Professional Documents
Culture Documents
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2013 by The Wenner-Gren Foundation for Anthropological Research. All rights reserved. 0011-3204/2013/5405-0002$10.00. DOI: 10.1086/672270
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of the quote seems to have been lost under the weight of the
past tense that Asad uses to refer to the histories of people
without Europe. The Wolfian conclusion that, after the encounter with Europe, there has only been one historical trajectorythat of the modern capitalist world systemseems
to have carried the day. Thus, other histories have come to
have little relevance for the present; they are things of the
past. Lost has been the importance of keeping in sight that
the (hi)story of the encounter with Europe is not the only
factor that shaped in the past, and continues to shape in the
present, the trajectories and the projects of various peoples
around the world; their own stories about such trajectories
and projects play a role as well. Granted, these cannot be
stories without Europe, but, I will argue, in many cases, they
can be and are stories in spite of Europe, that is, stories that
are not easily brought into the fold of modern categories.2
Although I will later complicate this definition, let me for
now say that by stories I refer to narratives that embody
certain ideas about the world and its dynamics. In this sense,
any history is a story about the unfolding state of the world
told from the vantage point of a particular set of ideas about
the world and its dynamics; in other words, there is no intrinsic difference between the terms history and story, as
the former necessarily implies the latter. While this is what
the counterpoint offered by the epigraphs above intends to
highlight, it would not be surprising to have analysts and
commentators explaining the use of the Andean concept of
Pachakuti and the Mesoamerican idea of the Fifth Sun in the
indigenous statement as stories that symbolize ethnic politicking, a thoroughly modern historical development. Yet Pachakuti and the Fifth Sun exceed modern categories of historicity; they tell other stories about how the world unfolds
in time. What is being missed and what is being produced
when these kinds of stories are forced to fit into a naturalized
(hi)story of modernity? In this article, I argue that what we
miss are ontological differences, thus producing the conditions of possibility for disavowing ontological conflicts.
A brief example will help me illustrate what I mean by
ontological conflicts. In June 2004, in the province of British
Columbia, Canada, the Mowachat/Muchalaht First Nation
botched a carefully staged and scientifically approved plan by
Canadas Department of Fisheries and Oceans and environmentalist groups to return a young lost orca whale, Luna, to
its pack. The First Nation insisted that the orca was Tsuxiit,
the abode of the spirit of their recently deceased chief, Ambrose Maquinna, and that his desire to stay with his people
should be respected.3 This was not a conflict between two
different perspectives on an animal but rather a conflict over
whether the animal of scientists, bureaucrats, and environ2. In this article, the term Europe operates as a metonym for modernity.
3. See http://www.cbc.ca/canada/story/2004/06/16/orca_drums040616
.html; the story of Luna received a lot of media attention, and besides
news and blogs, now there are two feature films about it: Spirit of the
Whale, which is a dramatization, and The Whale, a documentary.
An All-Encompassing Modernity
The assumption of an all-encompassing modernity has come
to dominate both scholarly and political analysis to the point
that anything that might try to contest it is automatically
treated with contempt. For instance, the anonymous reviewer
of an article in which a colleague and I (Aparicio and Blaser
2008) referred to certain knowledge practices enacted by sectors of indigenous movements in Latin America as nonmodern, wrote,
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550
merely the most recent way in which the West conceived and
explained otherness. The successive movements in the understanding of the non-European Other from being potentially devilish to lacking reason, then to represent backward
races and to finally being simply a human bearing a different
yet equally valid culture, marks at each stage an adjustment
of otherness against a new horizon of intelligibility (Christianity; the Enlightenment and reason; time and evolution;
and human exceptionalism or humanism). McGrane argues
that the epistemological relativism and pluralistic sensibility
associated with the concept of culture, far from being emancipatory, brings about a new form of establishing the privileges
and hierarchy of those using it. For our culture
knows that it is one-among-many, knows that it is relative,
and further, it values this knowledge (this knowledge is one
of its basic values), i.e., it locates its own superiority (knowledge) in this knowledge of its relativity, as it likewise locates
inferiority (ignorance) in ignorance of this relativity. Our
knowledge lies in the fact that we recognize . . . our relativity:
our relativity and their relativity, whereas their ignorance
lies now in their cultural absolutism. (McGrane 1989:120)
ferences without giving a privileged attention to that particular (hi)story of transformative interactions that, as I have
argued before, assumes that everyone has come now into the
fold of modernity and its categories (see Starn 2011). I say
unfortunately because the ethnographic sensibilities displayed
in those works are crucial in addressing ongoing transformative interactions between different ontologies without being prey to the capture of an all-encompassing modernity.
