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Branding has passed through a number of phases over the years. The first phase, in
the 1950’s, saw a great emphasis being laid on the USP or the Unique Selling
Proposition. Highlighting one key feature of the brand almost always ensured that the
physical product, rather than the brand, was the core differentiator. By the 1960s
Emotional Selling Proposition (ESP) was adopted by some brands. Similar products
were perceived as different primarily because of an emotional attachment. Coke is a
case in point. The consumer tends to drink the various emotional associations, rather
than just a cola. This is why Coke’s attempt to introduce a better tasting drink
(proved by blind tests) failed and the company was forced to re-introduce the
old Cok e. During the 1980s the Organizational Selling Proposition (OSP) emerged.
The organization, which was behind the brand, used its distinctive philosophy as its
point of difference, in order to sell the brand. For many years Nike subscribed to this
form of branding. The strong internal spirit of the company was embodied in its
employees, who became the main ambassadors for the brand. Tata and Reliance are
two such Indian organizations which have leveraged their organizational brand equity
and thus successfully exist in diverse product categories such as tea and steel.
By the 1990s brands had attained enormous dimensions and the Brand Selling
Proposition (BSP) took over. Some brands have grown beyond the physical
dimensions of the product. Brands like Harry Potter, Pokemon, Mickey Mouse and
other Disney characters stepped outside their original product boards and could be
found on accessories, wallpapers, tooth brushes and clothes. These brands took on a
life of their own and enamouredthe consumer, acquiring the Midas touch which sold
almost all the products they touched.
The world of communication is evolving and today, interaction has become one of the
key catalysts, and this has forced marketers to constantly think out each and every
communication, evaluating and designing it for the increasingly aware and
demanding consumer. Today brands are moving towards the MSP or Me Selling
Proposition, where consumers are given ownership of the brands. Dell, with its
customized computers, was the first innovator in its field. Today technological
innovation has enabled apparel and sports brands like Nike and Levi’s to offer
customization for any of their models, exactly suited to the customer’s need and size,
by means of their websites. In India, we are sorely lagging behind and examples of
BSP, let alone MSP are few and far in between.
1. Sensory Audit
The consumer’s relationship with a brand can be established firmly through use of
the five senses; the more the sensory components, the stronger the foundation of the
brand. Thus, the strength of the brand’s associations can be understood through a
sensory audit which assesses the brand’s leveraging of sensory touch points. This
involves examining a brand’s stimuli, enhancement, and bonding capabilities.
An example of the Barista Coffee Shops can be taken to illustrate a Sensory Audit:
Visual - Unique logo on doors, cups, menu cards and merchandise, as well as use of
the color orange extensively in the decor
Visual/Auditory - Uniform and customer centric approach like friendly, generally
young waiters and contemporary music.
Visual/Auditory/Touch - Interior aesthetics comfortable chairs or sofas, colors(orange
and brown), wall hangings, music.
Smell/Taste - Distinct aroma of freshly ground coffee.
Here, an important concept is that of “smashability” which simply means how
independent each sensory aspect is and what is its ability to stand on its own? The
best brands will have elements that exist in their own right, and recognition can be
triggered by one element on its own. In the above example, if you removed the
fragrance from “Barista” cafes, would you still know the brand? One of the most
trusted brands in India,Dettol, is easily identifiable by its distinct smell.
2. Brand Staging
Brand Staging is the step in which the brand is communicated to the consumers
through all media, making use of the outcomes of the brand audit stage. It is in this
stage that one design the sensory marketing strategy for the brand.
3. Brand Drama
Brand Drama is the stage when one breathe life into the brand strategy by intending
to create an emotional bond with the consumers by convincing them to believe facts
about a brand which are beyond the bare reality. There is a fundamental tenet of
drama theory which forms the heart of every drama: there is somebody (evoking
empathy in the audience) who desires very badly, something which is difficult
(although not impossible) to achieve. Brand drama being an outcome of brand
strategy reflects this tenet, as the best brand strategies suggest a way for the
consumer to achieve something that he wants badly and that was not readily
available beforehand.
4. Brand Signature
The most significant step is the Brand Signature which consists of those elements
which when combined will provide a unique combination for the brand. Here, the
process actually ties up with the objectives of a traditional branding exercise which
will consist of elements which provide sensory signals to the customer. Thus visual
signals such as colors, images and logos are a primary part of the brand signature
which are supplemented by sound, touch, smell and taste signals.
5. Implementation
Implementation is the execution stage when all the planning culminates into
communication in the actual environment of the business. At this point, it is very
important to take care of each and every cue down to the minutest detail, as it a HSP
that is to be delivered, and this cannot be done without achieving cohesion in the
complete brand package
6. Evaluation
Evaluation is the last stage in the process wherein the behavior and attitude of the
customers towards the brand is observed and evaluated so as to see how accurate
and effective the sensory marketing strategy is.
In India, even as premium brands and international brands struggle to create an MSP
for themselves, because of slow evolution in the area of branding as well as logistical
issues, including inadequate market development, HSP might just be the next
frontier. Companies like Kellogg, Nokia and Singapore Airlines have shown that
sensory marketing need not necessarily be an expensive affair. In fact, if companies
think that when they offer the customer more for the same amount of money they
are over-delivering, they are merely being lulled by a false sense of assurance. If
they offer 25% more juice for the same price they think they are over-delivering.
However, they forget that the consumer knows that they are giving him that extra
juice; hence they are merely delivering what they are promising. It’s not really over-
delivering. Smart brands should do more than that. They should build a surprise.
It is now upto Indian brands to decide whether they want to continue to tread the
worn out path of promotions and mediocre brand equity through dated marketing
techniques, or whether they think that the Indian market is ready for a complete
branding experience, a real surprise.
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