Karl Gustaf & Becky Spielrein.

*
28.
Wy tweeen.Met zn drieen.Vieren.lykt me geweldig.Een spreuk werd me eens ontlokt.
'Ik mis het meeste, datgene dat ik nog nooit heb gehad'. Allemaal om jou en twe
e snarfprinsessen.
*
27.
Geheimen. Zyn goed te dragen. Zyn slecht te dragen. Enkel als je alleen bent. Ma
ar ik heb jou. Dus draag ik alles. Goed of slecht. Omdat ik weet. Dat jy er bent
.
*
26.
Somber!?.Nee.Niet echt. Want ik heb. Een mooie vrouw. Om aan te denken. Om aan t
e raken. Om te mogen zoenen. Nee. Somber!?. Ben ik niet.
*
25.
Twyfels. Had ik. Onderweg naar huis. Kon ik. Kan ik. Nog liefhebben. Drie ontmoe
tingen. Met jouw. Bleken de medicyn. Hoewel. Er nog genoeg. In de weg staat. Ont
span ik. Iedere keer. Als ik. Aan je denk. Als ik. Je zie. En ik. Had opgegeven.
Dit voelen. Tot jy. Het weer. Wakker maakte. In my.
*
24.
Stom. Sta ik. Aan je deur. Al myn kracht. Ze stroomde weg. Toen ik je zag. Stom.
Voelde ik me. Jou niet waardig. Ik gaf je de brief. Reikte ik naar. Je hand. Om
je even. Aan te kunnen raken. Ik was bly. Dat ik je mocht kussen.
*
23.
Orlando.
Orlando is a 1992 film based on Virginia Woolf's novel Orlando: A Biography, sta
rring Tilda Swinton as Orlando, Billy Zane as Marmaduke Bonthrop Shelmerdine, an
d Quentin Crisp as Queen Elizabeth I. It was directed by Sally Potter.
It was particularly acclaimed for its visual treatment of the settings of Woolf'
s 1928 novel. Potter chose to film much of the Constantinople portion of the boo
k in the isolated city of Khiva in Uzbekistan, and made use of the forest of car
ved columns in the city's 18th century Djuma Mosque.
*
22.
Wie ik ben !? Weet ik. Maar al te goed. Myn vaardigheden. Myn wezen. Ken ik bete
r dan wie ook. Ik heb al te lang gekeken. Naar de Luizen en vlooien van een hond
. Die dachten over te springen. Mee te liften. Naar plaatsen waar ze niet thuish
oren. Luizen en vlooien van Zeven zonden. Anders waren ze niet hier. Raar genoeg
niet myn zonden.
*
21.
Nagiko soon realises that, in Jerome, she has found the perfect lover she has be
en searching for: the partner with whom she can share her physical and her poeti
c passion, using each other's bodies as tablets for their art.
*
20.
The Pillow Book.
The Pillow Book is a 1996 film by British director Peter Greenaway, which stars
Vivian Wu as Nagiko, a Japanese model in search of pleasure and new cultural exp
erience from various lovers. The film is a rich and artistic melding of dark mod
ern drama with idealised Chinese and Japanese cultural themes and settings, and
centres on body painting. The film features full-frontal male nudity.
*
19.
"@adreamingthing: "I will be the poet and you the poetry." This is love. http://

pic.twitter.com/KTJM2R5fyj"
*
18.
"@BlancaMQz_: One day she?ll find her hero The one who will set her free He?ll g
ive her the love she prays for He?ll knock down her walls & fill her needs"
*
17.
"@jacobsescape: I want to be so deep inside you, even god cannot find me."
*
16.
"@HighOnDrunk: A women can't change a man because she loves him, a man changes h
imself because he loves her."
*
15."@GregCapullo: Jamie marched in with a jar she couldn't open. "I'm bringing i
t to my strobg husband." No pressure. You KNOW you'd better not fail." (Ed.Word
ik jouw moeilyke pot opener !?)
*
15.1
"@GregCapullo: Jamie marched in with a jar she couldn't open. "I'm bringing it t
o my strobg husband." No pressure. You KNOW you'd better not fail."
*
14.
