Professional Documents
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april 15
2015
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I NEWS
NEWS
I
I
news
summary
Hfele
Hfele introduces innovative concepts
for Kitchens by BLUM
Danish Design Museum
The century of the child
Barbican Centre
Magnificent obsessions
II
III
III
Alcantara
After Chandigarh
III
IV
IV
MAST, Emil Otto Hopp
An industrial photographer
Foscarini
Industrial inspiration
VitrA
Sustainable management
www.hafele.com
IV
Vorwerk Carpets, Werner Aisslinger
Textile floors
V
II NEWS
Magnificent Obsessions
From mass-produced memorabilia
to one-of-a-kind curiosities, the
Barbican in London looks at artists as
inspired collectors (until 25.5.2015).
See Armans gas masks, and Damien
Hirsts skulls and examples of taxidermy.
www.barbican.org.uk
NEWS
iGlaze Air /
iGlaze Pro
ultra-slim
hardshell case
iGlaze Armour
Venturo
VersaCover
3.5mm to RCA
stereo cable
iGlaze touch
Dulcia
stylish aluminum-body
earphones
III NEWS
After Chandigarh
After Chandigarh, the giant rug made
in Alcantara fabric by Taiwanese artist
Michael Lin graces and deliberately
clashes with the Chandelier Hall of
the Aurora Museum in Shanghai
(until 31.3.2015).
www.alcantara.com
Experience Center
NEWS IV
Organic Furnishings
With a rich array of pictures, drawings,
documents and personal accounts,
www.matrixinternational.it
An Industrial Photographer
Textile Floors
NEWS
Photo Vorwerk
www.mast.org
V NEWS
A Jewellery Museum
Industrial Inspiration
The Pylon lamp by Diesel Living
with Foscarini was indeed inspired
by electricity pylons. It has a solid,
architectural-looking steel body and
a diffuser made of linen and PVC.
The fabric has an irregular weave
and is hand-pleated on the diffuser
body, lending it a form reminiscent
of an industrial filter or turbine.
Available as a suspension or floor
lamp, the height of the latter can be
adjusted to create a reading lamp.
Pylon is suited to both domestic and
contract spaces.
www.foscarini.com
Sustainable Management
Eczacbas Building Products one
of Turkeys biggest industrial groups
has won the European Business
Award for the Environment (EBAE)
in the Management category for its
VitrA Blue Life integrated sustainable
management system. Launched in
2010, it acts as a sole reference, with
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repetitive forms of art. It can be said that the art of architecture lies
in the skill of interpretation.
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EDITORIAL VI
Author
Designer
Title
BT Options
Designing to build
Nicola Di Battista
Editorial
What a project is, again
Confetti
Paolo Besana
Konstantin Grcic
Russell Dandeniya
Tadao Ando
Valerio Olgiati
Centro Studi
38 Bathroom
Adolfo Natalini
Alberto Sironi
Feedback
Elzeviro
51 Contributors
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VII EDITORIAL
DESIGNING TO BUILD
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EDITORIAL VIII
IX EDITORIAL
Nicola Di Battista
CONFETTI
CONFETTI 1
2 CONFETTI
CONFETTI 3
4 CONFETTI
CONFETTI 5
6 CONFETTI
BUILDING BY ADDING
In the creative process adopted by this German designer, both analogue
and digital tools are wielded to find the right idea and steer it in the correct
direction. Starting from scratch, he seeks to give order to a projects elements
and create a kind of beauty that is not driven by form but by intelligence,
simplicity of function and quality of construction
Konstantin Grcic
CONFETTI 7
8 CONFETTI
PROJECTS
PROJECTS 9
10 PROJECTS
PROJECTS 11
12 PROJECTS
2M
PROJECTS 13
14 PROJECTS
05
03
04
02
01
2M
06
PROJECTS 15
09
10
08
07
11
1
2
3
4
5
6
7
Main entrance
Family living
Dinning room
Visitors toilet
Linear kitchen
Varandah
Master Ensuit
8
9
10
11
12
Master toilet
Laundry
Washing room
Timber terrace
Attic floor/
Kids sleeping
16 PROJECTS
Architect:
Archt. Russell Dandeniya
Project Architects
Archt. Gihan Muthugala
Archt. Gayani Hewage
Client :
Eshani De Silva
Consultants:
JayanthaGamage
(Structural Engineer)
RDC Architects
(Service/Electrical)
Site extent:
40.9 p.
