Professional Documents
Culture Documents
Guide to Arcana
A guide to the meaning and practical application of
ARCANA Tarot P laying C ards
Chris Ovdiyenko
1st Edition
Contents
86 The Lovers
88 The Chariot
90 Strength
92 The Hermit
94 Wheel of Fortune
96 Justice
98 The H anged M an
100 Death
102 Temperance
104 The Devil
106 The Tower
108 The Star
110 The Moon
112 The Sun
114 Judgement
116 The World
118 Chapter Five:
End Matter
122 Closing Thoughts
123 About the Author
ii
Authors Note
Are Tarot cards for real?
Many people think Tarot cards are a bunch of nonsense, while for
others, the Tarot has been life-changing. Ive had readings that didnt
seem to make any sense at all. But, Ive also had readings that shocked
me with how precisely and accurately they described my life. For me,
those readings stretched the bounds of coincidence too far.
Some say that any spiritual endeavor is real if you believe in it. That
sounds nice, but we can conceive of and believe in a lot of things.
Belief alone doesnt make those ideas any more real. Our capacity for
imagination is often rivaled only by our tendency towards self-delusion.
With that said, logic, reason, and facts arent a five-star recipe for
Truth with a capital T. The good news is I dont think its even close.
In our metrics-oriented, quantified culture theres sometimes precious
little room for Beauty or Mystery. But for me, those are exactly the
things that make life interesting, and I do believe there are beautiful
truths we can learn about ourselves through the Tarot.
Among the many techniques of self-discovery, theres something unique
about Tarot cards. Maybe they let us tap into universal archetypes
Jungian-type psychology archetypes. Or maybe they just get us to
open up to truths we already know, but are unwilling to face. I
consider a good Tarot reading to be a guided meditation of my own
psyche. Trying to be conscious of ourselves and the internal and external
forces that shape our lives strikes me as a pretty worthwhile pursuit.
For the open-minded querent with a talented reader, the Tarot
provides a medium through which youll be questioning yourself.
If you ask honest questions, youll likely learn more than you
might expect.
iii
iv
vi
Chapter One
Chapter One
Querent
R eader
M ajor A rcana
M inor A rcana
Poker Suits
Tarot Suits
Element
Clubs
Wands
Fire
Diamonds
Pentacles
Earth
Hearts
Cups
Water
Spades
Swords
Air
Each Tarot suit has a corresponding Poker suit, and since so much of the Tarot is
based on Alchemy, Ive also included the alchemical symbol and element for each.
R eversals
RWS Tarot
Chapter Two
Chapter Two
D raw One
This spread is great to focus on one query without too many details.
Heres how it works:
The reader asks the querent to divide the deck into 3 stacks, then put
them back together in a different order. Repeat this 2 more times. The
reader then spreads the deck out in a large fan, and asks the querent
to focus on a question. While the querent is holding that question in
their mind, the reader asks them to select a card and turn it over.
Once thats done, the reader then begins drawing the cards saying
This card represents Your Present. This card represents Your Past...
And so on until the entire spread is layed out. Once all the cards are
in position, the reader goes through and gives a detailed description of
what it all means.
In order to do a Celtic Cross reading, youll need to know what each
station represents.
10
5
9
3
4
8
6
7
This illustration was drawn from the point of view of the querent. As the reader,
youll typically be sitting across from the querent, so you would need to place the
cards in this pattern, but upside down from how its shown here.
Chapter Two
This is the card that sums up the querents past leading to this point.
C ard 5: A s above.
This represents the querents conscious goal or desire, the aspiration
they are actively working towards.
C ard 6: So below.
This card represents the subconscious motivations that the querent
might not even be aware of at all. Tread lightly in how you present
thissome folks get downright snippy if you tell them they have
motivations they dont agree with, know about, understand, or like.
C ard 7: Counsel.
When this card is drawn, its like the Tarot is suggesting a path
forward. Its a solution to the issue revealed in Card 2. Pay close
attention to this card, the nuances of the cards meaning will be
especially important to think through since this is the Tarots advice.
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Chapter Three
Chapter Three
12
Suit of Cups
The Suit of Cups correlates to the poker suit of Hearts, and its
helpful to think of it that way because Cups reveal all manner of
emotions and matters of the heart. They point to the ways we express
our feelings (or dont), and are strongly linked to our subconscious
and creativity.
The Suit of Cups are water sign cards, aligned to the West
directionally, and correlate to Autumn.
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Chapter Three
14
Ace of Cups
A rtistic I ntent
All of the RWS Tarot card aces show the suit being held by a hand
coming out of clouds. Back in 1908 it would have been fine, but the
giant hand felt very Monty Python to me, so I left them out of my aces.
But that still left a challenge to represent the Tarot suit, the poker suit,
as well as the various card elements in each composition. My solution
was to show a graphical representation of the poker suit and a more
realistic representation of the Tarot suit as shown in the Ace of Cups.
As a water sign card, I showed water flowing out of the large cup
overflowing with creativity and love. The dove bursting forth and
water lilies completed the necessary elements, and I was pleased to
present them in a new way compared to the RWS Ace of Cups.
the Hungarian/Transylvanian gold and silver smiths gained renown not just among
Churches, but the larger aristocracy of Europe as well. Its interesting to note that
a large quantity of ecclesiastical silver was destroyed during the Reformation in the
sixteenth century. Thankfully, this beautiful cup survived.
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Chapter Three
Two of Cups
16
Three of Cups
Four of Cups
Five of Cups
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Chapter Three
Six of Cups
Seven of Cups
Eight of Cups
Nine of Cups
Ten of Cups
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Chapter Three
Page of Cups
Page cards always speak to a new beginning, and the Page of Cups is
no different. A new project, venture, or relationship is bursting forth
and this is a time to be open to flashes of inspirationwherever they
come from. Embrace the unexpected, accept the unusual, and allow
your mind to take flights of fancy. Because the upside to being a little
dreamy, is that, without dreams, theres nothing to make come true.
Like the image being shown, the Page of Cups could also indicate
that an unexpected message could be coming to you from those you
love. Be open to receiving the good news, and dont shy away from
expressing the emotions it makes you feel.
If any card appears inverted in a spread, simply reverse
the meaning during your reading.
A rtistic I ntent
With this card Im keying up the unexpected nature of the
subconscious. The figure is seen arriving in a boat upon a new shore,
holding a cup in his hand. Unexpectedly, a fish pokes its head up and
almost appears to be speaking to the figure. I put an expression of
surprise, almost alarm, on the Pages face. Sometimes when
inspiration strikes, it can be surprising, even a little alarming.
I also included a rock archa visual tie to the Queen of Cups, and a
nod to Monets and Courbets Manneporte paintings as well as John
William Waterhouses famous mermaid painting.
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Chapter Three
22
K night of Cups
A rtistic I ntent
I felt it was important to carry the cards core meaning through in
the artwork, but I did take some license. In my version, the knight is
carrying the cup, almost as if its meant to be presented to someone.
That someone is you, the viewer. But, whereas in the RWS card the
knight is flamboyant, I chose to focus in on the intuition aspect of the
cards meaning.
Intuition is a bit of a mystery. Where does our inner voice come from?
With that in mind, I created a fully armored Knight with his headpiece
down. Echoing the nature of intuition, the knight is unknowable.
On separate note, all the Cup illustrations have water imagery in
them. For the Knight of Cups, the water sign aspect of the suit is
carried forth by the lake, but also by the fish pattern on his saddle.
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Chapter Three
Queen of Cups
Two important meanings of this card are that its crucial to not let
yourself get lost in the empathy and compassion you feel towards
others, along with a strong reminder to follow your own inner voice.
Seriously, this is the loudest card in the deck telling you to follow
your intuitionlisten to the voice thats rising from depths of
your subconscious.
If any card appears inverted in a spread, simply reverse
the meaning during your reading.
A rtistic I ntent
This was the very first card I drew for Arcana. I love its symbolism
and gave it a slightly dreamy quality. The throne is covered in vines
and was inspired by the beautiful sculpture Sleeping Beauty by
Louis Sussmann-Hellborn. It really is the perfect embodiment (to me
at least), of the subconscious and a maturity in dealing with emotional
and creative forces. Furthering that dreamy atmosphere is the sea
arch, the shells, and fish life seen at the bottom of the card which ties
it in strongly to its corresponding water element.
Louis Sussmann-Hellborn isnt all that well known today, but he was certainly well
known in Berlin at the time this sculpture was placed in the Alte Nationalgalerie
(Old National Gallery) in 1878. The story of Sleeping Beauty is well known even
today. Whats less known is that the Grimm brothers adapted it from a story by the
French writer Charles Perrault, who himself appropriated the story from another
author, Giambattista Basile.
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Chapter Three
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K ing of Cups
A rtistic I ntent
Whenever theres a strong contradiction in a subject, it tends to imply
a surreal solution. This card is arguably the most surreal, magicallyrealistic card in the deck. The impossibility of showing a calm king in
a turbulent ocean was the perfect challenge. I think my solution
captures the spirit of the card and has few nice extras. In poker cards,
the King of Hearts (Cups in Tarot) is the suicide king with a sword
through/behind his head. But in Tarot cards, that would imply hes
out of emotional balance. So, I put the sword behind his head,
hanging up. Easily within reach, but not wielded in a way thats out of
control. His passions are in check, and he maintains the balance the
card is intended to convey. This is also one of the few cards where I
could include a ship, and I was thrilled to show an old clipper ship
calmly making its way through difficult seas.
The prominent art critic (and writer, and poet, and revolutionary, and politician)
Pierre-Jean-Baptiste Chaussard wrote: How, with so much talent, a line so flawless, an
attention to detail so thorough, has M. Ingres succeeded in painting a bad picture?
Ouch.
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Chapter Three
SUIT OF WANDS
The Suit of Wands is ruled by the element of fire. As you can imagine,
it reveals powerful raw emotions, the feelings you have at the core of
your being. Wands deal with our personalities, our mental picture of
ourselves, our egos, our intuitions, and our inner drivers. They also
show our original ideas taking shape and creative ventures forming.
Wands represent the spiritual when we are seeking meaning in our lives.
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Ace of Wands
A rtistic I ntent
Wands are fire sign cards, and the Ace brings all the fire-related
imagery forth. Working within the framework of the graphical poker
suit and representational Tarot suit, I decided to bring the wand to
life as a burning oak branch. The flames rip off of the wood and
leaves, but show no signs of scorching the wand. To me, thats a good
representation of the spirit of the card and suit in generalits a fire
that feeds creativity and, if managed in a healthy way, doesnt
consume it.
Wands correlate to the peasant or rural farming class in feudal society. In France
(where poker suits derive from), the peasantry was known as the Third Estate. In
the French suited card systems, the club is shown as a Trfle, a clover. The Wands in
Tarot derive from the baton-like clubs seen in Italian cards. It is also from Italian
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Chapter Three
Two of Wands
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Three of Wands
Four of Wands
Five of Wands
Six of Wands
Seven of Wands
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Chapter Three
Eight of Wands
Nine of Wands
Ten of Wands
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Chapter Three
Page of Wands
34
When the Page of Wands comes up, its a sure sign that youre
about to experience something new. You should be open to new ideas,
a new relationship, or the start of a project. This is a time to enjoy
unencumbered creativity, spontaneity, and the lightness of being.
Its a card of change, and the best thing to do is to go with your
ideas, explore the new possibilities, and be okay with knowing the
restlessness you feel is paving the way for a burst of energy.
You might find that all this energy and enthusiasm doesnt mean that
you have a clear direction of where youre going. For the time being
thats fine, the Page of Wands is telling you that you need to feel
things out and try out a lot of new ideas before choosing one path only.
A rtistic I ntent
Because the Page of Wands is a restless blank slate of possibility, I
put the Page in a landscape to matcha desert. With a lot of the
original RWS cards the relationship between the figures and the
landscape is strange. Theres a lack of perspective and the figures look
like enormous giants standing within a minuscule environment. I
sought to set the size relationships back to rights with all the cards,
and that reworking is arguably most prevalent in the Page of Wands.
Hes walking alone, and stopping to gaze at his wand, open to
possibility and what will come next. Creatively, I enjoyed the
challenge of drawing a blank landscape that was still visually
dynamic.
To bring visual interest, I accentuated the shadows of the dunes
against the lightening of the sky at the horizon. Coupled with the
strong directional lines of the dunes themselves, the Page stands in a
stark landscape, but one that has a lot of movement and conveys the
Pages bottled up energy bursting forth.
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Chapter Three
36
K night/Jack of Wands
A rtistic I ntent
Theres so much I like about this card. Typically, its seen as an
indication of unbounded energy, but I also view the card as a sign that
temperance is called for. With that in mind I didnt show the card as
the Knight rushing in but rather implied all the energy in the
landscape with really strong diagonals and perpendicular movement
off those diagonals.
Youll notice theres a salamander on his shield and on the horses
headdress. The salamander has been used throughout history as a
symbol of fire, and were at one time believed to actually live in fire.
Doubling down on the alchemy reference to the fire sign, youll also
see the alchemical symbol for fire on the horses skirt. Energy
abounds in this drawing, but the Knight himself has a reserve that
mirrors the need to put ambition and energy in check.
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Chapter Three
Queen of Wands
38
She also has a hidden side. All that vitality and dominant feminine
energy is coupled with the tendency to be controlling and deceptive in
pursuit of her goals. The Queen of Wands possesses strength and
conviction, but when this card shows itself in a reading, its also a
suggestion to keep manic energy in check (shouldnt be an issue for
you), and let your darker side stay hidden.
If any card appears inverted in a spread, simply reverse
the meaning during your reading.
A rtistic I ntent
Picking up a lot of the cues from the RWS illustrations, I drew the
Queen of Wands using many of the same symbols. Theres a cat in
her lap to speak to her darker occult side, and two lions on her throne,
both growling and menacing a perfect contrast to her strong and
in-control expression. She holds sunflowers, longtime symbols of
warmth and happiness because they follow the sun. There are
contrasts everywhere, just like the card itself.
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Chapter Three
40
K ing of Wands
A rtistic I ntent
To me this card is all about strength, confidence, and controlof
yourself, of others, and of the situation at hand. I tried to portray the
king as calmly in control of his own strength. He sits upon his throne
next to a peaceful lion, perfectly symbolizing his own controlled
prowess. The salamander amulet and crown of flame emphasize his
fire sign energy and creativity, while the landscape (particularly the
bursting clouds) echoes the passion and action of the King.
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Chapter Three
SUIT OF PENTACLES
Pentacles (also known as coins or disks) is a suit that speaks to our
outward and material concerns. It has strong meanings for our
self-perceptions, our self-esteem, and how we believe others perceive
us. The Suit of Pentacles tells us a lot about our finances, what we
value in outward material concerns, our health, and business and trade.
42
Ace of P entacles
Health. Wealth. Prosperity.
Like all the Pentacle cards, the Ace is concerned primarily with
material matters. The ace in particular is a sign that theres a richness
and abundance in your life right now, or coming shortly. Typically, it
refers to financial matters but can also indicate that your goals and
ambitions are being made manifestly real. Theres also a strong
indication in the Ace of Pentacles that the time is ripe for
something new coming into your life. Consider the wealth of
opportunities open to you and choose the one that has a special
calling. With everything looking up, youre bound to succeed!
If any card appears inverted in a spread, simply reverse
the meaning during your reading.
A rtistic I ntent
This card took a long time to draw and it also took a long time to
conceive. It was really important for me to portray a very lush garden.
The garden is the current state of abundance and plenty, but more
importantly, I wanted to get across the idea that there are infinitely
more riches waiting to be had. I used the pathway and arch as a
dominant element to point the way forward, to not be satisfied with
only whats here today, and to imply the beginning of voyage you
can undertake.
Pentagrams have a long and interesting history. Most associate it with either paganism
or the occult. But, its history can be traced back early Sumerian script where it
translates roughly as nook or corner. In western symbolism, the Pentagram was used
in early Christian times as a symbol for the five senses and also as a depiction of the
five wounds of Christ. By the 1800s it was a bona-fide magical symbol to many,
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Chapter Three
Two of P entacles
44
resources well.
It also suggests that changes are coming. Be prepared for them, and
keep your current house in order.
Three of P entacles
Four of P entacles
Five of P entacles
Loss. Adversity. Envy.
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Chapter Three
Six of P entacles
46
Seven of P entacles
Reward. Respite. Evaluation.
Eight of P entacles
Nine of P entacles
Ten of P entacles
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Chapter Three
attention to your family and those who are closest to you. Its natural
to think of the traditions of your family and want to make sure the
same security you now enjoy can be shared. Youve reached a point
where you can provide, and ensure you set a foundation for all those
who come after you to be safe and secure.
Page of P entacles
A rtistic I ntent
I set the Page in a field thats ready to be planted since this is a card
about beginnings and setting the stage for abundance later. I also
made sure that hes looking at the Pentacle hes holding with a serious
and thoughtful expression. On a purely mechanical level, I enjoyed
portraying all the different textures from the blades of grass to the
fur lined doublet. I was inspired by an old turn of the century
photograph of a production of Hamlet. Its interesting to note that it
was actually a woman playing the lead role. I wrestled with whether
or not it would come across as a woman, but I think in the final card
the Page appears to be a young man.
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Chapter Three
50
K night of P entacles
A rtistic I ntent
With all the cards I enjoyed mixing techniques while having the
overall design come together as a cohesive whole. Even though they
all use an engraved line style, I was able to change the way different
elements of the scene were drawn to create interest. With this card, I
used horizontal lines for the far receding landscape and the river, but
a more choppy style for the sky. It added contrast and made an
empty space more dynamic. I also used a tight style that I liken to
being somewhere between bulino engraving and pointillism.
In terms of composition, I put the Knight on a plow horsea work
animal. I also allude to the success and work meaning of the card by
putting the figure atop a hill overlooking his farm. It might not be the
most palatial spread, but it fits the meaning of the card. Methodical
hard work leads to good things.
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Chapter Three
Queen of P entacles
Love. Nurturing. Generosity.
52
A rtistic I ntent
This was the second drawing for Arcana I completed, and it brought
together all the themes for the deck and set the model for which I
measured the other cards against. Here again youll notice a number
of styles that are woven togetherthe horizontal line work of the
receding landscape, the tighter bulino-style tree and closer elements,
and the almost painterly approach to the leaves and trees at the top.
Speaking of paintings, one of my favorite paintings is from the
Hudson River School periodKindred Spirits completed in 1869 by
Asher Brown Durand. I used the central element of that painting, the
pronounced cliffs and trees, as the focus of the landscape in the
Queen of Pentacles. Theres a lot of references from art history in
these cards, but this is one of my favorites.
This may be completely inside baseball, but youll also notice that a
lot of the angle repeat themselvesthe arm on the left matches the
angle of the tree on the right, the angle of the trees under the cliff
match the angle of the figures foot. I always look to create repetitions
of this kind as they create internal compositional harmonies that I
find appealing.
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Chapter Three
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K ing of P entacles
A rtistic I ntent
The original iteration of this card was good, but it didnt quite express
the abundance and material wealth that it needed to. This was pointed
out by one of the original Kickstarter backers, and I took it to heart. I
added the vines, grapes, and stalk of corn along the right side. Thats
just one example of the benefits of crowd sourcing projects, the
community helps to make the work better. Those additions coupled
with the original art of the fertile fields and large castle really brought
out the meaning of the card; abundance, wealth, and stature.
One last thing to note, I included corn on the right side of the
drawing. That was actually artwork from a card project I worked on
but never released called Volstead. That project was going to be
themed around Prohibition of alcohol. The cards never came to be,
but I was glad to include at least a little of the art in Arcana.
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Chapter Three
SUIT OF SWORDS
The Suit of Swords is focused on change, power, ambition, courage,
and inevitably also deals with conflicts in your life. Swords can help
you understand the balance required to find the right path between
power and intellect. The tendency of the powerful is to abuse it, and
the Suit of Swords can help you keep those tendencies in check. As
an air sign card, sword cards are very dynamic, but whether thats for
positive or destructive ends will be up to you.
56
Ace of S words
A rtistic I ntent
This was the first Ace that I drew and I wanted to have some strong
links to the RWS version of the card. I was diligent to include the
laurel and palm around a crown. I even included the clouds, which
made sense to me since the swords are linked to the air element.
Overall, this card is a fairly straight translation of the RWS card into
the style of Arcana.
The combination of laurel and palm can be found on the reverse side of an oil-on-wood
portrait by Leonardo Da Vinci of Ginevra de Benci. Ginevra had a platonic relationship
with Bernardo Bembo, who was the Venetian ambassador to Florence. His personal
emblem is a palm frond and laurel branch bearing the inscription virtue and honor.
On the Da Vinci painting, the palm and laurel are inscribed with the words
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Chapter Three
Two of S words
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Three of S words
Four of S words
Five of S words
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Chapter Three
Six of S words
60
Seven of S words
Eight of S words
Nine of S words
Ten of S words
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Chapter Three
Page of S words
62
Like all the Page cards, the Page of Swords is a card of beginnings.
You have a lot of energy and the prospect of starting a new venture has
you all fired up. What you really need now is a way to sustain your
enthusiasm. Look for those you can share your thoughts with, maybe
even those wholl be able to help nurture your ideas into a tangible plan.
Communication is a really strong component of the Page of Swords.
Its through the exchange of ideas that youll be able to hone what is a
little unformed at the moment. Be open to the ideas of others even as
you hone your own ideas. Often its the exchange of thoughts that can
make a good idea great, and this is one of those times.
The only real downside that you should be mindful of is that the Page
of Swords can also shine a light on recklessness. You might not have
acquired the maturity to proceed thoughtfully and would rather rush
in with a devil-may-care attitude. Heed the card, talk to others, and
try to stay thoughtful about the best way to make your ideas grow and
become real.
If any card appears inverted in a spread, simply reverse
the meaning during your reading.
A rtistic I ntent
Given the meaning of the card, I wanted to portray the Page of Swords
as having vigor, enthusiasm, and a bit of the swashbuckler to him. It
was also equally important to temper the recklessness with more
maturity than The Fool. I think I struck a nice balance that captures
the spirit of the card. As with a lot of the cards, I wove in one of my
big artistic influences, N.C. Wyeth. I grew up a short drive to the
Brandywine Art Museum in Pennsylvania. I visited the museum
numerous times and remember staring with wonder at the illustrative
paintings of King Arthur, Treasure Island, and Last of the Mohicans,
amongst many others. For me, the Tarot has always had a fantastical
feeling to the illustrations so I loved being able to bring in this influence.
If you look closely at the clouds, the rock, and the coastline, you might be
able to see a number of Wyeth paintings that served as the inspiration.
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K night of S words
A rtistic I ntent
Ive been this guy. Rushing in headlong to a wall of swords that will
cut me down. With that personal understanding of the Knight of
Swords, I thought this rendering fit the meaning really well. The
Knight charges forth into battle, up a hill, into the inevitable
awaiting evisceration.
I really keyed up the diagonals in this composition to deliver the
dynamic meaning of the card. Sometimes its the little things, like
matching the diagonals of the sword, clouds, horse harness, and
even the mountains on the right and the hill hes climbing. Theyre
all lined up, but definitely off kilter. If hes not careful, that horse is
going to fall over!
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Queen of S words
One of the great things about being impartial in your thinking is that
you also have the freedom to tell it like you see it. You see the signal
through the noise and shouldnt be guarded about sharing your
insights with those around you.
Along with keen insight and the ability to think through even
complicated issues, right now you also have a thirst for learning. This
could point to it being a good time to pursue studies, take a class, or
just self-learn. The indication with the Queen of Swords is that you
are in a time where intellect can serve you well, whether thats to work
through complicated issues or to pursue more learning.
If any card appears inverted in a spread, simply reverse the meaning
during your reading.
