Professional Documents
Culture Documents
Page Section
2013 - 2014
|1
Contents
Welcome,
New Students!
4
Important Numbers
Campus Resources
Pratt Galleries
Web Resources
6
Free Museums
|1
2|
Contents
Memberships
Contents
Libraries
Local Info
Foreign Language
10 11 12
Where to Eat!
Requirements
Degree Program
Worksheet
13 16 17
Museum Studies
19
|3
20
Thesis Guidelines
Grading Assistantship
Internship Program
21 23 25
Department Staff
Faculty
Academic Calendar
27 28 36
4|
Welcome!
Important Numbers
MS G2160
Cox, Diana
Robinson, Kate
Sapega, Christine
Torija-Nieto, Natalia
MS/MFA G2161
Welcome,
New
Students!
Graves, Holly
Ryan, Catlin
Athletics 718-636-3700
Bursar 718-636-3639
MS/MS G2162
Alleman, Katherine
Arbuckle, Emily
Berge, Elizabeth
Lee, Chantal
Miller, Marie
Moyer, Emily
Registrar 718-636-3663
Provo, Alexandra
Seegers, J.E. Molly
Whittaker, Heather
|5
6|
Web Resources
Campus Resources
PRATT
COMPUTER/PRINTING LABS
DOC LAB (LARGE FORMAT PRINTING)
Engineering Building, 2nd Floor
EDS LAB (COMPUTERS, SCANNERS &
PRINTING)
Engineering Building, 2nd Floor
MCC LAB (COMPUTERS AND PRINTING)
Machinery Building, 1st Floor
DISCOUNTS
Art & Education
artandeducation.net
ArtBabble
artbabble.org
ART
HISTORY
ATHLETICS
FREE YOGA, DANCE & EXERCISE CLASSES
In addition to a spacious indoor-track and a weight
and exercise room, Pratts athletic center in the ARC
building offers a number of free classes every day of the
week. For more information, pick up a class schedule
from the athletics center or check out pratt.edu/
student_life/athletics_and_recreation.
|7
8|
Pr att Gr alleries
Free Museums
Throughout the year, students and faculty show their work and thesis
exhibitions in a number of galleries on Pratts campus. Here are a few:
THE RUBELLE
and NORMAN
SCHAFLER GALLERY
|9
10 | Memberships
Libr aries | 11
PUBLIC LIBRARIES
BROOKLYN CENTRAL LIBRARY
10 Grand Army Plaza, Brooklyn
718-230-2100
NYPL STEPHAN A. SCHWARZMAN BUILDING
5th Avenue & 42nd Street, Manhattan
917-275-6975
MUSEUM LIBRARIES
COOPER HEWITT NATIONAL DESIGN MUSEUM
2 East 91st Street, Manhattan
212-849-8330, by appointment only
the FRICK ART REFERENCE LIBRARY
10 East 71st Street, Manhattan
212-547-0641
the MORGAN LIBRARY & MUSEUM
225 Madison Avenue, Manhattan
212-685-0008, by appointment only
MUSEUM of MODERN ART
4 West 54th Street, Manhattan
212-708-9433, by appointment only
METROPOLITAN MUSEUM of ART:
THOMAS J. WATSON LIBRARY
1000 Fifth Avenue, Manhattan
212-650-2312, by appointment only
(For a complete list of the Mets libraries,
visit metmuseum.org/education)
* Pratts library also offers special access to other academic libraries
throughout Brooklyn with the ALB Card. For more information,
speak with a librarian or call 718-636-3420
12 | Local Info
Where to Eat! | 13
LUNCH/DINNER
CHEZ OSKAR
A beautiful French Bistro with great food.
Also great for their amazing brunch!
211 DeKalb Ave 718-852-6250
GENERAL GREENE
Classic American tapas for the foodie and locavore. Amazing
homemade ice cream!
