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Smith in 1912
Born
Died
Occupation
Nationality
American
Genre
Clark Ashton Smith (January 13, 1893 August 14, 1961) was a self-educated American
poet, sculptor, painter and author offantasy, horror and science fiction short stories. He
achieved early local recognition, largely through the enthusiasm of George Sterling, for
traditional verse in the vein of Swinburne. As a poet, Smith is grouped with the West Coast
Romantics alongsideAmbrose Bierce, Joaquin Miller, Sterling, Nora May French, and
remembered as "The Last of the Great Romantics" and "The Bard of Auburn".
Smith was one of "the big three of Weird Tales, along with Robert E. Howard and H. P.
Lovecraft", where some readers objected to his morbidness and violation of pulp
traditions. It has been said of him that "nobody since Poe has so loved a well-rotted
corpse." He was a member of the Lovecraft circle, and Smith's literary friendship with
Lovecraft lasted from 1922 until Lovecraft's death in 1937. His work is marked chiefly by an
extraordinarily wide and ornate vocabulary, a cosmic perspective and a vein of sardonic
and sometimes ribald humor.
[1]
[2]
Of his writing style, Smith stated that: "My own conscious ideal has been to delude the
reader into accepting an impossibility, or series of impossibilities, by means of a sort of
verbal black magic, in the achievement of which I make use of prose-rhythm, metaphor,
simile, tone-color, counter-point, and other stylistic resources, like a sort of incantation."
[3]
Contents
[hide]
1Biography
o
1.2Early writing
2Artistic periods
o
3Bibliography
o
3.4Hippocampus Press
3.5Arkham House
3.7Wildside Press
3.8Timescape Books
3.10Penguin Books
3.11Other
5See also
6Notes
7References
8Further reading
9External links
Biography[edit]
Early life and education[edit]
Smith was born January 13, 1893, in Long Valley, California, of English and New England
parentage. He spent most of his life in the small town of Auburn, California, living in a small
cabin built by his parents, Fanny and Timeus Smith. His formal education was limited: he
suffered from psychological disorders including a fear of crowds, and although admitted to
high school after attending eight years of grammar school (Long Valley School, whence
dates the earliest known photo of him), he never went to high school. His parents decided it
was better for him to be educated at home.
However, he was an insatiable reader, and continued to teach himself after he left school.
His education began with the reading of Robinson Crusoe (unabridged), Gulliver's Travels,
the fairy tales of Hans Christian Andersen and Madame d'Aulnoy, the Arabian Nights and
(at the age of 13) the poems of Edgar Allan Poe. He read an unabridged dictionary (the
13th edition of Webster's) through, word for word, studying not only the definitions of the
words but also their derivations from ancient languages. Having an extraordinary eidetic
memory, he seems to have retained most or all of it.
[4]
The other main course in Smith's self-education was to read the 11th edition of
the Encyclopdia Britannica through at least twice. Smith later taught himself French and
Spanish in order to translate verse out of those languages. Smith professed to hate the
provinciality of the small town of Auburn but rarely left it until he married late in life.
[5]
Early writing[edit]
His first literary efforts, at the age of 11, took the form of fairy tales and imitations of the
Arabian Nights. Later, he wrote long adventure novels dealing with Oriental life. By 14 he
had already written a short adventure novel called The Black Diamonds which was lost for
years until published in 2002. Another juvenile novel was written in his teenaged years
The Sword of Zagan (unpublished until 2004). Like The Black Diamonds, it uses
a medieval, Arabian Nights-like setting, and the Arabian Nights, like the fairy tales of
the Brothers Grimm and the works of Edgar Allan Poe, are known to have strongly
influenced Smith's early writing, as did William Beckford's Vathek.
At age 17, he sold several tales to The Black Cat, a magazine which specialized in unusual
tales. He also published some tales in theOverland Monthly in this brief foray into fiction
which preceded his poetic career.
