Professional Documents
Culture Documents
19 EUR
MESTO V IMPERIJU
A CITY OF THE EMPIRE
9 789616 509381
43
44
Mesto je hkrati artefakt in intitucija, je fizina oblika ter
it. As such, a city is one of the most remarkable and lasting human
of them closely connected with the centre of the Empire, the city of
Rome (Fig. 1). Each civic community was part of a civilised and privi-
leged Roman world. The urban forms initially generated in Italy and
Sl.1 : Emona na tabuli Peutingeriani; na desni Rim. Ta in drugi itinerariji kaejo gosto, s potnimi postajami opremljeno mreo cest med mesti in naselji.
Uinkovit komunikacijski sistem je omogoal hitro potovanje sporoil, ukazov in dobrin po ogromnem imperiju.
Fig. 1: Emona on the Tabula Peutingeriana; Rome is shown on the right. This itinerary along with others reveals a dense network of roads between cities
and towns with numerous post stations. This efficient communications system facilitated the prompt circulation of messages, orders and goods across the
vast Empire (Vir / Source: http://upload.wikimedia.org/wikipedia/commons/5/50/TabulaPeutingeriana.jpg, 25. 11. 2013).
The urban identity of a Roman city sprang from its role and political
However, urban identity was also judged on the basis of the citys
45
74. Vejnik / Pruning hook, elezo / iron, 28,5 x 4,7 cm, rimski as / Roman period, Arhej, d. o. o., PN 1393 75. Sekira / Axe, elezo / iron, 20 x 6,5 x 6 cm,
rimski as / Roman period, MGML, 510:LJU;0057232 76. Sekira / Axe, elezo / iron, 18 x 14,5 x 4,5 cm, rimski as / Roman period, MGML, 510:LJU;0057619
(zbirka druine Potonik / Potonik family collection)
ment in question as its political status.2 Writing in the 2nd century AD,
tres, public fountains etc. In line with the Roman concept of cities,
by describing how they did not live in cities.3 The ideology of Roman
urbanism thus privileged one form of dwelling over any other. It was
passed dwelling, but also the correct way of inhabiting a city: politi-
ritory belonging to the city (ager) and its people on behalf of Rome.
which the local elites assembled, taking care of local matters, con-
concerned.
least the Augustan period on. With the emergence of the Principate,
2
3
4
5
2
3
4
5
46
77. Sekira / Axe, elezo / iron, 20,5 x 13,7 x 4,8 cm, rimski as / Roman period, MGML, 510:LJU;0057620 (zbirka druine Potonik / Potonik family
collection) 78. Sekira / Axe, elezo / iron, 17,5 x 16,3 x 4,2 cm, rimski as / Roman period, MGML, 510:LJU;0057623 (zbirka druine Potonik / Potonik
family collection) 79. Sekira / Axe, elezo / iron, 18,2 x 3,9 x 3,9 cm, rimski as / Roman period, Arhej, d. o. o., PN 2904
both legally and financially supported and promoted,6 with the city
rimskega imperializma.7
the colonists, who can be considered true agents of the Roman way
of life, usually did not take long to make them an integral part of their
The time of building the colony of Emona coincides with one of the
cal history. After Augustus had emerged victorious from many years
of civil wars (in 31 BC), a period of stability dawned for Rome un-
der his rule. The rebellious Alpine tribes had been subjugated, the
architectural projects had been carried out across the Empire and in
Rome itself. For the purpose of consolidating the new political sys-
mised ruler.8
Augustus reorganisation of the provinces encouraged considerable urban development in the western part of the Empire, mani-
fested in both the existing cities being renovated and new colonies
6
7
8
9
6
7
8
9
47
80. Sekira-kramp / Pickaxe, elezo / iron, 46 x 11 x 5 cm, rimski as / Roman period, MGML, 510:LJU;0057633 (zbirka druine Potonik / Potonik family
collection) 81. Novec / Coin, srebro / silver, d 1,7 cm, 4746 pr. n. t. / 4746 BC, MGML, 510:LJU;0048847 82. Novec / Coin, bron / bronze, d 2,4 cm, 17
pr. n. t. / 17 BC, MGML, 510:LJU;0060377
ders of the citys pomerium, and had the standard topography and
ical structure but mainly in terms of the way of life they facilitated
ampak predvsem v smislu naina ivljenja, ki so ga zagotavljale in promovirale. V vsem natetem so bile kolonije
podobne Urbs Roma, mestu Rimu, prestolnici imperija. Zato
so jih e sodobniki razumeli kot manje upodobitve veliastnosti rimskega ljudstva, kot je v 2. stoletju zapisal
Avel Gelij.10 Tak Rim v malem je bila tudi Emona.
and promoted. Regarding all of the above criteria, the colonies were
similar to Urbs Roma, the city of Rome, the capital of the Empire. That
is why they came to be seen by contemporaries as small-scale images and reflections of the grandeur of the Roman people, to quote
Aulus Gellius, writing in the 2nd century.10 One such small-scale
Rome
was Emona.
Empire which had not long before been split into two parts that were
at war with each other. Colonial foundation was then part of the tra-
dition inseparably connected with the history of the Roman state: the
ali veterani e stoletja, malone od zaetka Rima, naseljevani v zavzeta ali novoustanovljena mesta. Ustanavljanje
mest je bilo kljuen aspekt rimske zgodovine in tako tudi
rimske identitete.11
Rimska kolonija je bila ustanovljena zelo drugae kot
Its area was precisely defined with the pomerium, a border separat-
ing what the Romans regarded as home from a zone of possible perils
colonies was directed from Rome. The Senate and people of Rome
responsible for the initial planning of the urban centre, the appor-
48
Carefully planned in line with the prevailing cosmological and sym-
on the celestial order, taking the four cardinal directions into ac-
cities were to be aligned with the Suns axis, whereas the cardini
(north-south streets) with the North Stars axis. A Roman city was
scale, a reflection of the cosmic order that was the ultimate symbol
Emona was very much like a military camp. As regards the colonies of
Sl. 2: Zgodba o ustanovitvi mesta je bila pogosto prikazana z upodobitvijo oranja prve brazde. Kamnit relief s prikazom obreda ustanovitve kolonije Akvileje (Oglej).
Fig. 2: The story of founding a city was often rendered by representations of ploughing the sulcus primigenius, i.e. the first furrow. A stone relief representing the
ritual of founding the colony of Aquileia (Museo Archeologico Nazionale Aquileia).
utable to the fact that up until the 1st century BC all citizens were in
lar line, i.e. the borders of the future city. At the places where gates
were intended, the plough was lifted and carried across the space.
15
14
15
49
83. Novec / Coin, bron / bronze, d 1,4 cm, 9 pr. n. t. / 9 BC, MGML, 510:LJU;0060376 84. Oljenka / Oil lamp, keramika / ceramic, 9,5 x 7,4 x 3,1 cm, konec
1. stol. pr. n. t., zaetek 1. stol. n. t. / late 1st c. BC, early 1st c. AD , MGML, 510:LJU;0060262 85. Mozaik / Mosaic, kamen / stone, 75 x 73 cm, 3. stol. n. t.
ali kasneje / 3rd c. AD or later, MGML, 510:LJU;0035255
Roman world through the authority of tradition, i.e. the legend of the
and clay had to be dug up just to erect the around 1,950 m long
mobilisation of resources.
17
vsaj 6000 m3 malte. Zgrajeno mesto je bilo tudi dokaz rimske inenirske sposobnosti ter moi in mobilizacije virov.
Po rimski zasedbi emonskega prostora je bilo ozemlje
Following the Roman conquest of the area of Emona, the territory previously inhabited by the indigenous population was annexed
to the Empire. The colony of Emona received its territory, the ager.
the Karawanks to the north. In the east, the border probably ran close
to Vinja Gora, and in the south along the Kolpa River.18 In the west,
ing lands.
enous population was much worse than that of the colonists. In the
beginning, they were probably not allowed to reside in the city, with
Revolt. The old settlement at the foot of the Castle Hill, covering the
area of what are today Gornji trg and Stari trg, in which the earlier
16
17
18
19
16
17
18
19
50
86. Deli stenske poslikave / Parts of a wall painting, omet / plaster, 1. stol. n. t. / 1st c. AD, MGML, 510:LJU;0055069 87. Deli tlaka / Parts of a floor,
kamen, opeka, malta / stone, brick, mortar, 1. stol. n. t. / 1st c. AD, MGML, 510:LJU;0055070
Roman citizenship who were involved in trading and searching for ore
1st century AD.20 How did the indigenous population view the Romans,
their supremacy, culture and way of life? In any case, one of the sig-
on the part of the protagonists was the city and the way of life in the
by the city.
Emona, i.e. during the reign of Emperor Augustus, that Roman impe-
rial ideology was instilled in the everyday life of Roman cities. All in-
20
21
22
20
21
22
21
51
imperija, saj je nosila mona ikonografska in simbolna
about Romes superiority, its form similar to that of Rome itself cre-
23
24
However, the power of a Roman city was not only contained in its
visual dimension, architecture and arts, or in the practice of com-
odic market, a place of justice for the entire civic community, a place
from which tax was collected, a meeting place for the worship of deified emperors and a place from where recruits for the Roman army
originated.26 With its basic traits, i.e. appearance (ground plan, architecture) and function (squares, festivals and other public events),
the city provided a platform for urban practices. Participation in
them did not simply symbolise compliance with the social order, but
also actively promoted it. The citys size and conspicuous architecture only made this effect more intense, triggering off emotions and
reactions.
Cities were places where civilised people who had assumed the
Roman way of life dwelled.27 The Roman urban ideology was not only
reproduced through specific spaces, buildings and images, but
Gema / Gem, karneol / carnelian, 1,8 x 1,5 x 0,4 cm, 1.2. stol. n. t. /
1st2nd c. AD, MGML, 510:LJU;0057222 / foto / photo: Matev Paternoster
(kat. t. / cat. no. 30)
Sl. 3: Gema z upodobitvijo boga vojne Marsa in boginje zmage Viktorije. Obe boanstvi sta del standardnega repertoarja sporoil o rimski
(vojaki) moi, nepremagljivosti, boanski podpori. V rimskem imperiju,
kjer je bila velika veina prebivalcev nepismena, so ideje in sporoila
vizualizirali, tako skozi velike arhitekturne projekte kot drobno umetnost in vsakdanje predmete.
Fig. 3: A gemstone featuring a representation of Mars, the god of war,
and Victoria, the goddess of victory. Both deities belong to the standard
repertoire of messages about Roman (military) power, invincibility, and
divine support. As the large majority of inhabitants of the Roman Empire
were illiterate, the ideas and messages were visualised through major
architectural projects as well as through works of art and objects for
everyday use.
of 14 P30 in width and the side streets were the strongest determi-
nant of moving within the city. Important attractors dotting the street
26
23
24
25
26
23
24
25
26
27
28
29
30
52
Mesta so bila prostor, kjer so bivali civilizirani ljudje,
citys identity was most important and also manifested, the streets
and public buildings of Emona became the main venues for events
its borders.
Ljudje, ki v mestu ivijo, izvajajo doloena dejanja, vsakodnevne prakse, mesto stalno spreminjajo.
Both main streets gave a city visitor a sequential view of public monuments and ornaments as they passed through the city.
sited using a certain spatial logic.34 The forum of Emona was erect-
could make a stop on his journey and have a rest. Given the size of
28
the city itself, the forum of Emona was relatively extensive, stretch-
ing over the plots of six insulae to the west of the main cardo.36
Compared to other spaces in the city, it had the strongest and most
29
30
The term forum is related to the Latin word foris, meaning out-
side. That is what the forum really was: an open space rectangular
and social centre of the city. The forum of Emona allowed the local
whereas the open spaces under the colonnades lining the forum and
27
28
29
30
31
32
31
32
33
34
35
36
31
Whittaker 1997.
