Architecture and Ecology

#5")34#!3"!(
3OCIALHOUSINGONTHEEDGEOF-ADRIDIS
TRANSFORMEDINTOAMODERNECOCASBAH

LOCATIONPLAN

 \

(/53).' - !$2)$ 3 0!).

!2#()4%#43
-/20(/3)3 "$5%345$)/
$% ! 215)4%#452!

4HECOMPETITION WINNINGSOCIALHOUSINGPROJECTTHAT-ORPHOSIS
COMPLETEDIN$ECEMBEROFLASTYEAROFFERSADRAMATICCONTRASTTOTHE
BLANDBRICKTOWERSOFMIDDLE CLASSAPARTMENTSTHATSURROUNDIT!
GLEAMINGWHITECOMPLEXOFCUBISTBLOCKSPATIOSANDWALKWAYSITEVOKES
THEHILLVILLAGESOF!NDALUSIAORTHECASBAHSOFNORTH!FRICA,OCATEDIN
#ARABANCHELAMASTERPLANNEDCOMMUNITYBORDEREDBYTHERINGROADTO
THESOUTH WESTOFTHEFAST GROWING3PANISHCAPITALITISONEOFPROJECTS
INTHATAREASPONSOREDBY%-63THECITYHOUSINGAUTHORITY4HESEWERE
ALLDESIGNEDBYNEWORESTABLISHEDARCHITECTSFROM3PAINANDABROADAND
THEYARESCATTEREDAMONGTHEPRIVATEDEVELOPMENTS4HECONSTRUCTION
BUDGETISAFRUGAL%SQMANDTHECOMPLETEDUNITSAREOFFEREDFORSALE
ORRENTATATHIRDOFTHEMARKETRATE
-ORPHOSISPRINCIPAL4HOM-AYNEROSETOTHECHALLENGE@7EVEALWAYS
MADEAPRACTICEOFBUILDINGINEXPENSIVELYHESAYS@)SHARETHEIDEALISM
OFTHEEARLY-ODERNISTSANDTHECLIENTGAVEUSFREEREINCONCEPTUALLYAS
LONGASWEMETTHEBUDGET&ORTHISlRSTVENTUREIN3PAIN-AYNESTEAM
COLLABORATEDWITH"$5%STUDIODE!RQUITECTURAAmEDGLING-ADRIDlRM
FOUNDEDBY"EGOA$IAZ 5RGORRIWHOBRIEmYWORKEDFOR-ORPHOSISAND
GAINEDEXPERIENCEBUILDINGANOTHERINNOVATIVEPROJECTFOR%-63
2ESIDENTIALCONSTRUCTIONIN3PAINISBOOMINGANDGOVERNMENTAGENCIES
ESTIMATETHATUNITSWEREBUILTLASTYEARnALMOSTASMANYAS


,ONGSLABBLOCKS
FRAMETHE
@VILLAGEOFLOW
RISEDWELLINGS
ANDCOURTYARDS

7INDTOWERS
CREATEASURREAL
LANDSCAPEOF
PERISCOPESON
THEFRINGEOF
-ADRID

.ETWORKS
OFPASSAGES
CONNECTTHE
COMPLEX/VER
TIMETHE
#ONSTRUCTIVIST
CONTOURSWILL
BESOFTENEDBY
PLANTING

 \

GROUNDFLOORPLANSCALEAPPROX

SECONDFLOORPLAN

 \

FIRSTFLOORPLANSCALEAPPROX

CARPARKING
THREEANDFOURBEDROOMDUPLEXmATS
MAINPASEO
SEVEN STOREYAPARTMENTBLOCK
FOUR STOREYAPARTMENTBLOCK

(/53).' - !$2)$ 3 0!).

!2#()4%#43
- /20(/3)3 "$5%345$)/
$% ! 215)4%#452!


