Professional Documents
Culture Documents
Vision '80s
5. Duplicate Entries
Upon acceptance of an entry by the jury, three additional
copies will be required (except when original art is submitted) by the ITC Center for submission to the U.S. Library of
Congress for its archives. The ITC Center will make slides of
the accepted pieces for its slide archives and also will make
them available to schools and art and professional groups.
6. Deadlinefor Entries
All entries must be received at the ITC Center on or before
June 20, 1980.
7. Where to Send Entries
ITC Center
2 Hammarskjold Plaza, New York, N.Y 10017
Att: Hermann Zapf Chairman
8. Postage/Customs Requirements
Please be sure the package is securely wrapped, the contents
are protected, and the postage is adequate. Please be sure
that your package has the proper customs information and
forms so that it will leave your country and be properly
received in the United States. The phrase "Material for Contest. No Commercial Value" on the package normally will
expedite it through customs.
9. Exhibition Dates
Calligraphy Today will be exhibited at the ITC Center in
October 1980.
10. U&lc
-fUo9lc following
Editorial coverage will appear in an issue co
the exhibition in the ITC Center.
2. What to send
Reproductions of commercial or experimental calligraphy.
Calligraphy is defined as the art of the brush or pen stroke.
Any work that required retouchingfor reproduction will be
called "lettering" and will not be considered eligible.
Prints, photographic copies, slides or printed samples of
work done at any time in your career will be accepted.
We will accept but do not request original art, as no entries
can be returned. Preferably, entries should be unmounted.
Large pieces can be sent in mailing tubes.
3. Entry Form
Please make copies of this entry form and attach one
Hermann Zapf, Chairman, Calligraphy Today
securely to each entry. If the entry is a slide or small piece,
print your name on the frame, or on the back and key it to Hermann Zapf is an internationally known calligrapher
and type designer. He is also Professor for Typographic Coman accompanying entry form. Caption material and any
puter Programs, Rochester Institute of Technology, Rochester,
catalog listing or publicity concerning Calligraphy Today
New York, and Vice President ofDesign Processing Internawill be compiled from the information you supply. Please
tional, New York. Some of his best-known type designs are
be sure all information is accurate, complete and legible.
Optima, Palatino, Melior and the more recent ITC ZapfBook,
4. TheJury
ITC Zapf International and ITC Zapf Chancery. Mr. Zapf
All entries will be judged by an international jury. The
jurors are: Hermann Zapf Chairman, Herb Lubalin, Philip has lectured widely and judged many graphic exhibitions in
countries all over the world.
Grushkin andJeanyee Wong.
ENTRY FORM
Type of piece in which calligraphy appeared (book illustration, magazine, album coverindicate which)
Name of entrant
Company
Other
Address
City
Country
Zip
State
Telephone
Publication, publisher or client
Contact
Art Director (if applicable)
Calligrapher
THIS PAGE WAS SET IN ITC ZAPF INTERNATIONAL ITALIC
LUDVS SCRIBENDI
1{1
THE
PRODIGIOUS
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PROFESSOR
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BURGERT
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appetite of this man, it's only natural to wonder: Over how many
slices of bread can he spread his pat
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we see of his graphics, he is in no
danger of running out of stuff. The
reason he sustains the same high
level in all his work is that one consistent premise pervades all his
thinking: Form! Form is everything!
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19
10
Ms.
Heather Cooper
At first glance, we're so bowled over by the microscopic
detail in Heather Cooper's illustrations that it's tempting
to say she leaves nothing to the imagination. But there's
something unsettling about her pictures. We go back for
a second look and realize she leaves everything to the imagination. So much is suggested of dreams and fantasies
hers and oursthat we're tantalized by the implications
as well as knocked out by her technique.
Heather Cooper was born in England in 1945, but soon
after, her family moved to Canada. At the age of 18, directly after her graduation from Western Technical School
in Toronto, she became an apprentice in a design studio.
At 21, she created a collage for Canada's Centennial Commission that received much attention and praise. Her
career zoomed as her skills increased. She has received
much acclaim for her work for such clients as the Canada
Post Office, Seven-Lip, the Canadian Opera Company,
Yardley and Imperial Oil Limited. As you might expect,
her extremely personal vision and remarkable skill have
won her a considerable number of awards from the New
York Society of Illustrators, Graphica and both the New
York and Toronto Art Directors Clubs.
OPERA 1977
CANADIANTHE
MAGIC FLUTE
DON- CARLOS f
DAUGHTER ()I' Tin?. REGIMENT \VOZZECK
12
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GUILLERMO RODRIGUEZ-BENITEZ
TOM ORNOT T M
THAT 15 IRE ONEST ION
WHETHER. 115
MIND
TO SVEFER. THE SLIN GS
OUTRAGEOUS FOR TUNE,
OR.TO TAKE ARMS AGAINST
A. SEA OF TROLIBLES, AND
BY OPPOSING END THEM
TO DIE= TO SLEEP; NO MORI
AND BY A SLEEP TO SAY
E END THE HEAR HE
AND THE THOUSAND
AL SHOCKS THAT FLESH IS
HEIR TO, TIS A
CONSVMXT I ON DEVOLITLY TO BE
XVI 514'D. TO DIE, TO SEEM TO SLEEPr URCHIN CE TO DREAM
AY, THERE'S THE RAM, FOR IN THAT SLEEP OF DEATH WHAT
DREAMS way COME,WHEN WE HAVE SHNTHIED OFF THIS
MORTAL COIL, MVST FIVE VS PAUSE , THERE S THE RESPECT
THAT MAKES CALAMITY OF 50 LONG 1.1a,
NOBLER. NINE
ROBERT J. PALLADINO
14
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ROBERT RUBYAN
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'The Christmas season has come andgone and CO us with an accumulation ofgOs to absorb into our lives. Its easy enough to put an extra
tie to work, consume another fifth of anything or another ounce of
perfume. But what cart you do with two engagement calendars for
198o ? Easy. Use one at the office and one at home. Suppose you receive
three? Buy a country house and plant one there.However, one of
your new 1980 calendars was 'nal by the Society ofScribes, it's very
simple to ignore the _functio aspects and enjoy it purely for the
aesthetics .We never cease to be amazedno matter how many samples
of cailWraphy we see in the course of a. yearat the infinite variety of
ideas floating around in the cosmos, waiting to be penned dawn by
clever and talented people. It's not just the look, of these pages that's
refreshing, but the choice of quotes as well. In every case, the text is
somewhat offbeat and unckneyed, and gives us something to think
about during those empty time slots on the calendar page.
It would have been niceif we had room to reproduce the entire
book, but we had to confine ourselves to agroup that somehow worked
well together in our spread text time around, we hope to make
Marion Muffer
amends to those we've neglected this year.
