Professional Documents
Culture Documents
ARCHITECTURE DESIGN
VOLUME 31
ISSUE 11
ARCHITECTURE
AWARDS 2014
V OLL XXXII
NO
O 11
1
NOVEMBER 2014
40
100
54
ARCHITECTURE+ DESIGN
A
SALES
Assistant Manager JOY TALAPATRA (Bengaluru), Tel: 080-22219578, Fax: 080-22243428
Assistant Manager D KARTHIK (Chennai), Tel: 044-2814186, 044-28140159
Sr General Manager SUJIT BOSE (Kolkata), Tel: 033-40042815, 033-22805323
Regional Manager REKHA BILLAVA (Mumbai), Tel: 022-42467777
National Head SONALI ROY (New Delhi), Tel: 0124-4759691, Mobile: +919810640362
Manager GANESH DIXIT (New Delhi), Tel: 0124-4759693, Mobile: +919711419392
MARKETING
Manager - Activation Sales NEERAJ RAWAT (New Delhi)
Tel: 0124-4759692, Fax: 0124-4759550
ARCHITECTURE+ DESIGN
N
N
II
N
N
D
D
II
A
A
N
N
JJ
O
O
U
U
R
R
N
N
A
A
LL
O
O
FF
A
A
R
R
C
C
H
H
II
TT
E
E
VOLUME 30
C
C
TT
U
U
R
R
PRODUCTION
E
E
A
A
ISSUE 10
MANAGER SCHEDULING
C P SREEDHARAN
REGIONAL MANAGERS
SATHYA NARAYANA T S (South)
SOMNATH PRAMANIK (East)
SUBASH MISHRA (West)
MANAGER HR
SONYA CAROLINE SHAH
FOR SUBSCRIPTION
ARCHITECTURE+ DESIGN
A
GERMANY
VANESA NOETZEL
Tel: +49 89 9250 3532,
Vanessa.Noetzel@burda.com
MICHAEL NEUWIRTH
Tel: +49 89 9250 3629,
Michael.Neuwirth@burda.com
ITALY
MARIOLINA SICLARI
Tel: +39 02 91 32 34 66,
Mariolina.Siclari@burda.com
UK + IRELAND
JEANNINE SOELDNER
Tel: +44 20 3440 5832,
Jeannine.Soeldner@burda.com
Entire contents Copyright 2014 Exposure Media Marketing Pvt. Ltd., 323 Udyog Vihar, Phase IV, Gurgaon 122016, Haryana, India. All rights reserved
throughout the world. Reproduction or translation in any language in whole or in part without the consent of Exposure Media Marketing Pvt. Ltd. is prohibited.
Requests for permission should be directed to Exposure Media Marketing Pvt. Ltd. Published by Xavier Collaco from Exposure Media Marketing Pvt. Ltd., 323
Udyog Vihar, Phase IV, Gurgaon 122016, Haryana, India. Printed at Galaxy Offset (India) P.Ltd. B-83, Naraina Industrial Area, Phase-II New Delhi-110028.
Editor: Suneet Paul. Architecture+Design does not take responsibility for returning unsolicited publication material. All disputes are subject to the exclusive
jurisdiction of competent courts and forums in Delhi/New Delhi only. Opinions expressed in the articles are of the authors and do not necessarily reflect those
of the editors or publishers. While the editors do their utmost to verify information published they do not accept responsibility for its absolute accuracy.
Unsolicited material is sent at the owners risk and the publisher accepts no liability for loss or damage. All correspondence regarding advertising or editorial
should be addressed to Exposure Media Marketing Pvt. Ltd., 323 Udyog Vihar, Phase IV, Gurgaon 122016, Haryana, India.
VOLUME 31
ISSUE 11
ARCHITECTURE
AWARDS 2014
I N D I A N
J O U R N A L
Month
A R C H I T E C T U R E
Image
of
the
O F
o doubt this Issue becomes very special as it carries details of the award
winning projects of the Architecture+Design & CERA Awards 2014-- the
juries for which had taken place a couple of months back. The whole process
indeed was very engaging and productive to gauge the astonishing diversity that exists
in the country in terms of architectural approach. It also brought to the forefront the
rooted importance to regional context in design. Indian architecture has no doubt
come a long way in democratically imbibing the global influences and yet pursuing
design ideologies that cohesively incorporate tradition. It was also heartening to
observe the growing urgency to address issues of sustainability and working towards
energy conscious solutions. The six categories that underwent adjudication were laden
with enough creativity for the respective jury panellists to engage in energetic
discussions and debates to finally emerge with unbiased, transparent outcomes. We
are obliged to them for their honest and sincere involvement in this whole process.
Let me share with you a few reflective comments by the jury--. The moderator for
the Young Enthused Award category observed, Personally I came back
rejuvenated after the jury. Our jury was truly multicultural a Maratha, a Turk, a
Frenchman, a Gujjubhai and a Bawa thats diversity for you. Yes, the practices
exhibited diversity, a bandwidth that worked at opportunity with responsibility, and
I could see a search for humour. In this category, gen-next displayed fearlessness (as
in the words of one jury member) a willingness to walk away from projects that
did not suit their design or ethical sensibilities. They are also willing to break the
status quo and question long held beliefs, exhibiting strength of the spirit of youth.
The range was from socially relevant projects to creating new and simple scaffolds
that fleshed out creative uses of materials and details--from millennia old rocks at
one end and steel, glass and wood at the other--.And finally they did so with
enthusiasm and delight. It sure was contagious.
Similar thoughts/views about the participating projects were shared by many other
jury members--.
And yes, we would be celebrating these design explorations at the award
ceremony to take place in Istanbul, Turkey, in the middle of the month. Our
congratulations to the awardees
A N
Crest An installation by London-based Zaha Hada Architects for the London Design Festival (2014) at Victoria and Albert Museum, London
Daniel Libeskind
Reflections
Manuscript
The Manuscript (Seats of Poetry) was designed by London-based
firm Paul Cocksedge Studio for the 2011 Beijing Design Week. The
sculptural design celebrates a Chinese invention manuscript paper,
the foundation of global literature and communication. At 20m
long by 6.7m high, the installation is made up of rolled steel pages
inscribed with poems curated from Chinese and English sources.
10
Updates
Fast Track Architecture
12
Updates
Fast Track Architecture
Recognition
Fair
14
ndex Fairs, one of India's largest B2B platforms for the interior and design
industry, recently concluded its four-day event held in Mumbai. The event saw
about 25,000 trade buyers and professional specifiers from the architect, interior
designer and builder communities, who came in to the show from across the nation.
The already powerful visitor profile was boosted by the official partnership with
the Hospitality Procurement Managers Forum (HPMF), the Institute of Indian
Interior Designers and the architect fraternity that is responsible for interior fit-outs
of the sprawling project spaces of the country. Industry specific events, such as Voice
of Procurement and Cooking Up a Storm for the hospitality and kitchen industries
were a value addition to the visitors and exhibitors present.
Over 300 booths were spread across 7 hangars (300000sq ft), which were fitted
out in resonance with the design-led event. The fair covers the gamut of interior
products with focused spaces for furniture, decorative lighting and artifacts, kitchen,
office, intermediates, wall and floor products and architectural hardware.
Notably, strategic partnerships with Indias leading airlines and hotels also
brought the fair up to a new level of professionalism and success. Index Fairs is well
known as the best entry point into the Indian markets and has helped launch
leading brands from over 20 nations, including Italy, Germany, Poland, Spain,
France, Malaysia, Singapore and China into the Indian markets.
Updates
Trade news
beroi Realty, one of Indias leading real estate development companies, has
bagged an award for Oberoi Exquisite at the fourth edition of Construction
Week India Awards 2014 held in Mumbai.
Oberoi Exquisite is a residential project comprising three towers of up to 50
storeys each, in three BHK (luxury/grande), duplexes and penthouses configuration,
and spread across 32 acres of land. Part of an integrated development at Oberoi
Garden City, Goregaon (E), Mumbai, it is anchored alongside a mall, an international
school, a five star hotel and an office complex, which fulfils the customers live,
work, play and other lifestyle needs, all in the same location. This project has been
constructed by Larsen & Toubro using advanced Mivan technology with stringent
quality process being followed right from the design to final execution stage.
