ARCHITECTURE COMPETITION

CASABLANCA
BOMBING
ROOMS
COMPETITION CONDITIONS

ORGANISERS

HMMD

CASABLANCA BOMBING ROOMS

is an architecture vision competition.
HMMD Architecture Competitions has
prepared this document for the
purpose of arranging the
CASABLANCA BOMBING ROOMS
architecture competition.
HMMD was not hired or contracted by
any organisation or third party, the
concept and planning for this
competition have been developed to
serve solely as an academic exercise.

HMMD Architecture Competitions

hello@hmmd.org
hmmd.org

CONTENTS

INTRODUCTION 4
MOROCCO and CASABLANCA 5 - 9
CASABLANCA BOMBINGS 10
INFLUENCE OF LIBRARIES 11
COMPETITION SITE 12 - 13
COMPETITION 14 - 16

AVENUE PROGRAMME 14
SITE RESTRICTIONS 14
SUBMISSION REQUIREMENTS 15
RECOMMENDED SUBMISSION CONTENT 15
PRIZES 15
COMPETITION SCHEDULE 15
JURY & EVALUATION PROCESS 16
ELIGIBILITY 16
COMPETITION DOCUMENTATION 16
REGISTRATION FEES 16

LEGAL NOTICES 17 - 18
PRIVACY POLICY 17
TERMS AND CONDITIONS 17 - 18

INTRODUCTION

Moroccos unique location as a connecting point

between Europe, the Middle East and Africa
means that cultures from around the world
constantly co-exist there. Throughout its long
history Casablanca has seen its fair share of
strife and conict, with violent acts claiming many
lives, regardless of their religion, creed or culture.
Extremist acts are, in a way, a form of ignorance,
believing blindly that violent actions will help your
cause when in fact they only harm it. In order to
battle this ignorance HMMD Architecture
Competitions is proposing an ideas competition
to transform the site of a previous act of violence
into one that educates and works to eliminate
ignorance.
We are therefore tasking participants with
creating ideas for the Casablanca Bombing
Rooms whose main function will be as a public
library on the site of the 2003 Casablanca
bombings.

MOROCCO

Morocco in Africa

Capital: Rabat
Currency: Moroccan dirham
Continent: Africa
Population: 33.01 million (2013)
Official language: Arabic

CASABLANCA
Casablanca is the largest city in Morocco and is
one of the largest, most signicant cities in Africa,
with a population of approximately four million
people. The city of Casablanca has a long history
of political and cultural changes. At different
points in time it has been colonised and ruled over
by Berber, Roman, Arab, Portuguese, Spanish,
French, British and Moroccan regimes. Its
location as a port city made it an ideal target for
conquest by all these various regimes during its
early history.
The area that now constitutes the city of
Casablanca was originally settled in by the
Berbers aroundabout the 10th century BC, then
used as a port by the Phoenicians and then the
Romans for centuries before becoming a safe
haven for pirates in the early 15th century. It was
then attacked, destroyed and rebuilt by the
Portuguese and named Casabranca, Portuguese
for White House.

Casablanca in Morocco

Casabranca was destroyed by an earthquake in

1755 AD and rebuilt by sultan Mohammed Bin
Abdallah (17561790), the grandson of Moulay
Ismail in 1770, with the aid of the Spaniards and
so redubbed Casablanca. The 19th century saw a
trading boom with Britain and Casablancas
population grew modestly until it was eventually
colonised by the French in 1910.
Casablanca nally gained its independence in
1956 but remains a primarily French-speaking
region of North Africa.
5

ARCHITECTURE

The citys constant colonisation means that there

are architectural inuences from many different
regions, however the most prevalent remain the
blend of French-colonial designs and traditional
Moroccan style known as Mauresque
architecture. Heavily inuenced by the Art Deco
movement, Mauresque incorporates decorative
details such as intricate carved friezes, tile work
and ornate wrought-iron balconies.
Despite its tumultuous past, Casablanca has
often been seen as the land of opportunity for the
region; a refuge for artisans and shermen alike in
the late 1800s which in turn inuenced the
architecture of the city. Open to the intense
sunlight and mild sea air, the buildings express
optimism. They aunt the stylistic innovations of
their eras: Beaux Arts, Neo-Mauresque, Art
Deco, Cubist, Brutalist, Post-Modern.
In 1917 Casablanca became the second city in
the world after New York, to adopt a
comprehensive master plan for urban
development. Up until the 1950s various
different Art Deco styles were favoured by
Casablancas architects and the city was
marketed as a French America to the rest of the
world.