7INDTOWERSDRAWIN
COOLINGBREEZES

LONGSECTIONTHROUGHSEVEN STOREYSLABBLOCKTOWER

CROSSSECTIONTHROUGHTOWERSANDLOW RISEUNITS

 \

 \

WERECONSTRUCTEDINTHERESTOF%UROPE)NPARTTHISISDUETOASURGEOF
IMMIGRATIONINPARTTOAFRENZYOFSPECULATIONBUTMOSTOFTHEPRIVATELY
lNANCEDHOUSESANDAPARTMENTBLOCKSARECONVENTIONALINDESIGN
ANDPOORLYCONSTRUCTED0UBLICHOUSINGISMUCHMOREADVENTUROUS
AND-AYNESVISIONWHICHWASmESHEDOUTBY$IAZ 5RGORRIAND
-ORPHOSISPROJECTARCHITECT0AVEL'ETOVISABRILLIANTREWORKINGOFTHE
-EDITERRANEANVERNACULARINTHETRADITIONOF,E#ORBUSIERAND4EAM4EN
4HEARCHITECTSSTACKEDTHETWO BEDROOMAPARTMENTSINA
THIN SECTIONSEVEN STOREYSLABTHATRUNSALONGTHENORTHSIDEOFTHE
SITE4HESTREETFACADEHASSMALLOPENINGSANDTHEAPARTMENTSOPENUP
TOSOUTH FACINGTERRACESATEACHLEVEL!FOUR STOREYBLOCKDElNESTHE
SOUTHBOUNDARYANDTHESETWOBARSOFSMALLUNITSBRACKETAVILLAGE
LIKECOMPLEXOFTHREE ANDFOUR BEDROOMDUPLEXESWITHAPODIUMOF
PARKINGBELOW!BROADPASEOSHADEDBYALUMINIUMMESHCANOPIESTHAT
WILLSUPPORTAVARIETYOFmOWERINGPLANTSBISECTSTHECOMPLEXFROM
NORTHTOSOUTHCONNECTINGTOANETWORKOFNARROWPASSAGES0UBLIC
PLAZASALTERNATEWITHINNERPATIOS@7ETRIEDTOCREATEANINFRASTRUCTURE
FORSOCIALINTERCHANGEWITHNEIGHBOURSMEETINGCASUALLYANDCONVERSING
FROMONESPACETOANOTHERSAYS-AYNE
4OKEEPCONSTRUCTIONCOSTSDOWNTHEARCHITECTSPLAYEDVARIATIONSON
ASIMPLETHREE DIMENSIONALMODULEANDEMPLOYEDTHESTANDARDBUILDING
SYSTEMOFACONCRETESTRUCTURALFRAMEANDSTUCCOEDBRICKINlLL-ESH
COVERED3TYROFOAMPANELSSPRAYEDWITHCEMENTARESUPPORTEDONSTEEL
POLESTODElNETHEPASEO4HEMATURETREESTHAT-ORPHOSISHADWANTED
TOPLANTWEREELIMINATEDASANECONOMYANDTHEPLANTINGSHAVEYETTO
SOFTENTHECANOPIESGIVINGTHEPROJECTASHARP EDGED#ONSTRUCTIVIST
LOOK4HEUNITSARECOMPACTTOSQM BUTATTRACTIVELYlNISHED
WITHHARDWOODmOORSTERRAZZOSTAIRSANDBUILT INCABINETS#HIMNEY LIKE
TOWERSSERVEASVENTILATIONSHAFTSPULLINGINCOOLBREEZESANDEVACUATING
HOTAIRANDNATURALVENTILATIONFROMTHEOPENSPACESKEEPSTHEUNITSCOOL
ONALLBUTTHEHOTTESTDAYS3OLARPANELSCONTRIBUTETOTHEHEATINGAND
ABUNDANTNATURALLIGHTALSOREDUCESENERGYCOSTS-)#(!%,7%""


!RCHITECTS
-ORPHOSIS
"$5%STUDIODE!RQUITECTURA
0HOTOGRAPHER
.IC,EHOUX

4HECASBAH LIKEINFRASTRUCTUREOF
PASSAGESSTAIRSANDINTERNALCOURTYARDS
WILLACTASAPHYSICALARMATUREFOR
SOCIALINTERACTIONBUTMUCHDEPENDS
ONHOWTHEREALINHABITANTSWILL
APPROPRIATETHESPACES

7HITEWALLSANDSHARPLYDEFINEDFORMS
MAKEFORA-ODERN-EDITERRANEAN
VERNACULAR

(/53).' - !$2)$ 3 0!).