Oberoi Exquisite won this award in the High Rise Project of the Year 2014
category for design excellence and construction innovation in the erection of
buildings higher than 12 storeys. The awards are in recognition to the best in
construction and infrastructure business.
Conference
Award
16
Initiative
Advertorial
ACETECH Felicitation & Gala Night 2013-Rajendra Varma, Omkar Realtor felicitating
Ar. RO SHROFF PRINCIPAL ARCHITECT, CALLISON
Jury Outcome
Architecture+Design
Jury
Architecture+Design and CERA take immense pleasure in announcing the jury outcome of the
eleventh cycle of the Architecture+Design & CERA Awards 2014. A panel of thirty architects
participated in the recently concluded jury meet. There was a group of five jurists respectively for
each category. The jury panelists included eminent architects from all over the country as well as
from South-East-Asia and Europe. This led the jury meets to acquire a wider perspective in gauging
creativity. The jury conclusions were at times unanimous and at other times a healthy disagreement
of opinions leading to debates and discussions for the final outcome.
Sandeep J
Deepak Guggari
Praveen S
Bavadekar
Hiren Patel
Principal Awardee
Awardee
Project
Sandeep J
Architecture Paradigm,
Bangalore
Manish Gulati
Sanjay Puri
Hiren Patel
Rajesh Shivaram
Anupam Bansal
Manish Gulati
M:OFA Studios Pvt Ltd,
New Delhi
Project
National Institute of
Fashion Technology,
Campus at Kangra,
Himachal Pradesh
The award
function for this cycle
is slated to take place in
Istanbul, Turkey, on the
15th of November, 2014.
Felicitations to the
Awardees!
Commendation
Awardee
Project
Special Mentions
Awardee
Project
Hiren Patel
Hiren Patel Architects,
Ahmedabad
Praveen S Bavadekar
Third Space Architecture Studio,
Belgaum
Commendation
Awardee
Sanjay Puri
Sanjay Puri Architects,
Mumbai
Project
A Pavilion, Surat
Special Mentions
Awardee
Project
Hiren Patel
Hiren Patel Architects,
Ahmedabad
Community Centre,
Ahmedabad
Rajesh Shivaram
Technoarchitecture Inc, Bangalore
Technoarchitecture Office
Extension, Bangalore
Anupam Bansal
ABRD Architects Pvt Ltd, New Delhi
Ambrish Arora
A Mridul
Namith Varma
Akshat Bhatt
Project
RAAS, Jodhpur
Kanhai Gandhi
Ambrish Arora
Sanjay Puri
Madhav Raman
Mahesh
Radhakrishnan
Kanhai Gandhi,
Neemesh Shah,
Shresht Kashyap
KNS Architects Pvt Ltd,
Mumbai
Project
Space within a Space,
Mumbai
Commendation
Awardee
A Mridul
A Mridul Architect, Jodhpur
Project
Birkha Bawari, Jodhpur
Special Mentions
Awardee
Project
Namith Varma
Gayathri & Namith Architects
Pvt Ltd, Bengaluru
Gorukana, BR Hills,
Karnataka
Akshat Bhatt
Architecture Discipline, New Delhi
Project
Commendation
Awardee
Project
Special Mentions
Awardee
Ambrish Arora
Studio
o Lotus, New Delhi
Gaurav Gupta,
New Delhi
Sanjay Puri
Sanjay Puri Architects, Mumbai
Auriga, Mumbai
Madhav Raman
Anagram Architects, New Delhi
Anagram Office,
New Delhi
Book Building,
Mahesh Radhakrishnan
The
e Madrass Office
e forr Architectss and Chennai
Designerss (MOAD), Chennai
Post Jury
Post Jury
Deepak Guggari
Shilpa Gore-Shah
Prasanna
Parvatikar
Tushar V
Arjun Malik
Malik Architecture,
Mumbai
Project
Architects Loft, Mumbai
Akshat Bhatt
Swapnil Valvatkar
Rajesh Shivaram
Sourabh Gupta
Lester Rozario
Principal Awardee
Awardee
Project
Akshat Bhatt
Architecture
e Discipline,
New Delhi
Post Jury
Commendation
Awardee
Project
Special Mentions
Awardee
Shilpa Gore-Shah
S+PS Architects, Mumbai
Project
Liminal Living, Mumbai
Commendation
Awardee
Swapnil Valvatkar
Collage Architecture Studio,
Bangalore
Project
Marvel Domicilia, Bangalore
& Cricket House, Bangalore
Special Mentions
Awardee
Project
Rajesh Shivaram
Technoarchitecture Inc,
Bangalore
Lester Rozario
Kamat & Rozario Architecture,
Bangalore
Sourabh Gupta
Archohm Consults, Noida
Recipient:
About him...
William J R Curtis (1948) is a historian, critic, painter and photographer. He
studied at the Courtauld Institute, London and Harvard University and has
taught at many universities, including Harvard and the Architectural Association.
In 2003-4, he was Slade Professor of Fine Arts at the University of Cambridge.
Among his best known books are the classics Modern Architecture Since 1900
(Phaidon, 3rd edition, 1996) and Le Corbusier: Ideas and Forms (Phaidon,
1986) (both translated into numerous languages); also Balkrishna Doshi: An
Architecture for India (Mapin, Rizzoli, 1988) and Denys Lasdun: Architecture,
City, Landscape (Phaidon, 1994). Curtis has written over a dozen other books as
well
as texts on Indian architecture, ancient and modern, including introductions
William J R Curtis
to monographs on Raj Rewal (1986) and Anant Raje Architect (2012).
Curtis often sits on juries, and has organised exhibitions on subjects as diverse as Australian Aboriginal
spear-throwers and the sketchbooks of Le Corbusier (shown at Harvard, NY, Ahmedabad and Chandigarh).
He contributes regularly to critical journals, such as the Architectural Review and El Croquis (with numbers
on Alvaro Siza, Rafael Moneo, Tadao Ando, Miralles/Pinos, RCR Arquitectes, etc). Curtis exhibits and
publishes his own paintings (Mental Landscapes, Circulo, Madrid, 2002) and photographs (Structures of
Light, Alvar Aalto Museum, 2007). Among his numerous awards are the CICA Critics Award (1985), a
National Honors Society Gold Medal in Architecture and Allied Arts, USA (1999) and a Medal of the
Museum of Finnish Architecture (2006). Curtis is currently preparing an exhibit of his own work
Abstraction and Light for the Alhambra, Granada (2015) and another of his photographs of Le Corbusiers
architecture for the CMAV, Toulouse (2015).
1
1
Modern Architecture Since 1900, 3rd edition, London, Phaidon Press, 1996
This book is generally considered to be a 'classic' and has been translated into numerous languages. It examines the growth of a modern
tradition worldwide taking into account the balance between the general and the local. The book has won numerous international awards.
Le Corbusier: Ideas and Forms, 2nd edition, London, Phaidon Press, publication date April 2015
The 1st edition is often described as the best overall study of Le Corbusier including of course a detailed treatment of his works in India.
The 2nd edition has been entirely revised, rewritten and redesigned with 500 images of high quality, including many of the author's
own photographs.
Structures of Light, Photographs by William J R Curtis, Helsinki, Alvar Aalto Academy, 2007
This book accompanied an exhibition of Curtis's photographs at the Alvar Aalto Museum, Jyvaskyala, Finland, in 2007. In it the
photographer focuses upon light as a universal aspect of architecture, but reveals as well the sharp eye of the world traveller for numerous
cultures, architectures and landscapes.
Mental Landscapes/Paisajes Mentales, Paintings and Drawings by William J R Curtis, Madrid, Circulo de Bellas Artes, 2002
This is the catalogue of one of Curtis's several international exhibitions of paintings and drawings. Curtis explores visible and invisible
features of the natural world through a lyrical abstraction that sometimes takes on the character of calligraphy. He intends to evoke a
mental space for meditation in his abstract works.
