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MUSE DU LOUVRE

LOUVRE MUSEUM

Nicky Rayvaldy Ginting

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Raynaldo Reva Al Irsyad

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Aprilea S. Ariadi

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Dea Shamara S.

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JURUSAN ARSITEKTUR
FAKULTAS TEKNIK
UNIVERSITAS DIPONEGORO
2015

The Louvre or the Louvre Museum is one of the world's largest museums and a
historic monument in Paris, France. A central landmark of the city, it is located on
the Right Bank of the Seine in the 1st arrondissement (ward). Nearly 35,000 objects
from prehistory to the 21st century are exhibited over an area of 60,600 square
metres (652,300 square feet). The Louvre is the world's most visited museum,
receiving more than 9.7 million visitors in 2012.

Picture 1.1 Muse du Louvres location within Paris


The museum is housed in the Louvre Palace, originally built as a fortress in the late
12th century under Philip II. Remnants of the fortress are visible in the basement of
the museum. The building was extended many times to form the present Louvre
Palace. In 1682, Louis XIV chose the Palace of Versailles for his household, leaving
the Louvre primarily as a place to display the royal collection, including, from 1692, a
collection of ancient Greek and Roman sculpture. In 1692, the building was occupied
by the Acadmie des Inscriptions et Belles Lettres and the Acadmie Royale de
Peinture et de Sculpture, which in 1699 held the first of a series of salons. The
Acadmie remained at the Louvre for 100 years. During the French Revolution,
the National Assembly decreed that the Louvre should be used as a museum to
display the nation's masterpieces.
The museum opened on 10 August 1793 with an exhibition of 537 paintings, the
majority of the works being royal and confiscated church property. Because of
structural problems with the building, the museum was closed in 1796 until 1801. The
collection was increased under Napoleon and the museum renamed the Muse
Napolon, but after Napoleon's abdication many works seized by his armies were
returned to their original owners. The collection was further increased during the
reigns of Louis XVIII and Charles X, and during the Second French Empire the

museum gained 20,000 pieces. Holdings have grown steadily through donations and
bequests since the Third Republic. The collection is divided among eight curatorial
departments: Egyptian

Antiquities; Near

Eastern

Antiquities; Greek, Etruscan,

and Roman Antiquities;Islamic Art; Sculpture; Decorative Arts; Paintings; Prints and
Drawings.

Louvre Palace

The Louvre Palace (French: Palais du Louvre, IPA: [pal dy luv]) is a former royal
palace located on the Right Bankof the Seine in Paris, between the Tuileries
Gardens and the church of Saint-Germain l'Auxerrois. Its origins date back to the
medieval period, and its present structure has evolved in stages since the 16th
century. It was the actual seat of power in France until Louis XIV moved
to Versailles in 1682, bringing the government with him. The Louvre remained the
nominal, or formal, seat of government until the end of the Ancien Rgime in 1789.
Since then it has housed the celebrated Muse du Louvre as well as various
government departments.
The present-day Louvre Palace is a vast complex of wings and pavilions on four
main levels which, although it looks to be unified, is the result of many phases of
building, modification, destruction and restoration. The Palace is situated in the rightbank of the River Seine between Rue de Rivoli to the north and the Quai Franois
Mitterrand to the south. To the west is theJardin des Tuileries and, to the east,
the Rue de l'Amiral de Coligny (its most architecturally famous faade, created
byClaude Perrault) and the Place du Louvre. The complex occupies about
40 hectares and forms two main quadrilaterals which enclose two large courtyards:
the Cour Carre("Square Courtyard"), completed under Napoleon I, and the
larger Cour Napolon ("Napoleon Courtyard") with theCour du Carrousel to its west,
built under Napoleon III. The Cour Napolon and Cour du Carrousel are separated
by the street known as the Place du Carrousel.

The Louvre complex may be divided into the "Old Louvre": the medieval and
Renaissance pavilions and wings surrounding the Cour Carre, as well as
the Grande Galerie extending west along the bank of the Seine; and the "New
Louvre": those 19th-century pavilions and wings extending along the north and south
sides of the Cour Napolon along with their extensions to the west (north and south
of

the Cour du Carrousel)

which were originally part

of the Palais des

Tuileries (Tuileries Palace), burned during the Paris Commune in 1871.


Some 51,615 sq m (555,000 sq ft) in the palace complex are devoted to public
exhibition floor space.
The Old Louvre occupies the site of the 12th-century fortress of King Philip Augustus,
also called the Louvre. Its foundations are viewable in the basement level as the
"Medieval Louvre" department. This structure was razed in 1546 by King Francis I in
favour of a larger royal residence which was added to by almost every subsequent
French monarch. King Louis XIV, who resided at the Louvre until his departure for
Versailles in 1678, completed the Cour Carre, which was closed off on the city side
by a colonnade. The Old Louvre is a quadrilateral approximately 160 m (520 ft) on a
side consisting of 8 ailes (wings) which are articulated by 8 pavillons (pavilions).
Starting at the northwest corner and moving clockwise, the pavillons consist of the
following: Pavillon de Beauvais, Pavillon de Marengo, Northeast Pavilion, Central
Pavilion, Southeast Pavilion, Pavillon des Arts, Pavillon du Roi, and Pavillon
Sully (formerly, Pavillon de l'Horloge). Between the Pavillon du Roi and the Pavillon
Sully is the Aile Lescot ("Lescot Wing"): built between 1546 and 1551, it is the oldest
part of the visible external elevations and was important in setting the mould for later
French architectural classicism. Between the Pavillon Sully and the Pavillon de
Beauvais is

the Aile

Lemercier ("Lemercier

Wing"):

built

in

1639

by Louis

XIII and Cardinal Richelieu, it is a symmetrical extension of Lescot's wing in the same
Renaissance style. With it, the last external vestiges of the medieval Louvre were
demolished.

Louvre Pyramid

The New Louvre is the name often given to the wings and pavilions extending the
Palace for about 500 m (1,600 ft) westwards on the north (Napoleon I and Napoleon
III following the quarter-mile-long Henry IVSeine Riverside Grande Galerie) and on
the south (Napolon III) sides of the Cour Napolon and Cour du Carrousel. It was
Napolon III who finally connected the Tuileries Palace with the Louvre in the 1850s,
thus finally achieving the Grand Dessein ("Great Design") originally envisaged by
King Henry IV of France in the 16th century. This consummation only lasted a few
years, however, as the Tuileries was burned in 1871 and finally razed in 1883.
The northern limb of the new Louvre consists (from east to west) of three great
pavilions along the Rue de Rivoli: the Pavillon de la Bibliothque, Pavillon de
Rohan and Pavillon de Marsan. On the inside (court side) of the Pavillon de la
Bibliothque are three pavilions; Pavillon Colbert, Pavillon Richelieu and Pavillon
Turgot; these pavilions and their wings define three subsidiary Courts, from east to
west: Cour Khorsabad, Cour Puget and Cour Marly.

Inside the Pyramid: the view of the Louvre Museum in Paris from the underground
lobby of the Pyramid.
The southern limb of the New Louvre consists (from east to west) of five great
pavilions along the Quai Franois Mitterrand (and Seine bank): the Pavillon de la
Lesdiguieres, Pavillon

des

Sessions, Pavillon

de

la

Tremoille, Pavillon

des

tats and Pavillon de Flore. As on the north side, three inside (court side) pavilions

(Pavillon Daru, Pavillon Denon and Pavillon Mollien) and their wings define three
more subsidiary Courts: Cour du Sphinx, Cour Viconti andCour Lefuel.
For simplicity, on museum tourist maps, the New Louvre north limb, the New Louvre
south limb, and the Old Louvre are designated as the "Richelieu Wing", the "Denon
Wing" and the "Sully Wing", respectively. This allows the casual visitor to avoid (to
some extent) becoming totally mystified at the bewildering array of named wings and
pavilions.
The Pavillon de Flore and the Pavillon de Marsan, at the westernmost extremity of
the Palace (south and north limbs, respectively), were destroyed when the Third
Republic razed the ruined Tuileries, but were subsequently restored beginning in
1874. The Flore then served as the model for the renovation of the Marsan by
architect Gaston Redon.
A vast underground complex of offices, shops, exhibition spaces, storage areas, and
parking areas, as well as an auditorium, a tourist bus depot, and a cafeteria, was
constructed underneath the Louvre's central courtyards of theCour Napolon and
the Cour du Carrousel for Franois Mitterrand's "Grand Louvre" Project (19812002).
The ground-level entrance to this complex was situated in the centre of the Cour
Napolon and is crowned by the prominent steel-and-glass pyramid (1989) designed
by the Chinese American architect I.M. Pei.

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