However, it was primarily poetry that motivated the young Smith and he confined his efforts
to poetry for more than a decade. In his later youth, Smith made the acquaintance of the
San Francisco poet George Sterling through a member of the local Auburn Monday Night
Club, where he read several of his poems with considerable success. On a month-long visit
to Sterling in Carmel, California, Smith was introduced by Sterling to the poetry
of Baudelaire.
[6]
He became Sterling's protg and Sterling helped him to publish his first volume of
poems, The Star-Treader and Other Poems, at the age of 19. Smith received international
acclaim for the collection. The Star-Treader was received very favorably by American
critics, one of whom named Smith "the Keats of the Pacific". Smith briefly moved among
the circle that included Ambrose Bierce and Jack London, but his early fame soon faded
away.
In 1920 Smith composed a celebrated long poem in blank verse, The Hashish Eater, or
The Apocalypse of Evil which was published in Ebony and Crystal (1922). This was
followed by a fan letter from H. P. Lovecraft, which was the beginning of 15 years of
friendship and correspondence. With studied playfulness, Smith and Lovecraft borrowed
each other's coinages of place names and the names of strange gods for their stories,
though so different is Smith's treatment of the Lovecraft theme that it has been dubbed the
"Clark Ashton Smythos."
[8]
[9]
In 1925 Smith published Sandalwood. He wrote little fiction in this period with the exception
of some imaginative vignettes or prose poems. Smith was poor for most of his life and often
did hard manual jobs such as fruit picking and woodcutting in order to support himself and
his parents. He was an able cook and made many kinds of wine. He also did well digging,
typing and journalism, as well as contributing a column to The Auburn Journal and
sometimes worked as its night editor.
[10]
One of Smith's artistic patrons and frequent correspondents was San Francisco
businessman Albert M. Bender.
Smith's novelette "Marooned in Andromeda", the first entry in his "Captain Volmar" sequence, was the cover story in the October
1930 issue ofWonder Stories. illustrated by Frank R. Paul
Another "Captain Volmar" story, "The Amazing Planet", took the cover of the Summer 1931 issue of Wonder Stories Quarterly
Smith's "The City of Singing Flame" was the cover story in the July 1931 issue of Wonder Stories
Smith's "The Invisible City" was the cover story in the June 1932 issue ofWonder Stories
At the beginning of the Depression in 1929, with his aged parents' health weakening, Smith
resumed fiction writing and turned out more than a hundred short stories between 1929 and
1934, nearly all of which can be classed as weird horror or science fiction. Like Lovecraft,
he drew upon the nightmares that had plagued him during youthful spells of sickness. Brian
Stableford has written that the stories written during this brief phase of hectic productivity
"constitute one of the most remarkable oeuvres in imaginative literature".
[11]
He published at his own expense a volume containing six of his best stories, The Double
Shadow and Other Fantasies, in an edition of 1000 copies printed by the Auburn Journal.
The theme of much of his work is egotism and its supernatural punishment; his weird fiction
is generally macabre in subject matter, gloatingly preoccupied with images of death, decay
and abnormality.
Most of Smith's weird fiction falls into four series set variously
in Hyperborea, Poseidonis, Averoigne and Zothique. Hyperborea, which is a lost continent
of the Miocene period, and Poseidonis, which is a remnant of Atlantis, are much the same,
with a magical culture characterized by bizarreness, cruelty, death and postmortem horrors.
The poet's ashes were buried beside, or beneath, a boulder to the immediate west of
where his childhood home (destroyed by fire in 1957) stood; some were also scattered in a
stand of blue oaks near the boulder. There was no marker. In more recent times a plaque
to his memory has been erected at the Auburn, California Placer County Library.
[14]
[15]
Bookseller Roy A. Squires was appointed Smith's "west coast executor", with Jack L.
Chalker as his "east coast executor". Squires published many letterpress editions of
individual Smith poems.
