay Puri
Madhav Raman
Mahesh
Radhakrishnan
Kanhai Gandhi,
Neemesh Shah,
Shresht Kashyap
KNS Architects Pvt Ltd,
Mumbai
Project
Space within a Space,
Mumbai
Commendation
Awardee
A Midrul
A Midrul Architect, Jodhpur
Project
Birkha Bawari, Jodhpur
Special Mentions
Awardee
Namith Verma
Gayathri & Namith Architects
Pvt Ltd, Bangalore
Akshat Bhatt
Architecture Discipline, New Delhi
Commendation
Awardee
Ambrish Arora
Lotus, New Delhi
Project
Gaurav Gupta,
New Delhi
Special Mentions
Awardee
Sanjay Puri
Sanjay Puri Architects, Mumbai
Madhav Raman
Anagram Architects, New Delhi
Project
Gorukana, BR Hills,
Karnataka
Hotel Mana, Udaipur
Project
Auriga, Mumbai
Anagram Office,
New Delhi
Book Building,
Mahesh Radhakrishnan
The Madras Office for Architects and Chennai
Designers (MOAD), Chennai
Post Jury
Post Jury
Deepak Guggari
Shilpa Gore-Shah
Prasanna
Parvatikar
Tushar V
Arjun Malik
Malik Architecture,
Mumbai
Project
The Architects Loft,
Mumbai
Swapnil Valvatkar
Rajesh Shivaram
Sourabh Gupta
Lester Rozario
Post Jury
Akshat Bhatt
Architecture Discipline,
New Delhi
Project
Discovery Centre,
Bangalore & Hotel Mana,
Ranakpur, Udaipur
Commendation
Awardee
Project
Special Mentions
Awardee
Project
Liminal Living, Mumbai
Commendation
Awardee
Swapnil Valvatkar
Collage Architecture Studio,
Bangalore
Project
Marvel Domicilia, Bangalore
& Cricket House, Bangalore
Special Mentions
Awardee
Project
Rajesh Shivaram
Technoarchitecture Inc,
Bangalore
Lester Rozario
Kamat & Rozario Architecture,
Bangalore
Sourabh Gupta
Archohm Consults, Noida
Viewpoints
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Institutional Design
A Metaphor of Function
By Pramod Beri
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feature.
The latest technology available should be exploited
to the fullest extent. All over the globe, technology is
changing at a rapid pace. This conflicts with the fact
that buildings are used for decades together. Hence
flexibility should be the key. Easily interchangeable
modular spaces need to be provided to create an easy
transition from utilization of a space to another
purpose. The various services that serve the space
should be easily interchangeable as technology
advances. An equipotentally designed space
proactively adapts to changing needs.
To have a meaningful interface between art and
architecture, murals or sculptures can be introduced
which immediately convey the raison-detre of the
building. The architect needs to sit with the artist,
proactively suggesting feelings he wants to convey
through the portrayed imagery.
The building should be eco-friendly and
sustainable. Sustainability has become an important
factor especially in design of an institutional building
where multiple consultants are employed. Careful
examination of technologies and materials available
and their appropriate usage should be a part of the
main design agenda.
In the Indian context, the last important aspect is
to think globally but act locally. This involves
carefully weighing the pros and cons and decides
between use of local materials/technologies vs
outstation/imported ones. The five elements of nature
the Panchmahabhutas need to be deftly resourced
to avoid overuse of energy.
Certain design vocabulary cannot be conveyed at
an intellectual level, it should emerge from the intuitive
zone of consciousness. Because of increased pace of life,
over population, overall public apathy, etc., our
physical as well as emotional space is being encroached
upon, creating numbness in our sensitivity. The building
we design needs to act as an oasis which can rejuvenate
and regenerate. Only when the architectural space
designed by us gets a nod in the inner deep emotive
space of the person using it, only then the dialogue
between him/her and the building starts, creating a
deep sense of satiation. The process starts when we
expend the brief given by the client and convert it into
value based deeply impregnated spaces which will add
life and spirit. Let our designs answer these invisible
aspects creating an architecture of belonging, honesty,
simplicity and spontaneity.