!2#()4%#43
-/20(/3)3 "$5%345$)/
$% ! 215)4%#452!

 \

4HOUGHTHECITYOF3EATTLEHASASPECTACULARLOCATIONOVERLOOKING
%LLIOTT"AYAND0UGET3OUNDITSWATERFRONTISDEFINEDBYAJUMBLE
OFLEFTOVERSPACESELEVATEDHIGHWAYSRAILLINESANDTHECONTINUAL
PRESENCEOFHEAVYTRAFFIC(OWEVERRECENTINITIATIVESBYTHE3EATTLE
!RT-USEUM3!- NOTONLYPROJECTARTINTOTHECITYBUTALSO
RECONNECTITWITHTHEWATER
4HE3!-WHICHOPENEDINONASITEOVERLOOKING3EATTLE
EXPANDEDANDMOVEDINTOTHECITYIN$ESIGNEDBY6ENTURI
3COTT"ROWNTHEEARLYSBUILDINGWASDISTINGUISHEDBYAN
ASSERTIVELYDECORATEDFACADETHATWRAPPEDAROUNDACORNERSITE
ON&IRST!VENUEAND5NIVERSITY3TREETWITHAMIXOFSUPERGRAPHICS
COLOURANDCONSPICUOUSHISTORICALPASTICHE7ITHAMORERECENT
INFUSIONOFENERGYANDNEW FOUNDWEALTHFROMCOFFEECOMPUTERS
ANDTHEINTERNETTHEMUSEUMHASEXPANDEDAGAIN!SARESULTOFA
COLLABORATIONWITHTHE7ASHINGTON-UTUAL"ANKITNOWOCCUPIES
PRIMEFRONTAGEALONGANENTIRECITYBLOCKON&IRST!VENUE
4HISLATESTMUSEUMEXTENSIONDESIGNEDBY!LLIED7ORKSPROVIDES
ADDITIONALSPACEATTHEFOOTOFA STOREYCORPORATEOFFICETOWER
PLANNEDBY.""*!TSTREETLEVELITHOUSESANEWENTRANCESHOP
RESTAURANTANDDISPLAYAREASWITHFIVELEVELSOFGALLERIESSTACKED
ABOVEWRAPPEDINPRECISELYDETAILEDFACETEDSCREENSOFGLASSAND
STAINLESSSTEEL4HOSEGALLERIESOFFERVIEWSOUTTO0UGET3OUNDWHILE
THEARTICULATEDFACADECAPTURESLIGHTINTHISFREQUENTLYOVERCASTCITY
MARKINGITASASIGNIFICANTNEWDESTINATIONINTHEHEARTOFDOWNTOWN
$URINGTHECONSTRUCTIONOFTHISNEWBUILDINGANOTHERSITE
BECAMEAVAILABLEINTHECITYPROMPTINGTHE3EATTLE!RT-USEUM
TOCONSIDERFURTHEREXPANSION)NANIMAGINATIVEMOVETHAT
CONSOLIDATEDTHENOTIONOFPUTTINGARTALONGSIDECOMMERCE
DOWNTOWNTHEMUSEUMSAWTHISASANOPPORTUNITYTOCREATE
ANOTHERCULTURALDESTINATIONBYRECLAIMINGTHEFORMERINDUSTRIAL

!24).4(%0!2+
!NEWURBANPARKPROVIDESAGREENLUNGFOR
3EATTLEANDRECONNECTSCITYANDWATERFRONT

 \

3#5,0452% 0!2+ 
3%!44,% 53!
! 2#()4%#4
7%)33 -!.&2%$)