And this is precisely because these works highlight how peoples distribute what exists and conceive their constitutive relations in different ways; or, posed otherwise, that modernity
is one way of making worlds among others and therefore that
the concepts generated within it (including that of culture)
can only go so far.7
As a first approximation, the ontological approach at the
very least raises a caution flag as to the adequacy of our
established concepts. However, as Candea (Carrithers et al.
2010) warns, the move from culture to ontology does not
cancel some vexing questions that trailed behind the former
concept: namely, what is the nature of the distinction that
the terms seek to highlight, and what do we mean when we
speak of different ontologies? Is the term purported to be
merely heuristic or is it a description of a state of fact? These
questions are crucial and admittedly difficult to tackle, precisely because the problem with ontology is that heuristics
and statements of facts constantly slip into each other.
Many of the ethnographies mentioned above introduce caveats as to the heuristic character of the arguments they contain regarding the indigenous ontologies under considerations
(and their contrasts with the Western/modern one), yet sometimes it is difficult to shed the impression that one is being
presented with the description of an actually existing ontology
out there. If we take the ontological approach as simply
stating that there are a variety of describable ontologies out
there, we end up very much in the same place as where we
started with culture, that is, sneaking up the modernist ontological assumption that there is a world out there, in this
case a world made of ontologies rather than cultures. In contraposition to this, Holbraad (Carrithers et al. 2010:185) proposes to take ontology as being just a set of assumptions
postulated by the anthropologist for analytical purposes. As
a heuristic device, ontology works with the contradictions
between a set of initial assumptions and some body of material
that appears to contradict it.
So what makes the ontological approach to alterity not only
pretty different from the culturalist one, but also rather
better, is that it gets us out of the absurd position of thinking
that what makes ethnographic subjects most interesting is
that they get stuff wrong. Rather, on this account, the fact
that the people we study may say or do things that to us
appear as wrong just indicates that we have reached the
7. Hence, the term nonmodern that I have used before was meant
as a placeholder, a carving out of space from the tenet that modernity
is all that exists.
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limits of our own conceptual repertoire. . . . The anthropological task, then, is not to account for why ethnographic
data are as they are, but rather to understand what they
areinstead of explanation or interpretation, what is called
for is conceptualization. . . . Rather than using our own
analytical concepts to make sense of a given ethnography
(explanation, interpretation), we use the ethnography to
rethink our analytical concepts. (Holbraad, quoted in Carrithers et al. 2010:184)
552
For them, it goes without saying that they are treating with
a single entity/disease. Moreover, the assumption of singularity is crucial to the very practices through which they perform atherosclerosis. This enacted assumption can be storied
thus: there is an objective reality out there (the disease atherosclerosis), and there are (more or less accurate) subjective
or disciplinary perspectives on it. This is the succinct version
of the modern myth telling us what kinds of things (e.g.,
subjects and objects) and relations (e.g., of perspective) make
up this particular world. Of course, the connections can be
narrated in the reverse order, and we can move from one of
the various storied versions of the modern myth to its enactment in practice. This is the road taken many times by
ethnographers when showing how myths are enacted in the
practices and embedded in the institutions of the peoples they
work with.
Storied performativity underscores the connection between
stories and practices (which in turn stresses the extent to
which the terms ontologies, worlds/worlding, and stories are
synonyms). But the most important point that can be drawn
from the concept is something numerous indigenous philosophers and intellectuals have insisted on (see Archibald 2008;
Burkhart 2001; Cajete 2000; Wilson 2008): stories are not
only or not mainly denotative (referring to something out
there), nor are they fallacious renderings of real practices.
