Professional Documents
Culture Documents
Backing Tracks
Tech Exercises
I
2
3
4
5
6
Tuning Notes
8
9
10
II
12
13
Fake Tortoise
Jet Black Camel
Martha's Park
Night Bus
Blue Phones
Glitter Ballz
14
Riff
Improvisation &
Interpretation
15
16
With Chords
With Lead
Ear Tests
17
e e
2
3
5
6
8
9
Technical Exercises
Sight Reading
Improvisation & Interpretation
Ear Tests
General Musicianship Questions
The Gurus Guide
Entering Rockschool Exams
rockschool
www.rockschool.co. uk
10
12
13
14
15
16
18
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mixes of each tune, backing tracks to play along with for practice, tuning notes and spoken two bar count-ins to each piece.
Handy tips on playing the pieces and the marking schemes can be found in the Guru's Guide on page 16. If you have any
queries about this or any other Rockschool exam, please call us on 020 8332 6303, email us at injo@rockschool.co.uk or visit
our website www.rockschool.co.uk. Good luck!
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In the book you "ill find the exam scores in both standard guitar o- on an L\B. The accompanying CD has fu.;_;_
Players wishing to enter for a Guitar Grade 2 exam need to prepare three pieces of which one may be a free choice piece
chosen from outside the printed repertoire. In addition you must prepare the technical exercises in the book, undertake
either a sight reading test or an improvisation & interpretation test, take an ear test and answer general musicianship
questions. Samples of these tests are printed in the book along with audio examples on the CD.
Guitar Grade 2 Performance Certificate: this is for players who want to focus on performing in a range of styles
To enter for your Guitar Grade 2 Performance Certificate you play pieces only. You can choose any five of the six tunes
printed in this book, or you can choose to bring in up to two free choice pieces as long as they meet the standards set out by
Rockschool. Free choice piece checklists for all grades can be found on the Rockschool website: www.rockschool.co.uk.
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In this section, the examiner \\ill ask you to play a selection of exercises drawn from each of the ti:rree groups o :n
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Groups A and B contain examples of the kinds of scales and chords you can use when playing the pieces. In Group C you
will be asked to prepare the exercise and play it to the CD backing track. You do not need to memorise the exercises (and
can use the book in the exam) but the examiner will be looking for the speed of your response. The examiner will also give
credit for the level of your musicality.
Groups A and B should be prepared in the keys directed.
Groups A and B should be played at J= 100. The examiner will give you this tempo in the exam.
Group A: Scales
1. Major scales to be prepared in the keys of C and G. G major scale shown
2. Natural minor scales to be prepared in the keys of A and E. A natural minor scale shown.
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1. Power chords. The power chords shown below should be played as a continuous exercise
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Group C: Riff
In the exam you will be asked to play the following riff to the backing track on the CD. The riff shown in bars 1 & : ~
be played in the same shape in bars 3- 8. The root note of the pattern to be played is shown in the music in bars 5 -- -_
The tempo is~ = 80.
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Topics:
i)
ii)
Music theory
Knowledge of your instrument
The music theory questions will cover the recognition of the following at this grade:
Note pitches
Note values
Rests
Time Signatures
Key Signatures
The instrument knowledge questions will cover the following topics at this grade:
Plugging into the amplifier and the guitar
Volume and tone adjustments on the guitar
Knowledge of open string names
Questions on all these topics will be based on pieces played by you in the exam. Tips on how to approach this part of the
exam can be found in the Rockschool Companion Guide and on the Rockschool website: www.rockschool.co.uk.
some andy
om. ed ' .- Ro _-- ' oo s Guiar Gun: o ' e
crorman e _ eces. Do feel free to adapt the tunes to suit your plaJing style. Remember, these
- m -;our musical imagination and personality.
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The TAB fingerings are suggestions only. Feel free to use different neck positions as they suit you. Please also note that any
solo featured in the full mixes are not meant to be indicative of the standard required for the grade.
This a modern guitar pop track played in a brisk manner and with a bright tone. The opening melody line is played on two
strings simultaneously: one is open and the other fretted. Accurate fingering and picking will be important so that both
notes sound together. Watch also for the tied notes and the syncopations.
Composer: Jason Woolley.
CD full mix track 2, backing track 9: Jet Black Camel
A classic piece of early 90's grunge played mainly in chords. This is a proper picking hand workout, so make sure that you
keep the tempo of the chords even. The demands on the fretting hand are also considerable: watch out for the 'dead' notes,
chords which are fretted over the notes but which aren't sounded. The changes from chord to chord Efor example from the
Asus 2 to the C in bars 5-8) should also be practised until they become second nature and fluent.
Composer: Hussein Boon.
CD full mix track 3, backing track 10: Martha's Park
This is a classic, riff-based blues-rock song. The opening four bar riff is repeated over the A7 chord for the following four
bars and should be played with attack and control. Watch out for the dynamics in bars 9-12 which should build up so that
the last twelve bars are really driven home.