Total built area:
1900 ft2
Cost:
4.5 M
Completed:
2010
Civil contractor:
Kottegoda Associates
Photographs:
Kolitha Perera
PROJECTS 17
18 PROJECTS
PROJECTS 19
20 PROJECTS
PROJECTS 21
22 PROJECTS
10M
PROJECTS 23
34
34
12
29
29
33
37
8
3
25
34
33
29 33
37
38
6
25
37
27
4
1
19
36
1. Entrance Court
2. Service Entrance
3. Lounge
4. Lobby
5. Dining Room
6. Kitchen
7. Living Room
8. Study
9. Library
10. Reading Room
11. Master Bedroom
12. Family Bedroom
13. Queens Bedroom
14. Swimming Pool
15. Pool Deck
16. Shower
17. Machine Room
18. Dry & Cold Store
19. Studio
20. Gallery
21. Dressing Room
35
14
34
34
34
13
33
34
29
22
32
34
29
16
15
26
11
35
34
34
40
33
23
17
24
37
26
21
7
28
37
18
9
26
20
34
38
26
36
25
27
39
34
34
36
38
33
22. Gym
23. Bath
24. Sauna
25. Guest Room
26. Staff Room
27. Anteroom For Staff
28. Master Bath
29. Bath Room
30. Maids Room
31. Laundry
32. Dog House
33. Closet
34. Terrace
35. Walkway
36. Toilet
37. Storage
38. Lift
39. Pantry
40. Cantilevered Slab
41. Drive Way
6
29
31
Project Data
Location
Mirissa, Sri Lanka
Program
Private Residence
Architect
Tadao Ando Architect & Associates
(Tadao Ando, Hidehiro Yano)
ROOF PLAN
10M
10
37
30
29
24 PROJECTS
PROJECTS 25
26 PROJECTS
PROJECTS 27
28 PROJECTS
PROJECTS 29
30 PROJECTS
PROJECTS 31
32 PROJECTS
2M
1 Main courtyard
2 Study
3 Kitchen
4 Pantry
5 Living room
6 Utility room
7 Bathroom
8 Bedroom
9 Courtyard
7
9
8
7
5
9
8
7
4
2
PROJECTS 33
34 PROJECTS
Alm house
Alentejo, Portugal
Design
Valerio Olgiati
Collaborators
Patricia Da Silva
(project architect),
Daisuke Kokufuda,
Liviu Vasiu
General contractor
Matriz Sociedade de
Construes Lda.
Surfaces
720 m (courtyard);
290 m (house); 85 m
(total of bedroom courts)
Design phase
2009-2012
Construction phase
2013-2014
PROJECTS 35
17. 1. 2010
36 PROJECTS
PROJECTS 37
38 RASSEGNA
RASSEGNA
(DISPLAY)
BATHROOM
RASSEGNA 39
40 RASSEGNA
FLORENTINE
Jaquar
A collection of taps whose design is
based on paring-down forms inspired
by Renaissance Florence with the kind
of minimalist lines associated with
STONE BATHWEAR
Stone Italiana
Designed for contract use, this
monobloc bathroom is designed as a
single, joint-free piece that is suitably
inclined for draining water from the
HITO
Arblu
The Hito programme consists of a
series of base units that can be
combined with tops in wood or glass
with recessed rectangular bowls
AQUO
Studio Castiglia Associati
This bathroom system can be
configured in a number of versions.