Photo courtesy: A+D archives
Institutional Design
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Inter-connected Spaces
Project: Polymer Science & Engineering Laboratory, Pune, Maharashtra
Architects: Beri Architects & Engineers Pvt Ltd, Kolhapur
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SITE PLAN
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1. ENTRANCE LOBBY
2. ATRIUM
3. MEETING ROOMS
4. TOILETS
5. LECTURE HALL
6. CONFERENCE ROOM
7. CANTEEN
8. SCIENTISTS ROOMS
9. STUDENTS ROOMS
10. LABORATORIES
11. SERVICE ROOMS
12. LANDSCAPED COURTYARD
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2. HOD CABIN
3. OFFICE
4. TOILETS
5. SERVICE ROOM
6. SCIENTISTS ROOM
7. MULTIMEDIA ROOM
1. SCIENTISTS ROOMS
2. STUDENTS ROOMS
3. LABORATORIES
4. COURTYARDS
5. TOILETS
6. SERVICE ROOMS
7. FLOATING CORRIDOR
SECTION
FactFile
Client: National Chemical Laboratory, Pune
Design team: Pramod Beri (Job Captain), Ar Mohan Bhasme, Er Hindurao Patil
Consultants: Upendra Deuskar, M/s Anand Electricals (Electrical), S C Garge, Ishaan
(Fire Hydrant Consultant), Shri Shridhar Sanglikar, Apurva Service Consultants
(PHE /HVAC), Mahesh Nampurkar, Dream Presidency (Landscape Design),
Sanjay Newaskar (Interior Designer), N M Deodhar Consulting Engineers
Contractor: Engineering Projects India Ltd
Built-up area: 6200sq m
Cost of project: Rs 15 crore
Year of completion: 2009
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ELEVATION
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Institutional Design
Three-Winged Swastik
Project: Emergency Management & Research Institute (EMRI), Ahmedabad
Architects: Studio Eethetics, Ahmedabad
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1. ENTRANCE FOYER
2. RECEPTION AND WAITING AREA
3. CLASS ROOM
4. STAFF ROOM
5. CONFERENCE ROOM
6. CABIN
7. ELECTRIC ROOM
8. STORE ROOM
9. LOCKER ROOM
10. TELEPHONE
11. CAFETERIA
12. TOILET
6
12
12
10
10
3
7
6
4
10
2
6
1
7
1. IT ROOM
2. ASSEMBLY HALL
3. CAFETERIA & RECREATIONAL
4. EXECUTIVE DINING
5. CONFERENCE ROOM
6. STORE ROOM
7. ELECTRIC ROOM
8. CABIN
9. CHILLING PLANT
10. TOILET
10
8 8
5
10
10
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8 8
8 8
8 8
7
9
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SECTIONS
ELEVATION
FactFile
Client: Govt of Gujarat
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O c t o b e r 2 0 1 4 ARCHITECTURE+DESIGN
Institutional Design
Subterranean School
Project: Professional School Hanna Arendt, Bolzano, Italy
Architects: Cleaa Claudio Lucchin & architetti associate, Bolzano, Italy
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ARCHITECTURE+DESIGN O c t o b e r 2 0 1 4
89
3
4
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1. MAIN ENTRANCE
2. SERVICE ENTRANCE
3. SKYLIGHT
4. GARDEN
PLAN AT LEVEL -1
1. CLASSROOM
PLAN AT LEVEL -2
1. CLASSROOM
2. LAB
1
2
PLAN AT LEVEL -3
1. LAB
2. INDOOR COURT
3. WINTER GARDEN
ARCHITECTURE+DESIGN O c t o b e r 2 0 1 4
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FactFile
Client: Province of Bolzano
Design team: Claudio Lucchin/Cleaa
Contractor: ZH General Construction Company AG (Group leader);
Gaetano Paolin Spa, Gufler Bau Gmbh (Mandators)
Consultants: Herbert Mayer (Structure), Ing Marina Bolzan
(Mechanical Plants), Ing Reinhard Thaler (Electrical Plants),
Arch Roberto DAmbrogio (Safety Coordinator)
Area: 2030sq m
Cost of project: 6.420.000 euro
Year of completion: 2012
SECTION
ELEVATION
ARCHITECTURE+DESIGN O c t o b e r 2 0 1 4
95
Interaction
SEARCH FOR
SUBSTANCE
THE ROLE OF
CRITICISM
Architecture+Design feels proud to once
again have had the opportunity to bring
across to our readers the diversity and
rationality of the thoughts of noted
architectural historian and critic,
William J R Curtis.
On behalf of the magazine, architectural
critic Rajnish Wattas interacted with
William J R Curtis
Timeless but of its time; ray of light in the Oratory of the Monastery of La Tourette, Le Corbusier, 1954-8
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O c t o b e r 2 0 1 4 ARCHITECTURE+DESIGN
RW: Can you discern any single big idea or style that is
propelling architecture the world over today?