229 DeKalb Ave 718-222-1510
BROOKLYN FLEA
brooklynflea.com
CITYWIDE
FLAVORPILL
flavorpill.com/newyork
GOTHAMIST
gothamist.com
HOPSTOP (Subway Directions)
hopstop.com
ART/GALLERIES
ART FAG CITY
artfagcity.com
ARTCARDS
artcards.cc
ARTINFO GALLERY GUIDE
artinfo.com/galleryguide
CREATIVE TIME
creativetime.org
14 | Where to Eat!
CHEAP BREAKFAST
PILLOW CAF
A warm, cozy, and low-key spot for a light meal and coffee.
Try their homemade tea!
505 Myrtle Ave 718-246-2711
MIKES COFFEE SHOP
A charming neighborhood diner frequented on weekend
mornings by hungry Pratt students and churchgoers. Directly
across the street from Pratt!
328 DeKalb Ave 718-857-1462
MEGA BITES
A casual Greek/American diner.
Perfect for a quiet breakfast when Mikes is full!
245 DeKalb Ave 718-398-8112
BERGEN BAGELS
The best bagels in the neighborhood
(and maybe the world).
536 Myrtle Ave 718-789-9300
TAKEOUT
BAGUETTEABOUDIT!
Where Paris meets Brooklyn
270 Vanderbilt Ave 718-622-8333
CHOICE MARKET
A cute, casual caf with amazing coffee,
mouth-watering sandwiches and gourmet pastries.
318 Lafayette Ave 718-230-5234
Where to Eat! | 15
TAKEOUT
CASTROS
Cheap, fun, and (very) filling Mexican food.
511 Myrtle Ave 718-398-1459
LUIGIS PIZZERIA
The most amazing slice of pizza you will ever have in your life.
Right next to Pratt!
326 DeKalb Ave 718-783-2430
NEW GRACE CHINESE KITCHEN
Tasty, cheap, and friendly Chinese food.
484 Myrtle Ave 718-789-6296
BARS
ALIBI
The local seedy (and awesome) dive bar.
Complete with pool table and jukebox.
242 Dekalb Ave 718-783-8519
FIVE SPOT
A funky soul food restaurant that doubles as a bar after hours.
Great for live music, cheap beer, and their kitchen that closes at
2am!
459 Myrtle Ave 718-852-0202
16 | Requirements
G2160
G2161 G2162
Required Courses
Core
course
Total Credits:
Core
course
Thesis
3
3
3
75
YR/SEMESTER
60
Foreign
Language
Proficiency
Requirement
(FRENCH
or
GERMAN
or
OTHER
approved
by
the
chairperson)___
Date
Passed:
______________________
CREDITS
YR/SEMESTER
Elective
Courses
in
other
areas
(up
to
6
credits
in
studio,
language,
LIS,
etc.
approved
by
the
chairperson)
HA
560Museology
HA
9603Internship
(at
HA
9603BInternship
(at
)
)
YR/SEMESTER
CREDITS
YR/SEMESTER
3
3
3
Museum Studies | 19
Some
courses
can
fulfill
different
requirements,
but
a
single
course
cannot
fulfill
two
requirementS.
20 | Foreign Language
Thesis Guidelines | 21
THESIS GUIDELINES
You must be enrolled each term during which you work on the
thesis, with the exception of the summer semester.
Select a faculty advisor who has professional expertise and
personal interest in your thesis topic. Approach the potential
advisor early in the process to insure s/he is available to advise
your thesis.
Prepare a two to three page proposal that outlines your topic and
research methodology and includes a working bibliography (not
included in page suggestion). Once your advisor has approved the
proposal, have two additional faculty members read and comment
on the proposal, addressing strengths and weaknesses and making
any recommendations needed. The readers should return a copy
of the proposal with comments to you, your advisor, and the
department (in hard copy or via email). It is your responsibility to
recruit the two readers, submit the proposal to them and follow up
on their comments.