Balkrishna Doshi, An Architecture for India, Ahmedabad, Mapin and NY, Rizzoli, 1988
A penetrating study of one of India's major architects which explores the way that he has extended a modern tradition (via principles
inherited from Le Corbusier and Louis Kahn) while exploring architectural traditions and roots in the Indian sub Continent.
unknown futures. Architecture is concerned with power but is never a direct expression of an ideology: it is an idealisation of
social and political processes and of institutions. Architecture is rooted in society but possesses a reality of its own.
As a historian and critic, I am interested in penetrating to the anatomy of intentions within a work, the structures of thought,
and the ways in which the architect translates multiple realities through the language of architecture. What architects create is
more important than what they say, and I insist upon the direct experience of buildings themselves. Works of real interest
transcend movements and isms and possess a unique order of their own. The critic must remain open to fresh innovations,
while retaining a sense of history and of what is fundamental in the art of architecture a vision of what counts in the long
term. I am interested in qualities which carry well beyond transient fashions. There is nothing more provincial than the present.
One needs to experience buildings first hand on their sites, with people in and around them, with unfolding vistas, with
materials, textures and details under changing light. One needs to grasp the general ideas and to sense the internal conflicts of
the design. There is no substitute for the deep reading of a work. It is especially important to do this at a time of spurious
theorising which asphyxiates architecture with clouds of jargon. It is crucial just now to debate the past, present and future of
architecture, to open the doors to younger generations who are often kept out of the account. It is always good to be surprised
by fresh new ideas, as long as they are substantial and not just marketing tricks in the media game of fashion and promotion.
The critic needs to approach recent work undogmatically, to let the architecture speak for itself.
Quotes by others...
On his Books...
Modern Architecture Since 1900: ...it is not only immeasurably the finest work covering this field in existence, but may very
well be the best survey of any field in the history of architecture written since the prime of Nikolaus Pevsner and Sigfried
Giedion.
James Ackerman,
Professor of Fine Arts, Harvard University
Le Corbusier: Ideas and Forms: William J R Curtis is the best architectural historian writing in the English language, and that
alone makes this book something of an event. Unsurprisingly, Curtis has turned out what is probably the most comprehensive,
well balanced and interesting narrative yet produced about one of the giants of 20th century architecture...
Paul Gapp, Chicago Tribune
Balkrishna Doshi: An Architecture for India: In a simple and lucid manner, Curtis tells the story of Doshis transformation
from his early dependence on Le Corbusier and Louis Kahn to a more confident handling of a set of generic elements which
have come to constitute his personal style.
Jaimini Mehta, Architecture and Design
On his Drawings and Paintings - Mental Landscapes
Curtiss artistic work reveals a perceptive eye, a subtle hand and a synthesising mind. His seismographic drawings and paintings
are rich distillations... These mental landscapes fuse remembrances of landscapes and geological formations, textures and rhythms,
atmospheric phenomena...movement, water and light.
Juhani Pallasmaa, Mindscapes, 2000, catalogue to Curtis exhibition, Museum of Finnish Architecture
Le Corbusier, Skylights
at La Tourette, 2011
Volcanic landscape,
Canary Islands, 2001
27
About him
Architect, urbanist and educator Rahul Mehrotra was born in 1959. He is the
founder principal of RMA Architects and is a professor of urban design and
planning and chair of the Department of Urban Planning and Design at Harvard
Universitys Graduate School of Design. Mehrotra has designed projects that
range from recycling urban land and master planning in Mumbai to the design
of art spaces, boutiques, weekend houses, factories, social institutes and office
buildings across India thereby engaging diverse issues, multiple constituencies
and varying scales from interior design and architecture to urban design,
conservation and planning.
He studied at the School of Architecture, Ahmedabad, and graduated with a
masters degree in Urban Design with distinction from the Graduate School of
Rahul Mehrotra
Design at Harvard (1987). Apart from his engagement with the design of
buildings, Mehrotra has been actively involved in civic and urban affairs in Mumbai, having served on
commissions for historic preservation and environmental issues, with various neighbourhood groups. He was
the executive director (1994-2004) of the Urban Design Research Institute (UDRI), where he is now a trustee
and has taught at the University of Michigan (2003-2007) and at the School of Architecture and Urban
Planning at MIT (2007-2010).
Mehrotra has written and lectured extensively on issues to do with architecture, conservation and urban
planning in Mumbai and India. His writings include co-authoring the book BombayThe Cities Within,
which covers the citys urban history from the 1600s to the present; Conserving an Image CentreThe Fort
Precinct in Bombay , which was a seminal study.
Own Perception
This tradition of cosmopolitanism frees
architects from conforming to any one
cultural identity or regional identity.
Mumbai guarantees a degree of
conceptual freedom that permits a
modulation and response to particular
problems without the baggage of
stylistic consistency.
28
Prominent Projects
Shanti, Alibag (1997)
House for a Film Maker, Chennai (2001)
House in a Tea Garden. Conoor (2003)
House in an Orchard, Ahmedabad, India (2004)
Three Court House, Alibag (2014)
About him
Born in November 1950, Shirish Beri graduated in architecture from the School
of Architecture (CEPT), Ahmedabad, in January 1974. Instead of pursuing higher
studies in the US, he opted for living and working in the mountains near
Kolhapur (with his father and brothers architectural firm in Kolhapur) from June
1974. He felt that after studying architecture for six years, it was necessary to
uncondition oneself and unlearn rather than spend two years learning for a
masters degree abroad.
Shirish Beris works, which tend to reflect his values and concerns in life, have
been bearing their distinct mark on modern Indian architecture since 1975. They
strive to address his concerns of man moving further away from nature, from his
fellow human beings and from his own self. Through his work, Beri probes the
Shirish Beri
multisensory and the immeasurable dimension of space while trying to evoke a
reflective pause amidst todays clutter and background noise. He feels that issues of sustainability can be
aptly addressed only through the right attitudes and goals. His designs try to achieve an inherent sense of
unity and harmony with various natural and man-made elements and forces. He has designed a number of
campuses for national and regional level institutions for research, rehabilitation, healthcare and education,
along with various other types of buildings.
Laboratory
Laboratory for
for Conservation
Conservation of
of Endangered
Endangered Species,
Species,
Hyderabad
Hyderabad
SDM
SDM Institute
Institute of
of Management
Management Development,
Development,
Mysore
Mysore
Bharati
Bharati Vidyapeeth's
Vidyapeeth's VIP
VIP Guest
Guest House,
House, Pune
Pune
Prominent Projects
Learning, Living Cluster-1, 2 & 3, Sanjeevan Vidyalaya, Panchgani
SDM College of Engineering & Technology, Dharwad
SDM Dental College Campus, Dharwad
Regional Office Building for Bharati Vidyapeeth, Sangli
National Centre for Cell Sciences, Pune
Shri Siddhivinayak Ganapati Cancer Hospital, Miraj
SDM Ayurveda Hospital and College, Hassan
Bharati Vidyapeeths VIP Guest House, Pune
SDM Hospital & Medical College in Dharwad, Karnataka
Laboratory for Conservation of Endangered Species (Lacones), Hyderabad
SDM Institute of Management Development, Mysore
Kolhapur Institute of Orthopaedics & Trauma, Kolhapur
Agriculture College for Bharati Vidyapeeth, Kadegao
200Bed AsterAadhar Hospital, Kolhapur
His own retreats at Nadhavade, Devgad, Andur and recent house at Kolhapur.
31
-Malaysia
32
Phase
Phase 6
6 Twin
Twin Villas,
Villas, East
East Ledang,
Ledang, Nusajaya
Nusajaya
Own Perception...
When we first started, we didnt get interesting projects. The decision to make them interesting depends on you as the architect.
You have to like what you are doing and you have to work real hard. There are no short-cuts.
We dont just design buildings. We hope to design spaces for people to feel good.
Prominent Projects...
BDO Clubhouse, Bandar DatoOnn Johor Bahru
Phase 6 Twin Villas, East Ledang, Nusajaya
Teega Residences, PuteriHarbour, Nusajaya (In
collaboration with Liu &Wo Architects, Singapore)
Medini Mosque & Community Centre,
Medini, Nusajaya
-Thailand
About her...