INITIALSKETCHPROPOSAL


4HEWATERFRONT
SITEPRIORTO
REDEVELOPMENT

4HENEWPAVILIONAND
PARKSPECTACULARLY
REUNITETHECITYWITH
THEWATERFRONT

4HEUNDULATING
TOPOGRAPHYISCUT
THROUGHWITHPATHS
LAWNSANDPLANTING

 \

SITETOMAKEANEWPUBLICPARKTOHOUSEAGROWINGCOLLECTIONOF
SCULPTUREBYINTERNATIONALLYSIGNIFICANTARTISTS*USTASAVACANTPOWER
STATIONBECAMEANUNLIKELYEASTERNOUTPOSTOFTHE4ATE'ALLERYIN
,ONDON!2!UGUST ANDAMAJORDESTINATIONONANEWPUBLIC
PATHALONGTHE4HAMESSOTHESEPROJECTSLOCATETHEMUSEUMINTHE
CITYANDCONNECTTHATCITYTOTHEWATERFRONT
4HEACRESITEWHICHSLOPESDOWNSTEEPLYFROM7ESTERN!VENUE
TOTHEWATERSEDGEWASTHELASTPIECEOFUNDEVELOPEDDOWNTOWN
WATERFRONTINTHECITY!FORMERFUELTRANSFERFACILITYITWASDIVIDED
INTOTHREEDISTINCTPARCELSOFLANDBY%LLIOTT!VENUEAFOURLANE
ARTERIALROADANDTHEACTIVE"URLINGTON.ORTHERN3ANTA&E2AILROAD
LINEANDSURROUNDEDBYARAPIDLYGROWINGGROUPOFRESIDENTIALTOWERS
)NTHEIRCOMPETITION WINNINGSUBMISSION7EISS-ANFREDIPROPOSED
ANEWTOPOGRAPHYFORTHESITEORGANISEDAROUNDANEARLYHALFA
MILELONGPATHFORPEDESTRIANS)TDESCENDEDINACONTINUOUSZIGZAG
FROMTHECORNEROF7ESTERN!VENUEAND"ROAD3TREETBRIDGEDOVER
%LLIOTT!VENUEANDTHEEXISTINGRAILWAYLINEANDTERMINATEDINA
WATERFRONTPARK-ARKEDATTHEENTRANCEON7ESTERN!VENUEBYA
PAVILIONHOUSINGARTANDPUBLICAMENITIESTHATPATHALSODEFINEDA
SERIESOFSITESFORLARGE SCALEOUTDOORPUBLICARTSETWITHINAMORE
EXTENSIVECONSTRUCTEDLANDSCAPE
LOCATIONPLAN


/PENINGWEEKEND
DREWTHOUSANDS
OFVISITORS

%XPLORINGTHEPARK

 \

SITEPLAN

3#5,0452% 0!2+ 
3%!44,% 53!
! 2#()4%#4
7%)33 -!.&2%$)

 \

LONGSECTIONTHROUGHSITEANDPAVILION

CROSSSECTIONTHROUGHSITEANDPAVILION

3#5,0452% 0!2+ 3 %!44,% 53!

!2#()4%#4
7%)33 -!.&2%$)