The thesis should be prepared using the Chicago Manual of
Style. We recommend purchasing the most recent edition of
K.L.Turabians A Manual for Writers of Research Papers, Theses,
and Dissertations: Chicago Style for Students and Researchers. You
must also follow the formatting guidelines established by the
Library (and kept up to date on their website: http//libguides.
pratt.edu/thesisguide). The manuscript should not be longer than
65-70 pages, excluding the bibliography and images. We advise
including an acknowledgements page. Copies of deposited theses
are available for consultation in the Graduate Student Office and
in the Library.
22 | Thesis Guidelines
THESIS GUIDELINES
In consultation with your advisor, establish a timeline for your
work and schedule regular meetings with your advisor throughout
your research and writing.
You must submit the final draft of your thesis, approved by your
advisor and formatted according to the Librarys guidelines, to
the Chair five weeks prior to the Librarys deposit deadline. The
Chair will return comments to you no later than a week before
the deposit deadline. The Library website outlines the deposit
procedures; should you need additional guidance, please speak
with one of the reference librarians.
The final thesis manuscript must contain a page with the
signatures of your advisor and the Chair. You should print three
archival copies of the manuscript: one for the Library, one for the
Department, and one for yourself. Two of these you will deposit
with the Library for binding (one for the Library and one for
the Department). The department is collecting digital copies of
all theses. Please submit your thesis in either .doc or .pdf format
to the Assistant to the Chair. If you want to be included on our
website (hadthesis.pratt.edu), please email ha@pratt.edu that you
are granting us the permission for online use. You can have your
personal copy bound at the Copy Center or an offsite service such
as Kinkos.
Make sure to allow yourself sufficient time to explore a potential
topic since the thesis is meant to be completed in two semesters
to assure timely completion of your studies. Should you need to
extend beyond three semesters of work on the thesis, schedule a
meeting with your advisor and the Chair to discuss your situation.
Gr ading Assistantship | 23
GRADING ASSISTANTSHIP
JOB DESCRIPTION
General
Being a Grader constitutes a contractual agreement between a
faculty member and a student in the Department of History of
Art & Design, with obligations to both parties, and with the
Department of History of Art and Design in a supervisory capacity.
The principal responsibility of the grader is to grade student
assignments in consultation with the instructor.
Instructors and graders are advised to maintain open
communication via email or phone.
Graders must attend all class sessions of the sections for which
they grade, unless an alternative arrangement is determined by the
instructor (e.g., attending alternate class sessions of two sections of
the same survey course, for example).
Graders must attend scheduled museum field trips.
Both the instructor and the grader must be present at all
examinations. Graders assist in proctoring the exam.
Grading
Under the supervision of the course instructor, graders grade
quizzes, the mid-term and final exams, and any written homework
for the sections to which they are assigned. In all cases, the
instructor will provide a thorough key and basic written guidelines
for grading and should discuss them with the assistant. The
instructor will check and discuss with the grader sample exams (to
determine a typical grade of A, B, C, etc.).
24 | Gr ading Assistantship
Internship | 25
GRADING ASSISTANTSHIP
INTERNSHIP PROGRAM
Graders will meet with the instructor in the last week of the term
to help compile grades and, particularly, to help decide border-line
case grades, since often the grader will be more familiar with a
given students work than the instructor. Final responsibility for
grades rests with the instructor. The instructor must review the
graders work and communicate any concerns. The instructor must
be prepared to explain all assigned grades.
Grading assistants cannot be assigned the responsibility of
teaching a class in the instructors absence.
Graders are hired, and their paperwork is processed, by the Assistant
to the Chair (please pick up hiring paperwork in the HA&D office
no later than 2:00 pm on the second Friday of the semester).
Both grader and instructor should report any concerns over the
course of the semester to the Assistant to the Chair.