Rather, they partake in the performance of that which they
narrate. One implication of this is that the stories being told
cannot be fully grasped without reference to their worldmaking effects, for different stories imply different worldings;
they do not float over some ultimate (real) world. The
corollary is that, indeed, some ethnographic subjects (or stories/worldings/ontologies) can be wrong, not in the sense of
a lack of coincidence with an external or ultimate reality, but
in the sense that they perform wrong: they are/enact worlds
in which or with which we do not want to live.
Multiple ontologies, ontological multiplicity, and storied
performativity constitute the resources with which what I call
political ontology tries to perform the pluriverse. The term
political ontology is meant to simultaneously imply a certain
political sensibility, a problem space, and a modality of analysis or critique. The political sensibility can be described as
a commitment to the pluriversethe partially connected
(Strathern 2004) unfolding of worldsin the face of the impoverishment implied by universalism. Of course, the pluriverse is a heuristic proposition, a foundationless foundational claim, which in the context of the previous discussion,
means that it is an experiment on bringing itself into being.
The problem space can then be characterized as the dynamics
through which different ways of worlding sustain themselves
even as they interact, interfere, and mingle with each other.
Finally, and in contrast with other modalities of critique or
analysis, political ontology is not concerned with a supposedly
external and independent reality (to be uncovered or depicted
accurately); rather, it is concerned with reality making, including its own participation in reality making. In short, po-
553
The key to the equivocation here is in the reference to re13. For this understanding, I variously build on Haraway (1997), Latour (2005), Law (2004), Law and Mol (2002), and Strathern (1996).
554
story was conceived as a description of the path that everybody would eventually follow, now it is conceived as a fait
accompli; modernity is the present and thus, as Giddens
(1990) says, from now on is modernity all the way down.
Notice that I speak of an arrangement of the three elements:
it is not the nature/culture divide, a hierarchical understanding of the differences between (modern) self and (nonmodern) others, or linear time per se that makes the story of
modernity specific; what constitutes the specificity of modernity in a context of multiple ontologies/stories is the particular way in which these elements are storied/enacted as
being related to each other. The arguments of the Latin American research program on modernity/coloniality and decolonial thought (MCD) are useful to explicate the point.17
MCD foregrounds that the modern ontological armature described above emerged progressively in a series of specific
locations in western Europe along with the unfolding of the
colonial experience and needs inaugurated by the Spanish
conquest of the New World (see Dussel 1995; Mignolo 2000).
Thus, the two great divides (nature/culture and modern/nonmodern) and its correlated temporal matrix are not just historically coemergent, they are cosustaining. The implication
being that performing a modern world in which this arrangement of threads constitutes the ontological bedrock necessarily involves keeping at bay the threat posed to it by the
radically different ways of worldings with which it is nevertheless entangled. And this has been done, first by denying
these other worldings any veracity and, later on, even real
existence, to the point that true conflicts (i.e., where parties
17. Under this research program, a heterogeneous groups of scholars
located in both Latin America and the United States have been discussing
since the 1990s the constitutive relations between modernity and coloniality, on the one hand, and between these and nonmodern societies,
on the other hand (for a more detailed discussion of this research program, see Escobar 2007a; Mignolo 2007).
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ization. To the extent that these conflictive encounters proliferate (see Leach, Scoones, and Wynne 2005; Mander and
Tauli-Corpuz 2006), the modern story becomes increasingly
located in a position of dominance without hegemony
(Guha 1997). This does not mean that modernity has lost
dominance but that in sustaining it, the balance between coercion and persuasion is shifting. Forty years ago, opposing
mining, oil extraction, or the increase of agricultural lands
for environmental reasons or because indigenous ways of life
would be profoundly disrupted would have been seen as sheer
irrationality by most citizens in a Latin American country;
not so now. The promise of modernization no longer appears
as persuasive (which does not mean totally unpersuasive either), and thus a space gets opened to perform other stories
and other propositions about how different worldings might
relate.