BOULEVARD MOHAMED V

BOULEVARD MOHAMED V

CITY SQUARE

BOULEVARD MOHAMED V

HASSAN II MOSQUE

OLD MEDINA

OLD MEDINA

OLD MEDINA

ANFA PLACE
THE CORNICHE

KENZI TOWERS

CASA PORT TRAIN STATION

CASABLANCA BOMBINGS
A series of suicide bombings took place in 2003 in
Casablanca which resulted in the deaths of 45
people. These were the deadliest attacks that the
country has ever seen and were the work of
extremists living in a poor suburb of the city.
The bombers targeted the Hotel Farah, a Jewish
cemetery, a Jewish community centre, a
Jewish-owned Italian restaurant and the Belgian
consulate nearby. Several police ofcers and
bystanders were killed or injured in these attacks,
yet the greatest loss of life came from the initial
attack on the Casa de Espana restaurant which
killed 20 people.
The Casa de Espana restaurant was located on
the same street as the Spanish Chamber of
Commerce and despite a focus on locations
populated by government buildings, it was
ordinary citizens that were killed and injured in
these attacks. A few years later there was another
set of bombings within the Moroccan capital
which caused signicant damage and injury
throughout the city. It also resulted in the death of
a local police ofcer in addition to the injuries
sustained by bystanders.
Both attacks prompted huge public outcry, with
tens of thousands marching in the streets of
Casablanca chanting slogans such as "Say No to
Terrorism," "Down with Hate" and "United
against Terrorism.

10

THE INFLUENCE OF
LIBRARIES

Libraries have been a central focus in architecture

and culture for centuries, historically they have
been sites of great feats of architecture where
both nobles and commoners could gather to gain
knowledge and understanding. While modern
communities are less inuenced by public spaces
such as libraries, their inuence is still felt and
their purpose has evolved.
Urbanists maintain that libraries and other public
spaces work to shape the public culture of a city;
they have long been seen as symbols of collective
well-being and possibility. The classic libraries
constructed during the Renaissance period were
viewed as expressions of both achievement and
aspiration by the cities leaders. They were
venues for public interactions and the location
that formed much of the civic culture at the time;
often acting as spaces for political address,
debate and deliberation. These public venues
were the foundations of a civilisation that aspired
for both knowledge and equality, where even in
ancient Greece all citizens were invited to take
part in the politics of the time.
Libraries and other public spaces of a city have
been key sites of cultural formation and popular
political practice throughout the ages; from
classical Rome, Renaissance Florence to
mercantile Venice. How they were structured and
how events were carried out within them
structured and shaped civic conduct and politics
in general. There were few other places that
civilians could gather and express their opinions
as public libraries.

While the role of libraries and other public spaces

has changed they still hold a relevance in shaping
a citys civic culture. A citys population isnt as
limited in how they access knowledge and
information, as every mobile device is its own
encyclopedia these days. Urban planning these
days attempts to manage libraries and public
spaces in ways to build civic engagement and
sociality; they have become less about the
number of books they store and more about
interaction and engaging with others in your
community.
This long line of thought includes everyone from
classical Greek philosophers, to contemporary
urban visionaries such as Sennett, Sandercock
and Zukin. Theirs is the philosophy that free and
unhindered mingling of people in open and
well-managed public spaces encourages
forbearance towards others and grows respect
of their shared community.
As Carr, Francis, Rivlin and Stone (1993, p. 344)
claim, When public spaces are successful [] they
will increase opportunities to participate in
communal activity. This fellowship in the open
nurtures the growth of public life, which is stunted by
the social isolation of ghettos and suburbs. In the
parks, plazas, markets, waterfronts, and natural areas
of our cities, people from different cultural groups can
come together in a supportive context of mutual
enjoyment. As these experiences are repeated, public
spaces become vessels to carry positive communal
meanings.
(Carr, Francis, Rivlin and Stone, 1993, p. 344)
http://www.publicspace.org/en/text-library/eng/b00
3-collective-culture-and-urban-public-space
11