HA&D Main Office: East Hall, Room 205.
e: ha@pratt.edu
p: 718 636 3598
26 | Internship
Department Staff | 27
DOROTHEA DIETRICH
Chair and Professor
Twentieth-Century Art History and Aesthetic Theory
Ph.D., M.Phil., M.A. and B.A., Yale University
Primary research areas: The Weimar Republic and post-WW II
German Art and Culture. Publications include: The Collages of
Kurt Schwitters: Tradition and Innovation and German Drawings
of the 60s, and contributions to exhibition catalogues and
scholarly volumes in the United States and Europe. She was also
Contributing Editor to Art on Paper and Critical Matrix.
Before coming to Pratt, Dietrich was Chair of Arts and
Humanities at the Corcoran College of Art and Design and
earlier, Curator of Prints and Drawings and Director of the
Morse Research Center at the Jane Voorhees Zimmerli Art
Museum at Rutgers. She held teaching appointments at Yale
University, Princeton University, MIT, Washington University,
Duke University and Boston University. She recently was a Senior
Research Fellow at the Henry Moore Institute in Leeds, England.
She is currently working on Art and Technology in the former
Republic of East Germany.
ddietric@pratt.edu
28 | Faculty
SAM BRYAN
Associate Professor
Documentary Film, Film Criticism
DA, History, Carnegie-Mellon University
M.A.T., Howard University
Publications include: Effective Use of Films in the Classroom;
The Gettysburg Address.
Faculty | 29
EVA DAZ
Assistant Professor
Institutional Critique, Exhibiting Race,
Critical Models: 1965 to the Present, The Current Season
Ph.D., M.A., Princeton University
Hes a past president of the New York Film Council and continues
as Executive Director of the International Film Foundation.
sbrya995@pratt.edu
ediaz3@pratt.edu
ED DECARBO
Associate Professor
African Art, Pre-Columbian Art
MARY EDWARDS
Professor
Trecento Art, Native American Architecture,
Native American Art
30 | Faculty
Faculty | 31
DIANA GISOLFI
Professor
Art Historical Methodology and Theory,
Italian Renaissance Art, Michelangelo Seminar
dgisolfi@pratt.edu
ffhofric@pratt.edu
DIMITRI HAZZIKOSTAS
Assistant Professor
Aegean and Greek Art, Roman Art, Medieval Art
Ph.D., M.A., Columbia University
Archeological field work in Greece.
Published in the Encyclopedia of Comparative Iconography.
Awards include: Sears Distinguished Professor 1991,
Whiting Fellowship.
dhazziko@pratt.edu
IL KIM
Visiting Assistant Professor
Ph.D., M. Phil. and M.A, Columbia University, Architectural History
M.A. and B.A., Tokyo National University of Fine Arts and Music, Architecture
Il Kims work and studies focus on architecture and architectural history.
His dissertation is entitled, Nicholas of Cusa, Leon Battista Alberti, and
the Cult of Light in Fifteenth-Century Italian Renaissance Architecture,
in which he discussed how the mutual understanding between Cusa and
Alberti led to the creation of unprecedented Renaissance buildings. He is
in his early stages of developing his dissertation into a book.
Publications include: studies of Italian Renaissance, an essay on
Isamu Noguchi, and several books on contemporary architecture.
Il Kim is an architect as well, and his work has been published in the US.
ikim6@pratt.edu
32 | Faculty
ANCA I. LASC
Assistant Professor
Ph.D., M.A., Art History Department, University of Southern California
B.A. Jacobs University Bremen, Germany
Research on the invention and commercialization of the modern
French interior and the development of the profession of interior
designer in the nineteenth-century, as well as the art of commercial
window dressing in nineteenth-century France and America.
Has been the recipient of numerous research grants; published
articles in the Journal of Design History and Interiors: Design,
Architecture, Culture.
alasc@pratt.edu
MARSHA MORTON
Professor
Abstract Art, Impressionism and Post-Impressionism,
German Nineteenth-Century Art
Ph.D. Institute of Fine Arts, New York University
M.A., University of Chicago
Faculty | 33
JOYCE POLISTENA
Associate Professor
African Art, American Art, Delacroix
Ph.D., CUNY Graduate Center
M.A., Hunter College
CUNY Dissertation Fellowship, 1994-95; Treadwell Memorial
Scholarship (Oxford University), 1989.
