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Lincoln Brewsters guitar sounds have been respected by many. He also happens to be a
very high profile player of POD X3 Live. His tone is sought after by many aspiring guitarists
due to his using such a readily available and affordable piece of gear for his tone. While
copping his patches exactly can give you instant gratification, I find it much more desirable
to learn how to get better at creating my own tones by studying great guitar sounds created
by others. This article is an in-depth analysis of Lincoln Brewsters live guitar sounds as
heard through his POD X3 Live.
Shown above are Brewsters favored knob settings when he needs a higher gain sound out
of the Marshall Variac. The tone controls still have their useful range around the same
places as the moderate gain sound. The primary difference is the increased amp drive.
Somtimes this guitarist will use a very low gain setting to get a tasty and gritty sound out of
his Fender Strat. While most of the tone controls remain at settings consistent with
Brewsters high and moderate gain tones, he uses a bit more bass on these cleaned up
settings. The increased bass can counteract the thinning of the sound by the lower gain
settings.
Fender EQ setting
The Double Show amp model usually has a modeled Chandler Tube Driver in front of it.
The settings on the Tube Driver are tweaked to hit the front end of the amplifier a lot harder
while also beefing up the low end and smoothing off the top. Lincoln uses this stompbox
from time to time in front of his Variac patches as well.
Brewster plays his electric guitar with a touch of compression on almost all the time. He
doesnt vary his settings here at all, using this effect onevery electric guitar patch.
Playing large live venues and a heavy reliance on delay means Brewster rarely needs to
play with reverb on his electric guitar. When he does, it is usually the Lux Spring model
with Dwell and Tone controls set to 50% and mix set between 39-48%.
Like reverb, Lincoln does not seem to be a big fan of modulation effects on his electric
guitar sounds. He never uses a chorus live and has a phaser on just one patch.
should be noted that the sweet spot is much less extreme than some of his tweaks. When
he doesnt use the dedicated compressor, Lincoln will use the Red Comp stombox
compressor (modeled on a MXR Dynacomp). Set the sustain to 30% and level to 83%.
Electric-acoustic guitars running direct into the house PA require a bit more extreme EQ
settings to sit in the mix well and prevent feedback while still allowing quite a bit of volume.
I think this is behind the more extreme settings we see on Lincoln Brewsters acoustic
patches.
Acoustic guitar EQ
Though there is no amp model on Lincolns acoust sounds (the amp is bypassed), he has
placed the reverb in the pre-amp position. Normally this would affect the tone of the reverb
as it is fed through the amp model but the bypassed amp model means the tone is
unaffected. Instead, placing the reverb before the bypassed amp model will cause it to
switch to running a mono algorithm. Since the guitar is running a mono line to the PA this
will result in increased clarity and definition on the acoustic guitar. Use these reverb
settings most commonly with the Chamberreverb model (but sometimes Lincoln will use the
Rich Chamber, Cavernous, or Standard Spring reverb models with the same range of
settings).
A: LB-Variac
B: LB-Double Show
C: LB-Variac-logain
D: LB-Variac-higain
A: LB-Variac
B: LB-Double Show
C: LB-Acoustic
D: LB-Variac-higain OR LB-Variac-logain
Both of these configurations use the A patch button as your main electric sound and B as
your alternate electric sound. In both cases C is your cleanest tone, either low gain electric
or the acoustic patch and D is yourspecialty electric guitar tone (either high gain for leads,
or whichever one suits your needs and style best if you are switching to acoustic). I find it
very helpful to keep my live patches down to a max of four tones for a given live event. It is
much easier to keep it all in my head that way. Also, it is a very good idea to get used to
common patch locations in every bank, A is always my main sound, C is always my clean
sound, etc.
Download the Gearbox files for Lincoln Brewster guitar sounds.