Plesniar Gec 1999, str. 27ss.
Passus, dvojni korak, 1,472m.
Plesniar Gec 1999, str. 30.
Prim. Thomas 2007, str. 120.
Mrav 2001; vendar prim. ael Kos 2012a, str. 8587.
53
88. Deli stenske poslikave / Parts of a wall painting, omet / plaster, druga polovica 1. stol. n. t. / second half 1st c. AD, MGML, 510:LJU;0035257 89.
Vodovodna cev / Water pipe, svinec / lead, 350 cm, rimski as / Roman period, MGML, 510:LJU;0044406 90. Tlakovec / Paver, keramika / ceramic, 13 x
6,5 x 2,5 cm, rimski as / Roman period, MGML, 510:LJU;0059783
the spaces protected against cold in the basilica situated on the fo-
ity reflected the good life and progress achieved under the Roman
Emonas forum to the late 1st or the early 2nd century. The massive
35
arch or vault that marked the entrance to the forum area.38 In addi-
of the gods for the city. Worshiping Jupiter, the supreme god of the
36
Roman pantheon, was not only a religious act but also to the same
extent a political one. Of all the Roman gods, Jupiter was the one
worshipped the emperor and the imperial house in the first half of
Emonski forum je s astnimi kipi, monumentalno arhitekturo in uradnimi napisi pomenil oder za razkazova-
al and other statues from Emonas forum area (in which there were no
33
34
35
36
37
37
38
39
40
54
91. Tlakovci / Pavers, keramika / ceramic, 6 x 3,5 cm, rimski as / Roman period, MGML, D0006653 92. Tlakovec / Paver, keramika / ceramic, 45 x 27,5 x
6,7 cm, rimski as / Roman period, MGML, D0007097 93. Votlak / Hollow brick, keramika / ceramic, 14 x 27,3 x 9,5 cm, rimski as / Roman period, MGML,
D0005717 94. Avgustov portret / Portrait of Augustus, glej str. / see p. 41 95. Portret mladenia / Portrait of a yung man, glej str. / see p. 42
doubt many of them) have not been preserved. Also lost are the in-
sented the ultimate space within the city where Latin was manifestly
duced, a place where the idea of romanitas was most strikingly put
the city and the vast empire of which Emona formed part.
The Roman city was not merely a physical structure, but encom-
trative buildings and the basilica allowed both political and judicial
40
and cultivating the mind were the key elements of civilised life. The
theatre and amphitheatre or, once again, the forum (which in Emona
might have served in place of the former two43) made sure that enter-
context of religious rituals and the imperial cult. Life in Emona pro-
talnih napisov.
in the city the manner of dining, sacrifices made to the gods, visit-
Emonski forum lahko skozi opisano podobo in funkcije vidimo kot prostor intenzivne reprodukcije rimskosti,
prostor, kjer se je ideja romanitas najbolj intenzivno udejanjala. Na forumu je bilo mo videti, razumeti, obutiti
38
39
40
41
42
Prim. Plesniar Gec 1999, str. 66, 76; Plesniar Gec 1992,
str. 60.
Plesniar Gec 1999, str. 66.
Plesniar Gec 1999, str. 66; prim. ael Kos 1997b, str. 137139,
170172, 208210.
Hanson 1997, str. 7; Whittaker 1997, str. 147148.
Plesniar Gec 1999, str. 67.
43
44
55
96. Baza stebra / Column base, kamen / stone, 56,5 x 29,5 cm, rimski as / Roman period, MGML, 510:LJU;0047124 97. Baza stebra / Column base, kamen
/ stone, 36 x 13,5 cm, rimski as / Roman period, MGML, 510:LJU;0060200 98. Baza stebra / Column base, kamen / stone, 50 x 29,5 cm, rimski as /
Roman period, MGML, 510:LJU;0060204
ing identified in insulae XVII45 and XXXIX.46 Usually open from morning
relax, have dinner, take part in a cultural event and meet friends or
business partners.
The private houses of Emona were not very different from the pri-
vate houses of many other Roman cities: built of stone, covered with
later than from the 3rd century on47 a large share of them were re-
One of the most potent symbols of urban status was the city walls,
43
metres thick and 6 to 8 metres high city walls involving over 25 towers
erected at the time of the construction of the city itself50 also served
biti Rimljan.
tus and of it being part of the network of cities making up the Empire.
The city walls were typically erected using public finance. In some
cases, most probably in Emona, the walls were a result of the emper-
ated in the walls on the citys eastern side, i.e. porta praetoria, from
44
namenjena zgolj higieni, pa pa so bila druabna sredia. V njih si telovadil, se sprostil, kaj pojedel, se udeleil
It was the city walls that divided in both symbolic and actual
terms what was inside from what was outside. However, Emona too,
43
44
45
46
45
46
47
48
49
50
51
56
99. Baza stebra / Column base, kamen / stone, 37,5 x 28 cm, rimski as / Roman period, MGML, 510:LJU;0060205 100. Baza stebra / Column base, kamen
/ stone, 43 x 19 cm, rimski as / Roman period, MGML, 510:LJU;0060208 101. Baza stebra / Column base, kamen / stone, 34,5 x 26,5 cm, rimski as /
Roman period, MGML, 510:LJU;0060210
like many other cities, had residential buildings situated outside its
walls whose quality was similar to the quality of the structures erect-
Roman legal provisions, was still considered part of the city.53 It was
only further away from the city and beyond the urban periphery54
tno kopalie.48
ing to the trades and crafts involving pottery kilns, dumping grounds
etc.:55 both cemeteries and dirty activities were located outside the
along the main approach roads in the form of more or less conspicuous funerary monuments.56
A special attractor in the functioning of a Roman city was spectacular public events,57 in Emona in particular various games, ludi:
performances, gladiatorial games, combats of wild beasts or staged
hunting scenes, chariot races and theatre plays which can be seen
as standard parts of various religious or secular celebrations and
festivities. Emona must have had a venue for such events which,
moreover, allowed the myths of the origin of the colony to be narrated. The myths about the founding of Emona and the annual celebrations of the date of its founding helped define the new city,
creating awareness of a common past and of a shared tradition, anchoring the city as part of the new, Roman landscape. Several years
ago Plesniar identified a block situated between Rimska cesta, Trg
francoske revolucije and Gregorieva ulica58 as the presumed location of the Emonan theatre or amphitheatre; alternately, the forum
as a multi-functional space could have served the same purpose.
Some events were financed by the state; even more often, ambi-
burden. Knowing that games were more important than bread, politi-
cians were well aware of the value of a favourable public image and
52
53
54
55
57
102. Baza / Base , marmor / marble, 52 x 32 x 17,5 cm, rimski as / Roman period, MGML, 510:LJU;0059560 103. Novec / Coin, srebro / silver, d 2 cm,
54 pr. n. t. / 54 BC, MGML, 510:LJU;0051050 104. rnilnik / Ink pot, bron / bronze, 9,4 x 4 x 5 cm, zgodnjerimski as / early Roman period, MGML,
510:LJU;0054093
and the events held there were mostly part of the system of eu-
other.
55
nagrobnimi spomeniki.56
Poseben atraktor v delovanju rimskega mesta so bile
gious and cultural centre for the inhabitants of its wider area. People
festival days. Moreover, it was the city where they could either file
carrying in their minds a vivid image of what a true Roman city looks
like and the lifestyle it offers. This is how the city was involved in the
kot del nove, rimske pokrajine. e pred leti je bil kot do-
er with the forum and the citys major buildings, functions as a tech-
were thus places where a certain impact was exerted on the people
access.59
58
drugim.
and legitimised the civic community and the Roman identity shared
by the inhabitants. The city entailed two components that were key
to enforcing the imperial ideology: it was full of things worthy of
59
60
58
emonskega mestnega obmoja. Ljudje s podeelja so
potovali v Emono ob trnih dnevih ali religioznih festivalih,
Emona
samo tam so lahko vloili tobo ali uivali v spektakularnih prireditvah. Domov so se vrnili z ivo podobo, kako je
videti in kaken nain ivljenja ponuja pravo rimsko mesto. Na ta nain je mesto skrbelo tudi za porimljanjenje
podeelja. Emona je strukturirala vzorce aktivnosti v iri
pokrajini: javne zgradbe za uitek in zabavo, npr. gledaliI ica
Ig
500
m
1.000
Sl. 5: Nekateri odseki cest v irem emonskem prostoru so bili speljani povsem
naravnost, na primer teaven odsek ez movirno obmoje od Babne gorice proti Igu.
Fig. 5: Some road sections in the wider area of Emona were absolutely straight, such
as the difficult section running across the swampy area of Babna gorica towards
Ig (Lidar posnetek Center za preventivno arheologijo, Zavod za varstvo kulturne
dediine Slovenije / Lidar photo Preventive Archaeology Centre, Institute for
Cultural Heritage Protection of Slovenia; avtor / drawing by: Dimitrij Mleku).
59
60
61
59
105. Pisalo / Stylus, kost / bone, 8,6 x 1 cm, rimski as / Roman period, MGML, 510:LJU;0056924 106. Pisalo / Stylus, kost / bone, 8,5 x 0,9 cm, rimski
as / Roman period, MGML, 510:LJU;0056925 107. Oltar / Altar, kamen / stone, 31,5 x 58,5 x 33 cm, zaetek 3. stol. n. t. / early 3rd c. AD, MGML,
510:LJU;0052833
including Emona.
63
least two aulae primitivae, i.e. halls in which Christian rituals were
performed, were erected in the second half of the 4th century.62 Soon
least one basilica63 (in the 4th century, the Church adopted the ar-
cal buildings) and possibly the premises for the bishop,64 as Emona
acted as the diocesan seat from the 4th to the 6th century. Later, in
66
the second half of the 5th and in the 6th century, Christian rituals were
veloped into a Christian city and, as such, into a true Roman city of
Late Antiquity.66
With the arrival of the Romans, the area of what is today Ljubljana
ing paths running between them. Although this type of land divi-
69
Apart from its practical aspect, i.e. a way of distributing land to colo62
63
64
65
66
67
68
69
62
63
64
65
66
67
68
60
108. Novec / Coin, bron / bronze, d 2,8 cm, 4150 n. t. / 4150 AD, MGML, 510:LJU;0060386 109. Preslica / Distaff, jantar, bron / amber, bronze, 21
x 1,8 cm, 2. stol. n. t. / 2nd c. AD, ZVKDS, CPA, PN 625 110. Oljenka / Oil lamp, keramika / ceramic, 10,9 x 7,9 x 2,9 cm, 1. stol. n. t. / 1st c. AD, MGML,
510:LJU;0005041
70
ritory, the lower valley of the Rhne are a catalogue of Romes dis-
tially political attitude to the landscape and its use, with close links
the 1st century, the Empire was covered with a vast network of inter-
urban connections built by the state. Roads were paved with stones,
teed a safe journey. The new Roman roads in the Emonan area formed
Hruica (the earlier prehistoric route went via Razdrto), the Rome
71
permitted control of the region. Further, its course over the summas
and their successors were arranged outside the cities and towns.
