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PUBLISHED BY

Ail

f U D f M f t i U I 11

KXqO F O l i O M ST.

5AN F R ANCISCO CALIF.

BY

D A R: i e L

F i t z k e e

PREFACE
BEFORE
CORRECT
TIC

WTO

AN ERRONEOUS

THE

SUBJECT

IMPRESSION

THE

"CUT

ETHICS

COURSE,

AND RESTORED

EMPLOYED

THAT

ON DR.

PREVIOUSLY

SONAL

VORK,

HAS REACHED

DR.

TARBELL

COURSE

SERIOUSLY
HIMSELF

IT

VORK FOR

IS

THE

'INTERESTED

SHOULD

LIKE

TO

ME FROM THE

IN

ATLAN-

CRITICIZED

'.

F.

ENMITY

INVOLVED.

AND'NEITHER

EFFECTS

OF HIS
AND AGAIN,

PERSONAL
FOR'AN

VIEi>S
APOLOGY

FACTS

THAT 'I
FROM

RESTORED
ABLY

CUTLASS

IN
T

SHALL

ARE
'IS

TRAVEL

MY

TEETH.

ASSURE

YO-U I

HAVE TO DO'SO

ABOUT

APPEARED

BOOK 'Z DID

'IN

FOR

SAY

MY OPINION

OF THE

TARBELL

UORK ON MAGIC.

IT'IS

ANYONE

'IS

DEPRIVING

OF THE

FACT

THERE

HAS NO

PERSONAL

NOT LIKE

OTHER

DID

CONTRARY.
NOT LIKE

THIS
SIMPLY

IS

AND SO

NOT AN

ON.

APOLOGY.,

AN EXPLANATION

OF

UNDERSTOOD.
HAVE ' HAD TO 5,1 Y ABOUT
CARD

A BLACK

MANIPULATION"

"CUT

AND

YOU

PROB-

MASK AND A CANNON -

FOUND THAT

PERSONAL

ROPE

'IT.,

THAT 'IN SPITE

TO THE

AND "JUMBO

NECESSARY

YET..

OR A

PERHAPS

'I

PROTECTION.

BOOK.

THINK

LINKING

THE

MUCH WHETHER 'I

WANT TO ASSURE

THE

.INVENT

ADMIRED

YOU MIGHT

THAT T" DIDN'T

"I DID

MATTER
NOV 'I

THEY

THE

PER-

CLAIM
SOME

AS

MY OXN 'INVENTION

OF THE

THINGS

IN

THE

ANYTHING
JUMBO

CARD

CLAIM.

HONESTL
DOESN'T

LIKE

CRITICS

HAVEN'T

YOU MAY RECALL


THAT

QUITE

IflTH

\IAS NO
HAVE

MEAN THAT

WERE WELL

MANIPULATION"

VIEVS,

METHODS,

NOT NECESSARY.
OF THE

PERSONAL

'INTENDED.

NOT AL\'<A YS CONCLUSIVE.

VHAT SOME
'I

DID

MIGHT

HAD THOUGHT

ROPE

THINK

it'HAT 'I

TARBELL

TOOLS.

ROPE

O'tiN ORIGINATION.

THE

THERE

NOT POSSESS

SAME CONNECTION
GRANT'S

CRITICIZE

FROM MY ORIGINAL

INDIVIDUAL

WHO DOES

TO

TO MEAN A
THAT

TIME.

GREATEST

THE

SAY

THAT

ASSURRED

SAW FIT

MARKETING

DEVIATING

A LONG

MAGIC,

IN

OR ENMITY

GREATEST

IN

THAT

MIGHT

BE

TARBELL,

OF ONE OF MAGIC'S
I

SYSTEM

WITHOUT
PLEASE

ON' DR.

THAT

TARBELL

TARBELL.

AND HIS

'IS

MANIPULATION"

HAVE MISUNDERSTOOD

EXPRESSED,

REFLECTION

ROPE

BY- THE

MANY PEOPLE

REFLECTION

NOT

OF THIS

COAST.
IN

AS

'GOING

RING

LINKING

HAD DEVISED
DID

OR

YOU THAT
TRICK

RING

'IS

TRICKL"

SOME

MYSELF,.

BUT

IT

NOT.
MY AGE 'IS

SEVERAL
'

OF 'IT

THAT

SLIGHTLY

HUNDRED
IS

THAT.

OVER

YEARS

OLD.

THIRTY..
;| DID

BUT

KNOW YOUR 'INTERESTS

BEFORE
TO GUARD THE
VALUABLE.

WE GET

INTO

SECRETS

THE

TO BE

''I KNO'S YOU JILL

ARE

NOT IN

SUBJECT

REVEALED
FIND

TO

THIS

SHOULD

SORT
LIKE

THING.

TO CAUTION

YOU SHORTLY.

THEM EFFECTIVE

OF
TREY

AND

YOU

ARE

EXCLUSIVE.

cuop-A.

C O R R E C T I ON
THROUGH
REFERENCES
TO

F I G ,

SULT

IN

FIGURE
THE

TO
IN

THIS

AN
THE

ERROR

IN

FIGURES.,

CONNECTION
CASE

HIGHER

MANUSCRIPT

THAN
IS

EDITING

WITH

SHOULD
THE

BE

TEXT

CORRECT

ON

THERE

PAGE

THE
F I G ,

TEN

SOME

YOU

COUNT.,

FROM

AND

F:IG,

17

UNTIL
ON,

CONFUSION

WILL

WRIST

INDICATES

FROM

IS

THE

THERE
YOU

FIND

FIGURE
ON

REACH

REFER
F I G .

IN

THE

REFERENCE
TO

CON-

TO
17.,

ONE

WHETHER
IT

Z'

ARE

Cj }-<

' L>.

+- U-|l

LIKE
AND

O U

DEGREE

O
U

FEW
TO

BE

THE

ENTIRE

B E L I E V E

THAT

STRENGTHEN

ARE

BASIC

THE

THOUSANDS,

IF
CLOSELY
TOO

THERE

ARE

FREQUENTLY

PUBLISH

THEIR

DEMONSTRATE
RING

-SET,

THEM

TO

ADD

TO

BE

FEARED

SECRETS.,

AGAIN

,1

THE

A G A I N ,

AM

WRITING

T R I C K ,

NEVER

BEFORE

HAS

MOVES
BY

FOR

MANUSCRIPT'S
HAVE

F.IGURES,

AS

PERSONALLY,
MYSTERY
DO

ANY
II

U N

OF

DO

SAYING

COMPLETE

REFRAINED
THAT
:L

AM

CONTAINED

DEMANDED
THIS

IS

HAVE

TRICK

OF
ONE

AND

HAVE

ARE

MAGICAL

W I L L

TO

L I N K I N G

MARKED

RING

SET.,

LEAST

F A M I L I A R

OBSERVATION,
RING

THAT

EFFECT

THE

CHARTS
OR

AND

OF

AT

TO

CERTAIN
BAFFLE

OF

ANEW

STORE

BECAUSE

THIS

CLOSE

THERE

TO
BEEN

HERE. I N ,

AMONG

WILL

FA.

FOLLOW

THE

THE

MA N Y

AND

ARE

LET

DEFY

THEM

YOUR
OR

OLD

THREATEN
.INTRICATE

CLOSE

THE

STUDENTS

AND

AS

GROUND

UNDER-

D. I D

BEFORE

COMPLETELY

MULTITUDE

ONES

NEW

THEM

LET

TAKE

ROUTINE

OLD

ALL

I L ,

EFFECT..

ARE

HEAR

MANIPULATION,

EXPLAINED
SOME

THE

TRICK,

BEG,

IS

WE

THEM,

RING

STUDENT

COVER

WHICH

ASK,

MANIPULATIVE

GOING

CF

WMNDOWal

MOVES,
THEY

S U PE R - S E C R E T S ,

THE

AND

NOT

NUMBERED

P O S S I B L Y

ONES

OF

THE

OF

CONDITION
THE

REASON

B E I N G ,
FROM

D I S C U S S I N G

WELL

COVERED
TO

F I G U R E S

,1

BE

TRICK,

OF

T H I S ,

HERE

HAS

INITIATE,

MANUSCRIPT.,

VERY

TO

WHO

THE

CORNERS,

PREFERRED

WANT

HAVE

NOW

METHODS,
TO

PENETRATING

NOT

GREATEST

BEEN,

ADEPT.,

THE

MATTER
THE

HAVE

EFFECT.,'

THE

ON

RINGS

DOING

P R E S E N T A T I O N , '
,1

BOX

CAUSE

CAN

THE

CONSIDER

REMARKABLY,,

UNLESS

ROPE

D E C E P T I V E

MYSTERY

DEVICES,

MA N ,

. I T ' S

OF

MASTER

T H I S :

NOT

OF

AMONG

NOTE

ARE

ONE

W I L L

No

PERSONAL

RING

EVER

FOREVER

FROM

YOUR

YOU

L I N K I N G

THIS

ON S T R E E T

f -

THE

PERFORMERS

IS

i s t

WHETHER

WITH

NEW

TOY

THE

THE

PLEASE

EFFECT

HERE

THE

CONTRIBUTION

EXPLAIN

INVOLVED.,

NOT

THE

MYSTERIES
-

!IT

AND

STAND

YOU

EXPLANATIONS

BECAUSE

W.ITH

FROM

GUARDED

NOT,

REALM

HERE,IN

EVEN

OR

EVERY

AMONG

MOVES

P O S S I B L Y

CERTAIN
DEGREE
,
'IT
IS
MY G U E S S ,

J
THE

AS

W I L L

THERE
A

;IT

NOT,

PRACTICALLY
.-E 2

DO

OR

IN
I

YOU

IT

E F F E C T S

> J

7 ) a t ?

AT

MATTER,

IN

MAKING

NAMREH'S

THE
;I N

RING
MY

" L I N C O L N

T R I C K

OWN

VARIOUS

AS

R I NG &,"

STRAMGHT

PR B S E NTAT. I ON

II

DO

A L L ,

REFLECT
LONG

TREAT

THE

ON

BEEN

- 3 -

NAMREH'S
AN

ADMIRER

EXCELLENT
OF

THIS

" L I N C O L N
WORK,

AND

R I N G S "
THE

INTELLIGENT
THE

MAKING

THIS
AMD

ONE

OF

OF

THE

MR,

WEBER,'

VARIOUS

O.ISCUSSES

AS

JUMBO

ENTLY

IT

F I G U R E S ,

NOTHING

BOOK

;IS

HAD

ORIGINAL

MOVES

IL

CLAIIM

THE

MOVES

.1

CLAIM,

OWN.,.

BECAUSE

QUITE
SEEN

WITH

THE

AS

THE

WORK

POINTED

PURELY

PRIMARILY

OUT

MAGICAL

.1

THAT

SEVERAL

PREVIOUSLY

USED

BY

MYSELF,

HE R ; I N

DO

YOU

MAY

NOT

THINK

ANYWAY., '

THE

CHINESE

GAVE

BETTER

WAY

FORMING

OF

THE

CONFUCIUS
CORNER
OTHER

OF

COVERS

BEFORE,

EFFECT

SUPPOSE
FIIR3T

HAS

HE

CORNER

IS

WE
-

SAID:
AND

THREE

AND

THE

S I N G L E S

- -

.TWELVE

SET

OF

TWO.

CHAIN
THE

SURE,

il

WHILE

OF

LINKING

HAS
OF

OLD

BEEN

TO

OF

BUT

BE

MY

ARE

THERE

METHODS

HELPED

HIMSELF

BE

THE

THE

IS

Or

NO

PER-

TO

AROUND

GET

ONE

AROUND

THE

ASSISTANCE

AROUND

THE

WERE

REST

WERE
ON

NEXT,

(SEE

USED,

FIG

.INCLUDING

HIS

ARM,

THEN

OF

BY

ONE

THE

OUT

FOR

OF

LAST

HANDED

TO

IN

SET

NEAREST

TWO,

AND

THE

SINGLES

ARE

TOGETHER?"

THE

OF

ONE

TO

MATERIAL.

THE
OF

THE

ATTENTION

SINGLE

THE

POSSESSION

"WOULD

YOU

MIND

No,

NQI

RINGS

SPECTATORS

OF

ONE

RUBBIING
:I

DO

RING.,
THOSE

NOT

MEAN

SET

OF

VIOLENTLY.,"
PERFORMER

TWO

IS

INSPECTION,

CALLING

SOLIDNESS

ALREADY

SO

KEY

SET

THE

THE

THE

MANIPULATOR

:IS

KEY,

1)

PASSED

THE

THE

SINGLES.,'

ONE

Ft<r.

E L S E ,

MOVES

THINK

SOME

ASSISTANCE.,"

- -

R.INGS

THREE

THAT

ROUTINE

RINGS

THE

HAS
BY

TO

- -

THE

APPAR-

CHINESE.,

FURTHER

- -

OF

IN

ALTHOUGH

B E L I E V E

OF ADVANCED

MAN

BOOK

THE

HAND.,

MOVES

SOMEONE

RINGS.,

MANAGE

OF

BY

ORIGINATORS

THE

THE

POSSIBLE

GENUINELY

UINKING

"WHEN

- -

OR

NEAREST

USED

THE

THIS

TEN

THE

BEEN

THE

UNWORTHY

PERFORMER

ELBOW,

HAVE

CANNOT

THE
E I G H T ,

QUITE

AN E X P O S I T I O N

ASSUME

- -

ALSO

BE

OF

OTHERS,

IS

THAN TO QUOTE

SQUARE,

THREE,

US

STARTING

EFFECT

.IT

MA Y

MATTERS

THE

BUT

NAMREH'S

POSSIBLE

IMPORTANT

OF

BUT

U N L I N K I NG.,
JUST

THE

IDEAS

FROM

ARM,

TAKES

HOLDING

THE
THEM

TOGETHER

" 1

MEAN

THE

E A S I L Y ,

PERFORMER

F I R S T

GENTLY

LIKE

APPARENTLY

SPECTATOR,

THEN

THIS.."

LINKS

HANDS

HIS

THEM

BLOWING

RINGS..

TO

GENTLY

HE

ANOTHER

ON

SHOWS

THE

THEM

SPECTATOR

TO

WHO

METAL,
THE

HOLDS

S I NG L E . ,
AGAIN
TWO

THIS

ALREADY

T H I S

LEAVES

TAKING
IT

WITH

AND

ON

HE

FROM

HERE

F I G U R E S ,

THE

THE

REQUESTED

THE

KEY

STIILL

ANOTHER

OF

OF

GOES

AROUND

ON

THE

MAGICIAN

ON

THE

HOOK

HIS

RING

DEMONSTRATES

THE

TO

HOW

THE

EASY

IT

ARM.

SINGLE

THE

R I N G S ,

THE

PERFORMER

L I N K S

W I T H

;IS

ALL

OF

LARGELY

THE

LOUD

THE

R I N G S .

MATTER

AND

OF

STRENUOUS

FORMING

CHAINS

CLASHING

AND

RINGS.,'

ROUTINE

KEY,

COLLECTING

ROUTINE

ACCOMPANIED

CULMINATES

WHEREUPON

THEY

WITH

ARE

THE

MADE

F.INAL

TO

COLLECTION

APPARENTLY

OF

FALL

ALL

RINGS

S I N G L Y

TO

FLOOR,
THERE

IS

M A S T E R P I E C E ,

D I F F I C U L T

TO

CONFIDENT

A G G R E S S I V E N E S S

FEW

HAVE

T R I C K

DO,

>1

GUESSED

EVEN

THE

P O S S E S S I O N

THE

WITH

I T . I S

WEAKEST

O B V I O U S L Y

CANNOT

AT

TODAY,

BOXES,
THE

OF

THE

AGREE.,

BOLD

TRUE

;IS

THE

AFTER
OF

il
THE

BOX

THE

RINGS

ALONG

CERTAIN

PRESENT

DEGREE

IT.,

OF

Y E T ,

CONTA^ I N s , ,
.IN

.I N

THE

3F.

CALLED

THE
KEY,

ALONG

HAVE

ALL

C H I L D R E N ' S

PROPER
HELD

THE

HANDS.,
BACK,

L I N E S

OF

G A I N I N G

B E E N . I N S P E C T E D.,

P O S S E S S I O N

OF

K E Y ft, I N G '

;IN

THIS

METHOD

THIS

CASE

WAS

THERE

BROUGHT
.IS

OUT

BOX

IN

WITH

A RECENT
A

LEDGE

CONTEST

INS.IDE

.IN

CLOSE

BOTTOM,
THE

THEY

R I N G ,

G A I N I N G

.INCLUDED

SHOULD

THE

;IS

BEEN

METHOD

BELIEVE

SPHINX..

IT

MA S T E R P I E C E
ONE

HAS

PROPERLY

SETS

CONCEALED
THE

TO

IT

THERE

DECEPTIONS

IMPROVEMENT

KEY

ALTHOUGH

NECESSARY

D E C E P T I V E

POINT

F I R S T

AND

MINIATURE

METHODS

TO

TO

KEY.,

THEN

THE

IS

AGAIN

THE

BACK

THE

J A N G L I N G

SPECTATOR

LINKED.,

ARE

SOLID

SET

MOMENTARILY

WITH

THE

IS

BROUGHT

LAID

OTHERA,

BACK

(SEE

OUT
IN

RIG..

OF

THE

BOX

ANO

SHOWN,

THE

BOX

AND

THE

KEY

WHEREUPON

BROUGHT

OUT

2)
THE

J A P A N E S E

S I M I L A R

TO

YET

ENTIRELY

WAS

PUBLISHED

1 9 2 2 ,
- 5 -

BASKET

THE

BOX

DIFFERENT,
.IN

THE

METHOD,

THIS

ilDEA

SPHINX,

FEB.,

HERE

BROUGHT

THE

OUT

BASKET.,'

R.INGS
THE

AS

THE

THE

KEY

BEFORE,

KEY .'IS

THE

ON THE

PAPER

THE

THE

OR

THE

TABLE

THE

KEY

:I T

MAY

THE

THE

KEY

AND

WHEN

IIN

THE

TOP.,'

REPLACED

AND

BE

BETWEEN

WHICH

ANY

RING

NEWSPAPER

OTHER

WIRED

RELEASED

FINGERS

HANDKERCHIEF,

TOP.,

,IS

THE

THE

ALLOWED

SOLID

LID :IS

TO F A L L

RINGS

DROPPED

ON THE

ARE

ON THE

OTHER

RINGS.,

NEWSPAPER

CONCEAL

SET,

RING

SHEETS

MA Y BE

GRASP

KEY

OTHER

FLAT

MAY

BE

REGAINED

FOLDED

ON A T A B L E
AND

SLIP

IN

MANNER

OR

IT

COVERING

CONCEALED
ilN

OF

CHAMR.,

OUT

MAY

IN

WITH

BE

SLIDE

SIMILAR

NEWSPAPER.

UP

RINGS,

UTILIZED

TO

THAT

THE

PICKING

OTHER

BENEATH

LAY

IN

THE

THIS

WAY,,

TABLE

EMPLOYED

BY

METHOD.,

HANDKERCHIEF

COVER

THE

KEY

RINGS

ARE

LAID

CENTER

OF

THE

WITH

HANDKERCHIEF

ON TOP

OTHER

AND

R'INGS,

THE

ON

CHAIR

HANDKERCHIEF

OR

T A B L E , '

PULLED

T H E R E B Y . I NDE TEC TA8 LY

UP

THE

THROUGH

ADDING

THE

KEY

R; 1 NG,
OTHER
HANG
TANT,

OR

THE

IT

FLOOR
IS

MATTER

CONCEALMENT
SOME

IS

OF

ON

BETWEEN

PIECE

CHAIR,

STAND,,

THE

THE

HAND

TO ADD

THE

KEY.,

OR

THE

BACK

CHAUTAUQUA

BOARDS

OF W I R E . ,

Up W I T H

IT

WILL

ON

THE

THE

AT

OTHERS

OF

WIPING

OFF

DURiING

WHICH

THE

SILK

KEY

ON THE

SOMETHING
CONTAINING

IS

OF

A S S I S -

PERFORMERS

PLATFORM,
DROPPED

THE

AN

OTHER

SUPPORT-

TO

THE

R.INGS,

;lT

OTHERS,

HANG

THE

THE

HANG

COAT.,

THE

NOT

BE

DISPUTED

THAT

THE

BEST

METHOD

OF

BODY..

PERFORMERS

UNDER

SIDE

BACK

CONCEALMENT

PROBABLY

LEFT

THE

LARGE

A SHORT

BODY

RINGS

ON

THE

RICKED

AN E A S Y

THE

HANG

WITH
AND

BACK,

KEY

BEHIND

FREQUENTLY
ING

CONCEALMENTS

ANY

THE

KEY

NUMBER

ON

OF

S L I P

AT

PRETEXTS

THE

MAY

CENTER

BE

USED

OF

TO

THE

GET

BACK,
THE

KEY

COAT.,

RINGS,

PROCESS

ON

C L I P ,

REACHING
THE

THE

RINGS
KEY i | S

OR

OVER

PENCIL

BENEATH

TO

REPLACE

A HANDKERCHIEF

ARE

ALLOWED

TO S L I D E

ADDED

TO THE

ARM AND

THE

USED

DOWN THE
CONCEALED

FOR

ARM,
BY

THE
BENEATH

SPHINX

THE

CONTEST

FRONT

OF

THE

VEST

EXPLAINED

ALTHOUGH

THIS

METHOD

WAS

NOT

THIS

METHOD

AS

FIND

BEEN

THE

EXPERIENCE

MY

OWN

TO A C L I P

THE

IS

DOWN,

IS

THE

THAT

so

RING

HUNG

OF

TH IS

KEY

JUST

FLAT

SPOT

OF

LITTLE

TO

REGAIN

AS

PER

THE

ACT

THE

RINGS

ALLOW

REAR

OF

MY

BOTTOM

THE

YET

THE

NAMREH'S

AS

IT

TO

COAT

GO

AT

SUSPEND

THE

TO THE

IF

THE

OPENING

I
HAVE

USE

NEVER
BUT

WANT
GREAT

TO

EVEN

\
X.

'

THE

- - .

;''

" \

;
/

'

COMPLETELY

LOT

/'

INST

ILL

IMPROVED

HAVE

TIME
THE

IN

Tic,,

IN

THE

HEART

METHOD.,

S E E K ,

AND

CONR I D E N C E

,1

TE

IN

FEEL

THIS

IS

A UD: I E NC E ,

MY

ACCOMPLISHED

PERFORMERS

STUDY

OF

AND

IT.,

MYSTIFIED

EVER

AND

D.OWN

WELL-GROUNDED

OF

IT

SUSPECT

HAS

HAVE

SAY

OWN

PERFORMERS

PRONOUNCED

THIS

COMPLETE

WITH

:IT

THE

MOVES.,

THAT

ONE

OF

IT

IS

THE

PRIDE

DEVELOPING

OF

BECAUSE
I

THE

REALLY

METHODS,
TRUE,
OF

THE

ALL

OF

MOVES

THE
ARE

MOVES
SOLELY

THE
WHAT

YOU

THEN

HE

ARE
MY

NOT

ORIGINAL,

but

THE

ROUTINE

AND

0:YN,

ORIENTAL

RINGS

SEE

PERFORMER
ONE,

.OUT

R. I G H T

IT

THEY

3)

THE

OF

HAND

TO

ROUTINE

SPENT

MANY

DOWN

GET

MANY

SIDE

a N D

PULL

THE

HAS

HOLD

THE

ANYONE

FIND

F IG.,

AROUND

MOVE

DO

/ \

SIDE.,

TO

RINGS.,

FINEST

THIS
HAD

ROUTINE.,

(SEE

THE

SOME

IS

INSIDE

RIGHT

W I L L
FALL
JUST
BE
CONCEALED,,

KEY

AWARDED,

ON THE

VEST,,

KEY.,

THE

WHICH

RING

A TI D

WAS

THE

MANUSCRIPT,,

SOUNDS,

UNCOLLECTED,.,!

FINGERS

OF

PRIZE

LOCATE

THE

FOR

:IN

ABOVE

-FOUR

REACHING

BELIEVE

CONCEALING

THE

,1

KEY

FIGURE

AS

OF

JUST

OF

,1

OF

OPENING

HANGS

H I P ,

METHOD

AFFilXED

INCHES

IT

THE

TO

THE

PERFORMERS,

IS

COAT.,

SO

THE

-.IS

WHICH

OF

THE

TO
R INGS

OTHER

BOTTOM

COUPLE

BOTTOM

OF

WITH

THE

AND

PRACTICAL

PREFERENCE

ATTACHED
RING

DISCLOSED

COUNTS

COUNTS

EIGHT

THEM

ONE

RINGS,
BY

TURNING

ONE,

THEM,IN

DROPPING

HIS

THEM.IN

HAND
THE

ONE

LEFT

BY

HAND.,
BY

ONE

BUT
-

HANDS

HE
FOR

NO

TEARS

RINGS
ALL

OF

ONE

BY

THE

ATED

SPOT,
YET

CHAIN

THE

THE

ONE

THE

RINGS

THREE

THE

RINGS

ALL

THREE

RINGS

THE
THE

USUALLY

CHA.IN

PERFORMER

ANOTHER
ITSELF

IS

KNOW

ONE

BOTTOM
YOU

THERE

THE

THROUGH

HAVE

ONE
BETWEEN
ONTO

IS

TWO

R IGHT
OF

AND

PASSES

HIS

HANDS

HAS

HIS

RING

IN

IS

ALL
ARE

TO

ARE

SPOT

TOLD
POINTED

AGAINST
AT

THIS

THE

THOSE
.INDIC-

MANNER,

SEPARATE

SPECTATOR

.IT

INTO

SPECTATORS

COLLECTED

AND

STRIKES

AND

PENETRATES

SEEM

ONE,

^INSPECTED.,

THE

STRIKES

HE
DOWN

THAT

PERFORMER

THEY

SEPARATE

ON

APART.,
THEM

THE

HAND.,-

THEMSELVES.,

RICKS

IMMEDIATELY

THE
HE

TWO
IS

OUT

ONE

REMOVED

AND

HUNG

UPPER

LINKS

UNABLE

AND. HANDS

ARM
THE

OF

AND

THEM
ON

RING

REMAINING

TO

DO

SO,

YET

BACK,

THE

SHOULDER.,

DROPS

AND

ATTACHES

HAND,,

STARTED
LINK,

AT

THE

AGAIMJ

WATCHING

TOP

OF

CHAIN

AND

DROPS

DOWN

SLOWLY,'.

THE

R I N G S ,

AND

COUNTING

THEM,

YOU

E I G H T. J
STARTED

ATTACHING

RING

ALL
THEY

IS

IS

THEM

TO

TAKEN

THE

BEEN

RING

OF

THE

THE

THE

BY

ONLY

SEPARATES

.IN

RING

ARE

ALL

IN

BEING

V I S I B L Y

ARE

GOING

FACT

AND

ONE

EXAMINATION.

ASKED

PLACED

LINK

R I N G S ,

CENTER
FOR

.IS

RING

ANOTHER
OF

IS

RUNG

EXAMINED

OR.IGINALLY

TAKEN

THEN

:IF

THE

E A S I L Y

THE

;IS

HANDED

RING

TO

THE

RINGS

SECTIONS

IN

THE

BY

ANOTHER.,

AND

AND

ONE

WORDS,

AND

HE

UNACCOUNTABLY,

SPECTATOR

ONE

HOLDS,

THE

CHA;INS

THE

UP

EIGHT.,

THROUGH

TO

WHEREUPON

AND

ONE

ONE

THEM

THEMSELVES

TO

GATHERED

SPECTATORS
BY

IT

SIGHT

ARE

HE

UNLINK

IINTO

PICKING

EXACTLY

ACTION

BY

HN

RINGS

RINGS

AND

ATTENTION

RINGS.ARE

SUDDENLY,

OF

ONE

AGAIN,

ARE

THE

THEM

APART

THE

THEM

STR:IKES

FORMS

EDGEWISE,

up

OF

HE

CALLING

EMGHT

THEM

ON

THEM

LINK

SUITING

HE

OUT,

THEY

R.ING

THROUGH,

HELD

TO

THAT

UP

HOLD

THE

THERE

RICKING

SEVERAL

FROM

APART.,

ALL,

EMPTY.,

COUNTS

AT

THE

OUT

WIDE

HE

REASON

AUDIENCE

TO

WAIT,!

EXPLAINS

ANOTHER

OF

NQJ

AT

ITSELF

AND

GOES

PLACED

HANDS,

ON
THE

THE

TO

TO

THE

THE

THE

AND

TOR,

ARM,

JUMPS

FROM

RUNS

THEN:|T

BOTTOM,

LEFT

R:|NG

BOTTOM

UP

THROUGH

RUNS

RIGHT

MAGIC?
A

CHAIN
LINK

ALL

Y E S I
OF

TO

THREE

LINK

IS

AND

HE LO

OFF

ARM,

THE

RINGS

TANGLE

;INTO

HOPELESS

SNARL,

YET

SUDDENLY

SEPARATE..
THEY
ONE

ARE
-

TWO

COUNTED.!.
-

THREE

FOUR

FIVE

s i x

SEVEN

E I G H T !

EACH

R.ING f S
HANDS

RICKED

WIDE

OUT

ARE

SUPERIORITY

OF

STARTS

THE

LINKING

HANDED
HE

AND

THEM

R.INGS

RUN

HAND,

JUMP

THE

THEY

IS

OTHERS

MANIFEST,.

THE

R.INGS

ARE

ARE

HANDED

EXAMINED

WHILE

DOWN AND
TO

THEY

COUNTED

OUT.,

AND

A CHA:iN

LARGE

RING

IS

RINGS',

THE

ONE

OF

R; I NG,
JUST

BUT

LARGE

THE

WITH

USE
REASONS

ARE

HELD

EACH
OFF

OF
A

BY

AT

THE

RING

SMALL

LARGE

THE

TYPES

HALF-TINCH
THE

TWELVE

IIS

ON THE

KEY

RING

THE

SHOULD

HANG

SO

THAT

DOWNWARD,
THE
THE

AND

ES.,

(SEE

ARM

LARGE
THREE:,

C L I P
AS

OTHER

A REGULAR

ENOUGH
;IT

KEY

TWELVE

ALTHOUGH

TO

THEM

AND

THE

SPOT.,

S T A R T >IN

THE
ONE

ARMi

IS

IDENTICAL

TO

S L I P

SilNGLE,

SMALL

CLIP.,

S L I P

FREELY
WITH

E A S I L Y

RINGS

MAY

BE

:INCH
THE

RINGS,
E:IGHTS

THROUGH
THE

OVER

F I G ,
PUT
IN

R.ING

TWO

THE
THE

WILL

SIDE,,

THE

OPENING
.INCHES

COAT.,
VEST,

PULL

NOT

ON

SUSPICIOUS

THE

WRINKL-

?!. -

THE

RINGS

FOLLOWING

NEAREST
OF

OVER

BODY,

TWO,

SINGLE,

SMALL
(SEE

I/

ORDER:
OF

RING,

F I 3

' A

V
I

5)
-9-

I H
K

THE

CHAIN

l ) /

r ^ y i /

3)

THE

CHAIN

REGULAR

OF

USED,

FOR
WILL

SLIGHT-

LEFT

ABOUT

TO

IT

CAUSE

Now
LEFT

AND

30TTCM

COAT,

COAT

AND

THE
OF

THE

OF

SPECTATORS,

THEY

R: I NG AND

ENOUGH

OF

OR

BEST,

REAR

FASTEN

HE

REGULAR.,
THE

BUT

PREFER

OPENING,

EIGHT

THE

ABOVE

ALL

A SELECTED

OTHER.,

TWO,

KEY

OTHERWISE

VARIOUS

EITHER

SECURE

IS

MUST

SINGLY.,

THEN

PREPARATION

;IT

SET

RINGS,'

ANY

TO

OLD

CHA IN 1S S E P A R A T E D

VISIBLY

THROUGH

LINK

OF T H R E E ,

SMALL

HAVE

LY

W IT H THE

APPARATUS

AND AN E X T R A

REGULAR

METHOD

TO- P E N E T R A T E

FROM L I N K

COLLECTED

THE

RINGS

METAL

UP AND

THE
THE

FROM THE

BACK!

THE

A CHAIN
RING,

SEPARATED

BECAUSE

BEFORE

R'IGHT

THE

THE

THE

A PREVIOUSLY

LINKS

CAUSES

OF

QUESTION

EXAMINED.,

RINGS

Si I NG L Y AND

APART.,

THE
BE

UP

F.'Cr. If

OBYIOUS
SERVE

ADMIRABLY.,

THE

tis?

\i

>

H ; > , v

IN

THE

RINGS

RIGHT

/ / / J ^ -

HAVE

AND

! | I
'
1
t
J,..4-.- - t
;
iwv
i
;

TO

THE

SMALL

SLIDE

ONLY
IS

IN

BY

TURNING

AS

COUNTED.,

IT

IS

EVER

RIGHT
THEM

LINKING

TRUE

THAT

DISCLOSED

THE

METHOD

OF

MY

HAS

aga

WRIST

IS

METHOD

INVENTED

PERFORMING

THE

AFTER

THE

FINGERS

THIS

IS

IN

.1

ONE

BY

HAND,

SURE
WILL

THE

CIRCLE.,

FIRST
.IT

THAT
COUNT

ONE
BY

THE'CHINESE

WILL

THE
AND

(SEE

INCLINE

OTHERS.,

THE

PARTICULAR
RINGS

RINGS

NO

SO

THEM

HANG

CARE

.IN

PLACE,

THAT

THEY

ONE

FROM

TO

CHINESE

TRICK
THE

WAS

BY

THE

THE

ONE

HAND

CHINESE.,

MAG.IC.MN

DEV.ISED

MYSTERY

TIME
WAS

THE

TRUE

TAUGHT

LET
HAND,
LEFT

AT

THE

THE
AND
HAND

F I G U R E ] ? )

THERE

IS

THEM

R. I N G S

HANG

PLACE
INSIDE

LET

EIGHT

MEANS

EXPLAIN-

BOTTOM

USE

FROM

COUNT

TIME

RIGHT

RINGS

RING

AMERICA,

OCCIDENTALS,

PREVIOUSLY

DROP

OF

THE

CREDITED

BUT

WITNESSING

IN:"

FROM

IT,

ALSO

OPERATION,"

CHINESE,

THE

MAKE

THIS

THE

THEM

COMMONLY

PLACE,

COUNT

COUNT

LETTING

OF

OUT

IN

BY
THE

HANDS

TO

CHINESE
ME

MAGICIAN,"-

OVER

MISTAKE,

TRUE
OF

OVER,

EFFECT

PERFORMED

THEM

THE

THE

BEEN

COUNT

THE

AND

WILL

PRESENTATION

FIGURE

PER

CHINESE

KNOWLEDGE,

THE

WRIST

AS

GET

RING

ADEPTS,"

" L I K E

"To
NO

NOT

CHINESE

THE

THE

ORIENTAL
"TO

RING

THE

METHOD

OCCIDENTALS,

AGED

FORWARD

"THE

"THE

OF

WRIST

OF

ORDER,

LARGE

THESE

THE

THROW
THE

TO

NATURALLY

THIS

REQUIRING

KEEPING

THE

IN

R ING

INSIDE

THING

TAKEN

THE

TENDENCY

1
\j \Ke\S"-;
Frr, S

ON

HAND

CAUTION:

(II; 11

REST

ARE

OF

THE
':
THE

THEM

-10

w 'f?

RINGS.,"-

BY

AN

DROP.INTO

THE

"EACH

RING

H A P P I N E S S ,

WE

NEW,

HAND

SEPARATE,

BEGINNING

R; I N G

START

THE

AND

ON

THE

OR

LIKE

THE

EIGHT

HEAVENS

OF

END.,"

F:INEST

RING

SINGLE

HELD

AND

COUNT

ADVANCED

" O N E , "
R IGHT

WAS

SINGLE

HERE

THE

HAND.,

WITHOUT

THE

WilTH

LEFT

UP

MOVES

KNOW

OF

;IN

CONNECTION

PRESENTATION".

REGULAR

TO

V.IEW,

R I N G . I S
BOTH

TAKEN

HANDS

FROM

FAR

THE

APART.,

LEFT

(SEE

BY

THE

FIGURE

3)
"TWQ,"

RETAINING

R; I N G

.' I N

THE

R!1NG

ilS

PICKED

HELD

WITH

AND
(SEE

R: I G H T

FIGURE

'

HAND

UP

OUT

THE

^ P ^ ,

I \

F.IRST

TH
OF

OTHER,

F )

THE

SMALL

THE

LEFT

S I N G L E , :

' '

-I,/ \
"THREE-"'
ING
RING

UP

THE

;IS

DOUBLE

THE
are

HELD

UP

IN
CLEAR
THE

THREE
TO

THE

F: I N G E R S

I.s

V: I E W.,

NOW
(SEE

MEANTIME,

THROUGH

CHAIN

RINGS,

THE

SHIFTED

ONLY.,.

(SEE

LEFT

CHAIN,

s o . I T

FIGURE

REGULAR

FIGURE

THE

TRIPLE

THE

,I s
1 3 )

'

T H I S

TIME

CHA:IN

ALLOWED
CHAIN

RINGERS,

t-rs.l

OF
TO

AND

(SEE

TWO,
S L I P

BACK

AND

RICK-

THE

SMALL

INSIDE

ONTO

F I G U R E S / 9

SINGLE

IN

THE

THE

THE

AND

DOUBLE

LEFT

I f )

n
CHAIN,

1%)
FINGERS
LEAVING

NOW

HAVE
THE

HANGING

DRAWN
CHA:IN

FROM

THE

THE
IN

SMALL

FRONT.,-

THIRD

AND

RING
ALSO,
L I T T L E

AN

EXCHANGE

"THE
THE

RINGS

RIGHT

MAINING

HAND
IN

R E L E A S I N G

CARRIED
YOU

HAVE

LEFT

THOSE

:IN

AWAY.,
MADE

CAN

BE

DOWN

THE

R IGHT

SIDE

FROM

THE

CLASH

THE

THAT

IN

ARE

THE

DO
AN

THE

THIS

THREE
DO

RIGHT,

WITH

ABSOLUTELY

ARM,

FRONT.,.

THE

S T E E L , "

HAND.,

UTILIZED

RINGS

SOLID

THE

BUT

TWO

OR

HAND

THREE

IMMEDIATELY,

ALLOW

DURING

AND

SWITCH,
THE

R ING

IS

IMMEDIATELY

UNTIL

IT

IS

MATTER

MUCH

WHICH

:|T

SWEEP

THOSE

THE
THE

:I S

CHAIN
PUSHED

F.IRST
,IS,

OR

OF

R E -

LAST
SWEEP

SMOOTHNESS

THIS

TR! I P L E

EITHER

WIDE

AGAINST
T I M E S ,

DECISION

.I NDETECTABLE

ADDED

MODERATELY

RIGHT

D E X T E R I T Y ,

SMALL

DOESN'T

THE

THIS

CONSTANTLY.,

NEWLY
.IT

IN

W:ITH

A
TO

THE

AND

SLEIGHT
SLIDE

FORWARD
SECOND

THEN

GO

AS

WHEN

COUNT,
THREE.,
AND

THUS

SUBTLY

SINGLE
SAME
TW 0

HAVE

SHOWN

EACH

YOU

THE

THE

SMALL

REMAINING
SMALL,

ALLOW
RING

TO

THOSE
OR

S L I P

IN

ON

THE

THE

RINGS

ERS

OF

AND

TAKE

BEHIND,

so

THAT

OUTS IDE
LARGE,
AND

THE
A

REGULAR

THE

ER

AND

LEFT
ONE
PULL

BE

NAMREH

FROM

ABOUT
HOLD

THEM

NOT, I C -

THEM

APART.,

UP

SINGLE.,

THE

HP

RING

FIRST
HOLD

R I N G S , "
COUNT.,

THINK

THIS

THEM

IN

R'INGS,

AS

PER

THEM

S E I Z E

ONE

THE

HOLD
OF

THE
ARE

BY

E X H I B I T
RIGHT

PARTICULAR

FINGERS

THEY

FOUR

THEN

D0U3LE

DOUBLES,

MOVE

COUNT

THE

THEM.

T'Cr.

CHA;IN

THIS

ON

EIGHT.,"'

THE

DOING

THE

AND

WHILE

OF

TWO

LARGE

Jihf

SOLID

S I N G L E ,

,1

THE

IN

DOUBLE

FIRST

OTHER,

THE

THE

THEM

REGULAR

TAKE

BUT

TAKE

SHOWING

" S E V E H ,

WORRY

AINGA,

AND

F I V E " '

THE

ORDER

"FOUR
IN

TWO

RING

"FOUR.

HAND

AS

WILL

PICK

THE

FIGURE

THE

THE

OF

FING-

IN

TAKE

(SEE

THE

S L I P

THE

THEM

FROM

THE

AT

BE

HAND,

RIGHT

BUT

SKETCH

LEFT

TO

LEFT.,

OF

TO

SMALL

ARM.

THE

IZE

AND

BENEATH

THE

THE

R. I NG

DISPOSED

S I N G L E S ,

DON'T

,|N

F I R S T

. I NDE T E CT A B L Y

COUNT.,

AND

COUNT,

13

D IFFERENCE

HAVE

THE

C HA I N S . ,

DOUBLE.,: " S I X "

THE

PREVIOUS

COUNTED

CONVINCINGLY,

TIME

S L I P

I NG

YOU

THE

YOU

F I N I S H

Fur.

THROUGH

RIGHT

THROWING
THEM

THE

IS

LARGE

OVER

(FIGURE

AND

THE

TWO

NAMREH'A,

TOGETHER

FINGERS

THEM

LIKE

HAND

Si I N G L E S

APPARENTLY

DOUBLE,

AND

THE

(FIGURE

MOVE

THEM

THE

THE

AND

AT

THE
THE

HAND,

AS

0 ) . ,
SINGLES
HIT

THEM

MOMENTARILY.,

TAKE

LINKED.,

THE

SAME

THE

TOGETH-

WITH

TIME

RELEASED

IN

THE

RELEASE
DOUBLE.

F/rr.
"THEY
PREVIOUS
IN

THE

15

LINK,"'

MOVE,

RIGHT.,

SHOW

GETTING
"'AND

THEM

THE

LLNK,M'<

LINKED.,

"AND

DOUBLES

AGAIN.IN

LE.T

OF

ONE

THE

LINKS

THE

RIGHT

THE

SINGLES

HAND

DOWN

RUNG

BETWEEN

FRONT

ON T H O S E 11 M THE

LINK

FIGURE

THE

OF THE

HANG

ANOTHER

S! I NG LE

YOU
LEFT

SPECTATORS

RilNG.,

I I L A R TO THE
LilNK&,
THE

CHAIN

LE FT.

TWO

RINGS

DROP,

THE
OF

IN

THE

LEFT

THE

MEANWHILE

TO

SURE

17)

SLIDE

OF

RilNG

THE

THE

I I NT 0

CHAIN

WHILE

IN

CHAilN,

TURNING

ONE

ALLOW

OF

R! I G HT

STRIIKE

THIS

LETTING

HAND

THE

TALKING,

THE

ACTUALLY,

TRilPLE

LETTING

IT.,

THE

. I N. F R O N T , .

REMAINING

DROP.,
THE

LINK

MEANTIME,

:IS

( R I G UR E

OF

THE

BE

OF

A R M ,*

IN

HAND.,

SINGLES

DOUBLE

DROP

FRONT

CLASH

THE

LINK

DOWN,

IN

THE

THE

OVER.,

(SEE

18B)

TO THE
OTHER

FIRST

CRASH

THE

OVER

CHAIN

THREE

OF

AND

TOP

THE

LEFT

LEFT

THE

RINGS

ABSENT-MINDEDLY,

THE

REVERSE

THROW

THE

APPARENTLY

UNLINK.,"

AGAIN
IN

THE

PREVIOUS

HAVE
THUMB

YOU

HAVE

DftilVEN

TURN

THE

LEFT

RIGHT

AND

AGAIN

ONE,

A S: I NG LE
PRESSES

REPEAT

RUNG

HAND

AGAINST

THIS

RING

PALM

UPWARDS,

STRIKE

THE

ALREADY

THIS

MOVE

CLEAR

THROUGH
TAKE

THE

,IT

DOWN : | N A MANNER

S t M

OF

STRIKING

THE

HANGING U N
R: I NG D U R I N G

FRONT
THE

BETWEEN
OF

THE

ACTION

OF

CHAIN,
TURNING

OVER

THE

R ING

OF

OUT

HAND..
THE

FROM

FIGURE

ONE

THE

IT.,

THE

TO

DOWN

SLIDE
AND

SE:IZE

AT

THE

(SEE

HAND.,

THE

KEEP
APART.,

AND

SAME

ARE

HELD

AS

INTO

YOU

THE

STRUGGLING

U US T

T R I P L E

TIME
THE

THE

20)

WALK

THAT

OF

RUNGS

(FIGURE
TO

CHA. I N

SAME

IN

AS

S I N -

HAND,

.INTO

BOTTOM

CHAIN

START

THE

DOUBLE

THE

TRIIPLE

IN

OF

RIGHT

ALLOW, ING

AS

FALLS

19)

IN

HAND

OTHER

CHAIN

BENEATH

TAKE
GLES

THE

YOU

DOUBLE,

AUDIENCE.,
WITH

REACH

THE

HAND:ING

TlCr.

THE

RINGS
FIRST

THEM

\
AS

:IF

TRYING

SPECTATOR,

OUT

FOR

TO

PULL

SEPARATE

EXAMINATION.

THEM

THE

HAND

THE

19

he. 90
OTHERS

F OR

OUT
BE

SURE

Do

NOT

T HE

T I ME

KEY
PICK
REACH

ALSO,

OUT

TO

BUT,IN

WIDELY

REMEMBER

COLLECT

THE

WHERE
LARGE

SEPARATED
YOU

HAVE

RING,

SECTIONS

OF

LEFT

LARGE

LEAVE

THE

: IT

WITH

THE

THE

AUDIENCE.,
RING.
AUDIENCE

6 E. I N Q ,

STEA!
UP
WilTH

THE
THE

SINGLES,
LEFT

TO

HOLDING

THEM

GET

TRIPLE

THE
-15-

AS

.IN
OR

F.IGURE
DOUBLE

4.,

As

CHAIN,

YOU
LET

THE

RIGHT

FINGERS

IATELY
AND

AND

THE

GO

RUNGS

IN

RING

IF

EDGE

IS

THE

OTHER

THE

RIGHT

OF

THE

R.IGHT

VV S

R.INGS,

AND

S E I Z E

CHAIN

HAND,

AND

PULL

THE

UNDER

THE

ARE

CAREFUL

NOT

TO

COAT.,

IT

NOT

NECESSARY

WAITING

FOR

LEAD,

YOU,

IF

TO

MOVE

IT

IS

ONE

OF

PROBABLY

THE

MOST

THINK

INVENTED,
THE

TO THE
ASK

THE

KEY,

THE

KEY

ONE

THE

TURN,

ABSOLUTELY

PRELIMINARY
TO

HAVE

FUMBLING

FUMBLE,

AS

PLACED

THE

IT

RIGHT.,

FINEST

MOVES

DECEIVING

OF

BY

EVER

EUGENE

DEVISED

WITH

ALL,

WHO

HAVEN'T
ASK

AS

SPECTED

THEM,

THE

TO

HOLD

HIS

R.ING

AGAINST

HOLDING

THE

RING

FIRMLY

(FIGURE

21)

VERTICLE

YET

.IN-

SPECTATOR
HIS
AS

AND

KNEE,

.IN

AT

RIGHT

YOUR

RING,

BODY.,
OF

THE

AT W H I C H
FLAT

IS

UNDERSTAND,

SPECTATORS

A NGLES

IT

ANY

YOU

OF

IMMED-

OUT.,

AS

DC

TURN

COVER

KEY

THIS

IS

KEY.,

CLASH

COME

AND

OOAT

GETTING

THERE

NOW

LAURANT.,

ABOUT

YOU

LAURANT'S

THE

FOR

,VOP.RY

INDETECTABLE
THE

THE

REACH

NEVER

AT

BENEATH

IN

SPECTATORS

THEY

FRONT

WA NT
OF

To

Y (J U ,

TO

POINT

OUT

A SPOT

SEE

THE

PENETRATION,

WITH

THE

LEFT

HAND

ON

YOU

ARE

COVERING

HOLDING

THE

OPEN-

; I NG.
As
SHOW

THE

;IN

(F.IGURE

RING

CALLING

TO

SPECTATOR,

ABOUT

45

ATTENTION

TO

UN THE

(FIGURES

DEGREES

PUT

YOUR

RIGHT

UNDEX

F.INGER

ON

THE

SPOT.,

A L L ,

R> I NG DOWN S M A R T L Y
THE

22)

AT

THE

23

WHAT

UPPER
AND

TIME

OF

YOU

ARE

EDGE

OF

24)

THE

HOLD

ABOUT

ONE
THE

IMPACT,

TO

OF

DO,

THE

KEY

THE

BR:ING

RINGS
AT

HOLE

AN

IN

THE

HELD
ANGLE

THE

KEY

BY
CF

KEY

BEING

AT

THE

THE
YOUR

FORCE

LEFT

PLACE

UPPER

AND

END,,

OF

THE

IMPACT

INTO

THE

OPENING

IMMEDIATELY,,

DO

NOT

W I L L
OF

MAKE

DRIVE
THE

ANY

THE

KEY.,.

SPECTATORS
IT

SIDEWAYS

WILL

SPRING

MOVEMENT

LEFT

WITH
BE

THE

LOST
IF

WITH

THE

KEY.,
IF

KEY

RING

LINKED

WITH

THE

WILL

SIOEWAYS

THIS

PENETRATED

CLEARLY

.IT

MOVE
HELD

THROW

OTHER
SHOW

AT
IT

RUNGS

IS

45

DEGREE

OVER

TO

BACK

IN

WHATEVER

NECESSARY.,

W, I T H

SPECTATOR,

THE

BE

MADE

THE

TO

TCP

MOVEMENT

IS
AT

V I S I B L Y

NOT

RING

MADE.,

S T R I K I NG
ANGLE,

INDICATED
THE

LEFT

THROW
THE

, IT

SPOT.
HAND,

THIS

WILL

STRAIGHT

LOOK

KEEPING
AND

R L NG

AUDIENCE..

MOTION

REPEAT

OVER

THE

LIKE

THE

DOWN,
THE

RING

SPECTATOR'S

THE
RIGHT

PERFORMANCE
ARM,

c. v

muz
^
t r i p l e
hERZ

TRANSFER
LINKED
ING

RINGS

THEM

THROUGH

PLA

THE

INLY

THE

FOURTH
F ORE-F

ARE

THE

THE

THE

KEY

THE

TO

TWO

KEY.,

THE

RIGHT

RINGS

BUT

UP

HAND

FROM

ACTUALLY

AND

LET

BENEATH,

PUSH

THEM

THE
FOLD-

BOTH

KEY.,

SEPARATE.

ARM,
OF

THE

TWO

T A KE
THE

IN

THE

GENTLY

PULL

THEM

APART.,

CHAINS

HAVE

SEEN

HANGING

TWO

RIGHT,

SHOW

THEM

SINGLES

KEEPING

,|N

THE

EXTENDED

SECOND,

THE

KEY

BETWEEN

;INTO

THE

LEFT

THIRD

THE

AND

THUMB

AND

TOP

THE

KEY,

(FIGURE
THE

HAND

OVER

OF

THE

TOP

IN

THE

RIGHT,
OF

OF

THE

SLID

THE

LEFT

DOUBLE

HOLD

THE

HAND

AND

CHAIN,
DOUBLE

IN

HOOK
WITH

HAND,
THE

THE
THE

THE

ACT

LEFT

CHAIN

S L I P

THE

FIRST

SECOND

AND

THIRO

25)

AMD

AMOUNT
DOWN,

SECOND

OF

SECOND

THE

HESITATION

SEIZING

R.INGS.,

ALLOWING

THE

BEEN

INTO

AND

LEAST

AND

(FIGURE

HAVE

REACH

THE

WITH

SIDE

SUBSTITUTION

CHAINS

FRONT..

OVER

F I N G E R S ,

CHAIN

TWO

THROUGH

THREE.,

THE

BRING
OF

OF

OF

I NGER,

FINGER

THE

NOW

F.INGERS

TWO

R.IGHT

FRONT

MEANTIME

LEFT

THE

KEY

DOWN,

OPENING

TRIPLE

OF

.IN

OPENING

SEPARATED.,

IN
FROM

HANG

OVER

THEY

THE

(FIGURE

TOP

FINGER,

RING
R1T

POSSIBLE

TRIPLE

THE

2O)
OF

BOLDLY

THE

FALLS

CHAIN

CHAIN

AND

2?)

\J

-18-

YOU

CONTINUE

THE

AT

JUNCTURE

TAKE
TO

THE
THE

FALL

HAVE

T R I P L E
DOWN

AT

CHAIN

OF

T H R O W ' ~ T H E F O L D E 0 --T-R 1 R L E - O V E R T . H E _ R I I G H J A R . . M *
L I K E

(FIGURE

THE

L E F T ,
TO

REMOVE

WAS

SHALL

THE

THE

CENTER
TO

FROM

AT

HAVE

THE

THE

WHICH,

OF

TAKEN

EXAMINED

FROM

THE

FACT

P R E-VI I O U S L Y . ,

REMOVED

RUNG,

YOU

PREVIOUSLY

ATTENTION

EXAMINED

BE

CENTER

APPARENTLY

LEAVING

CALL
THAT

28)

AS K

SET

T R I P L E

THAT

CHAIN,

THEY

COURSE,

YOU

CHAIN

OF

SHOULD

LOOK

OF

FROM

TWO

T H R E E ,

CHA1IN

YOU

SOME

THE

11,T

HAVE

ONE

THE

TO

W I L L

CHAIN

SELECT

MUCH

THREE

WHICH

EVENTUALLY

F E I G N

OF

R.ING

P.ICK

THE

EMBARRASSMENT,,'

fOLU UP
,-Jf T ti'<CUi.r-'i
Ri(jrHT

E u r
SECOND
THE
t/Q,
CHAIN

UP

BOTTOM
A L L
IIN

AGAINST

RING

THREE

SET

30.,

KEY

ONE

OF

AND

THE

AND

ARM,

RUNG

HA N D . ,

THE

,IN

E X P L A I N E D

REACH

;IN

RIGHT

MAKING

THE

KEY

FINGER,

B E F O R E ,

KEY

OF

THE

THEN

THE
AND

RING

OTHER

FOLD

FROM

31)

FROM
A

SlINGLE

TAKE

BACK

HAND

AND

AGA'INST
THE

T H I S

LEFT

AND

THE
KNOCK

THOSE

SWilTCH
LEAVES

AS
THE
- 1 9 -

THE

TWO,

OVER

UN

WITH

DOUBLE

T UR N : I T
AWAY

THE

DOWK,

ACT.,.

TOGETHER,

HAND,

FREED

29)

HAND

KEY

OUT

KEY

LINKED

LEFT

CHAIN

THE

THE

HELD

RIGHT

THE

HANG:|NG

RUNG

OF

GRASP

DROP.,

L I N K I N G

THE

FRONT

YOU

DOUBLE

R!|NGS

WilTH

WITH

THE

THE

RMNGS

DOUBLES

THE

TAKE

THE

THE

TWO

TOP

(FIGURE

IN

( F I G UR E

RINGS

DOUBLE

THE

LITTLE

UN

HOLDING

OF

THIS

KEY.,
UP

PULL

AGAINST

HOLD

ON THE

BOTTOM

; I MMED: I A T E L Y

LEFT

RIGHT

S: I N G L E

ilN

HAND

THE

CHAIN

SLOWLY

LEFT

THE

THEM,

THIUS

THE

AGA:IN,

HAND,

THE

THE

FORTHWITH

THE

AT

WITH

LET

THROUGH

DOUBLE

KNOCK
AND

W.ITH

THE

RINGS

FIGURE

OTHERS

OF

AND

RING,

0 H A: I N

FOLD

2 9

EVENTUALLY

LE!=~T

Her. 32

TAKE

OVER
THE

AS

KEY
OF

AND
THE

SINGLE

THE

UNLINK

and

ALL

PLACE

SHOULDER

PERMIT

THE

SINGLE

WHICH

THE

.ITSELF

.IT

OF

THE

SINGLE

RING

TO

DROP

INTO

THE

KEY

THE

TOP

ARM.

ALLOW

AND

LEFT

HEEL

THE

THE

THE

THE

WITH
;I N

OVER

SINGLE

PLACE

THEM,

KEY

THE

HANGS.

SEPARATE

THE

EXCEPT

SINGLE

BEHIND

ALLOW

KEY

UN

THE

AND

REST

-IN

THE

LEFT

PULL

OF

RINGS

ALONG

CHAIN

NEWLY

THE

BOTTOM

UP

BOTTOM

HAND,

AND
32)

AND

THROUGH

L E T I IT

THE

OF

THE

UP RilNG

WHOLE

OF

TO

THE

HANO

W I L L

WITH

ALWAYS

CHAIN,

ilT

TRilPLE
WILL

THE

OF

RIIGHT.,
LINKING

FOUR

OFF

OF

NOW

ABOUT
APPEAR

THREE

FOUR

AND

OF

;IN

RINGS

THE

EACH

THE

AS

RINGS

OTHER,
THE

RUNGS

OTHER.,

THE

CHAIN,

AGAINST

THE

: I N THE

RilGHT

YOU,

HITS

HALF
THE

TOP
OF
THE

OF
THE

HAND.,

THE

LEFT

THE

TRilPLE,

LEFT

SECOND

A DIAMETER
RilNG

TOP

THEN

R: I NG B E T W E E N

FilNGERS

AS 1IF

TOWARDS
OR

FOLDED

AS ; I T

S;IDE

SECOND,

TOWARDS

THE

LEFT

THE

HELD

SECOND

ONE

THE

FOLD

RINGS

SOON

PAST

W.ITH

T R I P L E

THE

OF

THE

HANDS

WITHIN

ANO

lis

CHAIN

LADDER

HOLDING
AS

;IN

APPEARANCE

TURN

FORWARDS,

RING,

THE

FALL,

RIGHT

FALL

FALLING

SECOND

RIGHT

ARM,

OF

AND

ONE

OTHER

GRASPING

F/G-,32

THE

LEFT

IT

CHAIN

MOVE

THE

THE

WHICH

TWIST

UP

UP

THREE,

HOLDING

TOWARDS

OF

OF

RIGHT

GRASP

AUD:IENCE

KEY

THE

THE

THE

CASCADE

GIVES

RILNG

SIDE-STEP

IT

SINGLE

FORMED

S L I P

(FIGURE

THE

FOLDED

OVER

ARM,'

THE

THEN

THIS

THE

GRASP

J A C O B ' S

RUNG,

TO

WRIST.,

PENETRATING

LET

IN

THE

TO

T H I S

T H U M3

KEY

AND

THEREIN

T HE

KEY

CARRYING

LEFT

THE

.IN

LIFT

FALL

KEY..

R IGHT

FIINGERS,

THE

ARM,

THE

THE

OF

TO

DROP

RINGS

THE

OVER

OPENING

LINK

HAND.,

THEM,

SHOULDER

THROW

THE

THE

KEY.,
THEN

ARM

.IN

FELL

OF

SORT

RilNG',
THE

DOWN

- MORALS.il.MPROVED_
AGAIN:
TR;IPLE
REST
THE

HOLDING

TOWARDS

OF

THE

YOU

OF

RELEASE
WRIST.,.

I IT

' I L L U S I O N

THE

TOP

J 13

HILLIARD

THE

LARGE

FOUR

TO

THE

LEFT

RIGHT

CHAIN,
:IT

HAND

THE

THE

RUNG

AND

RIGHT,

ON

AND

IN

TOP

TW.IST

OF

RETAIN

THE

THE

TOP

KEY..

THEM,IN

OF

TWIST

POSITION

THE

THE
BY

HOLD! I NG

LEFT.,
SLIGHTLY

TWIST

AND

RELEASE

FALL

SIMILAR

THE

FROM

TO

THE

L:

PRESSURE

I NK

OLD

TO

OF

LINK,.

HINDOO

THE

THE

PRAYER

CHA.IN,

(IDEA
REALIZE

RUNG.,1
HAND

AND

SUDDENLY

UP

YOU

SOMETHING

SUDDENLY

lis

HN

OVER

APPARENTLY

THIS

THE

TOWARDS
CHAIN

CREATED

NOW,

KEY

FOLD

THE

WILL

THE

THE

AND

CHAIN

BOTTOM

LADDER

THERE

HA VE

WITH

START

ALLOW

THE

TO

OVER

ALL

OF

KEY

WHEN

THE

R! I N G R E A C H E S

AT

RILNG

TOP.,

.'IT

S L I P

R I N G S ,

ONE

R E T UR N E D.,

CLASHING

; IT

THE

iiT

IS

AS

THE

TWISTING

THE

TaKE

LARGE

THE

THE

BOTTOM

BOTTOM

THE

UNCOLLECTED.,

TRANSFER

AGAINST

OVER

YET

CHAIN

CHAIN
RING

OF

RilNG

'.IN

THE

AND

VIOLENTLY

OF

SWEEP
AS

YOU

DO

S Q,
TO

THE

T O P , L I N K ||T . I N

THE

KEY

AND

AtOtV i l T

HANS,'
THE

MELTING

HOLDING

CHAIIN

AND

THROUGH,

RUNGS

TO

THE

RUN I l T

A G A I N . I T

KEY

WITH

THROUGH

WILL

THE

THE

LOOK

LEFT,

LARGE

A S , I F

PICK

AND

R.tNG

THE

RING

IS

UP

THE

PULL

BOTTOM1

THE

OF

ENTIRE

PENETRATING

RilNG

THE

CHAIN
AF T R

RILNG.,THE

KEY

UNLINK
FROM

HAND:,
I N

HELD

SIN

THE

LARGE

RING

AND

PULL

:IT

THE

LEFT

ARM,

ARM

TO

THE

THE

TR.IPLE

RIGHT
SWEEP

S L I P

S T I L L

PUT

THE

RIGHT

US

OVER

THEN
THEM

AND

THEM

UP

DOWN

OVER

THE

CHAIN

AND

OFF.,

CHAIN

L I NKED

(SEE

HANDS

ON

FROM

AND

;I N IIT,

FIGURE

THE

AND

THE

BOTTOM

LEFT

AND

ALLOW

K E Y : I N

THE

OF

TR.IPLE

THE

LEFT

33)

RIGHT

JUMP

HOLD

TO

FROM

LINK

TO

LINK

LARGE

AND

OFF

THE

KEY,

SHOUT

YOUR

RING

ONTO

TO

THE

MARVELOUS,':
RAPIDLY

JANGLING
TO

RUNG

S T I L L

HAND.,-

THE

ARM,

LEFT.,-

ARM

LARGE

THE

THE

COLLECT
THEM

VERITABLE

ALL

OF

THE

RINGS

LOUDLY,

AS

YOU

FAIRLY

FURY.,

UT

SUDDENLY

-21-

ON

DISENGAGE

THE

TWISTING
WORDS.,'
KEY

AND

WORK

TOSS

THE

RINGS

APPARENTLY

ANOTHER
I

COUNT

CANNOT

ANOTHER

AND

C A R E L E S S L Y

ONTO

THE

FLOOR.,

ILDEA

LEAVE

VARIATION

LOOSELY

THE

OF

S U B J E C T

MY

COUNT

OF

THE

COUNT

WITHOUT

G;IV,ING

YOU

P R I N C I P L E ,

TOP t//vi/

7vOr, 53
ilNSTEAD
THE

R:I N G S

I T I O N A L

AS

CHA'IN

THROUGH

T H I S
COUNT
BOTH

THE
SMALL

HOLO.ING

UP

THEN
T H I S
: I T

A L L

OF

FOH

THE

F I R S T

THE

F I R S T

TAKE

AS

THE

N E C E S S I T Y

THE

THE

.1

TWO

AND

OF

TWO,

,1

S U B S T I T U T E

ARRANGE

THE

ADD-

THREE.,
THE

MAKING

S L I P P I N G

DOUBLE

MUCH

BETTER

T HE

T: I ME

SMALL

CHAIN,

THE

RMNGS

SECOND

T R I P L E ,

SWITCH

OF

THE

SMALL

RING

AND

S L I P

T H I S

THE

T R I P L E , '

WITH

AHEAD
SMALL,

TAKING

OFF

OF

" F I V E , "
THE

THEN

TR; I P L E

S L I P

ONLY.,

" S: ! X . , "

F. ; k <. r

:IS

OF

B E F O R E ,

TWO

COUNT

;I N

AS

" F O U R ; " ,

THROUGH

ON

CHAIN

OFF

W:ITH

T R I P L E

THAT

USE

A FI M ,

SMALL,

RUNGS

EXCEPT

THE

THREE

YOU

OCCASIONALLY

T R I P L E ,

RIGHT

LEAVES

GO

METHOD

BETWEEN

DOUBLE,

THE

R I N G i!

E L I M I N A T E S

TV/0

UP

SMALL

F I R S T

RING

THE

THE

SI I N G L E

MY

IDEA
OF

COUNT

THE

ONE

IN

SMALL

THIS
THE

OF

THAN

A N r: OT

COUNT.,:
THE

F I R S T

METHOD.,

WHY

il

DO

NOT

USE

S A Y.,

V A R I A T I ON
LOCKING
THE
E R A L

KEY

ABOVE

US

THE

MANIPULATION
ROUTINE

AS

.1

HAVE

USED

IT

FOR

THE

PAST

S E V -

MONTHS.,
R E C E N T L Y ,

T H I S

RI! NG

RING

INSTEAD

OF

G I V E S
A

HOWEVER,
THE

GAP,

il

;L

HAVE

APPEARANCE
HAVE

LAPPED

BEEN
OF

THE

USING
SOLID

CONCEALED

UNBROKEN

OPENING,

KEY

RUNG,

B E V E L L I N G

R I N G ,

EXCEPT

THE

ENDS

THA:
SO

THAT

THEY

STOCK,

LAY

AGAINST

(FIGURE

EACH

OTHER

AT

THE

SAME

DIAMETER

AS

THE

R;ING

34)

TOP V/iTiV

THE
THE

ROUTINE

LINKING

so

THAT

ME.,

;I

THE

THE

BEVEL

BRING

THE

UPWARDS
KEY

OF

AND

THE

EASilLY

SAME

SINGLE

SOLID

>1

UPWARDS

R I N G ilN

THE

THAT

HOLD
AND

THE

MEANWHILE

ANU TOWARDS

WITH

EXCEPT

RINGS

POINTS

FORWARDS,

DOWNWARDS

LINK

.IS

THE

THE

THEY

OF

FROM

HAND

SNAPPING

APPEARANCE

KEY

AWAY'

LEFT

MYSELF.,

IIN

WILL

THE

METAL

PE NETR AT; I NG ! I T S E L F . ,
TO
NO

THE

CLASH

PLISHED

AS

UPWARDS

AND

THE

LEFT

THE

BEFORE,

WHERE

EXCEPT

TOWARDS

HAND.,

CONCEALMENT

THE

BUT

MY

THE

LEFT

ILS

;!

HAND

SIIMPLY

TWIST

THEM

APART.,

NECESSARY.,

SPECTATOR

THAT il

LEFT.,

THEM,'I

HOLDS

THE

SINGLE

.IS

THAT

THE

BEVEL

POINTS

MAKE

SURE

KEEP

MY HAND

PRESSURE

IS

OVER

THE

APPLIED

ACCOM-

JOINT,

TO

THE

HOWEVER,

LEFT

OF

JOINT.,
I

DER,

ELIMINATE

THIS
THE

OF

s:ix,

ALL

OF

THE

il

MEAN,

WHAT

PLICATED

;I N

THIS

HOLD

THE

THE

SMALL

AND
To

RUNG,

BY

THE

CHAIN
THE

OF

MESS

:l

AS

SIX

THE

KEY

CHAIN

THROUGH

DOUBLED

RINGS

FROM

MAKE

ATTEMPT

THE

TWICE

THROUGH

THE

NO

WITH

DROPS

THE

SHOUL-

FIINE

CHAIN

YET..

AND

MAKE

MADE

CHAIN

THE

P I N A L

THE

RINGS

ORDER

NINE

SMALL,'

YOU

THE

AND

AK E

FROM

UPWARDS:

TO

COVER

OF

SIX.*

THE

WHEN

SOME-

LARGE

OVER.,

PRESENT

:IT..

IIT

ONE,

:IS

THEY

OR

SUR-

ARE

COM-

COUNT
FROM
THE

KEY,

THE

S.IDE

KEY,

GET

NEAREST

T R I P L E

CHAIN,

THEM.IN

THE

THUMB

LARGE,

THE

LEFT

AS

DOU3LE

YOU
CHAIIN,

SMALL,

THE

AS

DIFFERENT

" F I V E " ; , '

YOU

TRilPLE

COUNTING

EilGHT,

START

S L I P P I N G

AS

SMALL

:iN

THE

BEGINNING,

THROUGH

DOUBLE

REGULAR

CHA I N

AND

" T H R E E , "

HAVE

"SIX"

AS

"TWO";

DOUBLE,

HERE

LARGE

PALM

COUNT

COUNTING

SOLVE

TRIPLE

RING

REGULAR.,.

OFF

" F O U R " ;

MOVES

D.ISENGAGED

"ONE";

TAKING

TO

THE

THE

WAY,

FOLLOWING

R:INGS

WHERE

I N V I S I B L E ,

THE
RUN

ABLE

WITH

A N i I NTRI I C A T E

HAVING
;I N

RING

;|

MOVE

BEEN

TWO

RUN

il

THE

BEING

LARGE

P R ; I S ; I NG

HAND

OF

KEY

ALSO,

RATHER,

ONLY

HAVEN'T

CHAIN

THE

T I M E S ,

:iSH

LINK,

UNLINK

THE

TAKE

THEN

OFF

TO S L I P
SMALL

PROCEDURE,

AS

S L I P

THE

UP THE

THE

SMALL

TRMPLE.,

R; I G HT

" S E V E N " . AND


-23-

COUNT

'

THE

THROUGH

WITHOUT

ARM W I T H

THE

KEY

LARGE

AS

THE

PAUS.ING

THE

RING

TRIIPLE,

ALLOW

OTHERS,,

"EIGHT,,"

AS

THE

F I N

WITH
FLOOR,

SWEEP

SCATTERING

OF

THE

HAND

AS

THEY

THEM
A

HAND

TWO

MINDEDLY,
TAKE

OF

ONE

TO

THE

SINGLE

THE

FIRST

TIME

THE

FIRST

SPECTATOR,

AND

LINK

FROM
THAT

ARE

HE

TWO

VOLVES

THE

SECOND

SPECTATOR

USE

THE

COURSE,
BEEN

THE

RING

RICK

ACROSS"

THE

STAGE-

MOVE
TO

THEM.IF

SECOND

ONLY

RINGS

SLIDE,,

RINGS

ASK

THE

SPECTATOR,

THEY

CAN

SPECTATOR,

HAS

ONE.,!