"@BrianRathbone: Fear not the coming storm, for with the thunder and lightning c
omes the rain. --Wendel Volker, farmer http://bit.ly/free-ya-fantasy #free #fant
asy"
*
13.
Xiuhnel drank the blood and then immediately lay down with her. Suddenly she ...
devoured him, tore open his breast. ... Then Mimich ... ran and ... descended i
nto a thorny barrel cactus, fell into it, and the woman fell down after him."
*
12.
Sexism or gender discrimination is prejudice or discrimination based on a person
's sex or gender. Sexist attitudes may stem from traditional stereotypes of gend
er roles, and may include the belief that a person of one sex is intrinsically s
uperior to a person of the other. Extreme sexism may foster sexual harassment, r
ape and other forms of sexual violence.
*
11.
"@Gingerfilter: Everything I tweet is sexual or has sexual undertones." #69symbo
ls
*
@hottentotsgot: Laughter is the best orgasm for one's soul.
*
10.
Ik als Simon Pegg as Sidney Young/Jeff Bridges as Clayton Harding/Danny Huston a
s Lawrence Maddox EN JY als Kirsten Dunst as Alison Olsen/Megan Fox as Sophie Ma
es, Gillian Anderson as Eleanor Johnson.
*
9.
CosiVonTooting;"@LiteNLivelyMe: That moment your eyes meet and you know it's rea
l......"Oooooh yeaaaaaaah Louis strongarm throat. #GorgLib
*
@Pretty_Lass0717: When something goes wrong in your life, just yell "PLOT TWIST"
and move on.
*
8.
"@Erato9Words: Never had I felt more alive than when our eyes met Until a kiss c
aused a crimson rise in my veins Before you, I merely existed #bloodverse"
*

7
Van twitter gekopieert met afzender ivm copyright issues. "@Christy_Evnglin: (S)
He wanted to fall in love, But (s)he was afraid of heights."
*
6
Als ik jou zie
Sprankelende oogjes
Al die wilde gedachten
Wil ik je in myn armen
Je tegen me aandrukken
*
5
George Micheal, "Faith"_
Well I guess it would be nice
If I could touch your body
I know not everybody
Has got a body like you_
But I've got to think twice
Before I give my heart away
And I know all the games you play
Because I play them too_
Oh but I
Need some time off from that emotion
Time to pick my heart up off the floor
And when that love comes down
Without devotion
Well it takes a strong man baby
But I'm showing you the door_
'Cause I gotta have faith...._
Baby
I know you're asking me to stay
Say please, please, please, don't go away
You say I'm giving you the blues
Maybe
You mean every word you say
Can't help but think of yesterday
And another who tied me down to loverboy rules_
Before this river
Becomes an ocean
Before you throw my heart back on the floor
Oh baby I reconsider
My foolish notion
Well I need someone to hold me
But I'll wait for something more_
Yes I've got to have faith....
*
SpielreinSonate#1.
Een filmografie voor de "Spielrein Amourette".
*
Index.
The Pillow Book.
How to Lose Friends & Alienate People.
Groundhog Day.
Serendipity.
High Fidelity.
Definitely, Maybe.
*
The Pillow Book.
The Pillow Book is a 1996 film by British director Peter Greenaway, which stars
Vivian Wu as Nagiko, a Japanese model in search of pleasure and new cultural exp

erience from various lovers. The film is a rich and artistic melding of dark mod
ern drama with idealised Chinese and Japanese cultural themes and settings, and
centres on body painting. The film features full-frontal male nudity.
*
How to Lose Friends & Alienate People is a 2008 British comedy film based upon T
oby Young's 2001 memoir of the same name. The film follows a similar storyline,
about his five-year struggle to make it in the United States after employment at
Sharps Magazine. The names of the magazine and people Young came into contact w
ith during the time were changed for the film adaptation. The film version (adap
ted by Peter Straughan) is a highly fictionalized account, and differs greatly f
rom the work upon which it was built. It was distributed in the United States by
Metro-Goldwyn-Mayer, and in the United Kingdom by Paramount Pictures and Channe
l Four Films (the former also distributed in Australia).