WJRC: There is no single key to contemporary architecture just
as there is no shortcut to understanding the recent past. This has
been a confused and pluralist period covering a very wide range
of production in an ever wider field of global practice. At one
extreme are the much discussed iconic buildings, often linked
up with real estate capitalism, cultural marketing and the
branding of cities in the networks of investment and tourism. At
the other are works of such immense subtlety and topographical
sensitivity that they almost disappear although they touch all of
the senses and reveal something about the spirit and history of
places. You have only to stop for a moment and compare the
Dubai phenomenon on one side with a lone wolf figure like
Peter Zumthor on the other to see what I mean. In these
circumstances one cannot speak about a dominant tendency or
about any obvious canon. The critic has to be on the alert for
ARCHITECTURE+DESIGN O c t o b e r 2 0 1 4
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O c t o b e r 2 0 1 4 ARCHITECTURE+DESIGN
William J R Curtis
(1948) is a historian,
critic, painter and
photographer. He studied
at the Courtauld Institute,
London and Harvard
University and has taught
at many universities
including Harvard and the
Architectural Association.
In 2003-4, he was Slade
Professor of Fine Art at
William J R Curtis
the University of
Cambridge. Among his best known books are the classics
Modern Architecture Since 1900 (Phaidon, 3rd edition,
1996) and Le Corbusier: Ideas and Forms (Phaidon, 1986)
(both translated into numerous languages); also Balkrishna
Doshi: an Architecture for India (Mapin, Rizzoli, 1988) and
Denys Lasdun: Architecture, City, Landscape (Phaidon,
1994). Curtis has written over a dozen other books as well
as texts on Indian architecture, ancient and modern,
including introductions to monographs on Raj Rewal
(1986) and Anant Raje Architect (2012).
ARCHITECTURE+DESIGN O c t o b e r 2 0 1 4
99
the natural and its relation to the artificial. This has led to a rich
range of work embracing both architecture and the larger scale
of landscape architecture. Take the question of ornament. This
has led to grotesque decoration in some cases, formal
enrichment in others.
WJRC: This has been true throughout history. Profound works fit
into time in complex ways. I think of this in terms of three
wavelengths. First, the building addresses issues of its time.
Second, it extends a tradition, in this case the tradition of modern
architecture which is anything but monolithic. Third, it may rely
upon long and slow wave motion in the history of forms, even
engaging with issues basic to the medium of architecture itself. It
is the level of the longue dure, which can take us back over
centuries or engage with certain archetypal situations.
RW: Does this mean that one should abandon any hope
of discerning common ground shared by architects of the
recent past?
WJRC: There may not be any single dominant trend in recent
architecture but there are some shared territories of
investigation. There are problems that are in the air partly
because society and the condition of the world require that they
be solved, partly because the discipline of architecture itself is
searching for generic solutions. Take for example the question of
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Meditation and the sense of infinity: Zen 'dry sea' garden, Kyoto,
15th century
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ARCHITECTURE+DESIGN O c t o b e r 2 0 1 4
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2014
Research
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O c t o b e r 2 0 1 4 ARCHITECTURE+DESIGN
Botany
Architecture
Design Development
The proposed IBE has been
conceptualised for double-storeyed
medium size residential building of
300sq m plot area, with 40 percent
ground coverage to be built at CSIRCBRI campus. The pyramid form of the
IBE with slope angle of 60 from
vertical is ideal to utilise maximum
solar efficiency of rotatable solar panels
for Roorkee [11] and will also be
suitable for the entire North India with
composite climate. The slope angle
could be determined using solar angle
calculator or stereographic sun-path
diagram for specific location. The
proposed IBE is designed with truss
Stoma
openings in
N-E to gain
sufficient morning
light & diffused
daylight light
Horizontally
rotatable Solar
panels towards South
& Vertically rotable
panels in West for
increasing solar
efficiency
Hot air
blockage in
summers &
cold air
blockage in
winters through
closed stoma
ARCHITECTURE+DESIGN O c t o b e r 2 0 1 4
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Table 2. Comparison of conventional solar roof v/s proposed plus-energy model using IBE
February
52
120 m
March
60
11.16 kWh
April
68
May
76
June
84
July
76
August
68
September
60
October
52
November
44
December
36
Plot area
300 m
200 m
18.6 kWh
Summer
Autumn or
Spring
Winter
Open
Plus-Energy Model
To fulfill the energy demands of an
intelligent building in future and to
reduce the pay-back period for the
additional investment, a plus-energy
model of building is proposed. The 18.6
kWh capacity of solar skin is capable of
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O c t o b e r 2 0 1 4 ARCHITECTURE+DESIGN
Semi-open
Closed
Rs 9,30,000
Rs 3,00,000
Rs 6,15,000
Rs 18,45,000
Rs 40,500
Rs 3,15,000
Rs 3,55,500
Pay-back period
5 Yrs 2 months
Skylight
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O c t o b e r 2 0 1 4 ARCHITECTURE+DESIGN
Conclusion
The proposed conceptual IBE model
is designed for a double-storey
building but can also be used for multi-
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Exploring Design
Innovative
Product Design
Architecture+Design brings across some
innovative products that speak volumes with their
out-of-the-box forms, designs and multi-utilities
Bo om Ca binet
The cabinet is made of maple and maple
veneer. The dimensions of the cabinet are
52.5Wx21.25Hx12D.
