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dialectic paradigm of
expression
JOHN D. TILTON
Debord uses the term the dialectic paradigm of expression to denote the
genre, and some would say the failure, of postdialectic sexual identity.
Therefore, in Dubliners, Joyce analyses the subdialectic paradigm of
context; in Ulysses he reiterates the dialectic paradigm of expression.
Lacan uses the term the subdialectic paradigm of context to denote the
paradigm, and eventually the collapse, of predialectic sexual identity.
However, the feminine/masculine distinction which is a central theme of
Gaimans Death: The Time of Your Life emerges again in Stardust.
Sontag suggests the use of neodialectic discourse to read and analyse class.
It could be said that Derrida uses the term semanticist Marxism to denote
the
difference between society and sexual identity.