Some road sections were absolutely straight, e.g. the section lead-
Emonan cardo towards the Sava River. Long sections of many Roman
to cut across a landscape and change it.73 The new Roman roads
73
70
71
69
70
71
61
111. Deli pasne garniture / Parts of a belt set, bron, elezo / bronze, iron, druga polovica 4. stol. n. t. / second half 4th c. AD, MAGELAN skupina, d. o.
o., LJ.STEF/2011-GROB 18/2 112. Napisna ploa / Inscription slab, marmor / marble, 59 x 54 x 24 cm, zaetek 2. stol. n. t. / early 2nd c. AD, MGML,
510:LJU;0051009 113. Sponka / Fibula, bron / bronze, 12 x 2,9 x 4,8 cm, 1.2. stol. n. t. / 1st2nd c. AD, MGML, 510:LJU;0015983
did not only change the area of Emona visually. The imposition of the
people within the landscape, with their alignment creating new, cor-
75
vided with new roads and bridges and having a colony situated at
its centre thus signalled the transformation of the swampy and hilly
within the area which was now Emonas administrative territory were
of secondary centres.76 The power of Rome, which was not only im-
77
power;77 as shown above, Emona played the key role in this process.
Two crucial new traits Emona introduced into the area of what is
Emona was a remarkable new city laid out in accordance with the
proper Roman model and ritual. Its size, organisation and administra-
area. The city with its shape, regularity, dimensions and organisation
of life in both the city itself and its territory bore witness to the pow-
The city of Emona offered a proper stage for both the everyday
the city enabling them to conduct a politically active life and pro-
74
75
76
77
74
75
76
77
62
114. Sponka / Fibula, srebro / silver, 8,3 x 2,3 x 2,9 cm, 1.2. stol. n. t. / 1st2nd c. AD, MGML, 510:LJU;0032848 115. Nagrobnik / Gravestone, podpeki
apnenec / Podpe limestone, 50 x 55 x 24 cm, 2.3. stol. n. t. / 2nd3rd c. AD, MGML, 510:LJU;0036870 116. Prstan / Ring, elezo, nikolo / iron, niccolo, d
2,6 x 1,4 cm, 1.2. stol. n. t. / 1st2nd c. AD, MGML, 510:LJU;0017922
form. At the same time, it also opened up new possibilities and op-
nated the power of the imperial authorities. We have seen how the
guaranteed safe dwelling and integration into the (new) society. This
created subjects most suitable for its policies. It was precisely the
city that was absolutely instrumental for the tactics and strategy of
individuals and govern them in a way that did not require repression
tudi promovirala.
living in a vast territory. Support for the Roman idea of the city was
drube je bila urbana. Z ivljenjem v mestu Emona so njegovi prebivalci in prebivalci mestnega obmoja (znova)
time, a place where the society can start to live and change. The
Roman society created cities and was itself being created in them:
Emona, both its inhabitants and those of its ager (again and again)
became Roman. It was exactly in this urban context that their variety
of the Roman culture was re-produced in changing conditions over
the centuries of existence of the city of Emona.
78
78
168
Bernarda upanek
et
Emilia Talamo
Irena muc
ktk
k
mb
Matja Bizjak
mg
maja Gutman
mvg
mlk
mo
Monika Osvald
sk
Sabina Kramar
ANU BiH
CK ZKS
ZP Ljudska pravica
KUD
MGML
NUK
RC
SAZU
ZAG Slovenije
ZRC SAZU
ZSMS
ZVKDS CPA
et al.
Akademija nauka i umetnosti Bosne i Hercegovine (Akademija znanosti in umetnosti Bosne in Hercegovine) /
Academy of Sciences and Arts of Bosnia and Herzegovina
Centralni komite Zveze komunistov Slovenije / Central Committee of the League of Communists of Slovenia
asopisno zaloniko podjetje Ljudska pravica / Ljudska pravica Newspaper and Press Company
Kulturno umetniko drutvo / Cultural and Arts Society
Muzej in galerije mesta Ljubljane / Museum and Galleries of Ljubljana
Narodna in univerzitetna knjinica / National and University Library
Restavratorski center / Restoration Centre
Slovenska akademija znanosti in umetnosti / Slovenian Academy of Sciences and Arts
Zavod za gradbenitvo Slovenije / Slovenian National Building and Civil Engineering Institute
Znanstvenoraziskovalni center Slovenske akademije znanosti in umetnosti / Research Centre of the Slovenian
Academy of Sciences and Arts
Zveza socialistine mladine Slovenije / Union of Socialist Youth of Slovenia
Zavod za varstvo kulturne dediine Slovenije, Center za preventivno arheologijo / Institute for Cultural Heritage
Protection of Slovenia, Preventive Archaeology Centre
in drugi / and others
PN
SE
Sl.
slika
Fig.
Figure
T.
tabela
Pl.
Plate
Mere/Dimensions
d
premer / diameter
viina
height
171
VIRI IN LITERTURA
Uredila: Mojca Ferle
Viri
SI ZAL Zgodovinski arhiv Ljubljana
LJU 137, Ilirija, Ljubljana, 1, 1-II.
LJU 137, 30/164, Akcijski fond 1; 3/164, 165, 166,
168, 170, 177, 182, 188.
LJU 137 1/1-2, Akcijski fond 2.
LJU 487, 98/107, 106/115, 108/117.
LJU 488 Mesto Ljubljana, rokopisne knjige,
cod. XX/55.
LJU 489, Reg I, 1908, 1909, 1910, 1923.
LJU 88, Okrono gospodarsko sodie
v Ljubljani, 260.
LJU 487, Mesto Ljubljana: indeksi in
delovodniki, 97/106.
SI ZAL, Adresarji, sign. 862.
Materialni viri
MGML Muzej in galerije mesta Ljubljane,
Mestni muzej Ljubljana
Muzejske zbirke, Dokumentacija.
Elektronski viri
http://en.wikipedia.org/wiki/Emona,_Bulgaria
[16. 12. 2013].
http://www.saturnus-90let.si/saturnus-skozicas/od-plocevinke-do-avtomobilskega-zarometa/
[13. 12. 2013].
http://sl.wikipedia.org/wiki/Pavle_Blaznik
[15. 9. 2013].
http://sl.wikipedia.org/wiki/Franc_Derganc_
(1877-1939) [7. 11. 2013].
http://www.hotel-emonec.com/?lang=sl ,
[9. 1. 2012].
http://www.baril.si/si/aktualno/15-pivo-v-sodkihin-steklenicah.html [9. 1. 2012].
http://sl.wikipedia.org/wiki/Koper [27. 1. 2014].
