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Burning Woman
posted by Tarkaan, 22nd April 2011, Categories: Breeding Culture, Featured
Burning Man is to camping as fugu is to fish sticks: there is a resemblance, but only barely. Cloaked in the
guise of an art festival, Burning Mans really an extreme sport for the counterculture, where bitter cold
nights, scorching hot days, howling winds, corrosive dust, and withering aridity challenge the endurance of
even the most hardy campers. Born of the angst and frustration of Los Angeles artist Larry Harvey in 1986,
Burning Man has morphed in the intervening years from a barbeque where people blew things up to one of
the largest festivals of its kind in North America. Part social experiment, part event destination, Burning Man
and its transient population numbering in the hundreds of thousands has become an institution: the burner
tribe and their Black Rock City transcend the desert. Its also an adventure in philosophical extremes. One of
the semi-official mantras here is radical self-reliance, but the full scope of the festival is far more complex: the
sister of radical self-reliance is a life- and love-affirming expression of radical interdependence. The spectrum
of ideologies and expectations reflected here mirror every aspect of modern society, from the far-right gun
nuts (present since the earliest days of Burning Man) to the lefty granola nuts. There are merry pranksters,
dropped out long ago, and police, doctors, lawyers, artists, lovers, and free-spirits. Theres also very little
money at Burning Man: an economy of gifting and barter is the engine that drives some of the
aforementioned interdependence. The payoff is a week long immersion in art, performance, music, and
human companionship that alters your world-view forever. When the partys over, this temporary City returns
without a trace to the dust whence it sprang, yet unlike the permanent cities in which we stoically reside with
our temporary relationships, the connections created in this also temporary City are permanent and indelible.
One of the phenomena that stands out, however, is a subtle but distinct gender imbalance: the Black Rock
City Census Department reports a demographic ratio of about two women to every three men. The imbalance
isnt hard to explain: this desert experience presents enormous, intimidating physical, intellectual, &
psychological challenges. Whats more interesting than the skewed demographic, though, is that so many
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Alana S Miller (aka. Rasta Impasta) was born & raised in New York City. She recently completed her junior
year at Washington University in St. Louis, Missouri, and will be finishing her education in fine arts in
Scotland. A photographer now, she hopes to turn that into a career after college. 2009 was Alanas first time
at Burning Man; she expects she will definitely be back. What attracted her to the desert? I came to be
surrounded by creative energy, to be surrounded by wild & wacky homo sapiens who love life as much as I
do. Her fashion style on the playa was site-appropriate: she modeled an assortment of bathing suits casually
accessorized with clever hats (think Carmen Miranda) and colorful, playful scarves. Her experiences here
vastly exceeded her expectations. Cristal Arcade, 27, was born in Atlanta, raised in Americas Old South, and
has returned to Atlanta where she currently works as an entertainer, artist, and businesswoman. A gifted
polymath with an abundant curiosity, she intends to expand her career options aggressively into graphics and
illustration, and is preparing to illustrate a childrens book in collaboration with Florida Author Jonathan
Schork. A first-time Burner, she came here cross-country on a school bus with Penivek Arcade, whom she
married at Burning Man. About relationships in the desert she says, If you want to learn about your partner
-Jonathan Schork
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sina88
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November 5, 2011 at 9:05 pm
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