Squidd y
It is a side table made out of
alder wood that can be
customised to suit the client's
needs. The tables are available in
different sizes and designs,
including a rectangular Squiddy.
Oct op u s Table
A functional art sculpture is made
completely of casted and carved
silicon bronze. The eyes are hand
blown glass and detailed with gold
leaf. sIt weighs nearly 225kg with a
height of 73cm.
ARCHITECTURE+DESIGN O c t o b e r 2 0 1 4
119
Hu sh
Hush is an enclosed space that provides a personal
retreat in the midst of a busy hotel, airport, office
or library. The internal padding is made from
recycled wool fibers.
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O c t o b e r 2 0 1 4 ARCHITECTURE+DESIGN
O pu n t ia
Made of stainless steel, the
dimensions of the sculpture
are168cmx110cmx50cm.
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O c t o b e r 2 0 1 4 ARCHITECTURE+DESIGN
Lo g Cent re Table
The table is made of stainless steel 304 grade with
collapsible legs measuring 10cm (height). The
dimensions of the table are 40cmx120cmx120cm.
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Mo on Li ght
The light displays the waxing and waning
effects of moon in a controlled manner, the
crescent of lightning can be adjusted and a
soft diffused lighting can be enjoyed.
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Products
Bathroom Solutions
GROHE has introduced The Authentic Range to help create a personal
space of relaxation within ones home. The range comprises
GROHE Kensington, Bridgeford, Somerset and Grandera
collections. Continuing with the tradition of majestic opulence and
binding it seamlessly with contemporary technology, GROHE turns the
spotlight on personal space blending the traditional with modern aesthetics.
Contemporary Lighting
Vizion Lights Pvt Ltd has launched a new product titled the Glide
system. The system is a contemporary luminaire specially designed
for retail spaces having both options with indirect and direct
lighting. Indirect lighting is possible with flourescent T5 or LED and
Tunable White LED. Direct accent lighting is possible with
conventional lamp and LED modules with different lumen package.
For more information, visit: www.vizionlighting.com
Kitchen Solutions
arttdinox, one of the premium brands of tableware and home dcor
products, has launched bespoke Modular Kitchens in complete recyclable
green stainless steel. These kitchens have been designed and manufactured
keeping in mind the cooking style of global Indian customers, which
essentially comprises wet and oily cooking. They come in three distinct
styles in the modular kitchen space, including contemporary, linear and
minimal. They are available in many colours and design patterns.
Modular Kitchens
Grandeur Interiors has launched a German kitchen brand
Ballerina Kchen for the Indian market. The brand is
available in various finisheslaser bound high pressure
laminates and digitally printed glass and melamine, among
others. Rohin Ramchandani, director of Grandeur Interiors,
said, We offer our customers several top European brands to
choose from and we are extremely delighted to add Ballerina
to this range of premium brands. Additionally, they offer 100
percent customisation service for the consumers.
For more information, visit: www.grandeurinteriors.com
126
O c t o b e r 2 0 1 4 ARCHITECTURE+DESIGN
Products
Digital Wall Tiles
Kajaria has launched a series of 40x80cm digital
glazed vitrified tiles titled The Collection for walls
and floors. This range of tiles captures the power of
high definition and innovative prints created by
retina imaging technology. It comes with various
finishes, such as Matt, Lappato, Stone and
Polished. Lappato finish radiates the edginess of
urban chic. Roto Matt finish gives a satin-like feel.
Stone finish exudes abrasion resistance and stain
proof characteristics.
Bathroom Faucets
Newform has launched its Royale
Collection of faucets. The collection
is a perfect blend of Italian lineage
and Indian sensibility. Made of brass
and gold polish using Physical
Vapour Disposition (PVD) process,
the collection comprises three
products, such as Royale Collection,
Royale Classique and Antea. They
are available in numerous finishes,
including chrome, gold, brushed
bronze, shiny chrome with swarovski
and chrome gold with swarovski.
For further information,
visit: www.newformindia.com
Wall Tiles
NITCO has launched a collection of wall tiles titled The Royale Treasure. The
collection takes its cue from natural elements as well as from various day-to-day
essentials. To create true to life surfaces, NITCO uses six colour prism printing HD
Digital technology that provides an impression of colours and textures like stone
and wood bringing the minutest details alive. They are available in five variants,
including Marvelous Marble, Stunning Stone, Tempting Textiles, Lavish Leather
and Gorgeous Geometry.
To know more, log on: www.nitco.in.
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