Architect, lecturer and
community activist Patama
Roonrakwit graduated from the
Faculty of Architecture,
Silpakorn University in 1991,
followed by a masters degree
in Development Practices from
the School of Architecture,
Oxford Brookes University, UK,
in 1996. She is the founder of
Community Architects for
Patama Roonrakwit
Shelter and Environment (CASE)
that has been involved in numerous community
development projects for the last 10 years. CASE is a group
of Thai architects formed in 1997 with central interests in
alternate dwelling visions. Its major concern lies in the
relationship between dwelling and physical, cultural as well
as socio-economic contexts. Both the physical environment
and the human elements of the place are considered vital
to CASEs working mentality.
She is a recipient of the award Young Architect with
Outstanding Work 2004 from the Association of Siamese
Architects (ASA). In 2010, she received the award
Silpathorn, the best contemporary artist in Thailand by the
Ministry of Art and Culture. Besides practising, she is also a
visiting lecturer at several universities in Thailand. Currently,
she is a global tutor for the Centre for Development and
Emergency Planning, Department of Architecture, School of
Built Environment, Oxford Brookes University, UK.
Prominent Projects...
TEN House Project, Bangkok
Underbridge People Community
Relocation Project, Bangkok
Minburi Old Market Development Project,
Bangkok
Baan Man Kong Pilot Projects - Kaoseng
& Pattani
34
Own perception...
35
-Sri Lanka
About him...
Narein Perera runs a small practice, which prides itself in the degree of innovation
and holistic applicability of its architectural solutions. Each project is approached
as a specific set of social, climatic, contextual and technological nuances that
create the basis for a unique outcome. Place making is emphasised with a
conscious and meticulous exploration of materials and texture.
A senior lecturer at the Department of Architecture, University of Moratuwa,
with a teaching and research focus on climate sensitive design at both building
and urban scales, Perera strives to apply lessons learnt in his practice.
The practice, now over ten years old, has been quite successful over the years,
winning recognition for design, both locally and internationally. On the
international stage, he was awarded the Architecture Asia Award for Emerging
Narein Perera
Architects as a part of the Asian Congress of Architects sessions in Malaysia,
2014. In his home country of Sri Lanka, he was the recipient of the Young Architect of the Year in 2010
and the Sri Lanka Institute of Architects Award for design excellence in 2007 and 2011 respectively.
Own Perception...
Architectural space making should
adopt a down-to-earth simplicity,
to create a living-friendly
atmosphere, one that is timeless,
functional, stylistic and affordable.
Spaces that use a materiality that is
not meant to be rustic, unfinished
or untreated, rather to connect with
the rhythms of the natural
environment, to have materials
imbued with good vibrations and
on a deep level, materials that
nurture and nourish the soul.
Prominent Projects...
Colombo Gymkhana Club, Pool Complex, Colombo 07 (2004)
Furniture Factory and Warehouse, Raux Brothers, Piliyandala (2007)
Earthbound, de Alwis Residence, Piliyandala (2002)
Estate Bungalow, Matugama (2010)
Enigma, Vitharana Residence, Colombo 08 (2007)
Bird Cage, Ramanayake Residence, Colombo 05 (2013)
Gabriel Residence, Palewatte (2014)
Library, University of Moratuwa Refurbishment, Moratuwa
Auditorium and Lecture Halls, Faculty of Architecture, University of Moratuwa Conceptual Design, Moratuwa
Hostel Building, Sri Lanka Police Training Academy, Katana
37
-Singapore
38
Yong Ter has remained steadfast in his chosen field. His growth and development continues to draw on the breadth and depth
of the various disciplines, but more importantly the pages and chapters of life as he is acutely aware that one is designing for a
living being. More than designing, Yong Ter seeks true understanding, embracing architecture in its genesis, its evolution, its
relevance and its mission in serving the human condition. It is never about visual stimulation, nor intellectual concept, but an
immersion of all senses to form and space, shadow and light, and the shaping of the environment for life lived. He lives the life
of the seeker, the discoverer and the creator.
He is relentless in the pursuit of the science and arts of the craft. More tellingly, he is looking for the heart and soul of each
programme, each context, and in bringing out the true dimension of space and time when architecture becomes one with the
user...and the architect is no more.
Ar Seah Chee Kien
Own Perception...
Space, which is intangible, is the essence in architecture;
whereas form, which is tangible, is only the by-product.
Space is the first encounter, regardless of the function it
serves.
Trust your instincts. The most appropriate design solution is
in you. You dont have to search far for it externally, but to
seek quietly from within.
Design from the heart. This is because architecture is for
human beings, and as human beings we have feelings. We
are connected by feelings. Feelings are far more powerful
than words. In our relationships with one another, we may
forget what we have said and heard, but how we felt about
each other will always linger on. I believe this is the same in
our experiences with architecture. Great works of architecture
can never be adequately described nor theorised, but it can
be readily felt. This is what I strive to achieve in my works.
The works of great architects appeal to your soul, the good
ones appeal to your senses only.
Prominent Projects...
Elok House, Jalan Elok, Singapore
Framed House, Serangoon, Singapore
Lucky Shophouse, Joo Chiat Place, Singapore
Namly House, Namly Drive, Singapore
Joo Chiat Shophouse, Joo Chiat Place, Singapore
House at Novena, Novena District, Singapore
Classroom of the Future, National Institute of
Education, Singapore
The Kallang Raw, Marina Bay, Singapore
39
Jur y Panel
Sharukh Mistry
(Moderator)
Hiren Patel
Stephane Paumier
Prasanna Desai
Jury Comments
Principal Awardee: Akshat Bhatt, Architecture
Special Mentions
Commendation
Awardee: Swapnil Valvatkar, Collage Architecture Studio,
Bangalore
Project: Marvel Domicilia, Bangalore & Cricket House,
Bangalore
The expression of very simple intentions defines this practices
USP. A refreshing approach to mass housing with a clear
definition of internal and external spaces. It showed a certain
rigour and devotion to work.
40
Akshat Bhatt
Also determined from the brief is the fact that the building is only
placed for six years and post that, it would be relocated and
moved down the site precinct, and hence, the building was
conceived as an assemblage of parts. The design had to be more
than just a rudimentary structure that would establish an identity
even from the glimpse off the highway.
While typically, a building of this nature is placed at the edge
of the site as an open flexible shell that is dressed up, in order to
enhance the spatial connect with the visitors, the Discovery
Centre is placed at the heart of the site to engage the visitor right
through the development. The building tells a story, the concerns
of the township and demonstrates the residential and commercial
characteristics of the development.
6
5
FactFile
Client: Bhartiya City, Bhartiya Urban I Design team: Akshat Bhatt
(Principal Architect), Aditya Tognatta, Nishant Malhotra, Nidhi Khosla
I Built-up area: 37,000sq ft I Year of completion: 2013
10
3
9
2
1
11
42
1. DROP OFF
2. CEREMONIAL STAIRS
3. PRIMARY ENTRY
4. RECEPTION
5. CAF
6. SERVICE AREA
7. RESTROOMS
8. STRONG ROOM
9. MEETING ROOMS
10. TEMPORARY EXHIBITS
11. AMPHITHEATRE
SECTION
43
Swapnil Valvatkar
SECTIONAL VIEW
FactFile
Client: Anji Mettu (M/S Marvel InfraBuild Pvt Ltd)
5
1. ENTRANCE
2. GUEST PARKING
3. CENTRAL PLAZA
MASTER PLAN
44
CONCEPT DEVELOPMENT
45
Sourabh Gupta
FactFile
Client: Vishal Anand/Atul Khosla, Foundation for Life Science
and Business Management I Design team: Sourabh Gupta
(Principal Architect), Sanjay Rawat, Bhoomika Singhal, Sanjay
SECTION
46
Lester Rozario
The new skin had two parts the staircase block and the
hanging wall. The staircase was moved to the northern side by
demolishing the first flight of the existing staircase. This, when
added to the setback outside, created a vibrant sunny spot yet a
private outdoor space. The huge projection above the car park
was converted into a study as its top was not accessible. As the
slab could not take the load of a wall, the outer skin was hung
from the roof. Additional volumes in brick and concrete latch
seamlessly on to the existing structure, expressed in white. All the
doors and windows were re-used. The new windows were
imagined to be tonally different from their older cousins.