15
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WILMA NICHOLS
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Seize rocia.r and par As turtle rr-usz- as you ca.?, I At. morroworrow-
PETER THORNTON
16
Lou
?Viler"
PRESENTS
THE STATE
OF THE U.S
ECONOMY
AND GNES
US A FEW
POINTERS
17
18
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GEKRANICIEMIN
It?)1943N
01DESE GESPENSTE R
VikRTENAW GODOT
PUT YOUR
BEST FACE
FORWARD
Through no fault of his, Christof Gassner's
contributions to Put Your Best Face Forward caused us a great deal of trouble. lie
is a graphic designer from Frankfurt-amMain, with a predilection for ITC typefaces.
tie also has a special gift for interpolating
illustrations into his texta very seductive device that kept us reading and trying
to translate. After a consultation with a
Viennese-born doctor friend and an assist
from a kind lady in the German American
Chamber of Commerce, we put together
what, we hope, are some sensible interpretations. If we're wrong, somebody out
there will be sure to tell us.
A is a title page for a program announcing
a series of theatrical events. The client
is ZDF (Zweites Deutsches Fernsehen).
The names of the plays are set in ITC Avant
Garde Gothic. The spot illustrations, each
pertinent to the play, are printed in gold.
19
20
Jim
Spanfeller's
WRITTEN BY JIM SPANFELLER, JR. ART BY JIM SPANFELLER, SR.
PART THREE: PURGATORIO
fI '
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22
"But A.G.,where am I? You can't
"I don't know, A.G.,this is all
j ust leave me here:'
going to drive me crazy. I feel a
"Oh don't worry,Span.Just go
severe headache starting!"
up that side path a little until you
"Have some chicken soup:'
run into Beatrice. She'll take care
advised the agent."It will make
of you from there:'
you feel better:'
"Chicken soup?"
"Couldn't hurt, could it?"
"A.G.,what is going on here,
anyway? What is this all about?"
"Span,I'll tell you,you'll go a
lot farther in life if you learn not
to ask so many questions. Just
follow the pack and things will
be a whole lot easier:'
Even more unsettled than be-.
fore,the illustrator followed his
agent over the long wide path
up and around the mountain.
The two men continued to pass
people of all shapes and sizes
and from every walk of life.There
were cabdrivers, balloon ascensionists, politicians, actors, demographers,fishermen and three
short-order cooks.They all had
conflicting words of advice.
Every now and then the artist
would look over his shoulder
down at the road which he had
just come up. He wasn't sure, but
he kept on thinking he could see
his father sitting in a chair in the
middle of the trail. Even more unsettling was that the illustrator
could swear he heard his father
offering advice too. "Save your
money," the older man seemed
to be saying,"save your money"
On top of all this the illustrator
had the eerie feeling that he and
his agent were traveling in circles
and not really going anywhere.
"This is all very strange, yet very
familiar," thought the artist as he
trudged along behind A.G.Virgil.
A few hours later, after they
passed what looked like the same
tree for the fourth time,A.G.Virgil
came to a stop and looked at his
pocket watch."Well,Span,here is
where you and I part company.
I gotta get going. Got me a lunch
date down the mountain a bit
and if I don't hurry up I'll be late:'
e:
Paradise.
24
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A DICTIONARY BY
PETER GRUNDY
There are a number of ways to put it:
Limits give freedom...the narrower your
focus, the more you see. Peter Grundy
demonstrates how zeroing in on a small
field of study, treating it with concentration, imagination and respect, can open
up great vistas. He has designed a dictionary devoted exclusively to the letter X.
It is a graphic as well as verbal dictionary,
and extremely clever. What's more, he has
the good grace to make the reader feel
clever, too. His graphic interpretations are
so apt that the verbal explanations are
quite superfluous.
Peter Grundy is English. He committed himself to an art career very early on.
He enrolled at the Bath Academy of Art
right after he finished his basic schooling,
and continued with graduate work at the
Royal College of Art in London. His concentration was in graphic design, illustration and typography. He is currently
engaged at the Royal College of Art as a
teaching assistant, which still leaves him
time to continue his freelance design
work for a number of publishers in England and on the continent. But he hopes
eventually to concentrate on his own
design and illustration ventures, of which
Marion Muller
X is only the first.
26
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ACROSS
DOWN
1. "Put
in the Nickelodeon.. '
13. "Thrust and
14. "Here's
of happiness:'
(Bridal toast)
the Terrible.
16.
18.
and pieces. (Gather info)
20. "0
e mio:'
22. "They call
Mr. Tibbs:'
23. Chinese religion.
25. Italian river.
26. A long, long time.
27. Transport with delight.
30. Toward.
31. Teetotalers group.
32. N.Y. sandwich shop.
33. What military personnel sometimes get.
37. The art of government
39. Light you stop on.
4.0. News agency.
42. Hesitant sound.
43. Prefix for worker or hostess.
44. The
to this puzzle are on
page 77.
46. Greek letter.
4.8. Never!
50. Steelers are part of it
52. Snake out a drain.
54. Type measure.
56. Chit
57. Composer Ned.
59. Alcoholic's nemesis.
60. Pop star of the 70's.
63. Drank heavily
66. Goes with 8 Down.
67. Growing outward.
69. "
nuts!"
70. Concerning.
71. Not sweet.
73. Children of Norwegian king
76. Pronoun.
77. Little Lord Fauntleroy.
79. Fleur de
80. River isle.
81. Fish-eating hawk.
82. Ancient Asian kingdom.
83. What a lion searches for.
:
4P( ,fr.
CPsir
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_
28
29
CHRONOLOGY
1908: born in Cologne Germany; later, was graduated from art
30
The examples on this page are from a booklet, designed by Will Burtin, on the visual aspects of science. The pictorial material includes photographs, by Ezra Stoller, of mammoth, walk-in scientific exhibit structures of a human blood cell and the human brain. The text was written by Roy
Tillotson of the Union Carbide Corporation, Dr. A. Garrard Macloed of the Upjohn Company, and Bruce MacKencie of the BM Corporation.
THIS ARTICLE WAS SET IN ITC BOOKMAN. ITC AVANT GARDE GOTHIC AND ITC AVANT GARDE GOTHIC CONDENSED
31
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32
esigned in 1904 by
Morris Fuller Benton for the American Type Founders Company, Franklin Gothic still reigns as one
of America's most widely used sans serif faces.
Originally issued in only one weight, the ATF
Franklin Gothic family was expanded over the
years to include an Italic, Condensed, Condensed
Shaded, Extra Condensed, and a Wide. But, for reasons unknown to this day, no lighter or intermediate weights were ever created for this typeface.