557
Diatribes like this are not isolated; rather, they are quite
common in Bolivia and beyond when anything unfitting to
modernist parameters of reasonability surfaces as something
with more pretensions than simply being folklore for tourist
consumption. Whether in incendiary op-ed commentaries or
in more subtle scholarly analyses, the rationale of the disqualification seems to follow the same pattern:
(1) Premise: cultural differences are folkloric and superficial because we all now live in the modern world (a product
of five centuries of global intermingling and transformative
26. Mignolo and Schiwy (2003:9) point out that, not surprisingly, the
situation created by the arrival of the Spaniards was referred to as pachakuti. Millones (2007) in turn points out that pachakuti does not refer
to a return to a pre-Hispanic state of the world, but to the creation of
a new one.
27. Some of the articles that composed the debate, including the one
cited here, are available online at http://www.socialistvoice.ca/?pp1228.
558
Nadasdy (2007:37) provides some answers to these questions when he argues that, to the extent that our theories deny
the ontological assumptions on which other peoples base their
conceptions of the world, we provide a powerful justification
for the dismissal of certain beliefs and practices as just cultural
constructions (which, although perhaps relevant in the realm
of cultural politics, cannot provide the factual basis for development or resource management). One could add, following de la Cadena (2010), that from a modern perspective,
these ontological assumptions cannot provide a basis for serious politics either. In part due to this, argues Poirier (2008:
83), many indigenous peoples conceal those aspects that are
considered, from the point of view of modernist (and Cartesian) ontology and epistemology, as a radical alterity, those
that are not considered seriously and at face value, and just
as mere beliefs. Most often, I suspect, many indigenous pol-
iticians find few avenues to contribute to sustaining or protecting their worlds other than through the use of (our)
widely available categories and symbols of alterity (or Sameing)such as that of the ecologically noble savage, the original
communist, or the original entrepreneurwhich, with all the
perils that the move entails, are palatable to different audiences and circumstantial allies.28 Further remarks are not necessary to bring home the point that, with regard to ontological
differences, the current relations of force make equivocations
even more pervasive, almost endemic. In this sense, we cannot
assume that self-representations through established categories exhaust the radical differences that may or may not be
at stake. In fact, those self-representations tell us more about
the status of the hegemony of the categories being used, and
the asymmetrical relations between worlds, than about the
existence of those radical differences. Thus, when a cataract
of words in an indigenous language starts to appear on the
public political stage, it might be an indication that the corset
that dominant categories impose upon radical differences
might be exploding at the seams.
Worlding is a contested, arduous, and not entirely coherent
process and never takes place in a vacuum without connections to other ways of worlding. Yet the connections do not
cancel their radical differences. Radically different worlds are
being enacted in front of our noses, even if they now involve
computers and the Internet, along with older (which does
not mean unchanging) other nonhumans! And while they
might be taking place in front of our noses, these enactments
are not spectacles geared to achieve the ulterior purposes that
our categories allow us to imagine (control of resources, political positioning, and so on). They are doing worlds themselves.
Discussions about the proper protocols to engage powerful
nonhumans in changing circumstances, inquiries into the collective memory to repair and/or recreate practices wounded
by colonial policies, and efforts to relearn or create languages
and concepts that can better express and materialize visions
of what a decolonized life means are taking place along with
other everyday forms of existence away from an audience that
28. The ecologically noble savage and the original communist are
well-known and widely debated labels of alterity (see Harkin and Lewis
2007; Krech 1999; Lee 1990; Wilmsen 2009); a little less known is the
original entrepreneur label, most visibly promoted by neoliberal intellectual and pundit Hernando de Soto and his Institute for Liberty and
Democracy (see http://www.ild.org.pe). For all their differences, all these
symbols tend to play the same role in the modern political terrain: being
incarnated by those supposedly closest to natural man, they lend an
aura of naturalness to the positions and arguments associated with them.
Yet as Nasdasdy (2005) cogently argued in the case of the ecologically
noble savage, none of these labels capture what is at stake in many
indigenous understandings of nonhumans, and, I will add, well-being or
justice, for that matter.