Photo credit: Lester Rozario
FactFile
Client: Vinod Sharma I Design team: Smruti Kamat, Lester Rozario
I Built-up area: 2550sq ft I Cost: Rs 36 lakh I Year of completion: 2010
6
5
3
4
48
1. LIVING
2. COURTYARD
3. DINING
4. ENTERTAINMENT NOOK
5. BEDROOM
6. BATHROOM
7. KITCHEN
8. UTILITY
9. GARAGE
Rajesh Shivaram
When the zoning diagram was started, the first floor was the
most comfortable level which houses the main activities, namely
the living room (double height), dining, kitchen, puja, utility,
powder room, etc. It was mostly designed as the vertical zoning.
The ground floor houses the car park and an office space with an
external entry. The function of the reflecting pond under the stairs
was to decrease the room temperature during the day and create
a peaceful ambience by the sound of water.
The second and the part third floor, where all the bedrooms
are placed have a multi-functional space right beside the stairs
thats been used as a corridor, entry to bedrooms. When all the
connecting doors along the corridor are opened, the rooms unite
into a bigger space overlooking into the double height of the living
room. Laminated glass is applied for the corridors to provide larger
range of light on the second floor. The third floor has much larger
master bedroom and an attached toilet overlooking into an 8'x15'
(lap pool) smart pool above the roof of the living room,
connected by a deck and a bar counter. The colour combination
internally was also kept to white, grey and wood, which
continued in all the floors.
FactFile
Client: Mr Mahadevswamy I Design team (architecture & interiors): Rajesh
Shivaram (Principal Architect), Sooraj C M (Senior Architect), Ankita (Interiors), B L
Manjunath (Structure) I Built-up area: 2600sq ft I Cost of project: Rs 1,10,00,000
I Year of completion: 2013
50
3
2
1. PARKING
2. FOYER
3. WATER BODY
4. WAITING AREA
5. OFFICE
6. TOILET
7. EXISTING STAIRCASE
wine.liebherr.com
(where it is also helpful for the villagers) was the main concern
design as an integration of materials, details and make the house
energy efficient by the use of locally available materials and
applying appropriate methods of construction.
The location of the main house and landscape for the house
is done in north and towards the southern part of the plot.
Leaving the north part of the site open to horizon and vistas, the
endemic shade giving trees are to be planted at the south.
Ground fixing is only done with locally available bricks to provide
direct access to the usable open areas and without any
impervious sub grade thus allowing maximum rainwater to
percolate. The orientation of the functions are best suitable to
efficiently use the sun direction, hence reliance on artificial lighting
and ventilation is very minimal.
Primary materials as brick, stone and terracotta tumblers (for
the roof) are resourced locally. The masonry opening sizes are
designed and located as per the old windows procured from the
windows of demolished buildings. The flat roof (in RCC),
wherever required, is designed in cognisance with the idea to
save on the concrete being used in the slab. The fired clay bowls
are used as filler material to reduce material consumption. The
bowls in turn are locally produced cutting down on total volume
cost by 30 per cent. The semi open area and outdoor paving is
done with waste glazed ceramic jar lids and used fire bricks from
local foundry kilns. These are procured free of cost from the
ceramic factory as waste material.
The design is integrated in terms of finishes. The walls of
semi open areas of the living room are kept rough keeping in
mind the semi-arid nature of the site. The interior of the
52
SITE PLAN
FactFile
Client: Mr Prataprai Bos I Design team (architecture & interiors): Parth Uday
Shah, Brinda Parth Shah (Principal Architects), Vinod R Shah (Structural Engineer)
I Built-up area: 203sq m I Cost of project: Rs 23 lakh I Year of completion: 2011
Jur y Panel
In this category, the jury preferred giving two Commendation trophies and
two Special Mentions...
Jury Comments
Principal Awardee: Sandeep J, Architecture Paradigm, Bangalore
Project: Wilson Garden House - Bysani Residence, Bangalore
The project showed mature resolution of environmental, spatial and constructional
attributes. The spatial variety to integrate nature in terms of light, view and vegetation is
appreciable. The plan form is simple yet evolves diverse volumetric modulation.
Environmental element as vertical fin is creativity participating in creating visual syntax and
form definition externally.
Commendation
Harsha W Fernando
Sonal Sancheti
Special Mentions
Vipul Patel
Raman Sikka
54
Sandeep J
56
12
3
1
2
7
5
16
13
17
12
15
14
1. MUTI-PURPOSE SPACE
2. HOME THEATRE
3. DECK
4. SWIMMING POOL
5. GYM
6. OFFICE
7. METER ROOM
8. GUEST ROOM
9. RWH TANK
10. SUMP TANK
11. PUMP ROOM
12. STORE
13. JACUZZI
14. SERVANTS ROOM
15. TOILET
16. SHOWER/CHANGING ROOM
17. PARKING
FactFile
Client: Ramnath Bysani I Design team (architecture & interiors):
Sandeep J, Late Vimal Jain, Manoj Ladhad, Savitha I Built-up area:
7000sq ft I Cost of project: 2.75 crore I Year of completion: 2011
14
12
13
15
4
2
3
SECTION
8
5
6
7
9
11
10
1. FOYER
2. PUJA ROOM
3. DINING
4. WATER BODY
5. MASTER BEDROOM
6. DRESSER
7. TOILET
8. KITCHEN
9. DECK
10. UTILITY
57
Praveen S Bavadekar
9
10
3
11
2
4
1. ENTRANCE
2. FOYER
3. LIVING ROOM
4. POOJA ROOM
5. DINING
6. KITCHEN
7. STORE/UTILITY
8. SERVANTS ROOM
9. TOILET
10. BEDROOM
11. DECK
The public areas are not strictly divided into rooms, but rather
are an interconnected series of overlooking spaces. Here, the two
dominant sheesham trees and the court around them become
the armature of the interior space, housing the main entrance
door as well as the staircase. The variegated section of the public
areas stands in contrast with the strict regimentation of the private
areas. The public areas are coupled with a garden space on the
north-east that overlooks a small teak wood plantation. In this
manner, to conserve the trees on site and take advantage of the
58
SECTIONAL VIEW
FactFile
Client: N Lokappa I Design team (architecture & interiors):
Praveen S Bavadekar I Built-up area: 3500sq ft I Cost of
project: Rs 60,00,000 I Year of completion: 2014
1. LIVING ROOM
2. FAMILY ROOM
3. BALCONY
4. BEDROOM
5. MASTER BEDROOM
Deepak Guggari
FactFile
Client: Mr & Mrs Jadhav I Design team: Deepak Guggari, Rashi Sanson,
Niranjan Bhome I Built-up area: 15000sq ft I Cost of project: Rs 5crore
I Year of completion: 2013
19
10
22
11
15
12
16
13
14
17
18
14
21
14
19
22
2
1
20
1. PEDESTRIAL ENTRY
2. ENTRANCE FOYER
3. LOBBY
4. LIVING ROOM
5. WATER COURT
6. SIT-OUT
7. PUJA ROOM
8. DINING
9. KITCHEN
10. UTILITY
11. FAMILY ROOM
12. POWDER ROOM
13. MASTER BEDROOM
14. TOILET
15. WALK-IN WARDROBE
16. JACUZZI
17. BEDROOM
18. SHAFT
19. BACK COURT
20. SWIMMING POOL
21. DECK
22. GAZEBO
11
12
3
5
10
4
8
1. LANDSCAPED COURT
2. MASTER BEDROOM
3. BALCONY
4. TOILET
5. WALK-IN WARDROBE
6. BEDROOM
7. TERRACE
8. LIVING ROOM BELOW
9. PASSAGE
10. NORTH-EAST TERRACE
11. STUDY ROOM
12. GYM
SECTION
61
Hiren Patel
During the day, the living area fills up with natural light flooding
in through large laminated glass panes, which also showcases the
garden on one side and central courtyard on the other. The
custom-designed wooden doors and windows help to create a
visually unifying theme throughout the home, as do its prominent
use of wood and marble. In keeping with the lush greenery, the
home is decorated using a tropical palette of bright colours to
complement the natural wood tones of furniture and fixtures.