Literatura
AE: LAnne pigraphieque. Paris.
AIJ: V. Hoffiller, B. Saria 1938, Antike Inschriften aus
Jugoslavien, Heft I: Noricum und Pannonia Superior.
Zagreb.
ALFLDY, Gza 2005, Die Anfnge der epigraphischen Kultur der Rmer an der Donaugrenze im 1.
Jahrhundert n. Chr. V: M. Mirkovi (ur.), Rmische
Stdte und Festungen an der Donau (Akten der
regionalen Konferenz Beograd 16-19 Oktober 2003).
172
lokaciji bive Tribune pod Ljubljanskim gradom.
Poroilo 20092010, Ljubljana: Oddelek za
lesarstvo, Biotehnika fakulteta, Univerza v
Ljubljani.
173
Balkanu in v jugovzhodnih Alpah (Die Zweischleifige
Bogenfibeln. Ein Beitrag zum Beginn der
Hallstattzeit am Balkan und in den Sdostalpen). V:
Godinjak 8. Centar za balkanoloka istraivanja 6,
Sarajevo: ANU BiH, str. 567.
GABROVEC, Stane 1975, Zaetek haltatskega
obdobja v Sloveniji (Der Beginn der Eisenzeit in
Slowenien). V: Arheoloki vestnik 24, Ljubljana:
Intitut za arheologijo ZRC SAZU, str. 338385.
GABROVEC, Stane 1994, Stina I. Naselbinska
izkopavanja (Stina I. Siedlungsausgrabungen).
Katalogi in monografije 28, Ljubljana: Narodni
muzej.
GALINSKY, Karl 1996, Augustan Culture: An
Interpretive Introduction. Princeton: Princeton
University Press.
GALINSKY, Karl 2005, Vergils Aeneid and Ovids
Metamorphoses as World Literature. V: K. Galinsky
(ur.), The Cambridge Companion to the Age of
Augustus. Cambridge: Cambridge University Press,
str. 340358.
GASPARI, Andrej 2006, A Possible Multiperiod
Ritual Site in the River Ljubljanica. V: Studien zur
Lebenswelt der Eisenzeit (Ergnzungsbnde zum
Reallexikon der germanischen Altertumskunde 53),
Berlin, str. 717.
GASPARI, Andrej 2007, The Ljubljanica River.
Evidence for a Late Iron Age Ritual Site in the
Southeastern Alps (Slovenia). V: S. Groh in
H. Sedlmayer (ur.), Blut und Wein, Keltischrmische Kultpraktiken: Akten des Kolloquiums
am Frauenberg bei Leibnitz (A) im Mai 2006.
Protohistoire europenne 10, Montagnac: ditions
Monique Mergoil, str. 141154.
GRAF, Fritz 1993, Mythos in mythenloser Gesellschaft: Das Paradigma Roms. Colloquium Rauricum
3. Stuttgart: Teubner.
174
HORVAT, Martin 2013, Terenski dnevnik, elektronska
pota, 12. 11. 2013.
HORVAT, Milena 1999, Keramika. Tehnologija
keramike, tipologija lonenine, keramini arhiv.
Razprave Filozofske fakultete, Ljubljana:
Znanstveni intitut Filozofske fakultete.
HOSTNIK, Martin 1997, Cerkev sv. Mihaela v Iki vasi.
Ljubljana: Salve.
HUSKINSON, Janet 2000, Experiencing Rome:
Culture, Identity and Power in the Roman Empire.
London: Routledge.
HVALEC, Samo et al. 2009, Utrip Tribune. Doivetja
arheolokega vsakdana. Ljubljana: Arhej, d. o. o.
ILJug: A. et J. ael 1963, 1978, 1986, Inscriptiones
Latinae quae in Jugoslavia inter annos MCMXL et
MCMLX repertae et editae sunt (Situla 5); iidem,
Inscriptiones Latinae quae in Jugoslavia inter
annos MCMLX et MCMLXX repertae et editae sunt
(Situla 19); iidem, Inscriptiones Latinae quae in
Jugoslavia inter annos MCMII et MCMXL repertae et
editae sunt (Situla 25). Ljubljana.
ILS: H. Dessau (ur.), Inscriptiones Latinae selectae.
Berlin 18921916.
ILUSTRACIJA 1929, 1930.
Inscriptiones Aquileiae 1991, J.B. Brusin, M. Buora
(ur.), Udine
Ins. it.: Inscriptiones Italie
INSOLL, Timothy 2007, The Archaeology of
Identities: A reader. London: Routledge.
ISTENI, Janka 2003, A Uniface Medallion with a
Portrait of Augustus from the River Ljubljanica
(Slovenia). V: Germania 81/1, str. 263276.
ISTENI, Janka 2005, Evidence for a Very
Late Republican Siege at Grad near Reka
in Western Slovenia. V: J. Cencic (ur.),
Archologie der Schlachtfelder - Militaria
aus Zerstrungshorizonten. Akten der 14.
Internationalen Roman Military Equipment
Conference (ROMEC), Wien, 27.31. August
2003, Carnuntum Jahrbuch, Wien: Verlag der
sterreichischen Akademie der Wissenschaften,
str. 7787.
ISTENI, Janka 2009a, The Early Roman Military
Route along the River Ljubljanica (Slovenia). V: A.
Morillo, N. Hanel, E. Martin (ur.), Limes XX. Actas
des XX Congreso Intern. de Estudios sobre la
Frontera Romana (Anejos de Gladius 13). Madrid:
Consejo Superior de Investigaciones Cientficas,
str. 855865.
ISTENI, Janka 2009b, Ljubljanica in rimska vojska.
V: P. Turk et al. (ur.), Ljubljanica: kulturna dediina
reke. Katalog razstave, Ljubljana: Narodni muzej
Slovenije, str. 8185.