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Acknowledgments
This piece has been on the make for almost 5 years, and the
debts accrued are plenty. First and foremost, I must state upfront that the idea of political ontology has been taking shape
more directly through collective thinking with Marisol de la
Cadena and Arturo Escobar. As part of this collaboration, we
organized two seminars. One of them (Politica Mas alla de
la Politica), funded by the Wenner-Gren Foundation, took
place in July of 2009 in Santandercito (Colombia); the other
(Pluriverse and the Social Sciences), funded by the Social
Sciences and Humanities Research Council of Canada, took
place in September 2010 in St. Johns, Newfoundland. The
participants in both seminars were enormously generous in
engaging with some of the ideas presented here; in particular,
I want to thank Juan Ricardo Aparicio, Janet Conway, Harvey
Feit, Larry Grossberg, Eduardo Gudynas, Alex Khasnabish,
John Law, Brian Noble, Isabelle Stengers, Eduardo Restrepo,
Dianne Rocheleau, Axel Rojas, and Elena Yehia. I am also
thankful to Michael Asch, Damian Castro, Alberto Corsin
Jimenez, Lesley Green, Martin Holbraad, Justin Kenrick, Josh
Lepawsky, Charles Mather, Annemarie Mol, Claire Poirier,
Sylvie Poirier, Colin Scott, Helen Verran, and Eduardo Viveiros de Castro for insightful conversations on various aspects
of the arguments presented here.
Comments
Claudia Briones
Instituto de Investigaciones en Diversidad Cultural y Procesos de
Cambio (IIDyPCa), Universidad Nacional de Ro Negro-CONICET, B. Mitre 630 5 Piso, (8400) San Carlos de BarilocheRo
Negro, Argentina (cbriones@unrn.edu.ar). 19 III 13
560
Anders Burman
Human Ecology Division, Department of Human Geography,
Lund University, Solvegatan 10, S-22362 Lund, Sweden
(anders.burman@hek.lu.se). 22 II 13
561
Arturo Escobar
Department of Anthropology, CB 3115, University of North Carolina, Chapel Hill, North Carolina 27599, U.S.A. (aescobar@
email.unc.edu). 25 II 13
562
Lesley Green
School of African and Gender Studies, Anthropology and Linguistics, University of Cape Town, Private Bag X3, Rondebosch 7701,
Cape Town, South Africa (lesley.green@uct.ac.za). 4 III 13
In gathering together relatively disparate strands of anthropology over the past few decadesindigenous activism, science and technology studies, the critiques of the idea of culture and modernist thoughtBlaser offers a succinct
statement of what a decolonial anthropology might look like.
Read in the context of South Africa, the argument speaks
to ongoing debate in public life and the humanities on the
difficulties of finding agreement about the place of science in
a postcolonial democracy. The history of the critical humanities in the South Africa of the 1990s was that of destabilizing
certainties over apartheids imagined culturalist collectivities:
culture, race, tribe, ethnicity, tradition among them, yet the
same argument has been able to offer very little to a parliament that has, at times, been determined to contest the hegemony of science, or the western version of nature (which
has never itself been singular) in the name of either culture
or political economy. For this reason, the turn to an anthropology that engages questions about both nature and culture
is valuable.
The question is whether the theoretical, conceptual, and
political project that is proposed here is broad enough to
frame an agenda for decolonial research. It is, as Blaser notes,
very easy to put the old wine of culture into a new wine bottle
of ontology, and while I value deeply the performative emphasis that Blaser offers in his attention to storying, enacting,
and worlding, the very word ontology has difficulty holding
the emphasis on emergence, precisely because it proposes to
make of these worldings, and so on, things. For Afro-Martiniquan postcolonial thinker Aimee Cesaire, thingification
in the sense of objectificationis the core of the colonial project
(Cesaire 1972). Finding a grammar for emergence, in a language
that is attuned to objects or subjects, is indeed challenging.