The house is made of RCC roof structure covered with
wood. The verandah and upper rooms are covered with wood.
Floors are covered with natural marble stone and wooden
planks. Custom designed doors and windows are made of
wood and laminated glass. All the bathrooms on the ground
floor have courtyards, while the ones on the upper floor have
skylights. The master bath has a wooden screen. The wooden
strips on the elevation of the first floor function as both
sunscreens and ventilators, while providing an aesthetically
pleasing sight. Basic principles of architecture have been
applied to the house, and the use of art and art-objects make
the spaces of timeless quality.
Photo credit: Sebastian Zachariah
16
11
12
10
13
15
14 2
6
14
7
3
8
7
Design team: Hiren Patel, HPA Design Team I Built-up area: 810sq m
I Year of completion: 2012
62
9 8
1. ENTRANCE FOYER
2. STORE
3. 7M WIDE PASSAGE
4. FORMAL SITTING
5. DRAWING ROOM
6. PUJA ROOM
7. BEDROOM
8. DRESSER
9. TOILET
10. KITCHEN
11. DINING
12. LIVING ROOM
13. WASH YARD
14. SERVANTS ROOM
15. LILY POND
16. ZEN GARDEN
WINDOW TO PRECISION
ON
www.encraft.in
ENCRAFT India Private Limited, 1305, 13th Floor, Gopaldass Bhawan, Barakhamba Road, Connaught Place, New Delhi-110001 (India) Ph.: +91 11 23730505, 23730606, email: info@encraft.in
12
11
13
10
10
8
9
1
7
10
1. PARKING
2. ENTRY
3. FOYER
4. LIVING
5. DINING
6. KITCHEN
7. UTILITY
8. STORE
9. SERVANTS ROOM
10. TOILET
11. MASTER BEDROOM
12. LANDSCAPE
13. SAFE
64
Jur y Panel
Snehal Nagarsheth
Anand Tatu
C R Raju
Jury Comments
Principal Awardee: Neemesh Shah, Shresht Kashyap,
Kanhai Gandhi, KNS Architects Pvt Ltd, Mumbai
Project: Space within a Space, Mumbai
The project is conceptually very strong. The concept responds
to the context of the site as well as the project brief. The
design reflects the dominant idea of Space within Space
both in the space planning as well as through the dominant
presence of the yellow suspended box loaded with the office,
leaving the floor free for the functioning of the store. The
detailing follows the concept, reflecting restrain and
functional need and reinforcing the conceptual positioning.
Commendation
Awardee: Ambrish Arora, Studio Lotus, New Delhi
Project: Gaurav Gupta, New Delhi
Design is very strong in execution as well as concept
The space is very dramatic
Showcases Indian craft tradition and artisans
Special Mentions
Awardee: Madhav Raman, Anagram Architects, New Delhi
Project: Anagram Office, New Delhi
Basement is celebrated in the design, reinforced by ANT
and apertures are given special attention.
There is a striking use of colours.
Awardee: Mahesh Radhakrishnan, The Madras Office for Architects and Designers (MOAD), Chennai
Project: Book Building, Chennai
Creative use of shadow as a design element.
The concept is built on an analogy of graphics.
Very beautifully executed - both externally as well as internally.
66
Shresht Kashyap
Kanhai Gandhi
Neemesh Shah
10
9
3
2
Client: Nolte, Mumbai I Design team: Shresht Kashyap, Kanhai Gandhi, Neemesh Shah (Principal Architects); Kedar Dandekar,
Sneha Kshirsagar I Built-up area: 3000sq ft I Cost of project: Rs 90,00,000 I Year of completion: 2013
FactFile
68
1. ENTRANCE
2. LOUNGE
3. KITCHEN A
4. KITCHEN B
5. KITCHEN C
6. KITCHEN D
7. BEDROOM A
8. BEDROOM B
9. KITCHEN E
10. MATERIAL PANELS
SECTIONS
2
1
3
4
DESIGN DEVELOPMENT
1. ENTRANCE
2. DISCUSSION AREA
3. WORK STATION
4. MANAGERS CABIN
5. TOILET
6. PANTRY
7. SERVICES
69
Ambrish Arora
FactFile
Client: Gaurav Gupta
I Design team (architecture & interiors):
Ambrish Arora, Arun Kullu, Alina Vadera
I Built-up area: 1200sq ft I Cost of project:
US $ 70,000 I Year of completion: 2011
FLOOR PLAN
70
SECTIONS
Sanjay Puri
1
8
6
6
2
3
5
1. ENTRANCE LOBY
2. OUTDOOR CAF
3. VIP SEATING
72
Madhav Raman
FactFile
5
Client: Anagram I Design team: Vaibhav Dimri, Madhav Raman, Somya Chaturvedi,
Ayush Prakash I Built-up area: 12481sq ft I Cost of project: Rs 20 lakh
I Year of completion: 2013
74
1. STUDIO
2. OFFICE
3. CONFERENCE ROOM
4. RECEPTION
5. CIRCULATION
6. SERVICES
Mahesh Radhakrishnan
for the senses to revel through their products. They work with
tribal folk artists and make the art forms tangible through the
design of the books, so the architects wanted to create an
architectural equivalent of this narrative in their spaces. Book
building is designed not just as a porous functional container, but
as a platform for collaboration and dialogue. The organisation of
the building moves from public to private across the levels the
lower level houses the book shop and exhibition space; the first
level has the meeting and office spaces and the second level
includes the studio and accommodation. Art is present
throughout the building, not as a museum but as a continually
evolving canvas that the visiting artists are invited to explore. The
hand crafted steel grilles, as a jaali, are a collage of popular
designs through the decades and an imagery of the city through
VILLAGE EXTERIOR
FactFile
Client: Tara Books I Design team: Mahesh Radhakrishnan, Zahed Mirza, Ludovic Tiollier, Shyni Mathew, Chandrika Ravichandran, Salome Houllier, Dhiyva Ravishankar,
Ashwin Ashok I Built-up area: 3450sq ft I Cost of project: Rs 80 lakh I Year of completion: 2012
76
Jury Comments
Principal Awardee: Ambrish Arora and Rajiv Majumdar,
Studio Lotus, New Delhi & Praxis Inc, Bangalore
Project: RAAS, Jodhpur
The jury was unanimous in applauding the first entry in its
considerable restraint in detail with a unique and powerful site and
location. It also appreciated the use of local materials and crafts.
The project positions itself uniquely in the contemporary
architectural discourse in India between tradition and modernity
and between building and the space between buildings which is
far more relevant in our ethos.
Jur y Panel
Sabeena Khanna
Commendation
Awardee: A Mridul, A Mridul Architect, Jodhpur
Project: Birkha Bawari, Jodhpur
The jury commended the project for very effectively using the
common residual space left over in most residential projects into an
effective rainwater harvesting structure and a very usable public
space, much in the tradition of our ancient step wells and tanks. The
grand celebratory gesture was highly appreciated by the jury.
Rajeev Kathpalia
Sanjay Mohe
(Moderator)
Kamal Malik
Ashutosh Kr Agarwal
Special Mentions
Awardee: Namith Varma, Gayathri & Namith Architects Pvt Ltd,
Bengaluru
Project: Gorukana, BR Hills, Karnataka
78
Ambrish Arora
enjoyed by all the guests. As many as thirty six rooms have been
created, spread over three contemporary buildings, inserted into
the site in a manner that they frame the visual and spatial
relationship among the old buildings and the fort, creating a
dialogue between the old and the new.
Inspired by the age old double skinned structures of the
region, these buildings act as lanterns framing the site. The drama
of the stone jaali (lattice) is heightened by the fact that these
panels can be folded by each user to reveal uninterrupted views
of the fort, or can be closed for privacy and to keep the sun out.
Crafted by over a hundred regional artisans and mastercraftsmen, with materials that have been sourced locally, every
element is handcrafted with a focus on simplicity and function.
