Professional Documents
Culture Documents
AT CEU
VOL. 21
2015
Edited by
Judith A. Rasson and Katalin Szende
Cover Illustration
Mithras slaying the bull, tondo from Salona, CIMRM 1861
(Courtesy of the Archaeological Museum, Split)
TABLE OF CONTENTS
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Medieval battles between major armies and grand sieges get most of the spotlight
in general military history including that of late medieval Bohemia. They
serve as basic case studies for the evolution of military tactics. Yet most military
undertakings as Anglo-American military historians point out were ravaging
operations and small clashes of detached units the so-called small war. While
scholars of the war between Matthias Corvinus (14431490) and George of
Podbrady (ca. 14201471) acknowledged the presence of this phenomenon,
they never performed a tactical analysis of small war encounters.
This thesis thus analyses the small war phenomenon in the Podbrady
Corvinus conflict (14681471). Small war operations involving medieval
Englishmen are much better studied; because of this the basic theoretical framework
is a comparative approach between the Northwestern European paradigm and
vernacular Bohemian didactic and narrative sources. The results of the analysis
contradict some of the general conclusions of traditional military history. The
alleged degeneration of late medieval cavalry and linear diachronic ascendancy
of foot soldiers were not present in the small war. Furthermore, the helplessness
of Bohemian foot soldiers in field engagements without the protection of field
fortifications (such as the wagon-fort) seems to have been exaggerated.
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The Order of the Saint Paul the First Hermit was one of the most popular
monastic orders in the kingdom of Hungary-Croatia in the fourteenth and
fifteenth centuries. In medieval Croatia, the Paulines established monasteries
at Gvozd (St. Nicholas), Brinje (Holy Virgin Mary), Senj (Holy Savior and St.
Helen), Crikvenica (Holy Virgin Mary), Novi (Holy Virgin Mary), and several
other places. This thesis focuses on the relations between the Paulines and the
Frankapan family, one of the most significant aristocratic families in medieval
Croatia. Even though well known, this connection has never been fully examined
in the previous historiography. By analyzing charters concerning these Pauline
monasteries, this thesis discusses the nature of the relations between the Paulines
and the Frankapans, their possible emulation of the royal patronage of the
Paulines, the main considerations concerning site selection for their monasteries,
the role and influence of the Frankapan family in the Pauline shift towards the
mendicants, the main aspects of the Pauline economy and changes that occurred in
it over the time. It includes comparisons with the Pauline monasteries in medieval
Slavonia and Hungary. Lastly, the appendix lists and gives general information
about charters related to the monasteries studied.
Community Problems in Rijeka:
A Study on the Liber Civilium sive Notificationum (14371453)
within the community of medieval Rijeka have not been studied before. The
research covers the years of the mandate of James Raunacher, captain of Rijeka
in the period from 1437 to 1453. The source contains altogether 1493 documents
for this period and 140 of them concern problems within the community. Of
these 140 documents, thirty-nine record a problem with trade. Other documents
regarding community problems describe confiscations, thefts, testimonies, a false
testimony, verbal insults, trespassing, and violations of labor contracts. The role
of women and strangers in the problems in the community is also addressed. The
lack of documents regarding problems within the community cannot be taken
to show that Rijeka was a peaceful town. Comparing the documents with the
Statute of Rijeka from 1530 and statutes from the other communes on the East
Adriatic coast, I conclude that in fifteenth-century Rijeka there must have been
more books where town affairs were recorded which have not survived or still
wait to be found.
Mapping the Meaning:
Monastic Topography of Constantinople, 10811204 and 12611328
The thesis focuses on the monastic patronage of the members of the imperial
family and aristocracy in Constantinople in two distinct periods: 10811204 and
12611328. It starts with the idea that a city is much more than a cluster of
buildings and cityscape is a social construct in which not only tangible imprints of
patrons, i.e., the buildings, but also their intangible manifestations of power can
be observed. In this study, I depart from the assumption that monastic patronage
represents the most tangible part of the power spectrum, and through a crossreading of the patrons rank and kinship networks, it is possible to reach the most
abstract end of the power spectrum, a struggle to gain prestige and visibility. In
the first two chapters, the monastic topography of Constantinople during each
period is investigated with its own dynamics in order to understand the reasons
and motivations a founder had to commission a monastery and to choose the site
for his or her pious foundation. The last chapter takes a comparative approach
and evaluates the outcomes of marriage alliances and kinship groups in both
periods as reflected in the monastic topography of the Byzantine capital.
