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Oral epic
Primary, primitive
Ballads and songs accumulated into epics; lays + ballads
Common knowledge
Looser, episodic composition
Epic hero is concerned with personal satisfaction
Written down in X - XI century
Hero is of super human caliber, supernatural forces emphasize heros
strength
Comparisons, long speeches, descriptions and repetition for easier
memorizing
Stock epithets appears in same form all the time rose-fingered dawn
Kennings type of metaphorical compound word or phrase used as an
allusion to a simpler idea wave-traveler, path of whales
Written epic
Epic singer/poet
Poems were recited by a: bard/Celtic, rhapsodist/Greece, scop/Anglo-Saxon,
skald/Scandinavia, and guslar/Serbia. They were mediators between past events
and present audience; they had historical distance, objective. They also had
freedom to do what they wanted with material at their hands speeding up, slowing
down, and flashbacks.
Epic Hero
Half divine, half human. He had heroic, divine stature, imposing presence. Future
depended on him. He was everyones favorite, respected and respectful,
courageous but modest. He had to protect, to lead, and defend. Hes larger than life
many historical figures combined in him. Ultimate sacrifice sometimes dies doing
his task.
Epic structure, composition, digressions, style
Poet had to be skilled to know what and how to work. He calls on Muses and Gods to
help him in performing; great detail, slow development. Poem starts in medias res
in the middle of action.
Devices for slowing down: retardation, digressions, episodes, repetition. Digressions
move the story away from the topic; longer descriptions of object, person, event;
not connected to theme. They dont have meaning of their own. Episodes are longer
and can stand on their own. Repetition refers to repetition of words, lines and
themes. Its reminder of main action, helps the poet memorize the story.
*gradation*
Style: formulaic expressions ubi sunt and sum-sum. It uses stock epithets, some
metric features, figures of speech, style elevated, appropriate for the grand themes.
Language is formulaic; tone serious, oral epics are simpler.
Fixed internal structure:
1. Introduction stating of the theme, invocation of Muse, characters
2. Announcement of the event
3. In medias res opposite is ab ovo
Elements of fiction
Narration
Found in novellas, novels, short stories, epics; the way all the motifs are connected.
Narrative technique depends on author, usually third person, sometimes first.
Author can speak for himself: persona/mask is used for controversial issues;
narrator is more complicated does not always express writers feelings and views.
Story
It can be built around an event, character, motif usually chronological sequence of
events. It can be interrupted by descriptions, flashbacks, episodes Based on the
way story is presented:
Plot
Point of View
Its perspective from which the story is told, position of the narrator within the story.
Language and style can change throughout the work. Language can vary
characters education.
Aspects cognitive(appealing to the readers mind) and affective(appealing to the
readers emotions)
Composition
How structural elements are arranged in the novel, usually into chapters. Chapters
can mark the development of the story, or are numbered, like titles. It rests on
chronological order, reversed time and framework.
Types of novels
According to authors attitude and tone
Sentimental novel: distress of a very virtuous character who is properly rewarded in
the end, Pamela.
Humorous novel: intended to amuse the audience, for example, picaresque novel,
Tom Sawyer.
Satirical novel: makes fun of society and individuals, their issues, vices and follies;
can be humorous but it is not intended to amuse, Gullivers Travels.
Didactic novel: it gives moral instructions; Sir Charles Grandison, Scarlet letter.
According to the type of narration, pov, composition/structure
First/third person narration: Ich/Er-form;
Versification according
unstressed, / - stressed)
to
distribution
of
stressed
syllables
(X
Iambic foot X /
Trochaic foot - / X
Anapestic foot X X /
Dactylic foot - / X X
Caesura divides a verse into two halves of approximately same length; it follows
natural speech pattern; used in OE poetry, A-S, Neoclassicism (heroic couple, Pope)
Types of rhyme
Rhyme schemes
Paired aabb
Alternating abab
Interlocking abba
Spensers rhyme ababbcbcc
Stanzas
Sonnets
Figures of speech
Alliteration repetition of a consonant
Assonance repetition of a vowel
Onomatopoeia imitation of the sounds of nature
Simile comparison of two things
Antithesis contrast of two ideas expressed by parallelism of words that are
opposites of each other to err is human, to forgive divine.
Hyperbole Hyperbole is the use of exaggeration as a rhetorical device or figure of
speech.
Gradation a scale or series of successive changes, stages, or degrees.
Tautology using several different words for one thing
Irony the use of words to convey a meaning that is the opposite of its literal
meaning.
Paradox contradiction, but something that might be true Im in hate and Im in
love
Oxymoron things that seem completely opposite, contradictory sweet harm,
darkness visible
Metaphor - a figure of speech in which a word or phrase is applied to an object or
action to which it is not literally applicable.
Conceit extended metaphor
Metonymy naming one thing after another with which it is associated