Materials include hand cut stone and poured in situ pigmented
cement terrazzo on floors, walls and as furniture. The furniture is
locally crafted and the cabinets are made in sheesham (a local
Indian hardwood).
FactFile
Client: Nikhilendra Singh I Design team (architecture
& interiors): Ambrish Arora, Rajiv Majumdar, Arun Kullu,
Radha Muralidhara, Anuja Gupta I Built-up area: 60000sq ft
I Cost of project: Rs 17 crore I Year of completion: 2010
7
13
12
7
10
11
9
3
5
1
17
20
16
15
14
19
18
13
19
20
SITE PLAN
80
1. ENTRANCE
2. OFFICE
3. TOILET
4. ENTRANCE COURT
5. PAVILION ENTRANCE
6. ROOMS
7. SUNKEN COURT
8. LOTUS POOL
9. DECK SEATING SPACE
10. BARADARI CAFETERIA
11. POOL
12. BAR
13. KITCHEN
14. HOTEL MANAGER AND OFFICE
15. SHOPS
16. PLATFORM
17. SPA AREA
18. STAFF CAFETERIA
19. ADMINISTRATION AND MAINTENANCE
20. TOILET AND LOCKER
SECTION
1
2
1. ROOM
2. BATH
3. BALCONY
4. SUNKEN LANDSCAPE COURT
5. LIFT AND STAIRCASE LOBBY
6. ENTRANCE TO DARIKHANA RESTAURANT
7. RECEPTION PAVILION
81
A Mridul
irkha Bawari is a subterranean sandstone masonry stepwell reservoir for harvesting rainwater from a 110-acre
catchment located in Jodhpur, a water-strapped city
situated on the fringe of Thar Desert of India. Designed to hold
about 175 million litres of rainwater, it is a rich source of water for
irrigation and for sustenance of the huge tracts of green.
This water-architecture masonry structure is 224m long,
average 10.5m wide, 18m and six storeys deep at the farthest
end and has an average water depth of 7m. Its structural system
has been designed by upending barrel-vaults as slender retaining
walls. A novel composite structure has been created by a series
GHAT
PLAN
82
FactFile
Client: Ess Gee Real Estate Developers Pvt Ltd I Design team: A Mridul
(Principal Architect & Structural System Design), Rajendra Rai, Saurabh
Varshney (Structural Ratification) I Built-up area: 5750sq m I Cost of
project: Rs 8.00 crore I Year of completion: 2009
SECTION
Namith Varma
FactFile
Client: Dr Sudarshan I Design team
5
completion: 2010
6
6
8
3
10
2
10
N
SITE PLAN
11
1
84
1. ENTRANCE
2. HERBAL GARDEN
3. MAIN BLOCK
4. EXISTING BLOCK
5. TENT HOUSE
6. COTTAGES
7. TREE HOUSE
8. SPA
9. ISLAND
10. JOGGING TRACK
11. AMPHITHEATRE
12. PARKING
Akshat Bhatt
FactFile
Client: Sheevam Comfort Hotels Pvt Ltd I Design team: Akshat Bhatt, Sneha Gurjar,
Nidhi Khosla, Stuti Sahni, Debbayoti Dey I Cost of project: Rs 14.5 crore
I Built-up area: 65,000sq ft I Year of completion: April 2013
6
9
9
8
10
10
12
17
13
14
15
16
18
19
11
20
1. ENTRANCE
2. RECEPTION
3. ACTIVITY COURT
4. GUEST LIFT
5. WASHROOMS
6. SERVICE LIFT
7. SERVICE STAIRCASE
8. KITCHEN
9. GUEST ROOMS
10. SPA
16. RESTAURANT
17. OFFICES
18. BUSINESS HUB
19. WAITING LOUNGE
20. CONFERENCE ROOM
Jur y Panel
Jury Comments
Principal Awardee: Arjun Malik, Malik Architecture, Mumbai
Bichitresh Saha
Commendation
Awardee: Deepak Guggari, Varsha & Deepak Guggari Associates, Pune
Project: Jadhav House, Pune
Amalgamation of interesting spaces both vernacular and articulate
with right interplay of colours achieving subtle and warm ambience.
Ajit Nair
D S Bhui
(Moderator)
Special Mentions
Awardee: Shruti Keshavamurthy and Tushar V, Ochre, Bangalore
Project: Shruti Tushar Apartment Design, Bangalore
Bold yet subdued forms done with clinical precision using straight
lines achieving a visual clarity.
Lalichan Zacharias
Smita Khan
Awardee: Shilpa Gore-Shah, S+PS Architects, Mumbai
Project: Liminal Living, Mumbai
It is having a minimalistic and contemporary approach having visual
connection between the spaces created.
88
Arjun Malik
Client: Arjun Malik I Design team: Arjun Malik, Mahesh Suthar, Daksha Chotalia
(Interior Design) I Built-up area: 950sq ft I Cost of project: Rs 30 lakh
2
6
5
3
4
90
4. SHOWER
5. BATHROOM
6. KITCHEN
1. BEDROOM
2. STUDY
SECTION
91
Deepak Guggari
SECTION
9
14
10
13
11
12
FactFile
15
7
13
13
6
2
1
92
15
1. ENTRANCE FOYER
2. LOBBY
3. LIVING ROOM
4. WATER COURT
5. SIT-OUT
6. PUJA ROOM
7. DINING
8. KITCHEN
9. UTILITY
10. FAMILY ROOM
11. POWDER ROOM
12. MASTER BEDROOM
13. TOILET
14. WALK-IN WARDROBE
15. BEDROOM
16. SWIMMING POOL
SECTION
11
12
4
10
4
4
7
7
6
3
1. LANDSCAPED COURT
2. MASTER BEDROOM
3. BALCONY
4. TOILET
5. WALK-IN WARDROBE
6. BEDROOM
7. TERRACE
8. LIVING ROOM BELOW
9. PASSAGE
10. NORTH-EAST TERRACE
11. STUDY ROOM
12. GYM
Shilpa Gore-Shah
94
10
10
11
14
12
12
13
1. LIFT LOBBY
2. ENTRY LOBBY
3. LIVING ROOM
4. DINING
5. LIBRARY
6. KITCHEN
7. UTILITY
14
12
13
13
FLOOR PLAN
10
8. POWDER ROOM
9. MASTER BEDROOM
10. TOILET
11. POOJA ROOM
12. BEDROOM
13. BALCONY
14. WALK-IN WARDROBE
FactFile
Client: S Mohare I Design team: Shilpa Gore-Shah, Shruti Phafat,
Manali Patel I Built-up area: 1900sq ft I Year of completion: 2013
Tushar Vasudevan
Shruti Keshavamurthy
11
7
8
12
14
9
10
12
13
3
4
FLOOR PLAN
1. FOYER
2. DINING
3. KITCHEN
4. UTILITY
5. LIVING
6. HOME THEATRE/ BEDROOM
7. MASTER BEDROOM
8. MASTER TOILET
9. TOILET
10. BEDROOM
11. BALCONY
12. PAVILION
13. TERRACE
14. BARBEQUE
SECTION
FactFile
Client: Tushar Vasudevan, Shruti Keshavamurthy I Principal Architects: Shruti Keshavamurthy, Tushar Vasudevan I Interior design team: Ramakanth, Anisha I Built-up area:
1456sq ft I Cost of project: Rs 16 lakh I Year of completion: 2012
96
Prasanna Parvatikar
2
1
4
13
5
8
7
14
15
16
12
15
9
10
14
16
11
7. UTILITY
8. OUTDOOR PREPARATORY
9. PUJA ROOM
10. FOYER
11. VERANDAH
12. LIVING
The glass door between the rooms allows one to feel the scale
of the house. The ladies seating is demarcated by a subtle drop
and in the contrast colour of the flooring. Silky cushion over
furniture in the ladies seating adds to the glamour and richness
of the space as the floral design wall paper on the back drop
echoes lightness of a casual chat.