The film was directed by Robert B. Weide and stars Simon Pegg as Sidney Young, K
irsten Dunst as Alison Olsen, Jeff Bridges as Clayton Harding, Danny Huston as L
awrence Maddox, Gillian Anderson as Eleanor Johnson, and Megan Fox as Sophie Mae
s. The cast also includes Max Minghella and Margo Stilley. How to Lose Friends A
nd Alienate People was released in both the United States and United Kingdom on
3 October 2008.
*
Groundhog Day is a 1993 American fantasy comedy film directed by Harold Ramis, s
tarring Bill Murray, Andie MacDowell, and Chris Elliott. It was written by Ramis
and Danny Rubin, based on a story by Rubin.
Murray plays Phil Connors, an arrogant and egocentric Pittsburgh TV weatherman w
ho, during an assignment covering the annual Groundhog Day event in Punxsutawney
, Pennsylvania, finds himself in a time loop, repeating the same day again and a
gain. After indulging in hedonism and numerous suicide attempts, he begins to re
-examine his life and priorities.
In 2006, the film was added to the United States National Film Registry as being
deemed "culturally, historically, or aesthetically significant".
*
Serendipity.
Serendipity is a 2001 American romantic comedy film, starring John Cusack and Ka
te Beckinsale. It was written by Marc Klein and directed by Peter Chelsom. The m
usic score is composed by Alan Silvestri.
*
High Fidelity.
High Fidelity is a 2000 American comedy-drama film directed by Stephen Frears an
d starring John Cusack and Iben Hjejle. The film is based on the 1995 British no
vel of the same name by Nick Hornby, with the setting moved from London to Chica
go and the name of the lead character changed. After seeing the film, Hornby exp
ressed his happiness with John Cusack's performance as Rob Gordon (changed from
Rob Fleming in the book), saying, "At times, it appears to be a film in which Jo
hn Cusack reads my book".
*
Definitely, Maybe.
Definitely, Maybe is a 2008 American romantic comedy film written and directed b
y Adam Brooks, and starring Ryan Reynolds, Isla Fisher, Rachel Weisz, Elizabeth
Banks, Abigail Breslin and Kevin Kline. Set in New York City during the 1990s, t
he film is about a political consultant who tries to help his eleven-year-old da
ughter understand his impending divorce by telling her the story of his past rom
antic relationships and how he ended up marrying her mother.
*
4
Hare sexyheid
Mevrouw Spielrein
Ik kan niet wachten
Samen verhalen te bedenken
Boeken te schryven
Te genieten

Van jouw gedachten

*
3
Jouw te zien sprankelen
Als jou zelf
Daar geniet ik van
*
2
Jy sexy vrouw jy
De gedachte aan jou
Maakt alles goed
Maakt alles beter
Al kan ik je
Op dit moment
Niet aanraken
Niet myn armen om je heen slaan
Jy sexy vrouw jy
De gedachte aan jou
Maakt alles goed
Maakt alles beter
*
1
Jy mooie vrouw jy
Moest wel schrikken
Toen je my uitkoos
Uit al die mensen
Op Facebook
Om te leren kennen
Jy sexy vrouw jy
De gedachte
Dat jy er bent
En smurfin en smurfin
In de wereld
Dat maakt my gelukkig
Al kunnen wy elkaar
Niet zien door omstandigheden
De gedachte
Dat jullie er zyn
Maakt my gelukkig
*
Carl Gustav Jung (/j??/; German: [?karl ???staf j??]; 26 July 1875? 6 June 1961),
often referred to as C. G. Jung, was a Swiss psychiatrist and psychotherapist w
ho founded analytical psychology.
Jung proposed and developed the concepts of the collective unconscious, archetyp
es, and extraversion and introversion. His work has been influential not only in
psychiatry but also in philosophy, anthropology, archeology, literature, and re
ligious studies. He was a prolific writer, though many of his works were not pub
lished until after his death.
The central concept of analytical psychology is individuation?the psychological
process of integrating the opposites, including the conscious with the unconscio
us, while still maintaining their relative autonomy. Jung considered individuati
on to be the central process of human development.