Composer: Joe Bennett.
CD full mix track 4, backing track 11: Night Bus
Ska had a revival in the UK in the wake of punk rock in the late 1970s and The Specials were its most famous exponents.
This song echoes that band's greatest hit, 'Ghost Town', in its use of atmospherics and sparse staccato chord work. The light
and shade effects are produced by the dynamics and the palm muting. This song would benefit from the use of an echo
pedal or similar effects unit.
Composer: John Murphy
16
Co
The last song in the set of six is a homage to 70s Glam Rock and Marc Bolan in particular. This song begins "ith ~ far--trademark stabbed double stop chords, reminiscent of 'Get it On: The opening riff relies on picking hand accurac; onl.- cs
for the most part the theme is played on open strings (although watch out for the end of riff descents in bars 2 and -1). T..:1
remainder of the song continues in similar vein: watch for the dynamics and the palm muting. The final chord shoul e
played loudly and boldly.
Composer: Deirdre Cartwright.
CD Musicians:
PASS
MERIT
DISTINCTION
Piece 1
13 out of20
15 out of20
Piece 2
13 out of20
15 out of20
Piece 3
15 out of20
Technical Exercises
11 out of 15
12-13 out of 15
14+ out of 15
6 out of 10
7-8 out of 10
9+ out oflO
Ear Tests
6 out of10
7- 8 out of 10
9+ out of 10
3 out of5
4 out of 5
5 out of 5
Total Marks
Pass:65%+
Merit:75%+
Distinction: 85%+
The table below shows the marking scheme for the Guitar Grade 2 Performance Certificate
PASS
MERIT
DISTINCTION
14 out of20
16 out of20
Piece 2
14 out of20
16 out of20
Piece 3
14 out of20
16 out of20
Piece 4
14 out of20
16 out of20
Piece 5
14 out of20
16 out of20
Total Marks
Pass: 70%+
Merit: SO%+
Distinction: 90%+
ELEMENT
Piece 1
>
Entering a Rockschool exam is easy. Please read through these instructions care . be=ore ~
Information on current exam fees can be obtained from Rockschool by ringing 020 8332 6303 or by logging on -o .
website www. rockschool. co.uk.
You should enter for your exam when you feel ready.
You can enter for any one of three examination periods. These are shown below with their closing dates.
PERIOD
DURATION
CLOSING DATE
Period A
1' 1 December
PeriodB
1'1 April
PeriodC
1'1 October
These dates will apply from 1st September 2006 until further notice
Please complete the form giving the information required. Please fill in the type and level of exam, the instrument, along
with the period and year. Finally, fill in the fee box with the appropriate amount. You can obtain up to date information oc:
all Rockschool exam fees from the website: www.rockschool.co.uk. You should send this form with a cheque or postal order
(payable to Rockschool Ltd) to the address shown on the order form. Please also indicate on the form whether or not yon
would like to receive notification via email.
Applications received after the expiry of the closing date may be accepted subject to the payment of an additional fee.
When you enter an exam you will receive from Rockschool an acknowledgement letter or email containing a copy of our
exam regulations.
Rockschool will allocate your entry to a centre and you will receive notification of the exam, showing a date, location and
time as well as advice of what to bring to the centre. We endeavour to give you four weeks' notice of your exam.
You should inform Rockschool of any cancellations or alterations to the schedule as soon as you can as it is usually not
possible to transfer entries from one centre, or one period, to another without the payment of an additional fee.
Please bring your music book and CD to the exam. You rriay not use photocopied music, nor the music used by someone
else in another exam. The examiner will sign each book during each examination. You may be barred from taking an exam
if you use someone else's music.
You should aim to arrive for your Grade 2 exam fifteen minutes before the time stated on the schedule.
Each Grade 2 exam is scheduled to last for 15 minutes. You can use a small proportion of this time to tune up and geready.
Two to three weeks after the exam you will receive a copy of the examiner's mark sheet. Every successful player will recei...-e
a Rockschool certificate of achievement.
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Printed by:
Syllabus consultants:
Audio producer:
Alastair Gavin
Audio engineer:
Matt Gendreau
Additional mixing:
Recorded at:
Guitars:
Bass:
Drums:
Alastair Gavin
Mastered by:
Phil Scragg
Cover design:
Cover photography:
I designed to minimise awkward page turns and to make playing from it a real
pleasure. Particular care has been given to specifying acid free, neutral -sized paper
made from pulps which have not been elemental chlorine bleached. T he pulp is
from farmed sustainable fo rests and produced with special regard for the
environment. Throughout t he printing and binding have been planned to ensure a
sturdy, attractive publication which should give you years of enjoyment. If your
copy fails to meet our high standards, please inform us and we wi ll gladly replace it.
Warning
Unauthorised reproduction of any part of this publication by any means, including
photocopying, is an infringement of copyright.
RSK020603
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