[16]
Smith's literary estate is represented by his stepson, Prof William Dorman, director of
CASiana Literary Enterprises. Arkham House owns the copyright to many Smith stories,
though some are now in the public domain.
For 'posthumous collaborations' of Smith (stories completed by Lin Carter), see the entry
on Lin Carter.
Artistic periods[edit]
While Smith was always an artist who worked in several very different media, it is possible
to identify three distinct periods in which one form of art had precedence over the others.
"The Hunters from Beyond", one of Clark Ashton Smith's best-known stories, was first published in the October 1932 issue
of Strange Tales.
Smith wrote most of his weird fiction and Cthulhu Mythos stories, partially inspired by H. P.
Lovecraft. Creatures of his invention includeAforgomon, RlimShaikorth, Mordiggian, Tsathoggua, the wizard Eibon, and various others. In an homage to
his friend, Lovecraft referred in "The Whisperer in Darkness" and "The Battle That Ended
the Century" (written in collaboration with R. H. Barlow) to an Atlantean high-priest,
"Klarkash-Ton."
Smith's weird stories form several cycles, called after the lands in which they are
set: Averoigne, Hyperborea, Mars, Poseidonis,Zothique. To some extent Smith was
[17]
influenced in his vision of such lost worlds by the teachings of Theosophy and the writings
ofHelena Blavatsky. Stories set in Zothique belong to the Dying Earth subgenre. Amongst
Smith's science fiction tales are stories set onMars and the invented planet of Xiccarph.
His short stories originally appeared in the magazines Weird Tales, Strange
Tales, Astounding Stories, Stirring Science Stories andWonder Stories.
Clark Ashton Smith was the third member of the great triumvirate of Weird Tales, with
Lovecraft and Robert E. Howard.
Many of Smith's stories were published in six hardcover volumes by August Derleth under
his Arkham House imprint. For a full bibliography to 1978, see Sidney-Fryer, Emperor of
Dreams (cited below). S.T. Joshi is working with other scholars to produce an updated
bibliography of Smith's work.
A selection of Smith's best-known tales includes:
"The Letter from Mohaun Los" (under the title of "Flight into Super-Time")
Wonder Stories, August 1932 LW1
"The Coming of the White Worm" Stirring Science Stories, April 1941 LW2
[19]
Bibliography[edit]
Books published in Smith's lifetime[edit]
First edition
First edition
1912: The Star-Treader and Other Poems. San Francisco: A.M. Robertson, Nov
1912. 100 pages. 2000 copies. Some copies have a frontispiece photo by Bianca
Conti; others lack it.
1918: Odes and Sonnets. San Francisco: The Book Club of California, June 1918.
28 pages. 300 copies.
1922: Ebony and Crystal: Poems in Verse and Prose. Auburn CA: The Auburn
Journal Press, Oct 1925. 43 pages. Limited to 500 copies signed by Smith. Some
copies are found with corrections in Smith's hand to typos in the text.
1925: Sandalwood. Auburn CA: The Auburn Journal Press, Oct 1925. Verse. 43
pages. Limited to 250 (i.e. 225)numbered copies signed by Smith. Some copies are
found with corrections in Smith's hand to typos in the text.
1933: The Double Shadow and Other Fantasies. Auburn, CA: The Auburn Journal
Press, 1933. Short stories. Limited to 1000 copies in grey paper wrappers.
1937: Nero and Other Poems. Lakeport CA: The Futile Press, May 1937. 24 pages.
c.250 copies. Complete copies have laid in the three page essay "The Price of Poetry",
on Smith's verse, by David Warren Ryder, which was printed to accompany the book.
1951: The Dark Chateau and Other Poems. Sauk City, WI: Arkham House, Dec
1951. 63 pages. 563 copies.
1958: Spells and Philtres. Sauk City: Arkham House, March 1958. Verse. 54 pages.
519 copies.