Jung created some of the best known psychological concepts, including the archet
ype, the collective unconscious, the complex, and synchronicity. The Myers-Brigg
s Type Indicator (MBTI), a popular psychometric instrument, was developed from J
ung's theory of psychological types.

Jung saw the human psyche as "by nature religious" and made this religiousness t
he focus of his explorations. Jung is one of the best known contemporary contrib
utors to dream analysis and symbolization.
Though he was a practising clinician and considered himself to be a scientist, m
uch of his life's work was spent exploring tangential areas such as Eastern and
Western philosophy, alchemy, astrology, and sociology, as well as literature and
the arts. Jung's interest in philosophy and the occult led many to view him as
a mystic, although his ambition was to be seen as a man of science. His influenc
e on popular psychology, the "psychologization of religion", spirituality and th
e New Age movement has been immense.
Childhood family
Carl Gustav Jung[a] was born in Kesswil, in the Swiss canton of Thurgau, on 26 J
uly 1875 as the fourth but only surviving child of Paul Achilles Jung and Emilie
Preiswerk. Emilie was the youngest child of Samuel Preiswerk and his wife. The
senior Preiswerk was a wealthy professional man who taught Paul Achilles Jung as
his professor of Hebrew. Jung's father was a poor rural pastor in the Swiss Ref
ormed Church; his mother had grown up in a wealthy Swiss family.
When Jung was six months old, his father was appointed to a more prosperous pari
sh in Laufen but the tension between his parents was growing. Emilie Jung was an
eccentric and depressed woman; she spent considerable time in her bedroom, wher
e she said that spirits visited her at night. Jung had a better relationship wit
h his father. Although she was normal during the day, Jung said that at night hi
s mother became strange and mysterious. Jung said that one night he saw a faintl
y luminous and indefinite figure coming from her room with a head detached from
the neck and floating in the air in front of the body.
Jung's mother left Laufen for several months of hospitalization near Basel for a
n unknown physical ailment. His father took the boy to be cared for by Emilie Ju
ng's unmarried sister in Basel but he was later brought back to his father's res
idence. Emilie Jung's continuing bouts of absence and often depressed mood influ
enced her son's attitude towards women? one of "innate unreliability". This was a
view that he later called the "handicap I started off with." He believed it con
tributed to his sometimes patriarchal views of women, but these were common in h
is society. After three years of living in Laufen, Paul Jung requested a transfe
r; he was called to Kleinhningen in 1879. The relocation brought Emilie Jung in c
loser contact to her family and lifted her melancholy.
Childhood memories.
Jung was a solitary and introverted child. From childhood he believed that, like
his mother, he had two personalities?a modern Swiss citizen and a personality m
ore suited to the nineteenth century. "Personality Number 1," as he termed it, w
as a typical schoolboy living in the era of the time. "Personality Number 2" was
a dignified, authoritative and influential man from the past. Although Jung was
close to both parents, he was disappointed by his father's academic approach to
faith.
A number of childhood memories made lifelong impressions on him. As a boy he car
ved a tiny mannequin into the end of the wooden ruler from his pencil case and p
laced it inside the case. He added a stone which he had painted into upper and l
ower halves, and hid the case in the attic. Periodically he would return to the
mannequin, often bringing tiny sheets of paper with messages inscribed on them i
n his own secret language. He later reflected that this ceremonial act brought h
im a feeling of inner peace and security. Years later he discovered similarities
between his personal experience and the practices associated with totems in ind
igenous cultures, such as the collection of soul-stones near Arlesheim or the tj
urungas of Australia. He concluded that his intuitive ceremonial act was an unco

nscious ritual, which he had practiced in a way that was strikingly similar to t
hose in distant locations which he, as a young boy, knew nothing about. His conc
lusions about symbols, psychological archetypes, and the collective unconscious
were inspired, in part, by these experiences.