While the notion of the politicoconceptual implies the
enacted emergence of things (or matters of concern, in the
sense used by Bruno Latour), its frame of reference remains
a matter of mind, culture, and ideology. Where, in this view,
are different relationships to materiality? Modernity is not
Martin Holbraad
Department of Anthropology, University College London, 14
Taviton Street, London WC1H 0BW, United Kingdom
(m.holbraad@ucl.ac.uk). 11 III 13
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564
of anthropology as an intellectual pursuit, namely, that registering difference in its own terms (i.e., as difference proper)
is what is at issue in it (Viveiros de Castro 2002).
It is just on this point that I am in doubt about Blasers
position: notwithstanding the caveats about their enacted and
performative character, which do lend political ontologies a
highly fluid and provisional nature, I fail to see how this is
not ultimately yet another argument that operates by grounding the possibility of difference in a prior story of how the
world(s) must work, namely, in this case, the world(s) as a
terrain in which ontological differences are ever-emerging,
fluid, and tentative. Sure, as Blaser emphasizes, the merit of
this way of parsing difference is that, in instantiating (enacting, performing) the very understanding of ontology it proposes, this argument must itself be fluid and tentative. Nevertheless, at least for the time being and for as long as it lasts,
the argument seems to cut against itself. How is the possibility
of different differences (again, differences proper) not canceled by Blasers prior story of what differences must look
likethat is, the image of ever-emergent worldings, enacted
and performed fluidly, tentatively, and so on? The fact that
in many of its elements the story itself is not altogether unfamiliar (those truly in search of ontological difference are
probably unlikely to find it among such modish concepts as
emergence, performance, fluidity, and so on) may lend some
weight to this worry about the capacity of Blasers political
ontologies truly to differ.
Helen Verran
The Northern Institute, Charles Darwin University, Yellow Building 1, Level 2, Ellengowan Drive, Casuarina, Northern Territory
0909, Australia (hrv@unimelb.edu.au). 8 III 13
lined up as stories are the means here, for stories can even
evade the ontics and ontological politics that necessarily come
along with words themselves. But I do not have space for
stories, and heres the rubin serious politics too, the space
for stories is highly constrained. Stories bring in difference
that works unpredictably, as, several turns into one . . . turns
into several, they exaggerate contingency in moments of
eversion.
Reply
Finding a grammar for emergence, in a language that is
attuned to objects or subjects, is indeed challenging. This
phrase from Lesley Greens commentary captures an important aspect of what political ontology is up against, and I am
enormously grateful to the commentators for their insightful
prodding to further refine the language of this project. In this
line, it might be useful to begin by clarifying the strategy/
concern that led me to use some terms in certain ways and
to shape the text in its present form.
Although I agree with Martin Holbraad that the ontological turn might be reaching maturity, it is also the case that
many colleagues in the discipline are skeptical if not worried
about the implications of the proposal because, to paraphrase
Claudia Briones, the othering associated to the idea of radical
difference has often justified oppression within the modern
world system. The text was thus conceived as an invitation,
which included those skeptical and worried colleagues, to (a)
think about the equally dangerous Sameing that goes under
the banner of an all-encompassing modernity and (b) consider a proposal that might circumvent both Othering and
Sameing by tackling the differences apprehended as culture
in terms of ontologies. But in order for this to work, I imagined, the argument would have to progressively move from
the more familiar language of hybrid cultures (with its concomitant thingification) to the language of political ontology, which while still in the making is decidedly on the side
of practices, emergences, and pragmatism. It is in this context
that much of the slippage between words used alternatively
as nouns, verbs, and adjectives must be understood. I intended
that by the end of the paper the reader would understand
that, for example, nouns have been reworked to imply something other than things and that, in the same way, stories
imply more than discursive practices. The limited success to
achieve this, as evidenced in some of Brioness and Greens
commentaries and questions, underscores the challenge of
finding a proper language to express the project. While recognizing this, it is also important to make a clear distinction
between what may be my failure to articulate a clear language
and the projects grounding on the pragmatist figuration of
an emergent ontology that I call pluriverse.
It will not be possible in this short reply to provide answers
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