ISTENI, Janka 2009c, Emona a Roman Trading
Centre on the Ljubljanica. V: The Ljubljanica a
River and Its Past. Ljubljana: Narodni muzej
Slovenije, str. 102107.
ISTENI, Janka 2010, Late La Tne Scabbards with
Non-ferrous Openwork Plates. V: Arheoloki vestnik
61, Ljubljana: Intitut za arheologijo ZRC SAZU, str.
121164.
175
MASARYK, Rene 2011, Poroilo o arheolokih
raziskavah na obmoju gradnje parkirne hie v
Ljubljani Kongresni trg. V: Zvezek 1. Ljubljana:
arhiv Muzeja in galerij mesta Ljubljane.
MASARYK, Rene, David BADOVINAC, Joica HRUSTEL,
Petra VOJAKOVI, Samo HVALEC, Sao PORENTA,
Jerica BREI, Iris BEKLJANOV ZIDANEK, Toma
VERBI, Mate BOINOVI, Roberto ERJAVEC 2011,
Poroilo o arheolokih raziskavah na obmoju
gradnje parkirne hie v Ljubljani, Kongresni trg. V:
Zvezek I. do XI. Ljubljana, neobjavljeno strokovno
poroilo na Ministrstvu za kulturo RS.
MATTINGLY, David 2002, Vulgar and Weak
Romanization, or Time for a Paradigm Shift? V:
Journal of Roman Archaeology Supplementary
Series 15, str. 536540.
MATTINGLY, David 2004, Being Roman: Expressing
Identity in a Provincial Setting. V: Journal of
Roman Archaeology Supplementary Series 17, str.
525. MATTINGLY, David 2011, Imperialism, Power,
and Identity: Experiencing the Roman Empire.
Oxford: Princeton University Press.
176
Ljubljana: Intitut za arheologijo ZRC SAZU, str.
387391.
PLESNIAR GEC, Ljudmila 1976, Arheoloki muzej na
prostem. V: Nai razgledi, 18. 6. 1976, let. 25, t. 12,
str. 331, Ljubljana.
PLESNIAR GEC, Ljudmila 1983, Trg revolucije v
antiki. V: Trg revolucije neko in danes. Ljubljana:
Mestni muzej Ljubljana, str. 5.
PLESNIAR GEC, Ljudmila 1998, Emona, vojaki
tabor? (Emona, a Military Camp?). V: Zgodovinski
asopis 52/3, str. 331336.
PLESNIAR GEC, Ljudmila 1999, Urbanizem Emone/
The Urbanism of Emona. Ljubljana: Mestni muzej,
Znanstveni intitut FF.
PLESNIAR GEC, Ljudmila et al. 1983, Starokranski
center v Emoni. Katalogi in monografije 21,
Ljubljana: Narodni muzej.
PLESNIAR GEC, Ljudmila et al. 2006, Emonski forum,
(Zbirka Annales Mediterranei). Koper: Univerza na
Primorskem, Znanstveno-raziskovalno sredie
Koper, Intitut za dediino Sredozemlja, Zaloba
Annales.
PLESNIAR GEC, Ljudmila, Marijan SLABE 1992,
Varovanje arheolokih ostalin. V: Reena
arheoloka dediina, Ljubljana: Mestni muzej
Ljubljana, str. 715.
PLESNIAR GEC, Ljudmila, Tatjana BREGANT 1961,
Antina Emona v srcu moderne Ljubljane: ob
najnovejih odkritjih na bodoem Trgu revolucije.
Ljubljana: Mladinska knjiga.
POLEC, Janko 1933, Mllner Alfonz. V: Ks. Lukman
(ur. in ur. odbor), Slovenski biografski leksikon, 2
(V. zvezek), Ljubljana: Jugoslovanska tiskarna, str.
163s.
PRELOVEK, Damjan 1994, Plenik, Joe. V:
Enciklopedija Slovenije, 8. Ljubljana: Mladinska
knjiga, str. 397402.
PREMERSTEIN, Anton v., Simon RUTAR 1899,
Rmische Strassen und Befestigungen in Krain.
Wien: K. K. Central-Commission zur Erforschung und
Erhaltung der kunst- und historischen Denkmale.
PURCELL, Nicholas 2002, The Creation of a
Provincial Landscape: the Roman Impact on
Cisalpine Gaul. V: T. Blagg, M. Millett (ur.), The Early
Roman Empire in the West, Oxford: Oxbow Books,
str. 729.
PU, Ivan 1966, Nove latenoidne najdbe v Ljubljani.
V: Arheoloki vestnik 17, Ljubljana: Intitut za
arheologijo ZRC SAZU, str. 413416.
PU, Ivan 1971, arnogrobina nekropola na
dvoriu SAZU v Ljubljani: izkopavanja v letih
19641965. Razprave SAZU I 7/1, Ljubljana: SAZU.
PU, Ivan 1973, Ljubljana v prazgodovini.
V: Arheoloka obdobja Ljubljane. Pregled
prazgodovine, antike in zgodnjega srednjega veka,
Ljubljana: Mestni muzej, str. 915.
PU, Ivan 1976, Latenski pasni sponi z dvoria
SAZU. V: Arheoloki vestnik 27, Ljubljana: Intitut za
arheologijo ZRC SAZU, str. 120123.
PU, Ivan 1982, Prazgodovinsko arno grobie v
Ljubljani. Razprave SAZU I 13/2, Ljubljana: SAZU.
177
STARE, France 1954, Ilirske najdbe elezne dobe v
Ljubljani. Dela SAZU 9, Sekcija za arheologijo 7,
Ljubljana: SAZU.
178
der Alpen, Rmisch-Germanisches Zentralmuseum.
Monographien 35, Bonn, str. 323372.
TERAN, Biba 2008(2010), Stike skice (Stina
Skizzen). V: S. Gabrovec, B. Teran (ur.), Stina
II/2. Gomile stareje elezne dobe. Razprave (Stina
II/2. Grabhgel aus der lteren Eisenzeit. Studien).