At the age of twelve, shortly before the end of his first year at the Humanistis
ches Gymnasium in Basel, Jung was pushed to the ground by another boy so hard th
at he momentarily lost consciousness. (Jung later recognized that the incident w
as his fault, indirectly.) A thought then came to him?"now you won't have to go
to school any more."[18] From then on, whenever he walked to school or began hom
ework, he fainted. He remained at home for the next six months until he overhear
d his father speaking worriedly to a visitor about the boy's future ability to s
upport himself. They suspected he had epilepsy. Confronted with the reality of h
is family's poverty, he realized the need for academic excellence. He went into
his father's study and began poring over Latin grammar. He fainted three more ti
mes but eventually overcame the urge and did not faint again. This event, Jung l
ater recalled, "was when I learned what a neurosis is."
University studies and early career
Jung did not plan to study psychiatry since it was not considered prestigious at
the time. But, studying a psychiatric textbook, he became very excited when he
discovered that psychoses are personality diseases. His interest was immediately
captured?it combined the biological and the spiritual, exactly what he was sear
ching for. In 1895 Jung studied medicine at the University of Basel.
In 1900 Jung began working at the Burghlzli psychiatric hospital in Zrich with Eug
en Bleuler. Bleuler was already in communication with the Austrian neurologist S
igmund Freud. Jung's dissertation, published in 1903, was titled On the Psycholo
gy and Pathology of So-Called Occult Phenomena. In 1906 he published Studies in
Word Association, and later sent a copy of this book to Freud.
Eventually a close friendship and a strong professional association developed be
tween the elder Freud and Jung, which left a sizeable trove of correspondence. F
or six years they cooperated in their work. In 1912, however, Jung published Wan
dlungen und Symbole der Libido (known in English as Psychology of the Unconsciou
s), which made manifest the developing theoretical divergence between the two. C
onsequently their personal and professional relationship fractured?each stating
that the other was unable to admit he could possibly be wrong. After the culmina
ting break in 1913, Jung went through a difficult and pivotal psychological tran
sformation, exacerbated by the outbreak of the First World War. Henri Ellenberge
r called Jung's intense experience a "creative illness" and compared it favorabl
y to Freud's own period of what he called neurasthenia and hysteria.
Wartime army service
During World War I Jung was drafted as an army doctor and soon made commandant o
f an internment camp for British officers and soldiers (Swiss neutrality obliged
the Swiss to intern personnel from either side of the conflict who crossed thei
r frontier to evade capture). Jung worked to improve the conditions of soldiers
stranded in neutral territory and encouraged them to attend university courses.
Marriage, and children
In 1903 Jung had married Emma Rauschenbach, daughter of a wealthy family in Swit
zerland. They had five children: Agathe, Gret, Franz, Marianne, and Helene. The
marriage lasted until Emma's death in 1955, but Jung engaged in open relationshi
ps with other women. His extramarital relationships with patients and friends Sa
bina Spielrein and Toni Wolff were the most widely known.
Meeting Freud
Jung was thirty when he sent his Studies in Word Association to Sigmund Freud in
Vienna in 1906. The two men met for the first time the following year and Jung

recalled the discussion between himself and Freud as interminable. He recalled t

hat they talked almost unceasingly for thirteen hours. Six months later the then
50-year-old Freud sent a collection of his latest published essays to Jung in Z
urich. This marked the beginning of an intense correspondence and collaboration
that lasted six years and ended in May 1913. At this time Jung resigned as the c
hairman of the International Psychoanalytical Association where he had been elec
ted with Freud's support.
Jung and Freud influenced each other during the intellectually formative years o
f Jung's life. Freud called Jung "his adopted eldest son, his crown prince and s
uccessor". As Freud was already fifty years old at their meeting, he was well be
yond the formative years. In 1906 psychology as a science was still in its early
stages. Jung, who had become interested in psychiatry as a student by reading P
sychopathia Sexualis by Richard von Krafft-Ebing, a professor in Vienna, by then
worked as a doctor under the psychiatrist Eugen Bleuler in Burghlzli. He became
familiar with Freud's idea of the unconscious through reading Freud's The Interp
retation of Dreams (1899). He became a proponent of the new "psycho-analysis." A
t the time, Freud needed collaborators and pupils to validate and spread his ide
as. Burghlzli was a renowned psychiatric clinic in Zurich and Jung's research had
already gained him international recognition.