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Judit Gl (Hungary)
Thesis Supervisor: Katalin Szende
External Reader: Damir Karbi (Croatian Academy of Sciences and Arts, Zagreb)
This thesis examines the complex role of royal grants to the Church in Dalmatia
during the reign of the kings of the rpd dynasty (11021301). It goes beyond
the traditional scholarly approach of the common history of Croatia and Hungary
by dealing not only with political history, but examining the royal grants in the
context of church history, social history, and the history of rituals, symbolic
communication, and representation. In the first chapter I analyze the temporal
and territorial distribution of the royal grants. The second chapter examines
the royal aspects of giving grants to the Church in Dalmatia. I point out that
grants not only had a practical, political role, but they were part of the symbolic
communication between the ruler and the ruled land, made social connections,
and earned loyalty for the kings. In the final chapter I deal with the recipients of
the grants. I emphasize that they had an active role in the process of donating;
the recipients could represent themselves, the social structure of their city, and
earn advantages from the royal favor. In the conclusion I point out that grants
to the Church had various roles in Dalmatia, both for the cities and the kings
of Hungary, who accommodated themselves to social, cultural, and economic
changes in Dalmatia to keep the loyalty of the Dalmatian cities.
Marriage Payments in the Venetian Eastern Adriatic:
A Comparative Approach to the Fourteenth-century Statutes of
Shkodra and Budva
in family law and inheritance law. It pays special attention to the case of marriage
payments, mostly represented by dowry. The dowry is understood as an economic
transfer, a help for the future family, and a life-long deposit.
Artistic Transfers from across the Adriatic Sea:
The Thirteenth-century Frescoes in the Church of
St. Chrysogonus in Zadar
This thesis explores Byzantine artistic traditions beyond the Byzantine frontier
by focusing on a case study of the frescoes in the church of Saint Chrysogonus
in Zadar. The frescoes preserved in its interior, dated to the thirteenth century,
show connections to Byzantine traditions, although the city was by that time no
longer under Byzantine rule and despite the fact that the church belonged to a
Benedictine monastery. The connections and role-models are to be looked for in
the territory of Southern Italy, in the region of Apulia.
Monumental art preserved in Apulia is interpreted as a product of specific
social and political circumstances. Being physically remote from Constantinople,
this region was subject to influences from other centers. On the other hand,
Byzantine traditions remained strong even after the Norman Conquest, which is a
complex issue that has to do with audiences and patronage, as well as overlapping
cultures. Strong trade connections between Dalmatia and Apulia, as well as
evidence of other types of connections suggest artistic transfers between the two.
The exterior of the church of St. Chrysogonus, with parallels in Apulian
basilicas, is another clue to the same connections. The resemblance of the frescoes
in Saint Chrysogonus and particular fresco-decorated rock-cut churches in Apulia
enables a more precise dating of the former. The case of St. Chrysogonus casts
doubt on generalizations about Western influences on Dalmatian monuments.
Apart from shedding light on artistic tendencies in Zadar, this study also
contributes to a better understanding of cultural transfers in the Mediterranean.
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This study deals with a case of royal piety in the fourteenth century. On the
example of the shrine of Saint Simeon, it follows the story of Queen Elisabeth
Kotromani. In the first part, the focus is on the development of the cult of Saint
Simeon in the Adriatic Basin, focusing on the comparison of materials in three
cities: Dubrovnik, Venice, and Zadar. The second part is dedicated to the cult of
Saint Simeon in Zadar; while the third part focuses on the queens motivation
and reasons for the gift of the shrine. Following hagiographical narratives and
pilgrimage records and combining them with an interpretation of the images on
the shrine suggests possible ways to better understand the shrine.