Katalogi in monografije 38 (2010), Ljubljana:
Narodni muzej Slovenije, str. 189325.
THOMAS, Edmund 2007, Monumentality and the
Roman Empire. Architecture in the Antonine age.
Oxford: Oxford University Press.
179
UPANEK, Bernarda 2010, Zgodbe o zaetku
Ljubljane: Emona, Argonavti in ljubljanski zmaj. V:
B. upanek (ur.), Emona: mit in resninost/Emona:
myth and reality, Ljubljana: MGML, Mestni muzej,
str. 2739.
UPANEK, Bernarda 2011a, Imaginarij Emone:
oblikovanje, spreminjanje, pozabljanje in ponovno
vzpostavljanje Emone kot antine predhodnice
mesta Ljubljane. Doktorska disertacija,
Institutum Studiorum Humanitatis, Ljubljana.
UPANEK, Bernarda 2011b, Kip Emonca in antika
v Ljubljani. V: Forum: revija slovenskega drutva
likovnih kritikov, t. 13, 14, letnik IV, str. 167177.
UPANEK, Bernarda 2012, ebelice: ivljenjska
zgodba nekega mozaika. V: B. Migotti et al. (ur.),
Scripta in honorem Bojan Djuri. Ljubljana: ZVKDS,
str. 123131.
UPANEK, Bernarda, Mateja RAVNIK, Rok KLASINC
2011, Poroilo o nadzoru in izkopavanjih na
obmoju Starega in Gornjega trga, Ljubljana v
sezoni 2009/2010/2011. Elaborat, Ljubljana: Tica
Sistem, d. o. o.
180
Katalog / Catalogue
Emona: mesto v imperiju / Emona: A City of the Empire
30. maj 201431. maj 2015 / 30 May 201431 May 2015
Mestni muzej Ljubljana / City Museum of Ljubljana
Muzej in galerije mesta Ljubljane / Museum and Galleries of Ljubljana
Zanj / Represented by
Bla Perin
Uredila / Edited by
Mojca Ferle
Uredniki odbor / Editorial Board
Mojca Ferle, Irena muc, Bernarda upanek
Predgovori / Forewords by
Rossella Franchini Sherifis, Uro Grilc, Zoran Jankovi, Bla Perin
Avtorji besedil / Texts by
Iris Bekljanov Zidanek, Andrej Gaspari, Jure Krajek, Rene Masaryk,
Alenka Mikec, Matja Novak, Boidar Slapak, Marjeta ael Kos,
Paola Ventura, Petra Vojakovi, pela Tomaini, Irena muc,
Bernarda upanek
Besedila v stvarnem katalogu / Texts for the catalogue of objects
Matja Bizjak, Maja Gutman, Martina Lesar Kikelj, Sabina Kramar,
Monika Osvald, Emilia Talamo, Katarina Toman Kracina, Mojca Vomer Gojkovi,
Katarina agar, Irena muc, Bernarda upanek
Stvarni katalog tehnino uredili / Technical editing catalogue of objects
pela poljar Ocvirk, Janja Gojkovi
Oblikovanje in prelom / Graphic design and print layout
Novi kolektivizem
Asistentka pri oblikovanju / Asistent designer
Ana Kogovek
Jezikovni pregled (SLO) / Language editing (SLO)
Alenka Klemenc
Prevod v angleino / Translation into English
Marjana Karer, Maja Visenjak Limon
Prevod iz italijanine / Translation from Italian
Milan Stepanovi, Studio Phi d. o. o.
Jezikovni pregled (ANG) / Language editing (ENG)
Murray Bales, David Limon, Barbara Smith Demo
Fotografije / Photographs by
Matev Paternoster in Arhiv Arhej d. o. o., David Badovinac, Mate Boinovi,
dokumentacija Magelan skupine, Museo Archeologico Nazionale, Aquileia,
Musei Capitolini, Centrale Montemartini, Ale Ogorelec, wikipedia; Irena muc
Narti, risbe, tlorisne rekonstrukcije, raunalnika grafika / Plans, drawings,
ground plan reconstructions, computer graphics
Mateja Belak, CPA, ZVKDS; Andrej Gaspari, Rene Masaryk, Dimitrij Mleku,
Bernarda upanek; Petra Vojakovi, Mate Boinovi, Larisa Skaleri,
Arhej d.o.o.; Luka orli
Digitalizacija / Digitalisation
Matej Satler, MGML in NUK
Tisk / Printed by
Gorenjski tisk d. d. Kranj
Naklada / No. of copies printed
1 000
Ljubljana, 2014
Razstava / Exhibition
Vodilni partnerji razstavnega projekta: /
Lead partners of the exhibition project:
Mestna obina Ljubljana/Municipality of Ljubljana,
Ministrstvo za kulturo Republike Slovenije/Ministry of Culture of the Republic
of Slovenia,
Restavratorski center ZVKDS/Restoration Centre of the Institute for Cultural
Heritage Protection of Slovenia,
Italijanski intitut za kulturo v Sloveniji/Italian Institute of Culture in Slovenia
Fotografije / Photographs by
Arhej d. o. o., Igor Dolinar (NMS), Rok Klasinc, NUK, Matev Paternoster,
Damjan Snoj, Damjan Vahen, Gaja muc
Rekonstrukcije /Reconstructions by
Katarina Toman Kracina, Igor Rehar
Tehnina postavitev / Exhibition layout /
Tehnina sluba MGML/Technical Services of the MGML: Mitja Marc, Jernej Volk,
Franc Lozinek, Zvone Senik, Franc Klemenc in/and RPS d. o. o., Branko Filipi
Promocija / Promotion
Tamara Bregar, Maja Kova, Ura Karer, Ana Modic
Partnerji / Partners
BMW Group Slovenija, JP VODOVOD - KANALIZACIJA
Medijski pokrovitelji / Media sponsors
Delo, Europlakat, InYourPocket, Mediabus, Tam Tam in/and City Magazine,
National Geographic Slovenije