INDEX

Aikin, John
Sir Bertand; A Fragment, 413, 45
Andrews, Miles Peter, 192
The Enchanted Castle, 43, 194
The Mysteries of the Castle, 6
audience
and actors, 16, 23, 138
and stage, 8, 14, 23
dramatic repertoire, 40
pattern of identification, 92
plastic imagination, 92
suspension of disbelief, 21, 24, 117
Austen, Jane, 178

Burke, Edmund, 19, 66

Reflections on the Revolution in France,
523
A Philosophical Enquiry into the Origin of
our Ideas of the Sublime and Beautiful,
109, 125, 142
Burke, Mrs, 1067
Capon, William, 108, 111, 189
chapbooks, 910, 36, 61, 120, 1489, 199,
201, 207, 209, 21113, See alsoGothic
novel
frontispieces, 120, 148, 201, 210, 212
classics, 38
Claude glass, 109
Cobb, James, 99
Coleridge, Samuel Taylor, 39
Gothic drama, 31, 46, 50, 523
Collins, William, 151
The Passions. An Ode for Music, 26
Colman, George, the Younger, 46, 84
Blue Beard; or, Female Curiosity, 21, 24,
27, 31, 100, 112, 139
Sylvester Daggerwood; or, New Hay at the
Old Market, 823
The Surrender of Calais, 45
Cowley, Hannah, 45, 72
Cumberland, Richard, 48

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Baillie, Joanna, 901, 124

De Monfort, 111, 1234
Plays on the Passions, 26
Thunder, 126
To Mrs Siddons, 89
Barbauld, Anna Laetitia, 53, 156
Barrett, Charlotte Frances, 120, 199, 2078
Barthes, Roland, 1, 22
Boaden, James, 56, 74, 117, 132, 151
Aurelio and Miranda, 75, 84, 111, 152,
157
Fontainville Forest, 23, 5, 13, 1920, 47,
59, 71, 75, 78, 81, 856, 116, 1279,
133, 143, 1467, 152, 156, 158, 164
5, 16870, 1725, 192
Memoirs of the Life of John Philip Kemble,
Esq., 55
Ozmyn and Daraxa, 106
quotations, 5, 103, 105
The Italian Monk, 75, 824, 1024, 147,
149, 152
The Secret Tribunal, 151, 2023
Bulwer-Lytton, Edward, 54

de Camp, Maria Theresa, 147, 149

de Loutherbourgh, Philip Jacques, 108, 112,
116, 185, 189
A Christmas Tale, 185
Eidophusikon, 12, 1845, 195
Selima and Azor, 185
de Marinis, Marco, 216
Dibdin, Thomas, 467, 70

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Harlequin and Humpo, 1934

Dunlap, William
Fontainville Abbey. A Tragedy, 155
Eco, Umberto, 3
horizon of expectations, 74, 113, 138
emotions, 26, 39, 87, 8990, 101, 107, 109,
118, 120, 126, 155, 166, 211
representation of, 20
extra-literary intertextuality, 154, 174
Farley, Charles, 75
Raymond and Agnes, 9, 75, 1301, 183
Foucault, Michel
hauntology, 53, 128, 260
Fuseli, Henry, 152, 171, 173, 175
Garrick, David, 25, 48, 129, 132, 165, 178
Harlequins Invasion, 39
Genest, John, 45, 556, 77, 137, 167
Some Account of the English Stage from the
Restoration in 1660 to 1830, 55
Genette, Grard, 4
intertextuality, 1113, 19, 45, 51, 55, 73,
98, 107, 154, 187, 192
transtextuality, 13
ghosts, 47, 63, 154, 167, 174
Gilpin, William, 116
sublimication, 15
Gothic
appurtenances, 35, 634, 138
architecture, 108, 123, 144
body, 8, 40, 56, 63, 87, 90, 924, 978,
103, 122, 124, 1334, 147, 149, 166,
172, 190
epistemology, 20, 60
female, 18
France, 9, 37, 52, 86, 141, 163
generic fluidity, 65
hero, 25, 53, 65, 13840, 164, 166, 211
heroine, 18, 25, 501, 59, 65, 102, 131,
1389, 1423, 166
ideology, 18, 21, 37, 54, 66
incest, 578, 60, 142
male, 18
originality, 2, 37, 4950, 54, 101, 138,
209

passions, 25, 53, 61, 71, 74, 87, 8990, 99,

124, 128, 134, 140, 145, 166
servants, 65, 132, 146, 212
spaces, 65, 109, 123, 163, 183
symbolic objects, 144, 146
themes, 6, 20, 23, 356, 4852, 58, 64,
95, 128, 154, 181, 184, 192, 197
villain, 18, 501, 53, 61, 65, 13842,
1445, 164, 166, 213
Gothic drama
acting styles, 23, 90, 140
allusions, 5, 12, 6970, 72, 76
and aesthetic theories, 50
billing, 70, 73
codified acting, 94, 96, 130
criticism, 40, 51, 58, 63, 117, 152, 156,
172, 1789
deixis, 145
emotional participation, 23
female protagonist, 58, 142, 211
historical events, 8, 63, 65, 72, 143
music, 6970, 99101, 1046, 114
popularity, 2, 1718, 27, 316, 40, 46, 50,
52, 54, 56, 61, 646, 72, 1067, 112,
117, 148, 155, 168, 179, 184, 187,
196, 199200, 207, 209, 213, 216
ritual, 24, 67
sensationalism, 46, 52, 601
songs, 70, 98100, 1067, 185, 199
spectacle, 2, 7, 9, 13, 17, 23, 31, 33, 3740,
45, 478, 53, 55, 65, 70, 73, 94, 96, 98,
107, 110, 122, 1278, 149, 154, 167,
169, 174, 181, 183, 187, 189, 192,
196, 1989, 207, 216
stage practice, 43, 154
stage technology, 69, 196
tragic, 25, 589, 87, 12930, 134, 165,
169, 178
visual effects, 98, 119, 123, 127, 189
weather effects, 125, 129
Gothic novel. See alsochapbooks
formula fiction, 137
intersemiotic practices, 137
music, 4, 9, 20, 40, 48, 70, 81, 1014, 107,
115, 122, 1312, 137, 154, 157, 179,
185, 191, 200, 212
physiognomy, 97, 140
visuality, 13, 21, 124