Jung de-emphasized the importance of sexual development and focused on the colle
ctive unconscious: the part of unconscious that contains memories and ideas that
he believed were inherited from ancestors. While he did think that libido was a
n important source for personal growth, unlike Freud, Jung did not believe that
libido alone was responsible for the formation of the core personality.
Journal editor
In 1908, Jung became an editor of the newly founded Yearbook for Psychoanalytica
l and Psychopathological Research. The following year, Jung traveled with Freud
and the Hungarian psychoanalyst Sndor Ferenczi to the United States; they took pa
rt in a conference at Clark University in Worcester, Massachusetts. In 1910, Jun
g became Chairman for Life of the International Psychoanalytical Association. Wh
ile Jung worked on his Wandlungen und Symbole der Libido (Psychology of the Unco
nscious), tensions grew between him and Freud because of their disagreements ove
r the nature of libido and religion.[clarification needed] In 1912 these tension
s came to a peak because Jung felt severely slighted after Freud visited his col
league Ludwig Binswanger in Kreuzlingen without paying him a visit in nearby Zur
ich, an incident Jung referred to as "the Kreuzlingen gesture". Shortly thereaft
er, Jung again traveled to the United States and gave the Fordham University lec
tures, which were published as The Theory of Psychoanalysis (1912). While they c
ontain some remarks on Jung's dissenting view on the libido, they represent larg
ely a "psychoanalytical Jung" and not the theory for which he became famous in t
he following decades.
Group photo 1909 in front of Clark University. Front row, Sigmund Freud, G. Stan
ley Hall, Carl Jung. Back row, Abraham Brill, Ernest Jones, Sndor Ferenczi.
Travels to the USA
The conference at Clark University was planned by the psychologist G. Stanley Ha
ll and included twenty-seven distinguished psychiatrists, neurologists and psych
ologists. It represented a watershed in the acceptance of psychoanalysis in Nort
h America. This forged welcome links between Jung and influential Americans. Jun
g returned to the United States the next year for a brief visit, and again for a
six-week lecture series at Fordham University in 1912.
Last meetings with Freud
In November 1912, Jung and Freud met in Munich for a meeting among prominent col
leagues to discuss psychoanalytical journals. At a talk about a new psychoanalyt
ic essay on Amenhotep IV, Jung expressed his views on how it related to actual c
onflicts in the psychoanalytic movement. While Jung spoke, Freud suddenly fainte
d and Jung carried him to a couch.

Jung and Freud personally met for the last time in September 1913 for the Fourth
International Psychoanalytical Congress in Munich. Jung gave a talk on psycholo
gical types, the introverted and extraverted type in analytical psychology. This
constituted the introduction of some of the key concepts which came to distingu
ish Jung's work from Freud's in the next half century.
Isolation
It was the publication of Jung's book "Psychology of the Unconscious" in 1912, t
hat led to the break with Freud. Letters they exchanged show Freud's refusal to
consider Jung's ideas. This rejection caused what Jung described in his autobiog
raphy Memories, Dreams, Reflections, as a "resounding censure." Everyone he knew
dropped away except for two of his colleagues. Jung described his book as "...
an attempt, only partially successful, to create a wider setting for medical psy
chology and to bring the whole of the psychic phenomena within its purview." (Th
e book was later revised and retitled, "Symbols of Transformation", in 1922).
London 1913?14
Jung spoke at meetings of the Psycho-Medical Society in London in 1913 and 1914.