In 1979, under license from American Type
Founders, ITC undertook to fill this void by creating
four new weights in roman and italic (Book, Medium, Demi, and Heavy). ITC commissioned Victor
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ITC FRANKLIN GOTHIC MEDIUM ITALIC
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35
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36
There are lots of facts about Benjamin Franklin they never printed in our history books. First,
because some of his exploits were unfit for consumption by impressionable young minds. And
second, with so much to report, they'd never have gotten around to the Revolution. So we've decided to make amends for the deficits of our early schooling and publicize some of the lesserknotAin triumphs and trivial accomplishments of that remarkable man.
At the same time, this is a devious ploy to display our newest typeface release, ITC Franklin
Gothic. In order to do full justice to Franklin (Benjamin and Gothic) we have expanded our regular
feature, Something for Everybody from U&lc, from our usual two-page, black-and-white format to
a generous eight pages in four sumptuous colors.
Like Leonardo Da Vinci and Thomas Jefferson, Benjamin Franklin was one of those rare human
beings who probably encompassed all knowledge extant. But aside from being one of the besteducated men of his timehe was more than just a sponge absorbing informationhe was a
dynamo, throwing off creative energy in just about every area of human activity. Just consider this
list of his accomplishments (not necessarily in order of magnitude): he was a philosopher, author,
printer, linguist, civic leader, journalist, advertising man, scientist, inventor, meteorologist, statesman, diplomat, philanthropist, family man and philanderer.
However, to keep the record straightcontrary to what the name implies, Benjamin Franklin had
absolutely nothing to do with the origin of Franklin Gothic type. It was actually designed in the
early 1900's by Morris Fuller Benton for the American Type Founders Company. It is common
knowledge, though, that Benton greatly admired Franklin for his significant contributions to American history and culture, and to printing in particular. Benton named the typeface for him, and took
special pleasure in the coincidence that Franklin's given name and his own surname started with
the same syllable, Ben.
As you meander through the next eight pages, notice that the ITC Franklin Gothic we have specified and Benton's original Franklin Gothic are not one and the same thing. When the typeface
was created in 1904, there was only one weight. At ITC we felt that this old favorite could enjoy a
richer, fuller life, especially as a text face, if it were more varied and flexible. We designed it in four
weights, with corresponding italics, with small caps in the Book and Medium Roman weights, as
well as an Outline,an Outline Shadow and a Contour.
We hope you enjoy the presentation, and hope you agree that Benjamin is not the only Franklin
MARION MULLER
you can call versatile!
.1-mnrit at anus
EAT NOT TO
DULLNESS;
DRINK NOT TO
ELEVATION.
IPHIMIVIIISI /Arr..
-.4gr
01111111111111k
DOST THOU LOVE LIFE?
THEN DO NOT SQUANDER
TIME. FOR THAT IS TH E
STUFF LIFE IS MADE OF
Vessels large may
\ venture more, But
little boats should
keep near shore.
Little
strokes
fell
great
oaks.
.'f '/ .
Plough
deep while
the
1i( Illi\t:crsetie rider was
lost. N.
-vM11111nuil
HERE SKUGG
LIES SNUG AS A
BUG IN A RUG.
;4'
.
A word to
the wise is
enough, and
many words
won't fill a
bushel.
quonmimull
IT IS HARD FOR
Nk,;k\N\V\s;IINV,..
\N,..
.
Our constitution
is in actual operation:
everything appears
to promise that it will
last: but in this world
nothing is certain
but death and taxes
L=
38
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THEBETTMANNARC HIVES
' 4 4*),,-
39
BENJAMIN FRANKLIN
CREATED DAYLIGHT
SAVINGS TIME. (WHICH
GAVE HIM AN HOUR
MORE OF DAYTIME TO
WORK AND AN HOUR
LESS OF NIGHT TIME TO
GET INTO TROUBLE.)
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T HE NEW YO RK PU BLIC L IB RA RY
N N
THEB ETTMANN AR CH IV ES
42
,:V IG
I L
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TheAWAKENEk,
Making a Brief ESSA Y,
To Rebuke. firfi
the
atural Sleep
Which too often proves a: Dead Fly,.
in the DEVOTIONS of
theni that'indulge it.
Moral Sleep,
-
.1
THEBETTMANNARC HIVES
B 0 .5 419 N
FOR DOGEARS
BENJAMIN FRANKLIN
INVENTED THE LIGHT
NING ROD. THE FIRST
ONE TO BE INSTALLED
WAS AT THE HOME
OF BENJAMIN WEST
(TO THIS DAY IT IS NOT
KNOWN WHETHER THE
LIGHTNING HIT THE
ROD OR THE HOUSE)
no More.
J..Fnataxt.ur. I 7 1 9.
Benjamin Franklin, delivery boy. As a youth, working in his father's print shop, Franklin delivered the
finished products to his father's customers and at
the same time, extolled the virtues of their flourishing printing business to anyone within earshot. He
thus became America's first and youngest P.R. man.
(He also took advantage of this activity to sell his
ballads, which earned him the reputation for being
the best pre-pubescent balladeer in the country)
BENJAMIN FRANKLIN,
PROOFREADER.(HE WAS
LIVING PROOF OF HIS NEED
TO INVENT BIFOCALS.)
S3 AI HO HV NNVVV 1138 3 Hi
BEN
FRANKLI
CREATEC
THE FIRS
LENDING
LIBRARY
11224ARTIMPLY
RESPONSIBLE
.43
BENJAMIN FRANKLIN,
PHILOSOPHER, ILLUSTRATOR.
ART DIRECTOR, GENIUS. (IN THE
PAGES OF POOR RICHARD'S
ALMANAC, FRANKLIN WROTE,
DESIGNED AND ILLUSTRATED
HIS PEARLS OF WISDOM.
MOSTLY ORIGINAL, SOME OF
THEM PROVED TO BE PASTE.)
44
BENJAMIN FRANKLIN
WAS AMERICA'S FIRST
MANUFACTURER OF
PLAYING CARDS.(PROBABLY INFLUENCED BY HIS
CLOSE ASSOCIATION WITH
KINGS, HIS CLOSER ASSOCIATION WITH QUEENS,AND
HIS INVOLVEMENT WITH
JACKS-OF-ALL-TRADES,
AMONG OTHER JOKERS.)
BENJAMIN FRANKLIN, THE FINANCIAL ADVISER, CREATED THE
REBUS TO BEST IMPART HIS WISDOM TO NEEDY BUSINESSMEN.
( NEEDLESS TO SAY, WHILE TRYING TO DECIPHER THIS UNIQUE
FORM OF COMMUNICATION, MOST OF THEM WENT BANKRUPT.)