THE COMPETITION SITE

CASA DE ESPANA BOMBING SITE

The site chosen for this competition is the site of

the greatest amount of devastation, the bombing
on the Casa de Espana restaurant.
The site is adjacent to a nearby Spanish Chamber
of Commerce and a Business Management
School; it is a high-prole area with a signicant
number of local citizens and with tourists visiting
daily.

LATITUDE 33.5925095

SITE CAD AND PDF PLAN AND 3D MODEL IS AVAILABLE FOR

DOWNLOAD ON HMMD.ORG

LONGITUDE -7.6048854

5
1

1 COMPETITION SITE
2 CASA DE ESPANA BOMBING SITE
3 ESG MOROCCO UNIVERSITY
4 MOROCCAN MANAGEMENT BUSINESS SCHOOL
5 ESG MOROCCO UNIVERSITY EXTENSION
http://www.esg.ma/esg_groupe.html

N
12

ESG
EXTENSION

THE
SITE

CASA DE
ESPANA

ESG EXTENSION

more information here:

http://www.esg.ma/esg_groupe.html

ESG
EXTENSION

ESG
EXTENSION

THE
SITE
CASA DE
ESPANA

ESG
CASA DE
ESPANA

MORE SITE AND CONTEXT PHOTOGRAPHS ARE AVAILABLE FOR DOWNLOAD ON HMMD.ORG

13

AVENUE PROGRAMME

THE COMPETITION

CASABLANCA BOMBING ROOMS

HMMD asks that the participants accommodate

the following fuctions, with the main function
being as a public library:
- PUBLIC LIBRARY

Participants are tasked with creating designs for

the Casablanca Bombing Rooms whose main
function will be to act as a public library and
exhibition space. The purpose of the exhibition
space is to show local and international acts of
violence and highlight the total absurdity of such
actions.
The Casablanca Bombing Rooms should also
provide classrooms and conference rooms,
providing visitors with access to books, texts and
research material. As such the bombing rooms
will also need to have computer classroom
facilities to further educate those in the area.
Participants are encouraged to be creative with
their designs and decide for themselves the
overall image the building will have and the
statement it will make.
Participants can chose whether the Bombing
Rooms are a bold or a subtle statement about the
power and importance of knowledge. The
Bombing Rooms could reect the local
architectural style, be inuenced by it or stand
completely separate from it; its entirely up to
you.

- EXHIBITION SPACE
- CONFERENCE ROOM
- CLASSROOM
- MANAGEMENT OFFICE
Service areas:
- Internal and external circulation spaces must be
explained.
- The participants do not have to include parking
in their project strategy.
The AVENUE PROGRAMME is exible, open for
modications and improved development strategies.

SITE RESTRICTIONS
Maximum site density 100%
No maximum building height that must be
respected. (updated JUN14)
There is no minimum distance from the road or
neighbouring building that must be respected.
Participants are allowed to place their building/s
at the edge of the site boundary if they nd it
benecial to their design proposal.
There are no restrictions for underground
construction.
The jury may choose to reward projects that show
extreme creativity in this area even if they breach any
of the rules, so long as its justied.

14

SUBMISSION REQUIREMENTS

PRIZES

Participants are required to upload four (4) A2

landscape orientated presentation boards
(must not exceed 5mb per .jpg/.jpeg le) with
sketches, renders, plans, sections, elevations,
diagrams and/or other presentation tools to
explain their proposal.

3 winning proposals and 6 honourable mentions

will be selected. HMMD will award a total of
US$ 10,000 in prize money to competition
winners as follows:

No video les are accepted.