 \

4HE/LYMPIC3CULPTURE0ARKWHICHOPENEDLASTYEARISNOWTHE

LOCATIONOFANIMPRESSIVECOLLECTIONOFLARGE SCALEWORKBY#ALDER
/LDENBURG3ERRA"OURGEOIS#AROANDOTHERNOTABLEARTISTSVIEWED
AGAINSTBACKDROPSOFCITYTOWERSSPECTACULARNATURALLANDSCAPESAND
THELONGHORIZONOFTHEOCEAN$ESIGNEDASALOWFACETEDBOXTHE
PAVILIONSERVESASALOOKOUTAPORTICOATTHEENTRANCETOTHEPARKA
SIMPLESHELTERFROMTHEWEATHERANDTHEBALCONYOFATIEREDOUTDOOR
AMPHITHEATRE,ONGFOLDEDROOFSEFFECTIVELYFRAMEVIEWSANDPROVIDE
SHELTEREDOUTDOORSPACESWHILETHECONSPICUOUSLIGHTNESSAND
DETAILINGOFMETALANDGLASSCLADDINGREFERENCETHEOTHER3EATTLE!RT
-USEUMWHICHISAFEWMINUTESWALKAWAY
!SWELLASPROVIDINGACCESSTOPUBLICARTTHISNEWPATHTOTHE
WATERFRONTISTHEFRAMEWORKFORANOVERLAYOFNATURALLANDSCAPES
7ITHINTHESELANDSCAPESNECESSARYINFRASTRUCTURALELEMENTSHAVE
BEENIDENTIFIEDASLOCATIONSFORSITESPECIFICCOMMISSIONS7HERETHE
PATHCROSSESOVERTHEEXISTINGROADTHERESULTINGBRIDGEBECOMESTHE
SITEFOR3EATTLE#LOUD#OVERnALAMINATEDGLASSSHELTERDESIGNEDBY
4ERESITA&ERNNDEZnANDWALLSTHATBUTTRESSTHEPATHALONG"ROAD
3TREETBULGEOUTTOCREATEATOPLITSPACETHATHOUSES3EATTLE6IVARIUM
nANINSTALLATIONBYTHEARTIST-ARK$ION
4HESIMPLICITYANDDIRECTNESSOFTHEFIRSTSKETCHESPRESENTEDBY
7EISS-ANFREDIAREEFFECTIVELYTRANSLATEDINTHEBUILTSCHEMEANDAS
@LANDSCAPEURBANISMINCREASINGLYDEFINESANEWBODYOFACADEMIC
RESEARCHTHISPROJECTCLEARLYDEMONSTRATESTHEREALITYANDTANGIBLE
BENEFITSOFINTEGRATINGLARGE SCALEINFRASTRUCTURENATUREARTAND
BUILDING3EENTOGETHERTHESETWOLATESTEXTENSIONSOFTHE3EATTLE!RT
-USEUMAREACOMPELLINGDEMONSTRATIONOFHOWCULTURALINSTITUTIONS
CANADVANCESUSTAINABLEDESIGNTHROUGHTHEINSPIREDTRANSFORMATION
OFSPACEANDTHERECONSTRUCTIONOFCITIES"2)!.#!24%2

!RCHITECTS
7EISS-ANFREDI.EW9ORK
#IVILANDSTRUCTURALENGINEER
-AGNUSSON+LEMENCIC!SSOCIATES
,ANDSCAPEARCHITECTS
#HARLES!NDERSON,ANDSCAPE!RCHITECTURE
0HOTOGRAPHS
"EN"ENSCHNEIDER
0AUL7ARCHOL
"RUCE-OORE


7ATERFRONT
PROMENADE

4HEGLAZED
PAVILIONFORMS
ABEACONINTHE
LANDSCAPE

0AVILIONINTERIOR
CONNECTINGWITH
ANDCELEBRATING
THEWIDERWORLD

3CULPTUREIN
THISCASE%AGLE
BY!LEXANDER
#ALDER
ANDNATURE

 \

-53%5- ' 2!.$ 2!0)$3 

-)#()'!. 53!
! 2#()4%#4
7 (9! 2#()4%#452%


3OBERYETSEDUCTIVEA
GENEROUSLYPROPORTIONED
PORTICOADDRESSES-AYA,INS
PARKANDTHEWIDERCITY

#2!&43+),,3
 \

!NEWARTMUSEUMFOR'RAND2APIDS
SOBERLYEXTOLSENVIRONMENTALCONCERNS

4HEAREAAROUND'RAND2APIDS-ICHIGANWASSETTLEDBY$UTCH

#ALVINISTSANDTHETRADITIONOFFRUGALITYANDCRAFTISSTILLALIVEINTHIS
CENTREOF!MERICANFURNITUREPRODUCTION3TEELCASEWHICHCOLLABORATED
WITH&RANK,LOYD7RIGHTISBASEDTHEREAND(ERMAN-ILLERWHICH
WASTRANSFORMEDBY'EORGE.ELSONANDTHE%AMESINTHEPOSTWAR
DECADESISLOCATEDNEARBYIN:EELAND3OITISREFRESHINGTODISCOVER
THATTHECENTREOF'RAND2APIDSnINCONTRASTTOSOMANYINTHE
-ID WESTERNSTATESOF!MERICAnHASRETAINEDITSVITALITYANDNOWBOASTS
ANEXEMPLARYENVIRONMENTALLYSENSITIVEARTMUSEUM
(AVINGWAITEDALMOSTACENTURYFORABUILDINGITCOULDCALLITSOWNTHE
BOARDLOOKEDACROSSTHELAKETOTHECOSTLYEXTRAVAGANZATHAT#ALATRAVAWAS
ADDINGTOTHE-ILWAUKEE-USEUMOF!RTANDRESOLVEDTOBUILDASOBER

FRILL FREESHOWCASEFORITSCOLLECTION!FTERANINITIALmIRTATIONWITHA
lRMTHATFAILEDTOPLEASETHEYTURNEDTOAPROMISINGNEWCOMER+ULAPAT
9ANTRASASTWHOCO FOUNDEDW(9!RCHITECTSWITH9O ICHIRO(AKOMORIIN
WASPROJECTARCHITECTFOR4ADAO!NDOSHIGHLYACCLAIMED&ORT7ORTH
!RT-USEUMANDTHEREAREOBVIOUSAFlNITIESBETWEENTHETWOBUILDINGS
7HATSREMARKABLEISHOWQUICKLY9ANTRASASTWHOWORKEDWITH!NDOFOR
SEVENYEARSANDCONTINUESTOCOLLABORATEWITHTHE*APANESEMASTERHAS
FOUNDHISOWNDISTINCTIVEFORMSOFEXPRESSION
4HENEWARTMUSEUM'2!- ISANAIRYLIGHT lLLEDCLUSTEROFGLASSAND
IMPECCABLYPOUREDCONCRETEBOXESTIEDTOGETHERWITHABOLDLYJUTTING
CANOPYANDCROWNEDWITHATRIOOFGLASSLANTERNS)TISSETATANANGLETO
ADOWNTOWNARTERYANDISPARTIALLYOBSCUREDBYTHESILVERBIRCHESAND

GRASSYKNOLLSOF-AYA,INSELLIPTICALPARK&INGERSOFTHEMUSEUMEXTEND
INTOTHEGREENERYANDAREmECTINGPOOLANDDRYGARDENPROVIDEADDITIONAL
EXPOSUREFORTHEADMINISTRATIVEWINGAXIALLOBBYANDRESTAURANT4HESE
OPENANDGREENSPACESMEDIATEBETWEENTHEBUSTLEOFTHECITYAND
THESERENITYOFTHEGALLERIESWHICHOPENOFFTHELOFTYSKYLITLOBBYAND
EXTENDEDmIGHTSOFSTAIRSTOTWOUPPERLEVELS
4HERESANEASYmOWOFSPACETHROUGHOUTTHEBUILDINGANDASEAMLESS
LINKBETWEENCIRCULATIONANDDISPLAYAREAS4HElRSTOFTHESEEXHIBITS
CLASSICMODERNFURNITURETHATWASPRODUCEDINANDAROUND'RAND2APIDS
%ACHGALLERYISHARMONIOUSLYPROPORTIONEDANDLITINADIFFERENTWAY
nMOSTDRAMATICALLYONTHETHIRDmOORWHEREYOULOOKUPINTOTHESOFTLY
GLOWINGLANTERNSANDTHEINVERTEDPYRAMIDTHATCROWNSTHEMASTHOUGH

 \

SCHEMATICOFENVIRONMENTALCONTROLPRINCIPLES

-53%5- ' 2!.$ 2!0)$3 

-)#()'!. 53!
! 2#()4%#4
7 (9! 2#()4%#452%

$OWNTOWN'RAND2APIDS
4HEMUSEUMISASERIES
OFTRANSLUCENTBOXES
CONTAINEDINANAUSTERE
CONCRETEFRAME

 \

SITEPLAN

DETAILEDSECTION

 \

































FIRSTFLOOR

ENTRANCE
MAINLOBBY
DININGCOURT
DININGTERRACE
SCULPTURECOURT
CAF
REmECTINGPOOL
MUSEUMOFlCES
AUDITORIUM
EASTCOURT
DESIGNANDMODERNCRAFTGALLERY
MUSEUMSTORE
EASTCOURTGALLERY
WORKSONPAPERSTUDY
WORKSONPAPERGALLERY
BALCONY
LIBRARY
TEMPORARYEXHIBITIONSGALLERY
PERMANENTCOLLECTIONSGALLERIES





