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Jonathan Foulston
The Use of Symbolism and Colour in American Beauty
A Semiotic Analysis
From the beginning of film itself, symbolism has been included in many popular films to convey
meanings and motifs that cannot be expressed through dialogue or aural representation. A great
example of how imagery in film is used to connote themes and implications is Sam Mendes 1999
classic, American Beauty. As its tagline, look closer, suggests, the Academy Award winning film
features a lot of interesting symbolism to express deeper meaning to subjects that are touched upon
during the narrative. The film cleverly uses colour, particularly red, to accentuate themes and to
reveal characters personalities and feelings. Additionally, all of the signs presented during the films
progression can be linked to the ideology of the story itself.
In American Beauty, a frustrated middle-class father, Lester Burnham, becomes disinterested with
his materialistic life and subsequently finds himself experiencing a mid-life crisis. He decides to quit
his job to explore his own desires and make use of his new-found freedom whilst simultaneously
becoming increasingly infatuated with his daughters best friend. The film focuses on the downfall of
marriage and centres on the themes of materialism, passion, repression and beauty.
Despite knowing that Lester is going to die from his narration during the opening of the film, his
eventual demise is hinted continuously during the two hour classic through symbolism and colour.
The film begins with a comical, light-hearted look at the tribulations and adversities of nineties
suburban America but gradually deteriorates into much darker territory. Regardless of Mendes
witty script and the casts exceptional acting, American Beauty is a story that is capable of being told
through its visuals alone. Its carefully selected imagery is supplied to voice concerns about social
issues and to commentate on the state of Americas society during the late nineties.
The first thing to mention is American Beautys repetition of the colour red and what it implies. The
denotation of the films use of red says little to nothing but the connotative meanings are much
deeper and more complex. Traditionally, the colour red implicates passion, love, danger, blood and,
ultimately, a lifeforce. Therefore by applying this connotative interpretation of red to the films
implanted ideology, we can declare that it signifies the passion, love and lifeforce of the characters.
When the audience first sees Lester at his office desk working1, the red items in the room are
shrouded and hidden from plain sight which elaborates on how his work and life forces him to
repress his own passions and his lifeforce there is very little colour in his mundane life. His
existence has become more of a routine rather than a time of opportunity, spontaneous escapades
and fun. Lester is miserable. However, as the film moves on, we see red playing a much larger role in
his life through the results of his outlandish behaviour, his outfits and the settings he inhabits. After
Lester is inspired by Ricky to live more and care less, he invests in the red firebird car2 he had always
wanted, as well as a red remote controlled car3, and gets a new job at a fast food restaurant adorned with red - where he is equipped with a scarlet uniform4.
The gradual incline of the colour red connotes that Lesters passions are becoming much more than
just internalised desires and are no longer a fantasy. Lester is finally in control of his own existence
after being restrained by the shackles of materialism and a real life, as such, is making its way into
the foreground. Mendes uses this transformation of colour to show that Lester has remembered
the things he wanted and has realised what was lacking in his life. He is no longer miserable and this
is exhibited through the increase in emphasis on the colour red in the palette of the film.
1 Lesters Office
5 Lesters Death
9 Lesters Awakening