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2. Arm circles:
Make circles with your arms; clockwise and counter-clockwise:
3. Hand stretches:
Note: This exercise focuses on the weakest finger (4th); dont let fingers flail
Digital Patterns
24 possibilities from 4 fingers:
1234
1243
1324
1342
1423
1432
2341
2431
2413
2134
2314
2143
3412
3124
3241
3421
3142
3214
4123
4312
4132
4213
4231
4321
Be creative with these invent your own exercises find your weakness(es)
Keep an idea book.
Cross-string stuff:
You can apply the digital patterns across strings:
For example, the 1234 pattern across strings would be this:
Or, you could do any other pattern across strings, like 1243:
Scales:
Dont neglect scales/modes. Keep practicing them. Also, try to change up the pattern when practicing them.
For example: instead of just: 1-2-3-4-5-6-7
Try: 1-3-2-4-3-5-4-6-5-7 etc.
Or: 1-2-3-1-2-3-4-2-3-4-5-3 etc.
Also: try practicing scales up one string, or two strings, or three strings.
1-3-2-4- etc. up & down
3. Speed:
The best way to get faster, cleaner technique is to work at it. There are no shortcuts. Focus on your
weaknesses be your own teacher.
Setting goals for yourself is a good thing to do:
Like: scales at 16th notes @ 160 by August Or playing that transcription of Countdown by the end of
summer.
5. Picking; swing
Heres an arpeggio exercise that has helped me. It uses sweep picking and it focuses on the 4th finger
playing adjacent strings. It has tripped me up in the past, so I invented an exercise to strengthen it.
This pattern can also be applied to other arpeggios and their inversions
Swing feel:
A lot of guitar players dont know to accent up-beats or they dont know how.
If you play swing feel and accent down-beats youll sound like youre playing bluegrass, rockabilly or
country not Jazz.
You can help your swing feel in several ways:
Start and end phrases on up-beats.
when playing 8th note passages, ghost the downbeats and accent the upbeats
Change strings on up-beats instead of downbeats
Make it a habit to alternate pick, so that the ghosting/accenting is a consistent part of your body
movement.
Accenting vs. ghosting can come from:
1. Difference in pick tension i.e. how hard/soft your thumb grips the pick.
2. Left hand or right hand muting
3. Picking vs. Hammering on, Pulling off, or sliding to a note.
Try practicing scales with these swing accents: