Professional Documents
Culture Documents
Elected president of the Freie Studentenschaft (Free Students Association), Benjamin wrote essays arguing for
educational and general cultural change.[5] When not reelected as student association president, he returned to
Freiburg University to study, with particular attention to
the lectures of Heinrich Rickert; at that time he travelled
to France and Italy.
1.2
Career
LIFE
In 1932, during the turmoil preceding Adolf Hitler's assumption of the oce of Chancellor of Germany, Walter
Benjamin left Germany for the Spanish island of Ibiza for
some months; he then moved to Nice, where he considered killing himself. Perceiving the socio-political and
cultural signicance of the Reichstag re (27 February
1933) as the de facto Nazi assumption of full power in
Germany, then manifest with the subsequent persecution
of the Jews, he moved to Paris, but, before doing so, he
sought shelter in Svendborg, at Bertold Brechts house,
and at Sanremo, where his ex-wife Dora lived.
As he ran out of money, Benjamin collaborated with
Max Horkheimer, and received funds from the Institute
for Social Research, later going permanently into exile. In Paris, he met other German artists and intellectuals, refugees there from Germany; he befriended Hannah
Arendt, novelist Hermann Hesse, and composer Kurt
Weill. In 1936, a rst version of The Work of Art in the
Age of Mechanical Reproduction (L'uvre d'art l'poque
de sa reproduction mchanise) was published, in French,
by Max Horkheimer in the Zeitschrift fr Sozialforschung
journal of the Institute for Social Research.
3
Baudelaire), met Georges Bataille (to whom he later entrusted the Arcades Project manuscript), and joined the
College of Sociology. In 1938 he paid a last visit to
Bertolt Brecht, who was exiled to Denmark. Meanwhile,
the Nazi Rgime stripped German Jews of their German citizenship; now a stateless man, Benjamin was arrested by the French government and incarcerated for
three months in a prison camp near Nevers, in central
Burgundy.
2 Thought
Walter Benjamin corresponded much with Theodor
Adorno and Bertolt Brecht, and was occasionally funded
by the Frankfurt School under the direction of Adorno
and Horkheimer, even from their New York City resWalter Benjamins grave in Portbou. The epitaph in German, re- idence. The competing inuencesBrechts Marxism,
peated in Catalan, quotes from Section 7 of Theses on the Phi- Adornos critical theory, Gerschom Scholems Jewish
losophy of History: There is no document of civilization which mysticismwere central to his work, although their
philosophic dierences remained unresolved. Moreover,
is not at the same time a document of barbarism
the critic Paul de Man argued that the intellectual range of
Returning to Paris in January 1940, he wrote ber den Benjamins writings ows dynamically among those three
Begri der Geschichte (On the Concept of History, later intellectual traditions, deriving a critique via juxtaposipublished as Theses on the Philosophy of History). As tion; the exemplary synthesis is Theses on the Philosophy
the Wehrmacht defeated the French defence, on 13 June, of History.
Benjamin and his sister ed Paris to the town of Lourdes,
a day before the Germans entered Paris (14 June 1940),
with orders to arrest him at his at. In August, he ob- 2.1 Theses on the Philosophy of History
tained a travel visa to the US that Max Horkheimer had
negotiated for him. In eluding the Gestapo, Benjamin Main article: Theses on the Philosophy of History
planned to travel to the US from neutral Portugal, which
he expected to reach via fascist Spain, then ostensibly a Theses on the Philosophy of History is often cited as Benneutral country.
jamins last complete work, having been completed, acThe historical record indicates that he safely crossed the cording to Adorno, in the spring of 1940. The Institute
FrenchSpanish border and arrived at the coastal town for Social Research, which had relocated to New York,
of Portbou, in Catalonia. The Franco government had published Theses in Benjamins memory in 1942. Marcancelled all transit visas and ordered the Spanish po- garet Cohen writes in the Cambridge Companion to Wallice to return such persons to France, including the Jew- ter Benjamin:
ish refugee group Benjamin had joined. It was told by
the Spanish police that it would be deported back to
France, which would have destroyed Benjamins plans to
travel to the United States. Expecting repatriation to Nazi
hands, Walter Benjamin killed himself with an overdose
of morphine tablets on the night of 25 September 1940
while staying in the Hotel de Francia; the ocial Portbou register records 26 September 1940 as the ocial
date of death.[3][11][12][13] Benjamins colleague Arthur
Koestler, also eeing Europe, attempted suicide by taking some of the morphine tablets, but he survived.[14]
Benjamins brother Georg was killed at the Mauthausen-
2 THOUGHT
The nal paragraph about the Jewish quest for the
Messiah provides a harrowing nal point to Benjamins
work, with its themes of culture, destruction, Jewish heritage and the ght between humanity and nihilism. He
brings up the interdiction, in some varieties of Judaism, to
try to determine the year when the Messiah would come
into the world, and points out that this did not make Jews
indierent to the future for every second of time was the
strait gate through which the Messiah might enter.
2.2
In the essay, Benjamins famed ninth thesis struggles to 2.3 The Arcades Project
reconcile the Idea of Progress in the present with the apMain article: Arcades Project
parent chaos of the past:
A Klee painting named Angelus Novus
shows an angel looking as though he is about to
move away from something he is xedly contemplating. His eyes are staring, his mouth
is open, his wings are spread. This is how
one pictures the angel of history. His face is
turned toward the past. Where we perceive a
chain of events, he sees one single catastrophe
which keeps piling wreckage upon wreckage
and hurls it in front of his feet. The angel would
like to stay, awaken the dead, and make whole
what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings
with such violence that the angel can no longer
close them. The storm irresistibly propels him
into the future to which his back is turned,
while the pile of debris before him grows skyward. This storm is what we call progress.
The Passagenwerk (Arcades Project, 192740), was Walter Benjamins nal, incomplete book about Parisian city
life in the 19th century, especially about the Passages
couverts de Paris the covered passages that extended the
culture of nerie (idling and people-watching) when inclement weather made nerie infeasible in the boulevards and streets proper.
The Arcades Project, in its current form, brings together a
massive collection of notes which Benjamin led together
over the course of thirteen years, from 1927 to 1940.[16]
The Arcades Project was published for the rst time in
1982, and is over a thousand pages long.
5
tences did not originate ordinarily, do not progress into
one another, and delineate no obvious line of reasoning,
as if each sentence had to say everything, before the
inward gaze of total concentration dissolved the subject
before his eyes, a freeze-frame baroque style of writing and cogitation. His major essays seem to end just
in time, before they self-destruct.[17] The diculty of
Benjamins writing style is essential to his philosophical
project. Fascinated by notions of reference and constellation, his goal in later works was to use intertexts to reveal
aspects of the past that cannot, and should not, be understood within greater, monolithic constructs of historical
understanding.
Since the publication of Schriften (Writings, 1955) fteen years after his death, Benjamins workespecially
the essay The Work of Art in the Age of Mechanical
Reproduction (1936)has become of seminal importance to academics in the humanities disciplines. And
after a further thirteen years, the rst Internationale Walter Benjamin Gesellschaft was established by the German
thinker, poet and artist Natias Neutert, as a free association of philosophers, writers, artists, media theoreticians and editors. They did not take Benjamins body
of thought as a scholastic closed architecture [...], but
Walter Benjamins writings identify him as a modernist as one in which all doors, windows and roof hatches are
for whom the philosophic merges with the literary: log- widely open, as the founder Neutert put itmore poet[18]
ical philosophic reasoning cannot account for all expe- ically than politicallyin his manifesto.
rience, especially not for self-representation via art. He The members felt liberated to take Benjamins ideas as a
presented his stylistic concerns in The Task of the Trans- welcome touchstone for social change quality of Pop mulator, wherein he posits that a literary translation, by def- sic for example.[19] Alike the rst Internationale Walter
inition, produces deformations and misunderstandings of Benjamin Gesellschaft of 1968, a new one, established
the original text. Moreover, in the deformed text, other- in 2000, researches and discusses also under Walter Benwise hidden aspects of the original, source-language text jamins imperative, written down in Theses on the Philosare elucidated, while previously obvious aspects become ophy of History: In every era the attempt must be made
unreadable. Such translational mortication of the source anew to wrest the tradition away from a conformism that
text is productive; when placed in a specic constellation is about to overpower it. (Walter Benjamin).
of works and ideas, newly revealed anities, between historical objects, appear and are productive of philosophi- The successor society was registered in Karlsruhe (Germany); Chairman of the Board of Directors was Bernd
cal truth.
Witte, an internationally recognized Benjamin scholar
His work The Task of the Translator was later commented and Professor of Modern German Literature in Dsselby the French translation scholar Antoine Berman (L'ge dorf (Germany). Its members come from 19 countries,
de la traduction).
both within and beyond Europe and represents an international forum for discourse. The Society supported research endeavors devoted to the creative and visionary
3 Works
potential of Benjamins works and their view of 20th century modernism. Special emphasis had been placed upon
strengthening academic ties to Latin America and Eastern
Among Walter Benjamins works are:
and Central Europe.[20] The society conducts conferences
and exhibitions, as well as interdisciplinary and interme Zur Kritik der Gewalt (Critique of Violence, 1921)
dial events, at regular intervals and dierent European
Goethes Wahlverwandtschaften (Goethes Elective venues:
Anities, 1922)
Barcelona Conference September 2000
Ursprung des deutschen Trauerspiels (The Origin of
German Tragic Drama, 1928)
Einbahnstrae (One Way Street, 1928)
Karl Kraus (1931 in the Frankfurter Zeitung)
Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (The Work of Art in the Age of Mechanical Reproduction, 1936)
Commemoration
REFERENCES
[2] Duden Aussprachewrterbuch (6 ed.). Mannheim: Bibliographisches Institut & F.A. Brockhaus AG. 2006.
[3] Witte, Bernd (1991). Walter Benjamin: An Intellectual
Biography (English translation). Detroit, MI: Wayne State
University Press. p. 9. ISBN 0-8143-2018-X.
[4] Witte, Bernd. (1996). Walter Benjamin: An Intellectual
Biography. New York: Verso. pp. 2627
[5] Experience, 1913
[6] Jewish philosophy and the crisis of modernity (SUNY
1997), Leo Strauss as a Modern Jewish thinker, Kenneth
Hart Green, Leo Strauss, page 55
[7] Scholem, Gershom. 1981. Walter Benjamin: The Story
of a Friendship. Trans. Harry Zohn, page 201
Commemorative
Wilmersdorf
plaque
for
Walter
Benjamin,
Berlin-
[8] The Correspondence of Walter Benjamin and Gershom Scholem, 193240, New York 1989, page 155-58
[9] Jane O. Newman, Benjamins Library: Modernity, Nation, and the Baroque, Cornell University Press, 2011, p.
28: "...university ocials in Frankfurt recommended that
Benjamin withdraw the work from consideration as his
Habilitation.
A commemorative plaque is located by the residence where Benjamin lived in Berlin during the
years 19301933: (Prinzregentenstrae 66, BerlinWilmersdorf). Close by Kurfrstendamm, in the district
of Charlottenburg-Wilmersdorf, a town square created [10] Moscow Diary
by Hans Kollho in 2001 was named Walter-Benjamin- [11] Jay, Martin The Dialectical Imagination: A History of
Platz.[22]
the Frankfurt School and the Institute of Social Research
19231950.
See also
Gertrud Kolmar
Michael Heller
Angelus Novus
References
[1] Walter Benjamin, Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit, 1936: The uniqueness of a
work of art is inseparable from its being imbedded in the
fabric of tradition. This tradition itself is thoroughly alive
and extremely changeable. An ancient statue of Venus, for
example, stood in a dierent traditional context with the
Greeks, who made it an object of veneration, than with the
clerics of the Middle Ages, who viewed it as an ominous
idol. Both of them, however, were equally confronted
with its uniqueness, that is, its aura. [Die Einzigkeit des
Kunstwerks ist identisch mit seinem Eingebettetsein in den
Zusammenhang der Tradition. Diese Tradition selber ist
freilich etwas durchaus Lebendiges, etwas auerordentlich
Wandelbares. Eine antike Venusstatue z. B. stand in einem
anderen Traditionszusammenhange bei den Griechen, die
sie zum Gegenstand des Kultus machten, als bei den mittelalterlichen Klerikern, die einen unheilvollen Abgott in ihr
erblickten. Was aber beiden in gleicher Weise entgegentrat,
war ihre Einzigkeit, mit einem anderen Wort: ihre Aura.]
[12] Leslie, Esther (2000). Benjamins Finale. Walter Benjamin: Overpowering Conformism. Modern European
Thinkers. Pluto Press. p. 215. ISBN 978-0-7453-15683. Retrieved August 28, 2009.
[13] Lester, David (2005). Suicide to Escape Capture:
Cases. Suicide and the Holocaust. Nova Publishers. p.
74. ISBN 978-1-59454-427-9. Retrieved August 28,
2009.
[14] Afraid of being caught by the Gestapo while eeing
France, [Koestler] borrowed suicide pills from Walter
Benjamin. He took them several weeks later when it
seemed he would be unable to get out of Lisbon, but didn't
die. Anne Applebaum, "Did The Death Of Communism
Take Koestler And Other Literary Figures With It?" Huington Post, 28 March 2010, URL retrieved 15 March
2012.
[15] Introducing Walter Benjamin, Howard Cargill, Alex Coles,
Andrey Klimowski, 1998, p. 112
[16] Buck-Morss, Susan. The Dialectics of Seeing. The MIT
Press, 1991, p. 5.
[17] Susan Sontag Under the Sign of Saturn, p. 129.
[18] Cf. Mit Walter Benjamin. Grndungsmanifest der Internationalen Walter-Benjamin-Gesellschaft. Copyleft Verlag, Hamburg, 1968, p. 6.
[19] Hereto Helmut Salzinger: Swinging Benjamin. Verlag
Michael Kellner, Hamburg 1990. ISBN 3-927623-05-9
[20] http://walterbenjamin.info/
8.2
Secondary literature
Further reading
8.1
Primary literature
Ferris, David S., ed. (1996). Walter Benjamin: Theoretical Questions. Stanford: Stanford University
Press. ISBN 978-0-8047-2569-9 (cloth) ISBN
978-0-8047-2570-5 (paper)
The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media, Harvard
University Press, ISBN 0-674-02445-1
Walter Benjamins Archive: Images, Texts, Signs.
Edited by Ursula Marx, Gudrun Schwarz, Michael
Schwarz, Erdmut Wizisla. ISBN 978-1-84467-1960
8 FURTHER READING
Philosophy Review, San Francisco, CA, Vol. 13, Nr.
1, pp. 1942. ISSN 1388-4441.
Jacobs, Carol. (1999). In the Language of Walter Benjamin. Baltimore: Johns Hopkins Press.
ISBN 978-0-8018-6031-7 (cloth) ISBN 978-08018-6669-2 (paper)
Jennings, Michael. (1987). Dialectical Images:
Walter Benjamins Theory of Literary Criticism.
Ithaca: Cornell University Press. ISBN 978-08014-2006-1 (cloth)
Jacobson, Eric. (2003). Metaphysics of the Profane:
The Political Theology of Walter Benjamin and Gershom Scholem. New York: Columbia University
Press, ISBN 978-0-231-12657-1, S. 352.
Kermode, Frank. Every Kind of Intelligence; Benjamin, New York Times. 30 July 1978.
Kirst-Gundersen, Karoline.
Walter Benjamins
Theory of Narrative. Dissertation, University of
Wisconsin-Madison, 1989
Leslie, Esther. (2000). Walter Benjamin, Overpowering Conformism. London: Pluto Press. ISBN 9780-7453-1573-7 (cloth) ISBN 978-0-7453-1568-3
(paper)
Lindner, Burkhardt, ed. (2006). BenjaminHandbuch: Leben Werk Wirkung Stuttgart:
Metzler. ISBN 978-3-476-01985-1 (paper)
Pignotti, Sandro (2009): Walter Benjamin Judentum und Literatur. Tradition, Ursprung, Lehre mit
einer kurzen Geschichte des Zionismus. Rombach,
Freiburg ISBN 978-3-7930-9547-7
Plate, S. Brent (2004) Walter Benjamin, Religion
and Aesthetics. London: Routledge. ISBN 978-0415-96992-5
Roberts, Julian (1982). Walter Benjamin. London:
Macmillan.
Rudel, Tilla (2006) : Walter Benjamin L'Ange assassin, d. Menges Place Des Victoires, 2006
Rutigliano, Enzo: Lo sguardo dell'angelo, Bari,
Dedalo, 1983
Scheurmann, Ingrid, ed., Scheurmann, Konrad ed.,
Unseld, Siegfried (Author), Menninghaus, Winfried
(Author), Timothy Nevill (Translator) (1993). For
Walter Benjamin Documentation, Essays and a
Sketch including: New Documents on Walter Benjamins Death. Bonn: AsKI e.V. ISBN 3-93037000-X
Scheurmann, Ingrid / Scheurmann, Konrad (1995).
Dani Karavan Hommage an Walter Benjamin. Der
Gedenkort 'Passagen' in Portbou. Homage to Walter
Benjamin. 'Passages Place of Remembrance at Portbou. Mainz: Zabern. ISBN 3-8053-1865-0
Lwy, Michael. (2005). Fire Alarm: Reading Walter Benjamins 'On the Concept of History.' Trans.
Chris Turner. London and New York: Verso.
Scheurmann, Konrad (1994) Passages Dani Karavan: An Environment in Remembrance of Walter Benjamin Stedelijk Museum Amsterdam. Bonn:
AsKI e.V. ISBN 3-930370-01-8
Neutert, Natias : Mit Walter Benjamin! Poetophilosophisches Manifest zur Grndung der Internationalen Walter Benjamin Gesellschaft. Ldke Verlag, Hamburg 1968.
Perret, Catherine Walter Benjamin sans destin,
Ed. La Dirence, Paris, 1992, rd. revue et
augmente d'une prface, Bruxelles, d. La Lettre
vole, 2007.
Perrier, Florent, ed., Palmier, Jean-Michel (Author), Marc Jimenez (Preface). (2006) Walter Benjamin. Le chionnier, l'Ange et le Petit Bossu. Paris:
Klincksieck. ISBN 978-2-252-03591-7
9
Weber, Samuel. (2008). Benjamins -abilities.
Cambridge, MA: Harvard University Press. ISBN
0-674-02837-6 (cloth) ISBN 0-674-04606-4 (paper)
Witte, Bernd. (1996). Walter Benjamin: An Intellectual Biography. New York: Verso. ISBN 978-185984-967-5
Walter Benjamin for Historians, American Historical Review, Vol. 106, No. 5. December 2001.
Walter Benjamin on the idea of Progress ...and the
law of uneven and combined development
Who Killed Walter Benjamin..., (Spain/The Netherlands/Germany, 2005, 73 min.) a documentary
lm about the circumstances of Benjamins death by
David Mauas
Wolin, Richard, Telos 43, An Aesthetic of Redemption: Benjamins Path to Trauerspiel. New York: Telos Press Ltd., Spring 1980. (Telos Press).
Urbich, Jan (2011). Darstellung bei Walter Benjamin. Die 'Erkenntniskritische Vorrede' im Kontext sthetischer Darstellungstheorien der Moderne, Berlin: De Gruyter. ISBN 978-3-11026515-6
External links
Works by Walter Benjamin at Open Library
Works by or about Walter Benjamin in libraries
(WorldCat catalog)
Walter Benjamin, at the Stanford Encyclopedia of
Philosophy
The Internationale Walter Benjamin Gesellschaft.
In English and German. (Defunct)
Walter Benjamin at Marxists.org
Fragments of the Passagenwerk:
Project, Giles Peaker
The Arcades
10
10
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10.1
10.2
Images
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10.3
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