Wealth, Power, and Lands: Barbara of Cillis Family Agenda
Barbara of Cilli was one of the most influential queens of the fifteenth-century
Kingdom of Hungary. Her person was not thoroughly researched up until the
last decade with the increased scholarly interest in topics of gender issues and
queenship. Accordingly, as new light is shed on her life and character, this thesis
addresses the questions of her role as a substitute ruler, her power and wealth, her
influence in political matters, the date and place of her wedding and coronation,
and the state of her estates, which, together with their revenues, which would
have contributed to her power and authority as queen.
The first chapter contextualizes Barbaras role in the issue of medieval
queenship, covering sources and previous scholarship. The second chapter
analyzes the date and place of Barbaras wedding and coronation. The third
chapter considers the properties Barbara received upon her wedding and their
management.
My conclusions are, firstly, that Barbaras wedding happened in Krapina a
few days before 16 November 1405 and that her coronation in Szkesfehrvr
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on the issue and interpreted it in several ways. In this study I argue that Thomas
consistently supported political monarchy, that is, a government with one head
whose power is limited by the admixture of elements of aristocracy and democracy
in the government. The Dominican Order, an organization Thomas belonged to
all his adult life, manifests a similar arrangement. This paper proposes the still
barely discussed possibility of Dominican influence on Thomas notion of the
best government for actual human societies.
Text and Image on Reproductive Prints
A Case Study of Sixteenth-Century Prints after Raphaels Design
This thesis is intended as a case study of a broader topic, namely, text and
image relations on early modern single-sheet engravings. A diverse collection of
sixteenth-century prints after Raphaels design was compiled with the purpose of
testing the relevance of the main research questions: What changes took place
in sixteenth-century printmaking? and What patterns and functions characterize
text-image relations on reproductive prints? My aim was to reveal the early
modern use and reception of these prints by investigating the strategies of their
visualization. In chapter two, a terminological question is examined in detail,
namely, whether the use of the term reproductive is anachronistic for the Early
Modern period. Besides revising the existing alternatives in earlier scholarship,
emphasis was laid on how to describe and define the early predecessors of
modern reproductions. In chapter three, a multi-level model of interpreting and
understanding reproductive prints was worked out and applied to the material. I
assumed that the primary role of prints was to transmit the topic of the depiction
in a complex way, and secondarily to give a particular visualization. The textual
and visual form of inscriptions related to authorship was analyzed to examine
how the printmakers and the audiences acknowledged Raphaels role in the
creation of the sheet. Chapter four focused on the relation of thematic texts and
images; emphasis was laid on the identification of different sources of the texts
(Biblical, Virgilian, etc.). The aim of the analysis was to reveal general patterns
in the material, such as the summarizing character of the texts or the habit of
dramatizing the depicted figures by means of legends. Through the comparative
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analysis of texts and images, I intended to reveal the creative process of selecting
and matching texts to single sheet-prints and how this selection process was
determined by the marketing expectations of the creators. A shift from exclusivity
towards availability was seen as the dominant change between 1500 and 1600.
The thesis is completed with a catalogue of all the analyzed prints, which includes
the transcriptions and translations of the inscriptions; some of these examples
are available in English for the first time. With the purpose of making the visual
analysis of images and texts clear and easier to follow, additional figures were
created in appendices.
The Late Byzantine Oikeioi: Prosopographical and Quantitative Analyses
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The thesis problematizes the social category of kyra, which in both scholarly
and popular literature has come to denote a Jewish female intermediary primarily
engaged in commercial activities between the early modern Ottoman imperial
harem and the world outside it. It approaches kyra as a concept and explores
its elements various Jewish women associated with the palace household, the
title, and the Jewish harem intermediary separately on the basis of a careful
juxtaposition and dialogue of the already known and previously neglected early
modern European, Jewish, and Ottoman narrative sources and archival material.
The work argues that the explanatory framework that developed based on the
supposed social category of kyra is reductionist because it privileges the notion of
mediation while ignoring that Jewish women appeared in the sources in relation
to the imperial harem in other capacities (as palace favorites, healers, etc.) that
suggests a more deeply embedded institutional relation to the palace household.