Metal light fixtures in the passage beside the living room give
a sense of direction. In the family room, ones attention is drawn
towards the dark veneered corner with a niche and spot lights on
small metal objects in contrast to the cosy white leathered sofas
in the front. Carefully selected artefacts and light fixtures add to
the drama of the glittering passage between the bedrooms.
FactFile
Client: Mrs R Umaraja I Design team (Interiors): Prasanna Parvatikar, Roopashree Parvatikar I Built-up area: 7120sq ft I Cost of project: Rs 90 lakh
I Year of completion: 2013
98
Jury Comments
Jur y Panel
The jury congratulates all participants for the diversity of projects and attitudes to design. The spirit of adventure, passion and
commitment is evident in most projects while the symbolic representation of contents which is a primary quality in an
institution is not evenly present.
The jury has recognised the design merits even of small, less complex projects for the message they communicate.
Happily, many projects reinterpreted traditional sustainable practices.
Tanuja Kanvinde
Kirit Bhatt
Lillian Tay
Karan Grover
KT Ravindran
(Moderator)
Commendation
Awardee: Sanjay Puri, Sanjay Puri Architects, Mumbai
Project: A Pavilion, Surat
Special Mentions
Awardee: Hiren Patel, Hiren Patel Architects, Ahmedabad
Project: A Community Centre, Ahmedabad
Awardee: Rajesh Shivaram, Technoarchitecture Inc, Bangalore
Project: Technoarchitecture Office Extension, Bangalore
100
Manish Gulati
102
FactFile
Client: Ministry of Textiles, Government of India I Design team (architecture &
interiors): Manish Gulati (Principal Architect), Tanushree Gulati (Principal Planner),
Abhinav Chaudhary, Shuchita Jain, Aakriti Sood, Sargam Tondon, Rohit Garg,
Abhinandan Mandal, Fawaz Thenglin I Built-up area: 2,50,000sq m
I Year of completion: 2012 (Phase-1 hostels)
ELEVATION
103
Sanjay Puri
7
9
8
10
FactFile
6
11
I Design team (architecture & interiors): Sanjay Puri & Nimish Shah
I Built-up area: 3930sq ft I Cost of project: Rs 2,25,00,000
12
3
1. ENTRANCE PLAZA
2. ENTRANCE FOYER
3. RECEPTION
4. WAITING
5. SALES OFFICE
6. DIRECTORS CABIN
104
7. PANTRY
8. LUNCH ROOM
9. STAFF TOILETS
10. GUEST TOILETS
11. WATER BODY
12. LANDSCAPED COURT
4
2
FLOOR PLAN
N
105
Hiren Patel
6
5
106
FLOOR PLAN
N
1. HALL
2. MOSQUE
3. TEMPLE
4. ROOM
5. DISPENSARY
6. UGWT
Made of exposed brick and RCC work, CEPT, NID and IIM
became inspiration of the firm. In order to create same worldclass impression, the same material palette was used. To go
further in terms of maturity and material sensitivity, recycled glass
bottles and bamboo for screen windows were used. The existing
buildings were kept as it is with slight modifications wherever
required, and the new structures were designed in such a way
that both the new and old development respect and complement
each other. This saved half the cost as compared to creating new
buildings. Local and cost-effective materials were used which
resulted in considerable amount of energy savings.
The entire complex became a sense of pride in the
community, which was once a neglected area. There are two
religious structures in the compound and the new development
was designed surrounding these structures without disturbing
them. Thus, the whole compound has become a symbol of
religious harmony.
Photo credit: Sebastian Zachariah
FactFile
Client: Anonymous I Design team: Hiren Patel & HPA Design Team
I Built-up area: 120.36sq m I Year of completion: 2013
Anupam Bansal
provided in all labs where MEPF supply and return networks are
provided. These service networks drop down from the service
floor to the lab benches and equipment rooms through the
service risers.
FactFile
Client: National Centre for Biological Sciences, Tata Institute for Fundamental Research
I Design team (architecture & interiors): ABRD Architects Pvt Ltd I Built-up area:
24750sq m I Cost of project: Rs 75 crore I Year of completion: 2011
107
Rajesh Shivaram
5
4
6
6
FactFile
Client: Rajesh Shivaram I Design team (architecture & interiors): Rajesh Shivaram
(Principal Architect), Sooraj CM (Senior Architect), B L Manjunath (Structural)
I Built-up area: 2900sq ft I Cost of project: Rs 6,00,000 (inclusive of interiors)
108
1. CABIN
2. RECEPTION/LOUNGE
3. CONFERENCE ROOM
4. MDS CABIN
5. STORE ROOM
6. TOILET
TICK
TERMS
NO. OF ISSUES
COVER PRICE
YOU PAY
YOU SAVE
FREE GIFTS
1 Year
12
Rs. 1,500
Rs. 1,200
Rs. 300
2 Years
24
Rs. 3,000
Rs. 2,250
Rs. 750
3 Years
36
Rs. 4,500
Rs. 3,150
Rs. 1,350
&
Hosted a
L to R : Charul Sehra, Brand Head, Savour, Chef Shakti Kumar, Brand Chef, Savour, & Sharad
Sachdeva, COO, Lite Bite Foods with a guest
Wine Partner
Landmark Partner
Luxury Partner
F&B Partner
A lavish spread by Savour, the ne art of catering, a proud venture from Lite Bite Foods Pvt. Ltd.
Wine Partner
Landmark Partner
Luxury Partner
F&B Partner
Mrignaynee Bhagat
SITE PLAN
+
DESIGN
E
R
U
T
C
E
ARCHIT
A
1 YEAR
C KETTELL WORTH
H ` 2250
ARISEE ELECTRIC
2 YEARS
O LIGHTERR WORTH
H ` 3599
ZIPPO
VOLUME 31
ISSUE 11
Terms
ST
BE FER
OF
RE
A R C H IT E C T U14
AW A R D S 20
No. of Issues
Cover Price `
3 YEARS
You Pay `
You Save `
Free Gift
1 Year
12
2100
1650
450
2 Years
24
4200
3100
1100
3 Years
36
6300
4600
1700
Name:
Age:
Job Title:
Sex:
Company Name:
Address:
City:
State:
Pin:
E-mail:
Mobile:
Phone:
Dated
Drawn on in favour of Exposure Media Marketing Pvt. Ltd. (For outstation cheque please add Rs 10)
for Rs
To subscribe, Send this form to Exposure Media Marketing Pvt. Ltd, 323 Udyog Vihar, Phase IV, Gurgaon-122016 (Haryana)
Call Delhi: 09899414369, Tel: 0124 4759616, Fax: 0124 4759550, Mumbai: 022 42467777, Fax No: 022 26053710,
Bengaluru: 080 22219578, Fax: 080 2224342, Chennai: 044 28141816 (Telefax), Kolkata: 033 22805323 (Telefax)
E-mail: circulation@emmindia.com / subscriptionsupport@emmindia.com
Subscribe online at www.mediatransasiaindia.com
Terms & Conditions: Exposure Media Marketing Pvt. Ltd. reserves the right to cancel, extend or discontinue the offer or any part there of without giving any reason or prior notice. Exposure Media Marketing Pvt. Ltd. is not responsible for
any postal delay. All disputes are subjected to competent courts in the jurisdiction of Delhi only. Exposure Media Marketing Pvt. Ltd will take 4-6 weeks to start the subscription and 10-12 weeks to despatch your gift. Gift free with
Subscription in India only Overseas subscription: 1 year-US $120; 2 years- US $270. Products may vary as shown. Conditions Apply.
114
Manushi A Jain
Ruhi Ranjan
rich past The City of Nawabs. The idea of form, thus evolved
from the elements and features of past, merged with the
technologies of present. The twin IT towers evolved from the
basic form of dome standing on a raised plinth flanked by the
Nawabi Charbagh gardens at the entrance.
The site consisted of three basic zones public, semi-public
and private, based on the distance from the approach road.
Plazas (interaction spaces) acted as the buffer space between
these zones. In the rear plaza, the reflecting pool and the
feature wall is merged with the amphitheatre creating an
informal sitting for the employees. The retail outlets are
provided at the ground floor, and the offices above. The
receding floor plate of the IT tower leads to the central service
116