Poop;, Br
rt,
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1111
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El This
a
t
as a York, who also works
..
delightful alphabet,
called Handset Machine
Bold, was submitted by
Steven Bennett, a senior
graphic design student
Pratt Institute in Brooklyn,
New
freelance designer.
Handset grew out of a
class assignment that involved combining a human
element with a typeface.
47
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Belwe
CONDENSED
The bold condensed lines of this popular
Roman style don't hide the underlying
romantic flavor of the design.
Bembo
Clearface
HEAVY
CONDENSED
A popular headline Roman, it offers
pleasing balance and color in a heavy,
condensed format.
Eurostile
BOLD
The strong solid look of Eurostile is
further enhanced in this weight.
GA LLIA
Helvetica
TDEINDED
The beat goes on with yet another
version to mix into your Helvetica
repertoire.
soifevleH
MEDIUM
REVERSED
CTEr2LLE
cPcrEk
Romic
mat/ow
Roll*
Ron*.
Ron*
MEDIUM
EXTRA BOLD
A new concept in Roman typefaces, its
unusual serif construction and stylish
indents produce a pleasing blend of the
classic and contemporary. Designed by
the Letraset Type Design Studio.
SHADOW
The disciplined character construction
retains enough of a casual character to
be light and immediate.
Croissant
HIGHLIGHT
The highlight feature adds a glossy
effect to this popular style.
r
Please send me a Sweet Treats
supplement.
Name
Company
Address
City
Zip
State
Letraset, 40 Eisenhower Drive
Paramus N.J. 07652
Letraset
Roman. Script
FRANKFURTER
SOLID
TRY SOME
FROM
LETRASET
49
NEWSLETTER
Graduates of The Design Schools have had 24 months of intensive, specialized preparation
in a variety of skills, including: advertising design, typography, photography, illustration,
drawing, perspective, lettering, airbrush, package design, multimedia, animation, medianicals, pre-separation and many others. They are prepared to work productively for you.
11
Position.
Name:
Company
Address
Skills of special interest to me-
Phone- ( )
City:
State
Zip.
We've got
something
to shout
about:
51
abcdefghijklmnopqrstuvwxyz
ABC DEFGH IJKLM NOPQRSTUVWXYZ
1234567890
1234567890
( "$ !.: "TOC& *--" )
e *V8 1/4 3/81/2 5/83/478 x
we'll give you the kind of service you need to help you
meet your deadlines.
We know that you often need a new typeface in a
hurry. We meet that need with our special priority service.
We call it Type Express.
It's special rush shipment on any one of hundreds of
our standard type discs. Just call our toll-free Type
Express line, (800) 526-0709, in New Jersey call
(201) 884-2662, and we'll have your type disc out of our
plant within eight business hours. And there's only a small
premium charge. (If you want overnight air freight delivery,
we'll arrange that, too.) So you' I I be able to get the typefaces
you need, when you need them.
Now you know why we're leaders in type: more than
500 type faces, design flexibility, typesetting power and
super service. To top it all off, you'll be amazed at our low
cost-per-font.
There's more. Just turn the page.
Varityper
the I nformationists.
52
AlORICANLUBALIN SE
TYPEWRITERGRAPH FR
CONDENFO UORUM BA
ZAPF
ZENABOCIK
CiKORINNik11.4
1?)4
Fv fiAMEIRE
ri.,EGARAmc
C.c)
NOVARESE4 TITTA
Albertus light
Albertus
Albertus Bold
Alte Schwabacher
Alternate Gothic #1
Alternate Gothic #2
Alternate Gothic #3
ITC American Typewriter Light
ITC American Typewriter light
Condensed
ITC American Typewriter
Medium
ITC American Typewriter
Medium Condensed
ITC American Typewriter Bold
lit American Typewriter
Bold Condensed
Andover
Andover Italic
Andover Demi Bold
Andover Demi Bold Italic
Aurora Bold Condensed
Condensed
ITC Benguiat Gothic
ITC Benguiat Book
Bold Italic
Condensed Italic
ITC Benguiat Gothic Heavy
ITC
Benguiat Gothic
ITC Benguiat Medium
Heavy Italic
ITC Benguiat Medium Italic
Bemer Italic
ITC Benguiat Medium
Berner Demi Bold
Condensed
Bernhard Fashion
ITC Benguiat Medium
Bernhard Modem Roman
Condensed Italic
Bernhard Modem Italic
ITC Benguiat Bold
Bemhard Modem Bold
ITC Benguiat Bold Italic
Bernhard Modem Bold Italic
ITC Benguiat Bold
Bernhard Tango
Condensed
Bodoni Book
ITC Benguiat Bold
Bodoni Book Italic
Condensed Italic
Bodoni
ITC Benguiat Gothic Book
Bodoni
Italic
ITC Benguiat Gothic
Bodoni Bold
Book Italic
ITC Benguiat Gothic Medium Bodoni Bold Italic
Ultra Bodoni
ITC Benguiat Gothic
Ultra Bodoni Italic
Medium Italic
ITC Bookman Light
ITC Benguiat Gothic Bold
Comp/Set, AM and Varityper are registered trademarks and Comp/Edit and The lnformat ion ists are trademarks of AM International, Inc.
1980 AM International, Inc.
Candida Bold
Cartier
Cartier Italic
Caslon #471
Caslon Italic #471
Caslon #540
Caslon Italic #540
Caslon Antique
Caslon Openface
Century Expanded
Century Expanded Cancelled
Century Expanded Underlined
Century Expanded Italic
Century Expanded Bold
Century Expanded
Bold Cancelled
Century Expanded Bold Italic
Century Expanded Bold
Italic Cancelled
Century Nova
Century Nova Italic
Century Oldstyle
Cloe
Colonial
Colonial Italic
Colonial Bold
Colonial Extra Bold
Commercial Script
Cooper Black
Cooper Black Italic
Copperplate Gothic Light
Copperplate Gothic light
Condensed
Copperplate Gothic Heavy
Copperplate Gothic
Heavy Condensed
Coronet
Coronet Bold
Crown
Crown Condensed
Crown Bold
Crown Bold Condensed
Deepdene
Deepdene Italic
53
JF
1111KLIN
IHRUS0.
