Professional Documents
Culture Documents
Br
Brush
Dip Pen
St
Stamping
Fa
Fabric Painting
In
Ink Brayer
Bo
Book Arts
Te
Technical Pen
Sc
Screen Printing
Ca
Calligraphy
Liquitex Professional Acryic inks! can be used in a wide variety of applications for
maximum versatility. Used alone or mixed with other Liquitex Professional Acrylics
and Mediums, there is virtually no limit to the number of application possibilities.
Si
Stippling
Dr
Drybrush
Wa
Watercolor
Ph
Photo Tinting
Se
Stenciling
Co
Collage
Ai
Airbrush
Po
Pouring
PROFESSIONAL ACRYLIC
COLOR CHART
Da
Drafting
PROFESSIONAL ACRYLIC
WWW.LIQUITEX.COM 1-888-4-ACRYLIC
2008 Liquitex Artists Materials
P.O. Box 246, Piscataway, NJ 08855 U.S.A.
94376
97665
L94260
*A note regarding the use of Liquitex Professional Acrylic inks! and technical pens:
Because Liquitex Professional Acrylic ink! is vastly superior in water resistance to other
acrylic inks, care should be taken when using technical and dip pens. Extended periods of
time in a technical pen can lead to drying in the pen nib. Liquitex Professional Acrylic inks!
should not be used with fountain pens.
PROFESSIONAL ACRYLIC
SB SOFT BODY
114
Quinacridone Magenta
lightfastness I / transparent
335
Red Oxide
lightfastness I / opaque
321
292
Pyrrole Red
Naphthol Crimson
lightfastness NR / opaque
lightfastness II / transparent
129
color spectrum
130
333
A professional quality,
highly pigmented acrylic
formulated for smooth,
even flow.
620
lightfastness I / transparent
PROFESSIONAL ACRYLIC
30ML
HB HEAVY BODY
332
A professional quality,
highly pigmented acrylic
formulated for easy brushability
and for thicker applications.
414
lightfastness I / transparent
317
337
Carbon Black
lightfastness I / opaque
416
Yellow Oxide
lightfastness I / opaque
561
Turquoise Deep
lightfastness I / translucent
599
412
lightfastness I / transparent
470
lightfastness I / opaque
432
Titanium White
lightfastness I / opaque
159
320
lightfastness I / translucent
234
740
lightfastness I / opaque
316
230
315
lightfastness I / translucent
115
Deep Violet
lightfastness II / translucent
236
186
Dioxazine Purple
lightfastness II / transparent
229
transparent). Some pigments are rock-solid (like the cadmiums) and allow little or
no light to pass through. These make a naturally opaque color. Some are like stained
glass (like the phthalocyanines) and take on a gleaming, jewel-like quality.
PERMANENCE: The permanence is listed using categories designated by the
American Society for Testing and Materials (ASTM) subcommittee for artists
materials. Lightfastness is rated by using categories I, II, and III. Both I and II can
be considered permanent for artists use.
SINGLE OR MIXED PIGMENT: Single pigment colors (noted with an S on the chart)
are formulated to help you maximize the true and unique character of the color.
Single pigment colors also tend to give brighter, cleaner mixes than mixed pigment
colors. Mixed pigment colors (noted with an M on the chart) are formulated to give
you ready-mixed colors with a brightness that can be difficult to obtain on your own.
319
150ML
COLOR NAME
SINGLE
OR MIXED
LIGHTFASTNESS I PIGMENTS OPACITY PIGMENTS
159
337
470
I
I
I
S
S
M
TL
O
O
115
186
234
236
229
230
292
599
317
316
319
320
Deep Violet
Dioxazine Purple
Iridescent Bright Gold
Iridescent Bright Silver
Iridescent Rich Bronze
Iridescent Rich Copper
Naphthol Crimson
Neutral Grey Value 5
Phthalocyanine Green (Blue Shade)
Phthalocyanine Blue (Green Shade)
Phthalocyanine Green (Yellow Shade)
Prussian Blue Hue
II
II
I
I
I
I
II
I
I
I
I
I
M
S
M
M
M
M
S
M
S
S
S
M
TL
TP
O
O
O
O
TP
O
TP
TP
TP
TL
321
114
335
315
Pyrrole Red
Quinacridone Magenta
Red Oxide
Sap Green Permanent
NR
I
I
I
S
S
S
M
O
TP
O
TL
432
129
130
332
333
Titanium White
Transparent Burnt Sienna
Transparent Burnt Umber
Transparent Raw Sienna
Transparent Raw Umber
I
I
I
I
I
S
S
M
S
M
O
TP
TP
TP
TP
561
740
620
412
414
416
Turquoise Deep
Vivid Lime Green
Vivid Red Orange
Yellow Medium Azo
Yellow Orange Azo
Yellow Oxide
I
I
I
I
I
I
M
M
S
S
S
S
TL
O
TP
TP
TP
O
NR - Colors not rated for ASTM lightfastness. Internal testing indicates this pigment to be equivalent to ASTM I and II.
Some composition and pigment information may change based upon availability or improvements to the range.