SECONDFLOOR













GROUNDFLOORPLANSCALEAPPROX

ISOMETRICPROJECTIONOFMAINLOBBY


4HESOARINGLIGHT FILLED
SPACEOFTHEMAINLOBBY
4HREE QUARTERSOFTHE
BUILDINGISNATURALLYLIT
BUTTHISLUMINANCEIS
BAFFLEDANDFILTEREDTO
REDUCEHEATGAIN

 \

-53%5- ' 2!.$ 2!0)$3 

-)#()'!. 53!
! 2#()4%#4
7 (9! 2#()4%#452%

LONGSECTION




 \

 \

!RCHITECT
W(9!RCHITECTURE#ULVER#ITY
0HOTOGRAPHS
3TEVE(ALL (EDRICH"LESSING'RAND2APIDS!RT-USEUM#HRIS"ARRETT (EDRICH
"LESSING3COTT-C$ONALD (EDRICH"LESSINGW(9!RCHITECTURE

THEYWERE*AMES4URRELLSKYSPACES4HECOOLLIGHTISWARMEDBYTHEWHITE
OAKmOORSUPPER LEVELSTAIRSANDCABINETRY4OOMANYMUSEUMSHAVE
BEGUNTORESEMBLEMALLSAT'2!-THECAFANDRETAILAREAARESETOFFTO
ONESIDEANDHAVEASEPARATEIDENTITYLOOKINGOUTTOASIDESTREETBUTTHE
HANDSOMEWOOD LINEDAUDITORIUMISANEXTENSIONOFTHELOBBY
0ETER7EGETHEFORMER#%/OF3TEELCASEGAVETHELEADGRANTOF
MILLIONFORTHENEWBUILDINGONCONDITIONITBEGREEN4HEQUEST
FORA'OLD,%%$RATINGHELPEDSHAPETHEDESIGNTHOUGH9ANTRASAST
INSISTSTHATGREENISLARGELYAMATTEROFCOMMONSENSE7HEREVER
POSSIBLETHEBUILDINGISCONSTRUCTEDOFLOCALLYSOURCEDRECYCLEDAND
RECYCLABLEMATERIALS3EVENTYPERCENTOFTHEBUILDINGISNATURALLYLIT
BUTTHELIGHTISBAFmEDANDlLTEREDTOREDUCEHEATGAINANDPROTECT
THEARTWORKS!LUMINUMLOUVRESOPTIMALLYANGLEDTOOPENUPVIEWS
ANDBLOCKSUNCOVERTHEEXTENSIVEGLAZING4HECRISPELEGANCEOFTHE
FACADESTHESKILFULBALANCEOFVOLUMESANDTHEFELICITOUSSITINGMAKE
'2!-AMODELOFSUBSTANCEANDSTYLE
"ACKIN,!W(9ISDESIGNINGAHOUSETHATISWRAPPEDINA
CONTINUOUSBANDLIKEASTRIPOFlLMCONVERTINGAWAREHOUSEINTO
APHOTOSTUDIOBUILDINGA:EN LIKESPAANDCREATINGAFOOTBRIDGE
OVERTHECONCRETECHANNELTHATIMPRISONSTHE,!RIVER4HEYARE
ALSOREDESIGNINGEXISTINGGALLERIESATTHE#HICAGO!RT)NSTITUTEIN
ANTICIPATIONOF2ENZO0IANOSADDITIONANDHOPINGTHATTHESUCCESSOF
'2!-WILLBRINGLARGERCOMMISSIONS-)#(!%,7%""

-53%5- ' 2!.$ 2!0)$3 

-)#()'!. 53!
! 2#()4%#4
7 (9! 2#()4%#452%


4OPLITGALLERIESONTHE
UPPERFLOORRECALL*AMES
4URRELLSSKYSPACES

!MAMMOTH7ARHOL
GREETSVISITORSATTHEEND
OFTHELOBBY

4YPICALGALLERY4IMBER
FLOORSANDWHITEWALLSFORM
ANEUTRALBACKDROPFORART

4HEMUSEUMSAUDITORIUM

'ALLERIESARELINKEDBYA
PROMENADINGSTAIRCASE

 \