Handles made from chromed or
satined metal and available in a
HYDROWELL
Neutra
Combining the technical
requirements of a multi-functional
tub with a decision to use only marble
and natural stones led to the production
SCAVOLINI BATHROOMS
www.scavolini.com
LISTONE GIORDANO
www.listonegiordano.com
NEUTRA
www.neutradesign.it
RASSEGNA 41
SUEDE
S. Spessotto e/and L. Agnoletto
Suede is a modular and versatile
collection of bathroom furniture
available in assorted dimensions and
finishes, characterised by the total
CERASA
www.cerasa.it
TOWER
Pozzi-Ginori
A range of sinks, measuring 60, 90
and 120 cm, base-units with squared
forms and tall cabinets in assorted
finishes. To complete the range, there
SYNERGY
FIR
TECHLAM
Levantina
FIR ITALIA
www.fir-italia.it
LEVANTINA
www.levantina.com
WIEN
Soda Designers Nasrhallah & Horner
In the Wien bathroom unit its name
a tribute to the place of origin of its
designers resin and wood have been
combined creating a striking contrast
between the white resin of the sink and
the warm finish of the ebony structure
MANOLIBERA
Megius
Its name referring to the freehand
lines, this shower enclosure has almost
no lower profile. Shown is a corner-
version with hinged door and fixed sidepanel, opal and transparent glass and
bright-polished chrome profiles.
ARTBOX BY MEGIUS
www.megius.com
42 RASSEGNA
SCAPE MONOLITH
Joost van der Vecht
Sculptural and monumental, the sinks
in this series are produced by Dutch
brand NotOnlyWhite and are made
from a single rectangular-shaped
PURA R 5000
Duka
This shower enclosure is distinguished
by its sophisticated hinges that enable
the door to open either inwards or
ARJA
Teuco
Introduced in a version 200 x 150 cm
with large glass walls, the Arja Finnish
sauna features a colour-therapy
function and essence diffuser
TEUCO
www.teuco.com
F-DIGITAL DELUXE
Grohe
The F-digital Deluxe shower-system
now features Bluetooth technology
that enables more flexible control of
the light functions for colour therapy,
STONEFIT
Samo
Available in four different colours
(white, black, grey and mocha) and with
a smooth or rough surface, these
JUNIOR
Centro Progetti Vismara
Characterised by their streamlined
rigour, the shower enclosures in the
Junior series are expressed through
a dialogue between their essential
RASSEGNA 43
MARVEL PRO
Atlas Concorde
These bright, white-body wall-tiles
faithfully reproduce the veining of
natural marble in all its graphic depth
and richness. The colours give life to
elegant monochromatic compositions
VENTICELLO
Villeroy&Boch
ATLAS CONCORDE
www.atlasconcorde.it
ROYALE
NovaBell
MOODE
Monica Graffeo
NOVABELL
www.novabell.it
REXA DESIGN
www.rexadesign.it
BOSTON ROUND
Fap Ceramiche
OPUS: MIKADO
Raffaello Galiotto
FAP CERAMICHE
www.fapceramiche.com
LITHOS DESIGN
www.lithosdesign.com
VANITY
Roberto Pamio
MARAZZI
www.marazzi.it
ARCLINEA
www.arclinea.it
44 RASSEGNA
RIVESTIMENTI IN PELLE
Laplle
Thanks to the patented laying system
used to apply Laplle wall and floor
finishes, individual leather tiles can
be installed and repositioned as well
ACQUAVIVA
Nobili Rubinetterie
With a clean and rational design,
the mixers in this range incorporate
an important technological feature:
the Nobili Widd 28 Water
FRAME LEGAMI
Cordivari
SOHO
Ludovica+Roberto Palomba
CIBELE
APG Studio
NOBILI RUBINETTERIE
www.grupponobili.it
TUBES
www.tubesradiatori.com
CORDIVARI
www.cordivari.it
CEMENTOCRUDO
Piero Lissoni
FEEDBACK 45
4
2
FEEDBACK
ADOLFO NATALINIS
FLORENCE
Via
le M
ich
ela
nge
lo
46 FEEDBACK
006 FLORENCE
FEEDBACK:
ADOLFO NATALINIS FLORENCE
1
Galleria degli Uffizi
the city. The vegetable patches inside the walls seem saturated; the
new quarters of Barbano and La Mattonaia have appeared; the wide
road has taken the place of the walls, which are still marked; and the
quarters outside the walls are already traced out. South of the Arno
River, Viale Michelangelo winds its sinuous way into the segmented
configuration of the city. Subsequently, the centre is gutted and given
new life; new suburban neighbourhoods are added, their beastliness
well worse than the kind attributed to the operations on the centre.