Papers presented at CAA, The University of Washington and The Frick
Collection.
Publications in The Van Gogh Museum Journal; Religion and the Arts and
The Bulletin of the German Historical Institute.
jpoliste@pratt.edu
KATARINA V. POSCH
Associate Professor
Industrial Design, Interior Design,
Japanese Design
Ph.D., Tokyo University of Fine Arts and Music
kposch@pratt.edu
34 | Faculty
ANN SCHOENFELD
Assistant Professor
Abstract Art, The Bauhaus, Concepts of Design,
History of Communications Design,
Points of View: Political and Socially Concerned
Art and Design, Revolutionary Challenges of the Avant-Garde
Ph.D., CUNY Graduate Center
M.A., University of Chicago
CUNY Dissertation Fellowship. Lecturer, SUNY Purchase.
Nominator, Joan Mitchell Foundation for Painting and Sculpture.
Published in M/E/A/N/I/N/G: An Anthology of Artists Writings,
Theory, and Criticism, i-D, Eye.
aschoenf@pratt.edu
DOROTHY SHEPARD
Associate Professor
Gender in Medieval Art, Manuscripts, The Crusades
Ph.D., Bryn Mawr
M.A., Southern Methodist University
AAUW American Fellowship, Haakon Traveling Fellowship.
Invited lectures include: CAA, Kalamazoo and Medieval
Academy; Symposia on History of the Bible held at Barnard,
Rutgers, and Princeton.
Published in Medieval Germany: An Encyclopedia; Rutgers Art
Review; The Apocalypse in Word and Image; and Canterbury and the
Medieval Bible.
dshepard@pratt.edu
dshep25784@aol.com
Faculty | 35
BOR-HUA WANG
Assistant Professor
Buddhist Art, Modern Arts of China, East Meets West, Asian Art,
Chinese Landscape Painting
Ph.D., Columbia University
M.A., University of Kansas
Specialist in Chinese painting and calligraphy of the Song dynasty.
Other area of research: Contemporary Chinese Art; Buddhist Art
of Southeast Asia and Western art theory.
Curator of Contemporary Koran Art, Abstract Chinese Art,
Taipei Fine Art Museum.
Pan Yuliangs Life and Art: Alienation to Freedom of
Expression, CAA, 2001.
bwan1068@pratt.edu
36 | Academic Calendar
OFFICE OF
REGISTRAR
ACADEMIC CALENDAR
Fall 2013
Spring 2014
Summer 2014
August 26
January 21
May 19
August 26
May 19
January 21
(Jan 18 Sat/Sun Classes)
September 9
February 4
May 25
November 15
April 8
June 10
Labor Day
September 2
Dates that classes
DO NOT MEET
Midterm Break
October 15
Thanksgiving
November 27
December 1
Memorial Day
May 26
Independence Day July 4
December 9
through
December 15
May 6
through
May 12
December 15
May 12
August 4
December 17
May 14
August 6
Academic Advisors
Admissions (toll-free)
(800) 331-0834
Architecture
Admissions
(718) 636-3514
(718) 399-4333
(718) 636-3611
Bursar
(718) 636-3539
(212) 647-7682
Career Services
(718) 636-3506
(718) 636-3450
Financial Aid
(718) 636-3599
Writing Programs
(718) 399-4497
(718) 399-4542
(718) 636-3674
(718) 636-3420
Registrar
(718) 636-3663
Residential Life
(718) 399-4550
Security
(718) 636-3540
(718) 636-3422
Please note:
This calendar must be considered as informational and not
binding on the Institute. The dates listed here are provided as a
guideline for use by students and offices participating in academic
Notes