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t tracts 4?<+* and one at 46 3


and me w ir* radar trmbw . rhd
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"fJf-tJ Ut th# 6IkiJ
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q

DROOF

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1
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his Yurr drsip has its ori@asin the Fidk Wisdomof Ancienr hfongolia
u

whm rhepvrorypehlls,jr

thousandsofyeaq

beenfuund rotirhsrand

the s#ere coldand violent winds 4 the steyyes. Th~structureha bemchs@d


-_,
I !j:

topmfide an opportunityforyeople ro#zy a k-qer

role in

creariny their own

thuzA&ring to live in simplicitp. withthe be@ rhara


f _,_ shdrek.. pJpeci(zLfff~r
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marepersonal,intimarerelationship
withourenviron
,,L the curved

walls4 rhe Yurt help it ro blend with rhe natural environmenr.?his is an

atremp ro chip

a dwelling thar wib not chake!qe, not dominate, nor contendwirh


seek robe in harmuny with ir. Thepurpo5e of this de&p is ro rpduce
rhe

:; nature but

skillsneedd in budding roa mitimumandsrilf


haE hut-l,
>a
:;

inexyetujve,pet-manenrshk

c.W&I
I
Find
Jb

the center

radius.

parts

LtO rntarks

center
CAS in

f-heir

in place

inside

Op She

circle

move

until

the

+hese

(bend

the

of

this

onaltzxnke

marks

noi 1 the 20

5rllk

marks

on the

ou?er
&m..

floor

surkae~
intic&

on tic
and ou..d

OC neighboring
boards
place for accuracy
.
7 penny

a hammer

vibrafions.
over)

AOU

nin 3

with

hold

points

54

thece

;5 a

together
the

of These Lards
!4 bcerJr it-~piac~ wish

their

on +Le tops

someone

d ampen

remoi

every

nailing

while

cl i nch

CL second
he

line up

Nfoi I

spaced

nails

c&side

Then

with

puta
OF the

of ~11

o-P each

nai 1s.

With

tops

boards
Idave

nai 1 the

on i-he

lines

top

Now

boHom

on the clu.k,cenlerod

IO penny

the

cifck.

of the

fhe

Negt

others.

QS in Fig. C-1

to

Mark

Fig. C-2.

edje

-the 4brPdiUS

inside

inner surfiaces

boards

6.

40egual
eritend

on the

use

platform

of

into

boards.

Figc-1.

the

a circle

and draw

a 48 stlck piwo+iny cn +he center


-f-o touch

fnatk

wall

54

see

with

PI&form

divide

JVe*t

and

the

of the

the nai Is Sir+

person

holding

the

heads

The
secret of the strength of the VlrrT is in the tension
band. 1-t hddr tie build 1ng togcthcr by going mound it at
-th e eaves.

Great

point.

I%CL

board

juncture

oLLt #XI t&c

care and respect

a ring nai I abouT


in the

the

cable

-II.
(C-2)

shtA/

/a from

Lmvt:

&

-/he top

abost

temrmbswing

used at 44~s
of each

g/r of 3he head

$0 have a hammer

heId on the inside wI,ile nailing . Lay +hc cable


nai Ir With the
cuacption
of *
Icr~t Y or IO noi I s.
Shorter?
CabIc
on
snug

and

way

SL

around

cre
gh
gen+!y

but

to

i+s

force

not fiddle

the Yurt is not horizontal,


shorSe&
it

up

tight.

dio&xt.
into
If

place.

e-r%
The

SO let ihc

Put the Amps


Lt wants +o be

it is +oo loose,

rrpat

dronq

knife

is

less

as in

common.

Fig.

E-I.

6e sure

Fran

it

is

qaIva.nired.

+hc

I x I 1 borvds
cu+ 18 boards
O$ the pieces
bz,

each

7oki;

6av,,
(rnaki

Sire>.

&te:

nor m&lily
or

and v-y

boards

with

the

ceiling

will

be

each

smooth

side

-bp

t>f the

and

usin9

1,Tv work

Fig. C-2.

cwdd

o-lloa

nails
Extra.

04 the

Gp,

raise

snugly.

but

hands
Yurt.

Or I war
ldow

put

and

&+a

any
help

each
(f;g.
3he

roof

E-3)
poles

1 more

is

When

on -H\e
in

place

on

%L* mark

boards

up INI%

She end e (11Sls


wi II do)
I&

5~

prop.

aimed
UII +be

anti+ I all
IO penny

the

Draw a 1i ne

nail

;n holding

bocvd

dont,

cn 3hc

pole

cut

rmooih.

and
the

light

you

the big end

79 from

in

pkncd

diaqqonal

36 parts.

cuish one edp

driven

see *hat

rough

nail.

borrrds wx

ic

overhang

board+

wall

the

up-

WId er

3% dimension

makLc tht

3& from

for

sligh$ly

the

If

wal I inSo

board

&.g btxdl

are

kerp

fo

&de

of the

I - JOpenny

jo

center
meet

$b

boprds

this,

alS=rnajely

we11 4%~*his

we

If your

than

the wide piece.

~2

with

pled

;:

;s

pIanrd

the sop

across

.;
i;
:1

hod

na-rower

Ic- 7&-#3a

eae/b

on one side, it is ;mportant

Divide

long,

II EL wide.

scune

otily

71

all

slightly

the

end

36 pieces of

Oe

CC+ +he
roof

the roof
nails

in

boards
pieces

tie

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