11111 861
K CIFRIZ
)
1
0
CDrn
ANZAPECHANCERY
ER
Stymie Light
Weiss Extra Bold
ITC Novarese Ultra
Hanover Demi Bold
Stymie Light Italic
Windsor Light
Nuptial Script
Hanover Demi Bold Italic
Stymie Medium
Windsor Light Condensed
OCR-A
Haverhill
Stymie Medium Italic
Windsor
OCR-B
Haverhill Italic
Stymie
Bold
Windsor Elongated
01i ive
0
iv e Light
Haverhill Demi Bold
Stymie Bold Italic
Wintergreen
Helanna Script
Stymie Bold Condensed
TC Zapf Book Light
Olive Medium
Hellenic Wide
TC Zapf Book Light Italic
Techno
Light
Olive Bold
Heritage
Techno
Light
Italic
TC Zapf Book Medium
Park
Avenue
Highland
TC Zapf Book Medium Italic
Techno Medium
Parsons
Highland Italic
Techno
Medium
Italic
TC Zapf Chancery Light
Parsons Bold
Highland Bold
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Murray Hill Bold
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Digital No. 1
Digital No. 2
Dorn Casual
Dorn Diagonal
Corn Bold
Dorn Diagonal Bold
Empira
Empira Bold
Engravers Roman
Engravers Bold
Engravers Text
Eurostile
Eurostile Extended
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ITC Eras Light
ITC Eras Book
Futura Medium
Futura Demi Bold
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Garamond
Garamond italic
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ITC Garamond Light
ITC Garamond Light Italic
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ITC Garamond Book
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54
ATA MEMBERS: ATLANTA, GEORGIA ACTION GRAPHICS, INC. BLOOMFIELD, CONNECTICUT NEW ENGLAND TYPOGRAPHIC SERVICE, INC. BOSTON, MASSACHUSETTS BERKELEY TYPOGRAPHERS, INC.; COMPOSING ROOM OF NEW ENGLAND;
BOHME & BLINKMANN, INC.
TYPOGRAPHIC HOUSE, INC. CEDAR RAPIDS, IOWA TYPE 2, INC. CHICAGO, ILUNOIS J. M. BUNDSCHO, INC.; RYDERTYPES, INC.; TOTAL TYPOGRAPHY, INC. CINCINNATI, OHIO TYPO-SET INC. CLEVELAND, OHIO
CRAFTSMAN TYPE INCORPORATED
COLUMBUS, OHIO DWIGHT YAEGER TYPOGRAPHERS DALLAS, TEXAS JAGGARS-CHI LES-STOVALL, INC.; SOUTHWESTERN TYPOGRAPHICS, INC.; TYPOGRAPHY PLUS DAYTON, OHIO
INDIANAPOLIS,
INDIANA TYPOSERVICE CORPORATION
NAYLOR/THE
TYPE
HOUSE,
INC.
HOUSTON,
TEXAS
CENTRAL
TRADE
PLANT
OF
GRAND
RAPIDS
DETROIT, MICHIGAN THE THOS. P HENRY COMPANY; WI LLENS+ MICHIGAN CORP. GRAND RAPIDS, MICHIGAN
MIAMI, FLORIDA WRIGHTSON TYPESETTING, INC.
KANSAS CITY, MISSOURI LETTERGRAPHICS/KANSAS CITY, INC. LOS ANGELES, CALIFORNIA ANDRESEN TYPOGRAPH ICS; TYPOGRAPHIC SERVICE CO., INC. MEMPHIS, TENNESSEE GRAPHIC ARTS, INC.
NEW
ORLEANS,
LOUISIANA FILM-A-GRAPHICS, INC.
NEWARK,
NEW
JERSEY
ARROW
TYPOGRAPHERS
MILWAUKEE, WISCONSIN PETER A. ALTENHOFEN TYPOGRAPHERS, INC. MINNEAPOLIS, MINNESOTA DAHL & CURRY, INC.; TYPE HOUSE +DURAGRAPH, INC.
INC. ; VOLK & HUXLEY, INC. ORANGE, CALIFORNIA DELI NE-0-TYPE, INC.
NEW YORK, NEW YORK ADVERTISING AGENCIES/HEADLINERS; FRANKLIN TYPOGRAPHERS, INC.; ROYAL COMPOSING ROOM, INC.; TRI-ARTS PRESS, INC.; TYPOGRAPHICS COMMUNICATIONS,
DAVIS
&
WARDE,
INC.;
HEADLINERS
OF
PITTSBURGH, INC.
PHILADELPHIA, PENNSYLVANIA ARMSTRONG, INC.; TYPOGRAPHIC SERVICE, INC. PHOENIX, ARIZONA MORNEAU TYPOGRAPHERS, INC. PITTSBURGH, PENNSYLVANIA
HEADLINERS/IDENTICOLOR, INC. SEATTLE, WASHINGTON THOMAS & KENNEDY TYPOGRAPHERS, INC.
PORTLAND, OREGON PAUL O. GIESEY/ADCRAFTERS, INC. ROCHESTER, NEW YORK ROCHESTER MONO/HEADLINERS SAN FRANCISCO, CAUFORNIA
MONTREAL CANADA McLEAN BROTHERS, LTD.
ST. JOSEPH, MICHIGAN TYPE HOUSE, INC. ST. LOUIS, MISSOURI MASTER TYPOGRAPHERS, INC. SYRACUSE, NEW YORK DIX TYPESETTING CO., INC. TAMPA, FLORIDA CENTURY TYPOGRAPHERS
TORONTO, CANADA COOPER & BEATTY, LTD. WINNIPEG, CANADA B/W TYPE SERVICE, LTD. BRISBANE, QLD., AUSTRALIA SAVAGE & CO., PTY., LTD. STOCKHOLM, SWEDEN TYPOGRAFEN AB
ADVERTISING TYPOGRAPHERS ASSOCIATION OF AMERICA, INC., 461 EIGHTH AVENUE, NEW YORK, N.Y. 10001. WALTER A. DEW, JR., EXECUTIVE SECRETARY.
55
compugraphic
Compugraphic Corporation
80 Industrial Way, Wilmington, MA 01887
Telephone (617) 944-6555
56
Camelot
Garth Graphic
Camelot Italic
Camelot Regular
Camelot Bold
Camelot Extrabold
Camelot Black
Camelot Condensed
Camelot Regular Condensed
going strong!
omo
'8.TOLta8
Goudy Heavyface
Goudy Heavyface Italic
Mallard Bold II
Mallard Bold Italic II
ITC Novarese Book
Qj cornpugraphic
pl
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'U
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.._9&#e.yz/ II
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74-#(.e/illf)ite
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Compugraphic Corporation, 80 Industrial Way, Wilmington, Massachusetts 01887 Telephone (617) 944-6555
58
berthold
fototype
BERTHOLD
OF NORTH AMERICA
CANADA
Office
157 Bentworth Avenue
Toronto, Ont. M6A 1P6
Tel: (416) 789-5219
BERTHOLD
OF NORTH AMERICA ,
BERTHOLD
OF NORTH AMERICA
ILLINOIS
Office
4415 West Harrison Street
Hillside, IL 60162
Tel: (312) 449-5827
BERTHOLD
OF NORTH AMERICA
USA
P.O. Box 624
610 Winters Avenue
Paramus, NJ 07652
Tel: (201) 262-8700
Telex: 710-990-6618
CALIFORN
Office
5860 Uplander Way
Culver City, CA 90230
Tel: (213) 645-7112
BERTHOLD is leading in
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1ESTHETIK
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fir autorna-tisches Ausgleichen
von Texten
SYNOPSIS
.SCHRIFTEN-CRERSICHT
1980
H. BERTHOLD AG
H. BERTHOLD AG
Berthold,
the program
for experts,
who demand
quality
AESTHETIK
AESTHETIK
SYNOPSIS
SYNOPSIS
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Up-to-date text summary with over 600 text fonts for Berthold
area composition systems.