His travels were soon interrupted by the war, but his ideas continued to receiv
e attention in England primarily through the efforts of Constance Long.[citation
needed]He translated and published the first English volume of his collected wr
itings.[29]
Red Book
In 1913, at the age of thirty-eight, Jung experienced a horrible "confrontation
with the unconscious". He saw visions and heard voices. He worried at times that
he was "menaced by a psychosis" or was "doing a schizophrenia". He decided that
it was valuable experience and, in private, he induced hallucinations or, in hi
s words, "active imaginations". He recorded everything he felt in small journals
. Jung began to transcribe his notes into a large red leather-bound book, on whi
ch he worked intermittently for sixteen years.[13]
Jung left no posthumous instructions about the final disposition of what he call
ed the "Red Book". His family eventually moved it into a bank vault in 1984. Son
u Shamdasani, a historian from London, for three years tried to persuade Jung's
heirs to have it published, to which they declined every hint of inquiry. As of
mid-September 2009, fewer than two dozen people had seen it. Ulrich Hoerni, Jung
's grandson who manages the Jung archives, decided to publish it. To raise the a
dditional funds needed the Philemon Foundation was founded.[13]
In 2007, two technicians for DigitalFusion, working with the publisher, W. W. No
rton & Company, scanned the manuscript with a 10,200-pixel scanner. It was publi
shed on 7 October 2009, in German with "separate English translation along with
Shamdasani's introduction and footnotes" at the back of the book, according to S
ara Corbett for The New York Times. She wrote, "The book is bombastic, baroque a
nd like so much else about Carl Jung, a willful oddity, synched with an antedilu
vian and mystical reality."[13]
The Rubin Museum of Art in New York City displayed the original Red Book journal
, as well as some of Jung's original small journals, from 7 October 2009, to 25
January 2010.[30] According to them, "During the period in which he worked on th
is book Jung developed his principal theories of archetypes, collective unconsci
ous, and the process of individuation." Two-thirds of the pages bear Jung's illu
minations of the text.
Jung emerged from his period of isolation in the late nineteen-teens with the pu
blication of several journal articles, followed in 1921 with Psychological Types
, one of his most influential books. There followed a decade of active publicati
on, interspersed with overseas travels.

England 1920?23
Constance Long arranged for him to deliver a seminar in Cornwall in 1920. Anothe
r seminar was held in 1923, this one organized by Helton Godwin Baynes (known as
Peter), and another in 1925.[31]
USA 1924?25
Jung made a more extensive trip westward in the winter of 1924?5, financed and o
rganized by Fowler McCormick and George Porter. Of particular value to Jung was
a visit with Chief Mountain Lake of the Taos Pueblo near Taos, New Mexico.[31]
East Africa
In October 1925, Jung embarked on his most ambitious expedition, the "Bugishu Ps
ychological Expedition" to East Africa. He was accompanied by Peter Baynes and a
n American associate, George Beckwith. On the voyage to Africa, they became acqu
ainted with an English woman named Ruth Bailey, who joined their safari a few we
eks later. The group traveled through Kenya and Uganda to the slopes of Mount El
gon, where Jung hoped to increase his understanding of "primitive psychology" th
rough conversations with the culturally isolated residents of that area. Later h
e concluded that the major insights he had gleaned had to do with himself and th
e European psychology in which he had been raised.[32][33][full citation needed]
United States 1936
Jung made another trip to America in 1936, giving lectures in New York and New E
ngland for his growing group of American followers. He returned in 1937 to deliv
er the Terry Lectures, later published as Psychology and Religion, at Yale Unive
rsity.
India
In December 1937, Jung left Zurich again for an extensive tour of India with Fow
ler McCormick. In India, he felt himself "under the direct influence of a foreig
n culture" for the first time. In Africa, his conversations had been strictly li
mited by the language barrier, but in India he was able to converse extensively.
Hindu philosophy became an important element in his understanding of the role o
f symbolism and the life of the unconscious, though he avoided a meeting with Ra
mana Maharshi. He described Ramana as being absorbed in ?the self?, but admits t
o not understanding Ramana?s self-realisation or what he actually did do. He als
o admits that his field of psychology is not competent in understanding the east
ern insight of the Atman ?the self?. Jung became seriously ill on this trip and
endured two weeks of delirium in a Calcutta hospital. After 1938, his travels we
re confined to Europe.[34]
Last publications and death
Jung continued to publish books until the end of his life, including Flying Sauc
ers: A Modern Myth of Things Seen in the Skies (1959), which analyzed the archet
ypal meaning and possible psychological significance of the reported observation
s of UFOs.[35] He also enjoyed a friendship with an English Roman Catholic pries
t, Father Victor White, who corresponded with Jung after he had published his co
ntroversial Answer to Job.[36]
Jung died on 6 June 1961 at Ksnacht, after a short illness.