The boulevards remain as a strong cove, marking the separation
between the old town and the first periphery. The 19th-century
architecture is largely embodied by the Tuscan style of Poggi, who
would have wanted to turn it into the style of the new nation. It could
have constituted a dignified model for later building, but history took
a different course.
When I came to Florence from my provincial town of Pistoia to
study architecture, I was attracted by Masaccio and Pontormo,
Brunelleschi and Buontalenti, in other words by the clarity of
rationality and the obscurity of folly. During the first years,
I explored the citys every corner with curiosity and passion.
In my first Florentine year, I visited the city conscientiously and
methodically, clutching my red Touring Club guide. I was incited to
this maniacal activity by Professor Marchini, who requested proper
knowledge of Florence for his exam in History of Architecture I.
I could not be more grateful to him. Fragments both small and
huge remain of my discovery of Florence, such as the Chiostro dello
Scalzo, so tiny and with aquarium-like light, but made big by the
monochrome paintings of Andrea del Sarto and the rise of the
cupola between the two spherical caps by Brunelleschi. Its almost
like a route through a large animals body with the final exit being
FEEDBACK 47
2
Piazza della Libert seen from Viale
Lavagnini
4
Piazza della Libert
3
The English Cemetery
5
Porta alla Croce and Piazza Cesare
Beccaria
48 FEEDBACK
La Fortezza da Basso
ELZEVIRO 49
ELZEVIRO
50 ELZEVIRO
soul
case
anima
wood-stoves, a couch and a bed. The two large rooms were practically
bare, and the light I can still picture it in my mind was simply
spectacular. Unfortunately, after a few years, the engineers daughter
wanted to move to Rome and live in the studio. So I moved out.
We found our next house on Piazza Adriana, in front of Castel
SantAngelo. It was a spacious place on the top floor. It was summer
when we moved in, and on the first night, Placido Domingos voice
wafted in through our windows, E lucean le stelle. They were shooting
Tosca on the castles battlements. Our Piazza Adriana house had a
lucky star. I hadnt succeeded in making movies, but I moved on from
reportage to television series. I worked very hard, and my life had
changed once more.
We then moved to Via di Villa Ruffo, the little street that goes up
from Piazzale Flaminio to Villa Borghese. It was a flat on the top floor
of a small palazzo built in the early 1900s, between Villa Ruffo and the
Biblioteca Nazionale dellAgricoltura. This was the house where my
three children grew up, the house of maturity and beauty. On rainy
days, Id go down Via di Villa Ruffo to the empty Piazza del Popolo and
delight in Valadiers miracle of symmetry. Or Id head to Santa Maria
del Popolo and contemplate for the umpteenth time the Conversion of
Saint Paul and the Crucifixion of Saint Peter by Caravaggio. This was
one of Romes gifts, and somehow the day would suddenly be different.
Now I live in Testaccio, in an attic again. Theres silence and a lot of
light. I moved here recently, and Im not sure what this house will
mean to me, but I feel its soul speaking to me.
All houses have a soul. When I reminisce about the ones I lived
in, I believe that in each of them I tried to find something of the
casa di ringhiera (editors note: working-class tenement with shared
balconies) where I was born. It was my grandparents house, with the
kitchen on the ground floor overlooking a courtyard and the bedroom
on the first floor, off the balcony. In the winter, wed live in the kitchen,
near the stove. And in the summer, wed stay right outside the door,
under the pergola. The tenement was built against the embankment
of a highway, and my brother and I would spend hours perched on
the slope waiting for some trucks to pass by. Our grandmothers voice
would ring out regularly in the courtyard, Albertooo! Sandrooo!
Her voice kept us close. All around were the plains, dotted with
vegetable gardens, textile mills, and the last farmhouses.
I still look for that landscape, that silence, that peacefulness.
They are inside of me, and no one can take them from me. At times,
I think that in each of the houses Ive lived in, Ive done nothing
but seek out the light and colours of my childhood, and the sounds
that enchanted me.
And Ill always look for them.
soul
case hous
oul
anima
anima
PROJECTS 51
CONTRIBUTORS
Tadao Ando
Paola Besana
Russell Dandeniya
Valerio Olgiati
www.tadao-ando.com
www.rdcarchitects.net
page 18
page 01
page 10
www.olgiati.net
www.paolabesana.it
page 30
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