1962: The Hill of Dionysus A Selection. Pacific Grove, CA: Roy A. Squires and
Clyde Beck. Verse. This volume was prepared while Smith was still living but he died
before it could see print. It was published 'In memoriam'.
1971: Selected Poems. Sauk City, WI: Arkham House, Nov 1971. This volume was
delivered by the author to Arkham House in December 1949 but remained unpublished
until 1971.
Hippocampus Press[edit]
The Shadow of the Unattained: Letters of George Sterling and Clark Ashton Smith
Arkham House[edit]
Lost Worlds
Poems in Prose
Selected Poems
A Rendezvous in Averoigne
Out of Space and Time (published in 2 volumes, ISBN 0-586-03966-X, ISBN 0586-04110-9)
Averoigne (reportedly compiled by series editor Lin Carter, but never released)
Wildside Press[edit]
Timescape Books[edit]
Shadows Seen and Unseen: Poetry from the Shadows. San Jose, CA: Hih Art
Studios, 2007. Edited by Raymond L. Johnson and Ardath W. Winterowd and
signed by both editors. Limited to 540 copies. Hardcover in slipcase. Includes
reproductions of poetry mansuscripts by Smith, and color plates of several
Smith paintings.
Penguin Books[edit]
Other[edit]
The Black Abbot of Puthuum. Glendale, CA: The RAS Press, Oct 2007.
Limited to 250 numbered copies.
Roy A. Squires, bookman and letterpress printer, issued many limited edition
pamphlets consisting of individual Smith poems and prose poems.
Clark Ashton Smith: Live from Auburn: The Elder Tapes. In the late 1950s
Smith recorded a number of his poems on the taperecorder of his friend Robert
B. Elder. Elder chose the 11 poems at random from Smith's books The Dark
Chateau and "Spells and Philtres". (Elder had first met Smith when reporting
on his 1954 wedding to the former Carol Dorman for The Auburn Courier and
they became friends when Smith praised Elder's novel Whom the Gods
Destroy.) In 1995 Necronomicon Press released the audiocassette Clark
Ashton Smith: Live from Auburn: The Elder Tapes, which includes an
introduction by Elder and then Smith reading his poems. The recording was
produced by Wayne Haigh. The cassette was accompanied by a booklet
feasturing a c.1960 photo of Smith and reprints all 11 poems. Gahan
Wilson provided the cover art for cassette and booklet. The recording has not
been released on CD.
"The Return of the Sorcerer" was adapted for an episode of the television
series Night Gallery, starring Vincent Price and Bill Bixby.
"The Seed from the Sepulcher", "The Vaults of Yoh Vombis" and "The Return
of the Sorcerer" were adapted as ten-page comics by Richard Corben,
published in DenSaga 1, 2 and 3 respectively (Fantagor Press 19921993).
See also[edit]
Wikimedia Commons has
media related to Clark
Ashton Smith.
Poetry portal
Biography portal
Notes[edit]
1. Jump up^ Thomas, G. W. "A Reader's Guide to Sword & Sorcery S-V". RetrievedSeptember
27, 2012.
2. Jump up^ de Camp 1976, p. 206
3. Jump up^ http://www.eldritchdark.com/articles/reviews/68/introduction-to-%27tales-of-zothique%27
4. Jump up^ de Camp 1976, p. 197-98
5. Jump up^ Behrends 1990, p. 5
6. Jump up^ de Camp 1976, p. 200
7. Jump up^ Schultz & Connors 2003, p. xix
8. Jump up^ Smith, Clark Ashton (1922). Ebony and Crystal: Poems in Verse and Prose.Auburn,
California.
9. Jump up^ Murray 1990
10. Jump up^ de Camp 1976, p. 203
11. Jump up^ Brian Stableford, "Clark Ashton Smith" in David Pringle (ed), St James Guide to Fantasy
Writers, Detroit MI: St James Press, 1996, pp.529-30
12. Jump up^ Steve Behrends. "The Song of the Necromancer: 'Loss' in Clark Ashton Smith's
Fiction". Studies in Weird Fiction 1, No 1 (Summer 1986), 312.
13. Jump up^ Haefele 2010, p.170
14. Jump up^ Clark Ashton Smith at Find a Grave
15. Jump up^ "Clark Ashton Smith (18931961) Photos". Find a Grave. RetrievedSeptember
16, 2013.
16. Jump up^ Haefele 2010, p.172
17. Jump up^ Harvey, Ryan (April 9, 2008). "The Fantasy Cycles of Clark Ashton Smith PART III:
Tales of Zothique". Black Gate. Retrieved September 16, 2013.
18. Jump up^ Many examples are reproduced in Dennis Rickard (1973). The Fantastic Art of Clark
Ashton Smith. Baltimore: The Mirage Press.
19. Jump up^ "Gallery of Art by Clark Ashton Smith". December 30, 2009. RetrievedOctober 29, 2012.
20. Jump up^ Blackmore, Leigh. "Past Projects". Retrieved September 18, 2013. There is mention
here of Azathoth productions, a filmmaking group within the [Horror Fantasy Society]. This group
produced the unfinished short film "The Double Shadow" (based on the Clark Ashton Smith
story)...
References[edit]
Joshi, S. T. (2008). "Clark Ashton Smith: Beauty Is for the Few," chapter 2
in Emperors of Dreams: Some Notes on Weird Poetry. Sydney: Prea
Press. ISBN 978-0-9804625-3-1 (pbk) and ISBN 978-0-9804625-4-8 (hbk).
Murray, Will. "The Clark Ashton Smythos" in Price, Robert M. (ed). The Horror
of it All: Encrusted gems from the Crypt of Cthulhu. Mercer Island WA:
Starmont House, 1990.ISBN 1-55742-122-6.
Further reading[edit]
Behrends, Steve. Clark Ashton Smith. Starmont Reader's Guide 49. Mercer
Island, WA: Starmont House, 1990.
Haefele, John D. "Far from Time: Clark Ashton Smith, August Derleth, and
Arkham House." Weird Fiction Review No 1 (Fall 2010), 154189.
Lost Worlds: The Journal of Clark Ashton Smith Studies, Seele Brennt
Publications. Edited by Smith's biographer Scott Connors and Ronald S.
Hilger. Issued annually, five numbers 20032008.
Morris, Harry O. (ed). Nyctalops magazine. Special Clark Ashton Smith issue,
96 pp. (1973)
Schultz, David E. and Scott Connors (ed). Selected Letters of Clark Ashton
Smith. Sauk City, WI: Arkham House, 2003.
Schultz, David E and S.T. Joshi. The Shadow of the Unattained: The Letters of
George Sterling and Clark Ashton Smith. NY: Hippocampus Press, 2005.
Sidney-Fryer, Donald. Clark Ashton Smith: The Sorcerer Departs. West Hills,
CA: Tsathoggua Press, Jan 1997. Dole: Silver Key Press, 2007.
Updated/revised version of his essay in the Special CAS Issue
of Nyctalops (see above under Morris).
External links[edit]
Wikisource has original
works written by or about:
Clark Ashton Smith
The Eldritch Dark This website contains almost all of Clark Ashton Smith's
written work, as well as a comprehensive selection of his art, biographies, a
bibliography, a discussion board, readings, fiction tributes and more.
Clark Ashton Smith: Poems A collection of Clark Ashton Smith's early poetry.
onal. A partir de 1937, o autor escreve cada vez menos prosa, retorna poesia
(mas sem a qualidade de sua produo inicial) e mergulha fundo na escultura,
que pode ser considerada a sua maior paixo em vida, e a arte na qual foi mais
completamente artista.
Obras ambientadas
Caractersticas
Aihai
O planeta
Marte, na
lngua de
seus habitantes
nativos.
Vulthoom, O
Habitante do
Habismo, As Criptas
de Yoh-Vombis
Planeta morto ou
decadente, com
muitas runas e
grandes abismos.
Os nomes tendem
a usar muito as
letras V e Y.
Averoigne
Regio no
Centro-Sul
da Frana
medieval.
O Fazedor de
Grgulas, A Fera de
Averoigne, A Me dos
Sapos, A Exumao
de Vnus, A
Encantadora de
Sylaire, O Colosso de
Ylourgne, Um
Encontro em
Averoigne, O Fim da
Histria, As
Mandrgoras, A
Santidade de
Azdarac, O Stiro
Regio fictcia de
uma Frana medieval que supostamente foi removida do mundo
real por um
grande trabalho
de magia branca
em certo ponto no
fim da Idade
Mdia, para banir
do mundo fsico o
mal sobrenatural
que l se havia
alojado.
Hiperbrea
A
Groenlndia
prhistrica,
antes do
avano da
A Chegada do Verme
Branco, A Porta Para
Saturno, UbboSathla, A Histria de
Satampra Zeiros, O
Demnio do Gelo, Os
Sete Gansos, O
calota polar.
comrcio martimo.
Posidonis
A "ltima
massa de
terra que
restava da
Atlntida"
A Viagem Para
Sfanomo, A Morte
de Malygris, O ltimo
Encantamento, A
Sombra Dupla
Tambm mencionada
indiretamente
em Uma Vindima da
Atlntida
Uma inverossmil
civilizao de tecnologia muito
avanada, mas
presa a uma
massa de terra
que afundava lentamente.
Zothique
O ltimo
continente
da Terra
O Imprio dos
Necromantes, A Ilha
dos Torturadores, O
Deus Carniceiro, O
dolo Negro, A
Viagem do Rei
Euvoran, O Tecelo
na Cripta, A Bruxaria
de Ulua, Xeethra, O
ltimo Hieroglifo,
Necromancia em
Naat, O Abade Negro
de Puthuum, A Morte
de Ilalotha, O Jardim
de Adompha, O
Senhor dos
Caranguejos,
Morthylla e A Prole da
Tumba
Em um futuro
muito distante
(milhes de anos),
os continentes
voltaram a se
reunir em uma
massa nica e
descendentes dos
seres humanos
ainda existem.
Estas histrias
permanecem ao
gnero "terra
moribunda".
Alm dos cenrios acima citados, que foram utilizados em vrias histrias,
Ashton-Smith ainda concebeu outros mundos fantsticos, que no chegou a
aproveitar em mais do que uma histria : Malnant, a terra onrica onde as pessoas expurgam culpas reais ou imaginrias, Yondo, um deserto localizado "
borda" de um mundo e sujeito queda de rochas e seres espaciais, Lophai, o
planeta onde a forma de vida dominante a vegetal, Ydmos, a cidade da
chama cantante, e um mundo rabe baseado nas Mil e Uma Noites, no qual
ambientou sua melhor histria : O Terceiro Episdio de Vathek, desenvolvido a
partir de um fragmento deixado por um autor do sculo XVIII.
o reconhecimento que o seu talento merecia, e ainda no o tem. Talvez por ter
sido contemporneo de tantos monstros sagrados da literatura de fico cientfica e fantasia em sua era dourada, talvez por seu perfil discreto, ou o seu isolamento no interior da Califrnia, alguma coisa sempre lhe impediu de chegar a
ter o renome dos companheiros que com ele dividiam as pginas das revistas.
Pretendo traduzir algumas de suas obras mais significativas a fim de trazer ao
conhecimento do pblico brasileiro um trabalho que, pelo que sei, no foi at
agora disponibilizado em portugus. Esta pgina ficar como permanente introduo e ndice a esse trabalho sem pressa, que manter um ritmo de pelo
menos uma traduo por ms daqui para a frente.