59
quality phototypesetting
BERTHOLD FOTOTYPES
BERTHOLD FOTOTYPES E
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BODY TYPES
BODY TYPES
St 'PPLEMENT
NEVE SCHRIFILN
1, 1980
VOL I
H. BERTHOLI) AU
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The first supplement includes typical faces for your new concepts:
Berliner Grotesk, an old advertising face with high appeal, first time
for phototypesetting; the ITC Clearface Series; Plantin, a classical,
clear workface; Zapf Chancery, an accentuated calligraphically
oriented typeface family; the Block, the Poppl Exquisit, etc., etc...
CoupoN P
RyderTypes, Inc., 500 North Dearborn, Chicago, Illinois 60610.Telephone (312) 467-7117.
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A TYPEBOOK
TO SERVE LINC11
TOME MIND.
'V TO STRUM THE
HEillTSTRINGS.
If you really believe it, you ought to
speak up about it, right? O.K., here goes.
beautiful.
3 years we worked.The kind of design
effort the Germans put into their cars, but
with more heart.
Starting with the tool aspect, consider
the cross indexing. There's a 28 page alphabetical one liner and a 36 page categorical
one liner. Both set larger than any we've
seen. Also an 18 page index.
With 1160 full alphabets (and there is
City
State
Zip
Amount
enclosed
of books @ $48.
3. Shipping
C, add 5% sales tax)
67
10101
line
every
goes
to
the
bow
type 5300 tittles
Alpha
for quality,
1ntr clueig the Alphatype CRS.1-he
ypesetter that gIves you higher
and
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n
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its ever bee
uality, better rod
ore nable
versatility
than from one machine,
to expect
real
re.
PAphatype
CRS is already
standard for the
anyvqbe
stem for
establiOng a new
industry, due to its unique sy
acter resohlt.on
r
cha
Ni
5;30
lines every
inch. Resulting in
hig
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image sharpness that Was never possible
before!
use
0 Sheet fed, designed for maximum
reliabilit versatility and econornical
makes it
Y,
over
or film.
oi paper s
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0 Automatico galleulti
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69
V4ZLINItGJ
#1/4
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Zip
Phone
U &IC 3/80 _1
70
Make your
words come
Instantly place graphic
images anywhere in a block of type.
Simultaneously, as you typeset the
copy. Liven up your words with
signs of the Zodiac. Logos. Trademarks. Arrows.. Pointers. In any size,
without intermediate processes.
This is possible with
Autologic typesetters because we
have one of the largest libraries of
special "pi" characters in the
industry, all digitized in fine detail.
Resolution of up to 3615 lines per
inch gives Autologic the sharpest
characters in its class.
The eminent typographic
designers on staff at Autologic
maintain tight controls
to ensure that the fonts
we digitize meet today's
graphic standards.
Studies are made to maintain consistent relationships between "pi"
characters and fonts. We are continuously adding new fonts to our
71
TOURISM
...and beat inflation with a brief trial subscription to the hard-working "Clip Books"
Rising costs got you down? Get quick
relief from inflationas many others do
with the thrifty "Clip Books of Line Art"! Our
ready-to-use art has been saving time and
money for the giants of industry as well as
one-man shops for 27 years.
ev,lr
ii.,
:10:
, 1,..-02
'
and deduct 5 percentonly $64.17, postpaid! Simply write the number of your fivebooks-for-five-cents in the coupon at lower
right...and start saving time and money!
61/isfunis
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Skip the above but rush the complete set of all 48 books
shown along with their matching indexes. Charge to our established account (purchase order enclosed) and invoice us for
$139.95 plus UPS charges. (We absorb shipping charges if
you enclose check for $139.95 with order)
THRIFT
Firm Name
.--.,
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. . .
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We wish to save five percentour check for $64.17 in full payment is enclosed. (Outside USA: payment in U.S. funds, with order.
In N.J. include 5% sales tax. None of the 48 books shown is offered
separately)
II
Tro
Please rush the above five bonus books for only five cents. We will
be free to clip and use the art without extra cost in connection with
our limited five-month trial subscription to the newest "Clip Books
of Line Art" at only $67.50. Send us each of the five forthcoming
monthly issues with four books and four indexes in each. Invoice us
for $67.55 which includes all shipping.
"
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BOX 72 L
PLEASANTVILLE, NEW JERSEY 08232
47,11
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folders immediately via UPS. 600 hard-working pages (5x8") on glossy "Kromekote"(one
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AD GIMMICKS
79
NJ*
fiUTLIMN
TO PROVE A POINT
%-le' S
---:
4
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..
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City. State, Zip Code
72
But I asked for BOND...
that's right, Neenah's
Old Council Tree
BOND.
370011 1
lir
or
your
(typographic)
information
Neenah Paper
Neenah Paper
A Division of Kimberly-Clark
1980 K.C.C.
Font
The letters, numerals, punctuation marks and special characters that constitute a character set of a given size, style
and face of the "alphabet:' For example: 10 pt ITC Bookman
Light Italic. The term is also used to refer to the image
carrier (disc, strip, grid, drum, etc.) on which the characters
appear.
Format Storage
The abilityto store, in a computer, predefined repetitive data
pertaining to a particular job. The formats may be called
out of storage by a computer program upon the recognition
of a unique pattern, or by an operator typing a special
command.
Fortran
FORmula TRANslation: a high-level programming language
designed primarily for mathematical applications.
Function Code
This computer code controls machine operations other
than the output of typographic characters.
"Golf' Ba ll
A metal ball about 1" in diameter with typewriter characters
on its surface. The balls are interchangeable so that different type styles can be used on one machine.
Grid
1. Different kinds of photographic typesetting machines use
different devices or image carriers to hold a font or fonts.
Some use filmstrips, some use drums, and others use grids.
The grid is simply a piece of film (or glass) containing images
of the characters in a predetermined configuration. It has a
frame or clip to facilitate inserting or removing from the
machine. Grids of different manufacturers vary in design
of the frame, font size and configuration.
Spinds
\i(
Hairline
1. Used to describe any very fine or delicate line in type,
brass rule or engraving.
Slide
ing
Smash
s ng
NW
73
111r
31<
10or
your
(typographic)
itiformalion
Initial
large letter used to begin a chapter or section. A
two-line or three-line drop initial juts down to and
aligns with the second or third line of the paragraph. A stick-up initial aligns at the base line of
the first line of text but sticks up into the white space above.
Swash initials are available in some faces. They are a florid
version of the capital letters.
Ink Map
In type design, an enlargement of the point or inner wedge
or crotch produced by the junction of diagonal converging
strokes, as in the letters W and M. In small sizes of metal
type this enlargement helped avoid the danger of ink
becoming trapped in the crotch of such letters.
Inline Characters
Highlights cut into the heavier strokes of a letter, generally
reducing the overall weight of the character by half. Open
characters made from solid ones, the lines falling inside
the actual letter area. In seeking the result and effect, one
must decide if the shape of the letters permits inlines
or outlines.
Input
1. The raw data, text or commands inserted into a computer.
2. The process of transferring data from an input device or
external storage into a computer.
(I/O)
Input/Output
A general term for the techniques, devices and media used
to get data into and/or out of computer equipment. Depending upon the context, the term may mean either "input and
output" or "input or output:'
Interface
A common boundary between systems or parts of systems;
in computer technology it usually refers to some form of
electronic device which enables one piece of gear to communicate with or control another.Also used as a verb.
Justification
The lateral spacing of words within a line so that even
margins are created on both sides of the typeset column.
The setting of type so that the characters in each line fully
occupy the same width.
K
Notation for 1,000 (1K = 1,000).
Kerning
Refinement of character fit by reduction of space between
letters to facilitate nesting, as WA AV, Te To. Kerning programs may be stored in computer memory to operate automatically when desired. On many computerized typesetting
machines kerning may be controlled manually by the keyboard operator.
On a
74
Only the following .Subscriber Companies are
licensed to manufacture and sell ITC typefaces:
At M.J.Baumwell
we can modify
any display line
or logo tios2 and
furnish any of the
variations below.
AM International, Inc.
Varityper Division
11 Mt. Pleasant Avenue
East Hanover, N.J. 07936
(201) 887-8000
Phototypesetters and Photolettering Systems
Artype, Inc.
3530 Work Drive
P.O. Box 7151
Fort Myers, Fla. 33901
(813) 332-1174
800-237-4474
Dry Transfer Letters
Cut Out Letters
Fondicion Tipografica
Neufville, S.A.
Puigmarti. 22
Barcelona-12
Spain
Poster Types
Autologic, Inc.
1050 Rancho Conejo Blvd.
Newbury Park, Calif. 91320
(213) 889-7400
APS-4/APS-5 CRT Phototypesetter Composition and
Typesetting Systems
Geographies, Inc.
1100 Seymour Street
Vancouver, B.C.
Canada V6B 3N3
(604) 685-8236
Dry Transfer Letters
H. Berthold AG
1000 Berlin 61
Mehringdamm 43
Germany
(030) 69031
Diatronic, ADS 3000, Diatext.
Diatype, Staromatic,
Staromat. Starograph
Bobst S.A.
Bobst Graphic Division
2 Wedel in Holstein
Rissener Strasse 94
Germany
(04103) 6021-25
Manufacturers of Copytronic
Phototext Composing Machines.
Film Fonts, and Copytype
Photolettering Systems
and Fonts
Grenzstrasse 1-5
D2300 Kiel 14
Germany
(0431) 2001-1
Digiset Phototypesetting
Equipments and Systems,
Digiset-Fonts
International Graphic
Marketing
Rue des Bosquets 12
Ch-1800 Vevey
P.O. Box 33
Switzerland
Font Manufacturer
80 Industrial Way
Wilmington, Mass. 01887
(617) 944-6555
EditWriters.CompuWriters,
Text Editing Systems,
Accessories and Supplies
Itek Composition
Systems Division
3M Company
3M Center
St. Paul, Minn. 55701
(612) 733-1100
Promat Letter Compositor
Ofilcine Meats
Via Privata Venafro, 6
20154 Milano
Italy
(02)38.42.08/39.43.65
Typesetting Machines
P.O. Box 85
Industrie Park-Noord 30
B-2700 Sint-Nildaas
Belgium
031/76.69.80 (101.)
Visual Systems Division
Protype, Inc.
67 Main Street
Warwick, N.Y. 10990
(914) 986-1166
Visual Display Phototypesetting
Systems and Film Fonts
Ryobi Limited
762 Mesaki-Cho
Fuchu-Shi
Hiroshima-Ken 726
Japan
Thxt/Display Phototypesetters
D. Stempel AG
Hedderichstrasse 106-114
Frankfurt am Main-Sud
Germany
(0611) 6068-1
Type Division
Tactype, Inc.
12 West 26th Street
NewYork, N.Y. 10001
(212) 924-1800
Dry Transfer Letters
Tecimographics/Film Fonts
Letraset International Ltd.
Compngraphic Corporation
Fihnotype
Harris Corporation
Harris Composition Systems
Division
P.O. Box 2080
Melbourne, Florida 32901
(305) 259-2900
Fototronic 4000.TXT, 1200, 600
CRT7400,7450
Information International
35 Alabama Avenue
Island Park, L.I., NY. 11558
(516) 431-7733
DryTransfer Letters
.J MUMWELL TYPOGRAPHYINc
46181H AVENUE
NEW YCRK NY 1COD1
(212) 868-0515
Company
%me
Chartpak
mb
i
FotoStar International
PREMIUMFINANCING
73 Newman St.
London WI England
01-636-0474
Font Manufacturer
34 Plaza Square
Orange. Calif. 92666
Font Manufacturer
CH-1001 Lausanne
Switzerland
021/89.29.71
Phototypesetting Systems
Mergenthaler Linotype
Fonts Unlimited
Alpbatype Corporation
HoJofoEaERM
FONTS Hardy/Williams
(Design) Ltd.
Vial-Graphic s
40 Eisenhower Drive
Paramus, N.J. 07652
(201) 845-6100
DryTransfer Letters
Linographics
Meeanorma
78610 LePerray-en-Yvelines
Paris, France
(484 83 40)
Dryl'ransfer Letters
Zipatone, Inc.