All information provided in writing must be in
English.
All submissions must be uploaded via hmmd.org
upload panel. Access information and
instructions on how to upload the presentation
panel is issued to participants via email
immediately after successful registration.
Presentation boards must not indicate any
information related to individual's/team's
identity.
Participants that not comply with the
requirements will be disqualied without a
refund.

1ST PRIZE

2ND PRIZE

3RD PRIZE

US$ 6000 US$ 3000 US$ 1000

+ 6 honourable mentions
The winners will get international art and design
media coverage and will be featured on the
HMMD website.
A full list of media partners who have committed
to present the competition winners in their
publications can be found on hmmd.org
HMMD will also acknowledge the outstanding
performance of all winners and honourable
mentions with Certicates of Achievement.

COMPETITION SCHEDULE
RECOMMENDED SUBMISSION CONTENT
- A cityscape to illustrate how the proposal ts in
with the quality, value, and signicance of the
historical and modern urban structure of
Casablanca.
- Concept designs which highlight that all aspects
of the design are of the highest quality and in
keeping with the design brief and the proposed
site.
- The main points of proposed plans and sections,
multiple internal and external perspectives
demonstrating the spatial quality of the building
as well as operational needs and accessibility
requirements.
- Demonstration of project feasibility in regards
to environment, climate conditions, lifecycle and
responsible use of materials.

Early Bird Registration:

MAY 24 - JULY 2
Advance Registration:
JULY 3 - AUGUST 15
Last Minute Registration:
AUGUST 16 - SEPTEMBER 17

Closing date for registration:

SEPTEMBER 17, 2015
Closing date for submission:
SEPTEMBER 30, 2015 (11.59pm GMT)

Announcement of the winners:

OCTOBER 15, 2015

15

JURY & EVALUATION PROCESS

COMPETITION DOCUMENTATION

Competition jury consists of two jury panels:

Following information is available for download

on hmmd.org :

- Core jury panel

- Consultative jury panel
Full jury panel members list is published on hmmd.org

The core and consultative jury panel will be

responsible for setting the criteria that
participants need to full based on the site and
brief and will evaluate each submission
accordingly.
Participants are advised to research both the
working site and previous similar case studies, as
part of the design process.
CASABLANCA BOMBING ROOMS is an ideas
competition which encourages participants to
experiment with the limits of architecture. The
jury may choose to reward projects that show
extreme creativity in this area even if they breach
any of the rules, so long as its justied.

- Full competition brief

- Site and context photographs
- CAD and PDF site plan
- 3D site model
All information can be downloaded as often as
required; no additional information or material
will be provided after the registration.
The brief and all associated documentation for
this competition are for the sole purpose of an
academic exercise and are not legitimate
documents.
The provided materials can be used or
alternatives can be created or sourced at the
participants discretion.

REGISTRATION FEES

3 evaluation phases:
1 - HMMD Consultative jury panel will produce
a shortlist of 40 from all submitted entries.
2 - HMMD Consultative jury panel will select
9 competition nalists from the shortlist.
3 - Core jury panel will evaluate the 9 nalists
and select the top 3 winning projects and the
6 honourable mentions.

ELIGIBILITY
Competition is open for all. No professional
qualication is required. Design proposals can be
developed individually or by teams (4 team
members maximum).
Under no circumstances will jury panel members,
organisers, nor any persons with whom they have
direct personal or professional relationships, be
allowed to participate in this competition.

Early Bird Registration: US$ 90

Advance Registration: US$ 120
Last Minute Registration: US$ 140
HMMD would like to hear from representatives for
Universities, Schools & Colleges offering architecture
/ design studies.
Contact us to receive special student rates for group
registrations as well as further information and
12
support to get your students involved in architecture
competitions.
Send us request from your university email address
along with information about yourself and your
university/school.
Please note that only recognized university staff
can apply for the reduced student rate.

16

Limitation of Liability

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17

Ensuring the Integrity of the Competition

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Governing Law
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jury is not legally binding and does not imply any contract or partnership.

Prize
28. Prize is announced in the Competition Brief for each Competition
separately.

18

 HMMD Architecture Competitions

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