A rtistic I ntent
For most of the cards in Arcana, I used multiple line drawing
techniquesfrom a scratchy loose style, to a purer line only
technique. For this card I stretched myself creatively to draw it with
almost exclusively a line-only method. Its the hardest and most
time-consuming of all the drawing styles I employed, and I only
reserved the looser styles for the chair and the Queens portrait.
Speaking of, this version of the Queen has an open but penetrating
gaze which fits the meaning of the card perfectly. The Queen of
Swords can see all with logic and reason, but her visage has
warmth too.
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K ing of S words
A rtistic I ntent
As with the Queen of Swords, I sought to portray the King of
Swords as tough but fair. He has an obvious command of himself
and even has a slight smile. Hes strong and determined.
As with the other Sword cards, theres a balance between emotion and
intellect, and I used turbulent skies to get that tension across. Youll
notice that the Cups and Pentacle royals are drawn with clear skies as
theres less ambiguity to them. The skies were the device I used to
show the more tumultuous nature of the Sword and Wand royals.
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Chapter Four
O | The Fool
74
The Fool card gets a bad wrap. Who would want to be called a
fool? Hes shown stepping obliviously off the edge of a cliff, which
surely only a fool would do. But the meaning of the card is actually a
lot more promising than the picture shows at first blush. The Fool is
a card of new beginnings and innocence. The Fool is stepping off the
obvious path and starting a new stage of life with optimism and
boundless potential. In his hand is a rose, a symbol of his pure heart,
and he has a protectorhis loyal dog. With hopefulness and true
intentions, this is a time to begin a new journey in your life. Explore
the creative aspirations that have been building up within you and be
open to new adventures and new opportunities.
Turns out this card isnt so foolish at all.
If any card appears inverted in a spread, simply reverse
the meaning during your reading.
A rtistic I ntent
Like many of the cards that have a dynamic meaning, I composed this
card with strong diagonals and squared perpendiculars. If you look at
the angle of the pole he has over his shoulder, youll see it intersects
the cross diagonal at a 90. Thats a tried and true compositional
device that creates a Golden Ratio. I composed a lot of the cards with
that device so I thought it would be worthwhile to point out. To really
capture the meaning of the card, I drew the main figure looking up in
total obliviousness while stepping off the pathway. His companion is
none other than my dog Ringo, and a better companion dog there has
never been. If youre wondering if those cliffs and rock formations are
from a real place, they are. I stylized them from the gorgeous cliffs at
Vila Franca do Campo in the Azores.
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O | The Fool
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I | The M agician
I | The M agician
A rtistic I ntent
This card has a lot of personal resonance for me, so I put myself in it.
Thats not my ego showing, its just that I feel like I am often the
conduit through which creativity passes (also, according to Tarot
astrology, this is my birth card). I think its a common feeling
amongst creative people that, like The Magician, were channels
through which inspiration passes. If youve ever been really into doing
something and hours pass by in a flash, youll know what I mean. The
light coming into the scene is channeled through the magician, who
points to the table holding all the tools at his disposal. Those Tarot
suits represent literally all of his psyche and experience, and thats
what creativity is in a lot of ways. Inspiration coming from without
and being channeled through experience into something tangible. Its
a boundless process, so I included an uroborus carved into the table
(the snake eating its own tail is an alchemy symbol of infinity
and eternity).
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A rtistic I ntent
This might be my favorite card in the deck. The High Priestess
floats surreally between two columns above an ocean reflecting the
light of a crescent moon. Behind her are the squared circle and the
facade of a temple. Shes serenely entrenched in thought. Her
headdress is the waxing, full, and waning moon cycles. Shes topless,
open and uninhibitedall-in-all I think a full representation of the
mystery of the subconscious and the power of intuition.
I had to push my technique on this card. The balance of darks and
lights was tricky. One of the hardest things to pull off with engraved
line art in this style is tone shadows. I spent a lot of time working
to get the temple in the background light enough to see, but dark
enough to recede into the environment. I must have drawn and
redrawn it 3-4 times. The temple, by the way, is the Al Khazneh or
The Treasury at Petra in Jordan.
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A rtistic I ntent
With all the feminine energy in The Empress, I sought to bring it
forward as much as possible. Shes a beautiful woman in a lush
landscape with streams running over into a deep pool of water. She
sits on a luxurious pillowed chair with a planchette emblazoned with
the symbol of Venus resting along her side. Upon her head is a crown
with twelve stars one for each month of the year. Lower in the
frame are stalks of wheat representing love, charity, and the bountiful
rewards of fertility. So in all, I did my best to load this card up with
symbols that express the meaning.
As with many figures in Arcana, I drew The Empress herself with
diagonals across the contour of her arms to bring out the volume of
those forms. However, I drew her face with horizontal lines. Faces
always look better to my eyes when the line work follows the contours
of facial features straight across.
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IV | The Emperor
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A rtistic I ntent
To express the meaning of the card, I knew I needed to have a figure
that would be masculine, strong, wise, and stern, but not brutish. I
think the Arcana Emperor embodies all those things. He grips his
sword, unafraid to use force if needed. He has a regal cape over battle
armor to show both his experience as well as his status and powers of
leadership. Upon that armor youll notice a rams heada symbol of
virility and fearlessness.
In the original RWS Tarot on which much of Arcana was based,
there are symbols from Christianity, Egyptian mythology, and
Alchemy. I sought to minimize the Egyptian and Christian symbols
as much as possible in Arcana. It was a stylistic objective more than
anything else. The Emperor is a good example. In the RWS Tarot
he holds a staff with an Ankh at its top. I left that out completely. I
also moved the rams head from the throne to his armorright over
his heart. Its such a potent male symbol that it made more sense to
me that way. The throne is completely gone here toostanding makes
him less passive and a more dynamic figure.
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IV | The Emperor
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V | The H ierophant
V | The H ierophant
A rtistic I ntent
The Hierophant is the perfect foil for The Magician. Whereas
The Magician channels raw creative energy and inspiration, The
Hierophant is shown as the head of an institution manipulating
benediction and worship. Garbed in the vestments of spiritual power,
he is the leader in a social construct.
The way the card is drawn echoes those ideas. I surrounded the main
figure with his disciples that worship him as the center of their
organization. The power of the institution is brought out through the
architecture with soaring arches many times the height of the figures.
The focus of the art needed to be on the figures, so I drew the
architecture as one continuous tone with some highlights for details
brought out over the top. The building recedes back in space and puts
the emphasis squarely on the Hierophant himself.
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VI | The Lovers
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A rtistic I ntent
I drew this card to have a timeless, infinite vibe. The couple is
embracing between two strong pillars echoes of themselves. Flowers
climb these pillars to symbolize the harmony, peace, and joy their
union brings. This is happening against a backdrop of stars that fill
the scene around them. Hes dressed in armor while her flowing dress
is coming off her shoulder. It implies a storyare they being reunited
or is he leaving for battle? Hard to say for sure, but whats clear is
their mutual attraction for each other and the love between them.
Drawing this card was a real joy because its such a timeless theme.
I drew inspiration from several sources; most importantly the 1968
film adaptation of Romeo and Juliet, as well as several paintings by
Maxfield Parrish.
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VI | The Lovers
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A rtistic I ntent
The most interesting aspect of The Chariot for me is the idea of
harnessing opposing forces to accomplish your will. I sought to
represent that with the two horses that are opposed compositionally,
yet are working together at the behest of the rider to draw the chariot
forward. This is also a stark card in regards to the single-minded focus
it encourages. So, I put The Chariot on a scorched landscape
surely the rider will want to move to a more welcoming vista as soon
as possible. But hes gazing up, not out. He has his sights set on
something lofty, a higher purpose.
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VIII | Strength
VIII | Strength
A rtistic I ntent
In the midst of a formidable landscape, I drew Strength to have a
steely resolve and a calm control over the situation. She has her hand
gently resting on the lions headhaving tamed him completely and
brought him under her will. The lion is, of course, her wilder
emotional self that she has mastered.
While the original RWS card had a lot of symbolic embellishment,
I chose to portray Strength more plainly. I thought a more
minimal approach would help to underscore this cards power
and meaning better.
For the figure of strength I drew inspiration from the paintings of
John William Goddardto me, an under-rated giant in the
Neoclassicism movement.
Neoclassicism fell out of favor with the advent of the modern schools of art.
Goddard ended up committing suicide at age 61,
writing in his last note that the world is not big enough for myself and a Picasso.
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IX | The H ermit
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Youre entering a phase in your life where you need answers, and
theyre not going to come from anywhere except from deep within
yourself. This is a chance to seriously evaluate your motivations, your
goals, and what youre hoping to do and become. Youre going to be
tempted to withdraw from other people and isolate yourself as much
as possible. This isnt necessarily a bad thing, but know that you cant
hole yourself up emotionally forever. Take this breather, and figure
out what you need to.
The Hermit card is also a realization that material pursuits might
not hold much meaning for you anymore. Be open to the idea that
things might not be as valuable as finding purpose and meaning in life.
If any card appears inverted in a spread, simply reverse the meaning
during your reading.
A rtistic I ntent
The RWS version of The Hermit was made even more famous
having been the inspiration for the inside art on Led Zeppelins
fourth album. The image is a cultural icon of the 20th century, so
redrawing it came with a lot of pressure to re-imagine it in a creative
way. My solution was to simply rotate the figure so he was facing
outward toward the viewer. This also gave me the chance to show
more of what The Hermit looks like.
Theres a feeling of isolation and remoteness to The Hermit, so I
wanted to place him in a cold environment that had a beautiful
bleakness to it. The snow capped trees, and starkly contrasted rocks he
stands upon serve to convey the emotional isolation of the card.
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IX | The H ermit
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X | Wheel of Fortune
The Wheel of Fortune shows up in so much of history, it would be impossible to
sum it up here, but in general I sought with the card to capture the timeless struggle
between fate and will. Personally, I choose to believe self-determination wins out.
X | Wheel of Fortune
A rtistic I ntent
Theres a lot of symbolism in the RWS version of this card (which was
likely inspired by an Albrecht Durer woodcut), but I wanted to
embrace the rich history of the Rota Fortunae (Wheel of Fortune). I
went way back to the origins of the idea:
In the second century BC, Vettius Valens wrote:
And the ninth wheel, the wheel of fortunes, moves from east
to west, and includes each of the twelve signs of fortune, the
twelve signs of the zodiac.
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XI | Justice
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Justice is, of course, about fairness. But its a meaning that cuts in
two directions. While on the surface, Justice urges us to be fair in
our dealings with others, and to listen to our inner sense of whats
right and wrong, it also warns us that our actions will have a cost. So
really, theres two forces at play; causality and karma. The first teaches
us that every action has a consequence and sometimes unintended
repercussions follow actions that arent well thought out. Secondly,
the intent of the actions are at least as important as the actions
themselves. When the Justice card appears in a reading its a sure
sign that you need to follow your inner voice and treat others fairly.
Its also a signal that you should evaluate your motives and make sure
they hold up under scrutiny.
If any card appears inverted in a spread, simply reverse the meaning
during your reading.
A rtistic I ntent
While drawing the Arcana cards I wasnt just inspired by paintings
and drawings from art history. Sculptures played a big part, too.
Growing up outside Philadelphia, I was exposed at an early age to
much of the amazing art around that great city. With this card I
sought to capture some of the classical beauty of Alexander Stirling
Calders Swann Memorial Fountain at Logan Square. About a decade
ago, I lived close by and would take my wife and young son down to
the fountain to enjoy it. Im not sure its exactly neoclassical sculpture,
but it shares some elements, and I wanted the card to carry the same
feeling. I also drew the figure of Justice blindfolded, a departure
from the RWS version of the card. Justice should be blind, after all.
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XI | Justice
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A rtistic I ntent
I cant stand those periods in my life when I feel paused. Inaction
wears on me and is a personal hell, so I wanted to portray The
Hanged Man as being in some type of agony. Stalling out is a form
of torture to anyone trying to accomplish things, and while the RWS
version of the card shows a mostly complacent hanged man, I wanted
my version to speak to the inner turmoil I feel during these times.
One of the difficult problems I needed to overcome with The
Hanged Man was how to draw a figure hanging upside down. I
thought maybe I could get someone to model it, but that wouldve
likely ended up in some kind of lawsuit, so I opted to search art
history for something that would work.
I found the answer in a work by Cornelis van Haarlem painted in
15881590 called The Fall of the Titans. In it, theres a figure in a
similar pose, though I modified the left leg to match the position on
the RWS card.
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XIII | D eath
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Though the Death card seems like a bad omen, its actually one of
the more positive cards in the deck. It means that youll be going
through some serious changes. As a Major Arcana card, you should
give Death serious consideration when it shows up. It points to old
patterns of behavior changing, being outgrown, and new approaches
to life breaking through. Think about who you were at age 7, age 15,
and where you are now. Youre the same person, but those versions of
you dont exist anymore. Youve grown, changed, and become stronger
all the way through. So when Death shows up in a reading, dont
take it literally. Think of it as a sign that a new you is going to be
growing through the old you. Embrace the new beginning!
If any card appears inverted in a spread, simply reverse
the meaning during your reading.
A rtistic I ntent
Ooh, the RWS card is good. Death doesnt care if youre young, old,
rich, powerful, or otherwise. I liked that a lot, so I drew the Death
card as an even more sinister version of the original. Death looks
scary as hell, though I think his horse is even scarier! Hes bearing
down on children and a priestDeath doesnt discriminate and has
no mercy. I sought to underscore the cards meaning with a really
dynamic scene, and even the sky has drama to it.
I also particularly liked the way the flag turned out. It needed to be a
black flag in sunlight, and it really looks that way! I modified the rose
in the flag from the Tudor Rose in the 1527 portrait of Sir Thomas
More by Hans Holbein the Younger. Roses and lilies are found
throughout the RWS Tarotthey have alchemical meaning and were
even used as the card back in many versions of the RWS Tarot.
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XIII | D eath
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XIV | Temperance
XIV | Temperance
A rtistic I ntent
Theres a lot of symbolism with my rendering of Temperance. Shes
at the end of a path in the material world and at the edge of water
the spiritual world of intuition. In her hands she has two cups and is
pouring water between them. They symbolize the competing desires
and her ability to effortlessly balance and control both of them. Shes
dipping the toes of her right foot into the water, literally testing the
waters before moving forward. And, lest I forget, shes an angel. This
was a hold over from the RWS card, but I liked the idea of her being
above the competing interests and having that power of flight to
leave at any time.
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XV | The D evil
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A rtistic I ntent
The devil lurks in each of us, and representing it in a card proved to
be a fun challenge.
I opted for a fairly straightforward representation of The Devil as a
satyr with a pentagram on his head. But whereas that pentagram is
typically inverted, I drew it straight as a hopeful signal. The base
impulses in each of us can be overcome.
With the figures I wanted to express a little more meaning than is in
the RWS cards. The male figure is naked and vulnerable, reaching
pleadingly toward the woman. She is clothed, oblivious to him and is
pointing to the devil. You could read this scene as the male figure
being trapped by his obsession and lust for her while she ignores him
completely. Alternatively, you could read it as her pointing to the object
of her obsession while he pleads with her to turn away from the devil.
Either way the point is cleartheyve trapped themselves.
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XV | The D evil
The Devil I depicted is based off the Baphomet, or Sabbatic Goat. Its traditionally
drawn having binary elementsgood and evil representations, male and female. I
opted for a more straightforward rendering without the binary elements.
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A rtistic I ntent
The rebuilding part of the card is definitely true, and sometimes you
do have to break down the things in your life that are holding you back.
Creatively, I wanted to highlight the smiting and destructionits
just a lot more interesting. So I threw everything and the kitchen
sink at this one. The crown of the tower is falling and breaking apart,
fireballs are being hurled from the sky. The power of the lightning
strikes are heating the stones to glowing hot while fire and smoke
pours through the ill-fated building. People are jumping to certain
death upon the rocks that are being pounded by incessant and
punishing waves.
Yes, creatively very satisfying subject matter indeed.
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A rtistic I ntent
The RWS version of the card is one of my favorites and I wanted to
stick close to it as a source. I kept a lot of the rich imagerythe eight
stars (one large, the others smaller), the ibis, one foot in the water, one
out, and the tree. The Star is a strong woman. Like Strength, shes
strong psychologically, though not necessarily physically. She pours
water from each jug both onto the water (emotional needs), and the
land (physical). Shes at home both in the deep waters of the psyche
and the more material aspects of life. The ibis itself has a rich
symbolism as the Egyptian god of knowledge, Thoth. All this came
together in my rendering of The Star, similar in spirit to the RWS
version, but completely different in the way it was rendered.
The Cult of the Ibis in Egypt cared for a massive amount of birds. At the archaeological site at Saqqara, about 1.75 million ibis remains were interred, and at Abydos
there are thousands more. Another four million were found in the catacombs of
Tuna-el-Gebel. The expense in land for caring for this many birds, as well as the cost
of the pottery industry in which they found their final home must have been massive.
Today, the ibis is extinct in Egypt due to the gradual aridification through swamp
drainage and land reclamation.
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A rtistic I ntent
With The Moon, like a lot of the Arcana cards, my intention was to
follow the RWS Tarot cards as a guide, but also add to and reimagine them. I took the source material and made sure to include all
the elementsthe dog, the wolf, the crayfish crawling out of a pool of
water, and of course the moon itself. Since the meaning of the card is
centered around uncertainty and illusion, I drew the moon a lot
darker than it would actually appear, and set it against a star-filled
sky. Youll notice that the stars in the lower right form the
constellation Pisces, which aligns with this cards astrological position.
The crayfish represents unformed ideas taking shape, and I also
included a path that curves in and out of sight to key in on the
ambiguous nature of the card. From the point of view of the viewer,
the passage to that path is blocked by friend and foe alike (the dog
and wolf), similar to how we might conjure images in the dark of
things both benign and threatening.
From a technical perspective, the most difficult and rewarding part of
the card was drawing the animals fur fringed with moonlight. It took
a few attempts, but I think I got the right balance of contrast so the
animals are detailed and convey the back-lit moonlight well.
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A rtistic I ntent
The original RWS drawing captures the meaning of The Sun really
well, and I didnt want to mess with the feeling it brings. My
rendition is compositionally very similar, though I did focus in on the
child riding the horse a little more. I love that hes riding the white
horse without reigns, fully confident and in control. The Sun shines
with radiance, and I swear I can feel that light and warmth coming
through the drawing.
While I was drawing the card, I actually found the stone wall to be
the most interesting part of the card to createwhich seems a little
counterintuitive. The reason was because it would technically be in
shadow given the position of the sun. The great thing about art is that
we get to take liberty with reality. Drawing each stone so that they fit
together naturally and conveyed form and mass proved to be a
challenge, too. The end result worked out, and given the subject
matter, is actually easy to overlook. It just showed me that sometimes
the judge of a successful drawing is being able to overlook some
details entirely.
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XX | Judgement
I mistakenly thought I had sent the cards to press with the wrong spelling for
Judgement. But, thankfully, I had actually gotten it right. The RWS Tarot has it
spelled with an e. Pamela Smith, the illustrator, was born in London and though she
lived in both America and Jamaica, she followed the British convention for spelling
Judgement. With an e.
XX | Judgement
A rtistic I ntent
What a powerful card. Gabriel, the angel of the Final Judgment,
blows his horn announcing the colossal crashing of waves that will
wipe clean the psyche as the main figure welcomes the renewal with
open arms. Theres a dreamlike quality to the card and it suits the
meaning well. This is one of the few cards where I let the Christian
symbolism stand, though I muted it since there is only one figure and
shes not rising from her grave as in the RWS version. Additionally,
I put her in a strange landscape, though a real one. Its an adaptation
of Giants Causeway in Northern Ireland. The rocks are the remnants
of large molten basalt flows that cooled and crystallized into the
forms we see today. Theres an equally impressive counterpart to
Giants Causeway across the channel in Scotland called Fingals Cave.
They were part of the same volcanic flow. Giants Causeway was also
the location of the cover art for the 1973 Led Zeppelin album Houses
of the Holy.
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On a deeper level, The World also signals that you have a broader
view than you did before. You can see the full scope of what youve
been trying to achieve and have a full understanding of all the moving
parts and your place inside a larger system. Your consciousness of who
you are is fuller, youre aware of how far youve come, and everything
it took to get here. You should enjoy this feeling of completeness, and
take some time to reflect back on the path youve traveled.
If any card appears inverted in a spread, simply reverse
the meaning during your reading.
A rtistic I ntent
The World is the last card in the Major Arcana and marks the
completion of a cycle. As such, it bears a lot of similarity to the
Wheel of Fortune. In fact, in the RWS Tarot, all of the
mythological creatures seen on the Wheel of Fortune are repeated
on The World card. But just as I chose to leave them off my
rendering of the Wheel of Fortune, here too I wanted a less
encumbered design.
The World for me is first and foremost a card of celebration. The
Wheel is replaced with a giant laurel wreath (an idiomatic symbol of
victory), and the main figure dances in the center of it, lost in her own
thoughts and enjoyment. Not to diminish the cards nuances, but that
struck me as all it really needed to be to capture its meaning.
Anything more would have been unnecessary exposition.
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Chapter Five
End M atter
Contributors
Arcana Playing Cards wouldnt have been possible without the
support of over 3200 project backers. Truly, they are an amazing
group of people and have my deepest thanks. Heres where they
hail from:
120
Australia 119
Austria 10
Belgium 6
Brazil 21
Bulgaria 2
Canada 172
Chile 2
Cyprus 2
Czech Republic
4
Denmark 13
Estonia 4
Finland 7
France 56
Germany 47
Greece 4
Guatemala 1
Hong Kong
11
Hungary 2
Iceland 1
India 5
Indonesia 2
Ireland 4
Isle of Man
1
Israel 6
Italy 23
Japan 15
Kazakhstan 1
Korea, South
8
Kuwait 1
Latvia 2
Lithuania 1
Luxembourg 2
Macau 1
Malaysia 7
Mexico 2
Netherlands 22
New Zealand
24
Norway 9
Peru 1
Philippines 1
Poland 7
Portugal 7
Puerto Rico
3
Qatar 2
Romania 3
Russia 7
Singapore 34
Slovakia 1
Slovenia 1
South Africa
3
Spain 21
Sri Lanka
1
Sweden 27
Switzerland 9
Taiwan 3
Thailand 5
Turkey 4
United Arab Emirates
3
United Kingdom
185
United States
2294
Uruguay 1
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Backers By Country
In all, that represents 6 out 7 continents, 62 out of 196 countries.
Thats pretty good, but 7 out of 7 continents would have been better
Im looking at you Antartica. Theres anywhere from 1000 to 4000
people on the continent depending on the season. Couldnt one of you
have backed the project?
Just one would have been enough, Im not greedy.
Closing Thoughts
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Thanks for reading! I hope this book has been informative and an
enjoyable read whether youre an adept with the Tarot or just getting
started. I do truly hope itll be a resource youll turn to often, and I
designed it for just that purpose. From page numbers on the outside
of the pages to the short single word synopsis to capture the essence
of each card, I strove to make this an enjoyable and easy tool for you
to use.
For those interested these things, I typeset the book using InDesign
with Mrs. Eaves for the headlines and Caslon Pro for the body copy.
Huge shout out to my editorsMichael Nichols, and Adria
Ovdiyenko (see honey, that English degree was useful!).
Additionally, thank you to everyone who had a hand in the
Arcana project. From my super-supportive friends and family,
to all the manufacturers who helped to produce the many different
Arcana rewards:
United States Playing Card Company
Osbourne Coinage
Panda Gaming
TreeToBox.com
Fashion Silk
Bella Forte
Graphic Chemical
Boxcar Press
Lastly, a huge thank you to Tame Impala for the song Apocalypse
Dreams, it was my personal soundtrack for this project. Played over
and over again, it somehow still sounds amazing.
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