150 Fend Lane
Hillside, Illinois 60162
(312) 449-5500
Dry Transfer Letters
Cla
ENSED
75
BUSINESS CLASSIFICATION
(Check one only)
(a)
(i)
(j)
(k)
(1)
(m)
(a)
(q)
yes
Artist, Illustrator
(o)
Art Director, Creative Director
(p) _Pasteup Artist
(b)
(c)
(d)
(e)
(0
(g)
(h)
(r)
(a)
(t)
(u)
(v)
no
NAME
(w)
TITLE
Type Director
Graphic Designer
Advertising Manager, Sales Promotion Manager
Production Manager
Printing Buyer, Purchasing Agent
Principal, Officer
Other
COMPANY
(1)
ADDRESS
CITY
STATE
SIGNATURE
ZIP
(2)
(3)
(4)
(5)
(6)
1-9
10-19
20-49
50-99
100-249
250 and over
zpabne Inc!
150 fencl lane, hillside, illinois 60162
Company
Business Address
City
State
Zip
76
chartpak
A TIMES MIRROR COMPANY / ONE RIVER RD., LEEDS, MA. 01053
11.
My Name
Dept. /Title
Elsewhere
111 $20.00
1 Year ( 6 issues )
$15.00
$28.00
$37.50
2 Years ( 12 issues )
U.S. Funds Only
$15.00 additional per year for airmail
( outside U.S.A. and Canada only ) .
USA
YOUR NAME
Company
JOB DESCRIPTION
Street
FIRM
City
State
Zip
A bimonthly
ADDRESS
CITY
AMOUNT ENCLOSED
STATE
ZIP
magazine produced by
the illustrators and
designers of
the Push Pin Studios.
77
We're located in Miami, "The Gateway to Latin America," so
it shouldn't come as any surprise that Birmy offers the most
comprehensive Spanish-language typesetting and graphic
services available anywhere in the United States. Every one
of our more than 900 faces can be custom-cut for Spanish
translation. Our computers are programmed with a Spanish
logic component that
makes sure words
break where they're
supposed to break,
and our bilingual
proofreaders can
catch anything the
machines might miss.
Birmy can take your
English-language
copy and layout and
produce a beautiful finished job, in Spanish, in no
more than a day or two days
longer than a regular English
version would take. And you can
trust the job to be rightfrom type to
halftones to veloxes to color separations. Birmy does it all. In English and
Spanish, we know what we're talking about.
..ro
- -
menmenannmemann
nun= mem= n
mane innunnne OHM
MO MEE anon nem
ME OH
mnannennn
nem unnonenon
ennennon ann OEM
E
MU M OH MUMOMME
E nem MdMEMMEO
ded mamma EMOOM
MEM M tonne 0101 0
nmennmeanmemo
MEM EMMEN OM BO
M MEMO annunnens
BM MEMO dEE OE0
OEM= OBOE MUO0
I'd like to get a look at your warehouse. Send me your free catalog today.
TITLE
NAME
COMPANY
I ADDRESS
SOLUTION TO PUZZLE ON PAGES 26 & 27
CITY
STATE
ZIP
U&Ic 3/80
78
SANS SERIF
DISPLAY
ALPHABETS
Publication Design 12
Edited and designed by Liz Wilbur
ARTISTS'
CHRISTMAS
CARDS
Three on Calligraphy
by Arthur Baker
Artists'Christmas Cards
Compiled by Steven Heller
Calligraphtc
Intals
by Aithut Baker
Calligraphic Initials
Calligraphic Initials shows,a dazzling
series of freely calligraphed initial letters
and a variety of swash capitals used by
Italian writing masters as an extension of
twentieth-century graphic art.
NaN , ","ir
,ove
color
and
comer unication
Contemporary Polish Posters
Introduction by Joseph S.
Czestochowski
Color and Communication
by Jean-Paul Faure,Andre November
A study of color and its application to
such aspects of commercial communication as packaging, printoffs, posters,
corporate identity programs and logos.
Presents basic data on color vision and
color psychology and shows how communication works. The many practical
examples (from a variety of countries)
are stimulating and provocative.This is
the most up-to-date book on color as
applied to marketing. Hastings House,
Publishers, Inc., 10 E. 40th St., NY, NY
10016.167 pages. Coated paper and
many full-color illustrations. 10%4 x 10 /1 4.
$67.50.
ITC
TYPE SPECIMEN
BOOKLETS
AND
U&LC
BACK COPIES
FOR SALE
79
Name
Company
Title
Street Address
City
State
Zip Code
Country
Qty.
ITC BOOKLETS:
ITC American Typewriter
75c
ITC Avant Garde Gothic with Oblique
75c
ITC Avant Garde Gothic Condensed
75c
ITC Bauhaus
75c
ITC Benguiat
75c
ITC Benguiat Condensed
75c
_ ITC Benguiat Gothic
75c
ITC Bookman
75c
ITC Cheltenham with Condensed
75c
ITC Clearface
75c
ITC Eras
75c
ITC Franklin Gothic
- 75c
Friz Quadrata
- 75c
ITC Garamond with Condensed
75c
Italia
75c
ITC Kobel
75c
ITC Korinna with Kursiv
75c
ITC Lubalin Graph
75c
___ ITC Newlext
75c
ITC Quorum
75c
ITC Serif Gothic
75c
ITC Souvenir
75c
ITC Tiffany
75c
___ ITC Zapf Book
75c
ITC Zapf Chancery
75c
___ ITC Zapf Dingbats
75c
ITC Zapf International
75c
U&Ic BACK COPIES:
U&Ic, Vol. 1, No. 3
$1 50
U&Ic, Vol. 2, No. 1
$1.50
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ALL ITC CENTER EVENTS TAKE PLACE ON BUSINESS DAYS. ADMISSION IS FREE.
LB,ALI\ I\ PA pis
A
In June 1979, in Paris, the Centre c Art et Culture Georges Pomoicou held an exhioition of the work
of Hero Lubalin. Now, in Aoril 1980, the exhibition is to ooen in \ew York at the ITC Center*Hero
Lubalin is the Editor anc Design Director of U&Ic. Professor of Art at C000er Union, he has taught
anc lectured ex-ensively throughout the worlc. He has written many articles anc been the suoject
of many others. He has won over 500 cesign awarcs, was M Director of the Year in 1962, and
in 1977 was installed in the Art Directors Hall of Fcme. r Luoclin in Paris features Luoalin's work
through several cecaces. The more than 100 oieces on exhioition incluce trace -narks, logotypes, Docks and 000k jackets, editorial soreads anc covers, oosters, oromotion material, ouolications, advertisements, annual reoorts, and letterheads.* In accition to the oieces actually on
c isplay, more work is orojectec oy a carousel on a larce screen.
JULY 7-AUGUST 22,12:00 \00\-5:00 PM
CALLIGRAPHY TO DAY
12:00 NOON-2:00 PM
MOVING?
CHANGE OF
ADDRESS: