Professional Documents
Culture Documents
FT F Fg F FT Fg F Ffr F F FN Fg F F FT Ffr FN F
MEASURING
coefficients of friction for
MATERIALS
commonly used in
THEATRE
By Verda Beth Martell, Eric C. Martell, Brendan Bernacki, and Robert Mentzer
When trying to figure out how big the effect of friction is,
known as the frictional force, we need to know two things:
1) how hard the things are pushing against each other, which
will depend on the exact situation were dealing with, and
2) the coefficients of friction for the combination of materials involved, which tell us essentially how rough the surfaces are and how difficult it is to slide one against another.
Whether the friction comes from an ultra-high molecular
weight polyethylene (UHMW) guide running along a steel
rigging T-track, a small medium density fiberboard (MDF)
turntable spinning on an MDF base, a plywood drawer sliding on pine tracks, or any number of other applications,
there are coefficients of friction for each material combination (steel-UHMW, MDF-MDF, plywood-pine). For combinations of materials used frequently in industrial applications
like steel-UHMW, steel-steel, Teflon-steel, rubber-concrete,
and countless others, the coefficients of friction are wellknown and can be found by typing coefficients of friction
10
THEATRE
DESIGN
&
TECHNOLOGY
W I N T E R
2008
FT F Fg F FT Fg F Ffr F F FN Fg F F FT Ffr FN F
Figure 2. Velocity/Time Graph
of a typical trapezoidal move.
Section A is the acceleration.
During Section B the object
travels at a constant velocity.
Section C is deceleration.
PRELIMINARY TESTING
Starting in June 2005, thanks to a grant from the United States
Institute for Theatre Technology (USITT), we set out to measure
coefcients of friction for some of the most common theatrical
materials. As a rst step, we conducted some preliminary tests
of our equipment, methodology, and materials before beginning the nal (and more extensive) phase of testing.
The preliminary testing included two additional materials
that were eliminated from the nal testing. In the course of the
preliminary tests we discovered that both raw hardboard (Masonite) and aluminum were poor skid materials. The surface
of the unpainted, double-tempered hardboard we used began
to break down early in the testing process becoming unusable
before the testing could be nished. It deteriorated both as a
base material and as a skid material (g. 1). Aluminum did not
make a good skid surface when combined with any wood product. The aluminum tended to leave tracks of grime on these
surfaces which increased the friction as the test progressed.
Consequently, we do not recommend aluminum or raw hardboard for skid applications and did not test them further.
Figure 4. Force/time graph of actual test data. The peak at point 1 is proportional to the static
frictional force and is the last data point before the skid begins to move. The kinetic frictional force
is the average of the data points between 2 and 3 where the skid is traveling at a constant velocity.
W I N T E R
2008
THEATRE
DESIGN
&
TECHNOLOGY
11
FT F Fg F FT Fg F Ffr F F FN Fg F F FT Ffr FN F
Starting from rest, the tension in the cable was slowly increased until the skid started to move. The reading on the load
cell at the moment just prior to movement gave us the static
frictional force (for a more detailed discussion of physics
terms, see the section The Test Process, below). Once the
skid was moving, we waited for the drive to level off the velocity
so that there was no acceleration. In this case, the reading on
the load cell gave us the kinetic frictional force.
Because the new system incorporated a continuous chain,
some care had to be taken to ensure that we were recording not
only the force it took to get the skid moving, but also any resisting force caused by the chain. Consequently, the stage had two
load cellsone to record the pulling force on the front end of
the skid and one to record the cable tension pulling backward.
The latter can be subtracted from the former to nd the net pull
force. This will be discussed in detail in the section The Test Process.
The tension data provided by the load cells was processed
through a signal conditioner (National Instruments SCC SG24
module in a National Instruments SC 2345 chassis) that signicantly reduces electrical signal noise and then acquired on
a personal computer via a National Instruments PCI 6221 DAQ
card. Once all the tensions were collected, Microsoft Excel was
used to analyze the data and compile nal results. The macro
creation feature in Excel made this process much quicker.
sured in pounds) and g = 32.2 ft/s 2 is the acceleration of gravity. In this case, it includes the weight of the skid and everything
on the skid.
F N The normal force is the force of the platform pushing
up on the skid. There is no generic formula for the size of the
normal force. It must be determined using Newtons laws of
motion (well see how to do this below).
F T, 1 and F T, 2 The tensions in the chain pulling in the
direction of motion (F T, 1) and opposing the motion (F T, 2).
Like normal forces, there is no basic tension formula. In this case,
these forces were measured using load cells during these tests.
F fr, s and F fr, k The static and kinetic frictional forces.
When the skid is stationary, we use the static frictional force;
and when its moving, we use the kinetic. In equations, the coefcient of friction is represented by the Greek letter , pronounced mew. The magnitude of the static frictional force is
Ffr, s s FN (its as big as it needs to be to prevent motion, up
to a maximum allowed value) and the magnitude of the kinetic
frictional force is Ffr, k = k FN . For the static case, the easiest
point at which to take data is when its at a maximum, so for our
tests, Ffr, s = s FN . In these equations, s is the coefcient of
static friction and k is the coefcient of kinetic frictionthe
things were trying to nd! Solving these equations for , we get:
and
Figure 5. Free body diagram showing forces on skid during nal test.
12
THEATRE
DESIGN
&
TECHNOLOGY
W I N T E R
2008
FT F Fg F FT Fg F Ffr F F FN Fg F F FT Ffr FN F
friction (either static or kinetic friction, depending on
whether or not the skid is moving). In the static case, we get
Fnet, x = 0 = FT, 1 FT, 2 Ffr, s .
Were again taking direction into account. F T, 1 is pulling in
the positive direction and F T, 2 and F fr, s point in the opposite
(negative) direction. The kinetic case is similarjust replace
the s for static friction with a k. Solving this equation, we
get Ffr, s = FT, 1 FT, 2 for when the skid is stationary and Ffr, k
= FT, 1 FT, 2 when the skid is moving.
Using these equations, along with the equation for the
magnitude of the frictional forces given above, we can put everything together to nd equations for the coefcients of static
and kinetic friction. We nd that
for both the static and kinetic cases. FT, 1 and FT, 2 were measured using our load cells, and FN was equal to the weight of
the skid (and everything on top of it).
THE DATA
In the tables at right, the top line indicates the base material
for that group of tests. The rst column lists the skid materials
used, the second, the coefcients of static friction (including
experimental uncertainty), and the third, the coefcients of kinetic friction (again including experimental uncertainty).
W I N T E R
2008
THEATRE
DESIGN
&
TECHNOLOGY
13
FT F Fg F FT Fg F Ffr F F FN Fg F F FT Ffr FN F
Although many of our results had uncertainties of 0.02
or 0.03, we recommend that you use a value of at least
0.05 in your calculations. Minor variations in material
composition (especially for systems made from natural
materials, such as oak or lauan) can be signicant. In
general, you should use the maximum possible friction
that you would have to overcome, both for safety reasons
and to make sure that your system can actually do what
you want it to do. For example, you should use the
coefcient of static friction when determining motor size
and then assume an uncertainty of 0.05, which would give
s = 0.26 + 0.05 = 0.31.
Painted hardboard is included in the data, despite the poor
performance of raw hardboard in the preliminary tests,
since hardboard is a common ooring material. The
painted surface held up signicantly better than its raw
counterpart, but we still do not recommend hardboard
for use in skids or other circumstances where friction
is an issue. We include the nding for reference only
and suspect that any damage to the surface will cause
shredding to recur.
Just because the base material needs to look good onstage
does not mean that you have to use the same material for
the whole move. You may have the opportunity to use a
different material when the skid starts to move than when
it is at speed. For example, if the skid started off stage,
out of sight, you could start the move on raw MDF or
UHMW then, as you reached the sightline, change the oor
material to something more aesthetically pleasing. In that
case, it is best to consider the motion as comprised of
three piecesthe rst at the start of the move overcoming
static friction, then while moving on the rst material,
subject to kinetic friction, and lastly on the second
material combination, again with kinetic friction. You
should perform the same three calculations for the return
move. (A longer acceleration time or lower velocity for
resetting will help you keep your motor size down). Use
the highest of these results to determine horsepower.
Considerations beyond the coefcient of friction should be
factored in when choosing skid materials. Wood products
vary widely in quality from one region to another. You may
have to do some preliminary tests to make sure that your
particular material can withstand repeated moves.
We were startled by the exceptional performance of MDF
in these tests. We had no prior evidence that MDF skids
work well, although, due to its performance in these tests,
we will be experimenting with MDF in the future for these
applications.
UHMW is an industrial material that has very consistent
properties from sample to sample, stores well, and is durable
for repeated use. Although this material is more expensive
14
THEATRE
DESIGN
&
TECHNOLOGY
W I N T E R
2008
AN EXAMPLE
As an example of how to apply this information, consider the
following situation: A skid, lined on the bottom with UHMW
strips, is moved across a horizontal glazed lauan platform. It
weighs 400 lbs, moves at a speed of 6 ft/s, and has 4 s to get
up to speed. How powerful a motor do you need to accomplish
the task?
The motor has to accomplish two tasks: get the skid moving,
and move it fast enough to travel the necessary distance.
In the rst case, the skid is stationary, which means that it is
subject to the static frictional force (see figure 7). In
this case, F net = 0, so Fnet, y = FN Fg = 0 and Fnet, x
= FT Ffr, s = 0. Rearranging, we then get FN = Fg and
FT = Ffr, s . Substituting into the denition of the static
frictional force (Ffr, s = s FN) given earlier, we get FT
= s Fg. The coefcient of static friction between UHMW
and glazed lauan is 0.24 0.02. As mentioned above, we
will use 0.24 + 0.05 = 0.29, and thus nd that we need to
apply a drive force of FT = 0.29 400 lbs = 116 lbs.
FT F Fg F FT Fg F Ffr F F FN Fg F F FT Ffr FN F
In the second case, the acceleration is no longer zero. To nd
a, we can use the kinematic equations of motion found in
any standard introductory physics textbook, specically
v = at, where v is the speed you would like to reach
and t is the time it takes to get up to that speed. Plugging
in v = 6 ft/s and t = 4s, we nd a = 1.5 ft/s 2. Nothing
changes in the vertical direction, but horizontally, we now
have Fnet,x = FT Ffr, k , or (doing a little substitution)
FT = k Fg + ma. The mass m can be found from the
denition of the force of gravity Fg = mg, which gives
m = 400 lbs/32.2 ft/s 2 = 12.4 slug. Finally, using k =
0.22+0.05=0.27, we nd that we need drive force of
FT = 0.27 400 lbs + 12.4 slug 1.5 ft/s 2 = 126.6 lbs to
accelerate the skid.
Since the second number is larger, we then use
it to calculate horsepower.
,
(UIUC), The Department of Theatre at UIUC, and the Department of Physics and Astronomy at Millikin University (MU).
The Technical Production Commission of USITT recognizes
the Physics of Theatre Project as an ofcial project of the Institute. Additional information about the Physics of Theatre
Project can be found at http://www2.kcpa.uiuc.edu/kcpatd/
physics/index.htm.
ACKNOWLEDGEMENTS
The authors wish to thank Brian Morgan (UIUC Theatre) and
Richard Bearce (MU Physics) for their assistance at various
stages of this project. We would also like to acknowledge
Tracy and Gabe Nunnally of Northern Illinois University for
the loan of equipment and Fritz Schwentker for introducing
us to the National Instruments software. This work is supported in part by grants from USITT, the University of Illinois
at Urbana-Champaign, and Millikin University.
FUTURE TESTING
This spring we will roll out the next phase of testing: casters.
Students at Millikin University will measure the coefcients of
rolling friction for different hardnesses of casters. They will
also study the deformation of the casters under weight to see
if the casters develop at spots that impede motion and how
quickly those at spots reform to the surface when rolling.
We know that it takes more force to get something rolling
than it does to keep it rolling. Some of that difference is inertia and some is in overcoming the at spot on the wheel.
We want to measure that difference as well as other effects
caused by wheel deformation.
W I N T E R
2008
THEATRE
DESIGN
&
TECHNOLOGY
15