The thesis, furthermore, points to the fact that the precise meaning of the title
kyra is in fact unclear, not only in sixteenth-century Ottoman palace parlance,
but also beyond the imperial household throughout this period. In addition, the
work demonstrates through the juxtaposition of letters written by a heretoforeunknown Jewish kyra, her female royal patrons, and Venetian diplomatic and
governmental officials, that the theory and content of the kyra paradigm and
articulation of the category as a harem intermediary are based on her professional
activities and biography instead of a well-established time-honored palace practice.
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The thesis examines the corpus of Passion plays from the Eastern Adriatic from
the perspective of religious and social history. In contrast to philological aspects
of the plays, which are already well examined in the literature, this research focuses
on less studied features. The textual level of these plays is thereby explored in a
novel way, where texts are used to analyze their implicit theatrical performance.
Thanks to this approach, the analysis reveals significant facts on the performing
aspect of the plays: the space in which the performance took place, the time
frame within which the performance was held, and the acting aspect through
which the plays were communicated to the audience. Second, textual analysis is
employed to examine a broader social context in which the plays were written
and performed. There, the findings on the technical aspects of the performance
were used to analyze the hybrid position of Passion plays between civic theatre
and religious performance. Finally, my results show that the ritualistic function
of the genre, and the constitutive role of the audience in the performance help
explain some crucial features of the Passion play genre, primarily related to their
contextual variability.
Codex Mannanam Syriacus 46 and a
Homily by Francisco Roz on Saint Thomas
important witness to the interaction between the Saint Thomas Christians and
Western Catholic missionaries in South India at the end of the sixteenth and the
beginning of the seventeenth century.
After a short overview of the Catholic missions in India during the sixteenth
century, the thesis provides a philological and exegetical analysis of the text which
suggests that the homily is a vivid example of Jesuit accommodationist discourse.
It is the result of a complex blending of scriptural, patristic, and literary sources,
both in Latin and Syriac, which are gathered together according to the classical
canons of the encomiastic discourse. The way the author shaped the homily aims
to bring into focus exceptionality of Saint Thomas by putting together a rich
exegetical and rhetorical apparatus which gives birth to beautiful speculative and
non-scholastic theological thinking. All these elements suggest that the authorship
of the text might be ascribed to the Syriacizing learned circle constituted around
Francisco Roz at the Vaipikotta seminary in South India at the end of the sixteenth
and beginning of the seventeenth century.
The Medieval Landscape of the Pauline Monasteries in the Pilis Forest
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The cult of Mithras in Salona, the capital city of the Roman province of Dalmatia,
has long been a neglected topic among scholars. Although numerous works
have been dedicated to the cult of Mithras throughout the Roman province of
Dalmatia, the questions of appearance, dissemination, and disappearance of the
cult in Salona still remain unanswered. The aim of this thesis is to fill this gap by
examining the material evidence of the cult: fifteen bas-reliefs, seven inscriptions,
and five alleged mithraea.
The rich material evidence is examined according to its typology and
iconography (bas-reliefs), content (inscriptions), and archival material (mithraea).
According to the analysis, it is argued that the cult appeared in Salona in the
second half of the second century AD, reached its apogee in the third century
AD, and had probably ended its activity by the end of the fourth/beginning of
the fifth century AD. The so-called Salonitan tondo is given a new iconographic
interpretation. Based on the evidence presented, the thesis argues that Mithraic
communities in Salona created a specific local idiom that helped them establish a
local identity.
The Medical Work of Paul of Aegina: The Case of Treating Rabies
This aim of this thesis is to analyze the fragment describing rabies in a medical
encyclopedia, Pragmateia, written in seventh century Alexandria by Paul of Aegina.
The importance of this author lies in the fact that he used early medical sources,
many of which are extant, and that he was the last influential Greek physician
practicing in the Alexandrian milieu.
First, the thesis focuses on the different levels of understanding rabies
as reflected in different medical sources, from biological entity to communal
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