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297

Grosette, William Henry, 9

Macready, William, 60, 92
Raymond and Agnes; or, The Bleeding Nun Maturin, Charles, 46
of Lindenberg, 130, 132, 144
Bertram, 140
The Travellers Benighted, 9
melodrama. Seeromantic drama: melodrama
Milton, John, 18, 106
Harris, Thomas, 49, 85, 155, 167, 172
Paradise Lost, 4, 195
Hill, Aaron, 92
mise en scne, 23, 128, 163, 168
The Art of Acting, 90
mnestic activity, 16
Hogarth, William, 38, 200
Holcroft, Thomas, 46, 115
Netley Abbey, 116
A Tale of Mystery, 100
North, Francis
The Kentish Barons, 106, 137
Jakobson, Roman
intersemiotic translation, 45, 978
ostension, 5, 21, 59, 127, 146, 155, 173, 198
Jephson, Robert, 74
props (stage), 111, 122, 194, 216
The Count of Narbonne, 129, 169
Pulci, Luigi, 17980
Kean, Edmund, 25, 60, 74, 129, 140
Radcliffe, Ann, 15, 1821, 478, 501, 69,
Kelly, Michael, 100, 106, 193
101, 1056, 109, 116, 118, 128, 149,
Kemble, John Philip, 2, 20, 257, 55, 60,
156, 158, 163, 174, 179
71, 74, 111, 1289, 149, 152, 155, 157,
adaptation problems, 156
170, 172, 175, 200
A Sicilian Romance, 6, 19, 102, 155
Lodoiska, 81, 113, 202
intertexts, 158
explained supernatural, 158
Le Brun, Charles
On the Supernatural in Poetry, 18
Mthode pour apprendre dessiner les pasThe Italian, 8, 58, 102, 140, 1512
sions, 89
The Mysteries of Udolpho, 85, 101, 143,
Lee, Harriet, 104
155
The Mysterious Marriage; or, The Heirship
The Romance of the Forest, 23, 13, 26,
of Roselva, 126
43, 58, 86, 101, 128, 133, 152, 1548,
Lewis, Matthew Gregory, 1820, 33, 50, 88,
1689, 172
94, 104, 131, 152, 177, 17981, 185, readers
187, 190, 193, 21213
Ideal Reader, 3, 152
Adelmorn, The Outlaw, 112
reading practices, 216
Rugantino, The Bravo of Venice, 2, 1789, redactions, 199200, 209
183
romantic drama
special effects, 4
censorship, 8, 12, 767, 143, 152
The Captive, a Monodrama, 7
disguise plays, 183
The Castle Spectre, 10, 33, 39, 50, 59, 66,
dramatic illusion, 70, 95, 117
945, 99, 120, 138, 141, 143, 145,
harlequinade, 12, 21, 41, 184, 1923
167, 1789, 196, 209
hippodrama, 27, 178, 199
The Monk, 3, 5, 9, 1213, 17, 19, 21,
historical accuracy, 111, 129
43, 512, 65, 71, 75, 878, 93, 124,
mise en scne, 124
128, 131, 150, 177, 1814, 186, 190,
melodrama, 323, 48, 55, 61, 101, 115,
1927
143, 151
Timour, the Tartar, 49, 178
pantomime, 3, 12, 21, 389, 41, 43, 723,
lighting (stage), 9, 20, 40, 42, 88, 98, 115,
87, 94, 109, 119, 1234, 137, 156,
118, 1224, 129, 131, 149, 163, 172,
1845, 1924, 1967
184, 18990, 198, 212

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thespian poetry, 91
realism, 110, 115, 11719, 135
transformation, 12, 51, 182, 184, 192, The Midnight Assassin; or, The Confessions of
the Monk Rinaldi, 14850
1978
stage space, 112, 11819, 145, 197
visual entertainments, 39, 110
Rooker, Michael Angelo, 1089
visual exhibits, 21, 184, 191
scenography, 110, 114, 11819, 163, 172, visual novel, 184
185
Walpole, Horace, 179
Shakespeare, William, 87, 165, 174, 179
The Castle of Otranto, 41, 45, 129
Hamlet, 20, 27, 38, 144, 147, 169, 171,
Th
e Mysterious Mother, 17, 578, 127
174
Macbeth, 12, 20, 128, 132, 156, 170, 174, Walpole, Robert, 76
Wilkinson, Sarah Scudgell, 212
196
Inkle and Yarico, 199
Sheridan, Richard Brinsley, 556, 131
The Castle Spectre. An Ancient Baronial
Pizarro, 200
Romance, 10, 210
Siddons, Henry, 1556
Williams, Helen Maria, 91
The Apparition of the Cliffs, 6
Sonnet to Mrs Siddons, 912
Siddons, Sarah, 7, 20, 26, 60, 74, 8992, 132,
134, 157, 178
Younge, Elizabeth, 134, 164, 169, 178
Storace, Stephen, 99
supernaturalism, 48, 120, 157, 169, 174, 211

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