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The input sources will vary between sound cards, and your
Record Control panel may look different from the one displayed
above.
If your microphone is connected directly to your sound card
(not recommended, unless you have an XLR transformer
converting your microphone level to line level), adjust the
Microphone Volume. If your microphone is connected to a mixer
and the mixer is connected to the line level input on your sound
card, adjust the Line-In Volume.
Because all audio inputs may potentially be active all at once,
it is a good idea to turn off any input that you are not currently
using for recording. You use the Select box at the bottom of each
input strip (highlighted in a broken-line box in the diagram above)
to make these changes.
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This dialogue box allows you to choose the settings for your
new document. Select a sampling rate of 44100, mono for the
number of channels, and a resolution of 16-bit. Although this
particular sound card offers higher resolutions, it will be best, for
the time being, to retain a standard file format.
BEGINNING TO RECORD
When you are ready to begin recording, click on the red Record
button on the Transport Controls on the bottom left of the main
window.
NORMALIZING IN AUDITION
All the considerations that apply to amplifying audio files in
Amadeus and ProTools apply equally to Audition. The only
difference is in the procedure used to normalize the audio files.
Normalizing audio files in Audition is very similar to the procedure
in Amadeus.
With an audio file open, select Normalize from the Amplitude
submenu within the Effects menu.
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