ANOTHER

AND

LINK

ABSENT-

THE

TWO

APPARENTLY

MEANWHILE

RING

FROM

THIS

YOU

THOSE

TOGETHER,

NOTICING

ARE
.IN

FOR

TALKING

THE

LEFT

TO
HAND.,

THEM,

THERE

FOR

SINGLE

ANOTHER

THE

ING

DOUBLE

TOSS

IN

OF

THE

FRONT

THE

FROM
-

FOR

RING

SMALL

AMONG

S L I P

FORWARD

IIDEAS

SMALL

GETS

OTHER

WORKED

GOOD

THE

AN

ON

SMALL

LITTLE

OR;IG;INAL

RING.,'

THOSE

BY

YOU

THE

MOVE,

:L

IT

HAND

THROUGH

LEFT

NEW,

TAKE

THE

ONE

THE

BOTH

THE

AND

;IN

DOUBLE

DOUBLE

FINGERS,

AND

I N -

BELIEVE..

BACK

THE

FIIRST

REACH-

U S ,

WHICH

TAKE

THE

OFF

OF
HAS
THE

DOUBLE.,
IN

HIS

DESCRIBES

THE

EXCELLENT
MOVE

ROUTINE

SECOND

SPECTATOR

BY

LEFT

THE

TO
IS

IS

BOTTOM,.'

THE

LEFT

SAME

THE

!LN

THE

GRIPS

THIS

RING

SE.IZE
TIME

THE

THE

BOOK

METHOD

OF

TAKE
THEM

FLAT

STRAIGHT
BROUGHT
EACH

THE

BACK

PERFORMER

HOLDS

OFF

RIGHT,
AS

OUT,
UP

WHEN
IT

THE

CHAIN
THE

THE

THE

THE

(FIGURE

SOLOR

EFFECT

FOR
THE

THIS

IS

WHILE

BOTTOM,

FROM

THE

THE

T. I ME

THUMB

OF

THE

THE

FORWARD

BEING
THE

TYPOGRAPHICAL
FINGERS

REMOV.ING

ILT,

OF
AT

THE
THE

WHICH

LINKING

CAN

BE

THE

AND

IN

SINGLE

IN

35)

TWISTING

INCLUDING

"LINCOLN
THE

FOREFINGER

(FIGURE

HANDS

WITHOUT

NAMREH'S

RIGHT

KEYHOLE,
BOTH

COMPLETE

APPEARS

AUDIENCE.

KEY,

WHAT

THAT

WORKED

SINGLE,

HAND

THE

IS

SINGLE

CHAIN

EDGE:,

THE

THE

BY

BELIEVE

UPPER

WALLER

THE

.IS

LEFT..

HOLD

EXTENDED

SINGLE

DOWNWARDS

RINGS.,"

AND

RING

;I s ,

TOWARDS

33)

SINGLE

WILL

II

FROM

IT

EXCEPT

DOUBLE

DOUBLE

RIGHT

COVERING

BEHIND

THE

RING

IN

BUT

THE

LINKING

KEY

THE

GHAS.,

ABOVE,

TAKING

BEHIND

SOLO

TOWARDS

OTHER,

FORWARD,

ON

THE

BEFORE,

NAMREH'S
NO

TO

ONLV,"

EFFECT.,

THE

DOUBLE

LEAVING

SIMILAR

SIMILAR

REGULAR

PICKING

SAYS

MAGICIAN'S

RING,.

AS

(WALLER

ERROR)
R IGHT

EXACTLY

FINGERS

SPECTATOR,

"FOR

ACCOMPLISH

GETS

SECOND

BOOK,

RING

COMES

S L I P . THROUGH

To

THE

AGAINST
-24-

KEYHOLE,

FOREFINGER,

LEFT
THE

PRESS.'ING
RIGHT

;IT

F OR E -

F I N G E R
B E G I N

W I L L

'TWISTING

BE

ALLOW

Do

IT

TO

AWAY

THIS

S L I P

FROM

WITH

THROUGH,

EACH

SHOW,

OTHER

SMOOTH

AT

AND

T H I S

THE

JUNCTURE

RINGS

MOVEMENT

AND

ARE

THE

THE

MOVEMENT

TO

SEPARATE

THE

L I N K I N G

"KNOCKOUT"

RECENTLY
ING

ON

OUTLINED
TO

Fr.

BE

CANNOT

IF

THERE

ARE

NINE

HAVE

R rwss

FOUR

SMALL

HANDKERCHIEF.,
AND

T R I P L E

LAY

ON

FOUR
THE

SMALL
S I L K

W I P E

OFF

THE

NEVER

SHORT

FOUR

T HE

TWO

S.ILK

BE

SMALL

OF

P I C K

TOUCH

W I L L

EIGHT.,

THE

RIGHT

B E L I E V E

NEEDED.,

R E C A L L ,

THE

OF

;L

AFTER

LARGE

R I N G ,

COVERED

BY

S I L K

THE

ON

TIME

REACH

T-KT.5<L

ALLOWED.,

TABLE.,

JUST

BEHIND

IT

ALLOW.ING

YOUR

RINGS

THE

ARE

RINGS

OTHER.,

GET

AS

THE

RINGS

ARE

WITH

THE

R! I G HT

HAND

THE

THEN!
TOSSING
THE

SLOWLY
THEM

HANDKERCHIEF

VO

SCREENED
AND

BY

PICK

FALL

ON

LINK

THEM

UP

AND

COVER

KEY

AS

SINGLES..

BY

ONE

ALL

IN

YOU

THEM
A

AND

ON

SNARL.

THROW

EACH

NOW

ONE

THEM

HOPELESS-LOOKING

UP

F I N A L

ROUTINE

UP

OF

R'INGS,

UP

THE

WHICH

BACK

NOTICED

BACK

ABOVE,

YOU

THE

OHAINa,

ALL
ilNSMDE

ON

INTERVAL

HANDKERCHIEF,

THE

INTO

THE

RINGS

FOR

WORK-

THE

HANDS.,

OF

AT

BEEN

THE

PICK

.IN

TABLE

HAVE

DOUBLE

THOSE

LAY
THE

OF

INSTEAD

ON

AND

W I L L

THE

RINGS

ENCIRCLING

R. I N G A ,

SET

HANDKERCHIEF

NUMBER

TABLE

THE

THE

TOP

HANDKERCHIEF,

IN

FINISH

F I N I S H

THE

TAKING

HOLD

LINKEO.,

L I N K S .

THE

SO,

HANDS

S E E N ,
REVERSE

IN

THE

THE

APPARENTLY
KEY

SUDDENLY
ONE

BY

D I F F E R E N T

TRIUMPHANTLY

AND

TWIST

UNLINK

ONE,

SAY,

ON

KNEED

THEM

THEM,

COUNTING

PLACE

AND

ONE

THE

ALOUD

AS

S T G E.,

YOU

DO

F I N A L L Y

"EIGHT.,"

OR
MAKE
CHAINS
HOCK

INTO

ABOVE

THE

SAME

POCKET

SWITCH
ON

THE

WHILE

MOVING

BASK

AND

CHAIR

P I C K I N G

FORWARD,

UP

THE

DROPPING

S I N G L E S

FROM

THE
A

IT.,
OR

USE

TABLE

WITH

F A I R L Y

DEEP
- 2 5 -

DRAPE,

OR

DRAPE

WITH

THE

CORNER

HANGING
THE
AS

DOWN

IN

FRONT

AND

SACK,

PUT

SMALL

TABLE

AND

SUSPEND

THE

FOUR

BEFORE

AND

PICK

THE

HANDKERCHIEF.,

HANDKERCHIEF
TABLE

TOP,

BACK

BUT

OTHER
NATURAL,

UP
ON

ACTUALLY

METHODS

AND

OF

HAND

CHAIN

WITH

THE

OF

KEY

OF

CHAINS,

TAKE

THOSE

EXCHANGE

ORDINARY,
TWO

THE

TOP

OF

3V

THREE

IS

THE

ON

THE

ON

LAV

THE

BACK

DOWN

OFF

THE

THE

CHAINS

R.INGS

TAKE

OF

AND

RINGS

LAY

FROM

BACK.

SUGGEST
BE

THEMSELVES,

THE

THE

MOST

BEST.,

ENOCHS

LINKED
OF

IT..
WIPE

WILL

LOYD

TOP

ON

APPARENTLY

W I L L

COURSE,

MQVE3

AT

SINGLES

NAIL

IN

THE

THE

KEY..

CHAIH.

HOLD

REACH

IN

THE

DOWN

RIGHT

WITH

THE

r~
RKTHT

35

Fib
LEFT

AND

TRIPLE
L I K E

J~1Cr 3 7
HANGING

PARALLEL,

GRASP
TAINING
WITH

THE

TWO

KEY

IN

THE

J E R K

AND

RING

THE

AND

R;INGS,

REACH

LINK

(FIGURE

37)

RINGS

RING

(FIGURE

RIGHT,

THE

HAND.,
SOLID
JERK

THE
JUST

HANDS

THE
DURING

LEFT

BOTTOM

OF

IN

BOTTOM

.IT

so

.IN

THAT

THE

HANGING

33)

THE

THE

LEFT

AND

TAKE

S P I N

THE

R I N G S ,

THE
THE

OF

KEY

CHAIN

AND

RING

R E -

IN

RINGS

LEFT

PICKED

APART
ARE

JERKING

BUT

AND
SO.

HOLD

RINGS

UP

AND
ARE

SHOW

HELD

UNLINK

R I N G . I N THE
THE

HANO

.IN

THAT

THAT

THE

THE

THE

KEY

ON TO THE

RIGHT

RINGS

K E V , I S

FROM

SOLID

HAND

THE

PAIR

R.IGHT

ARE

NEAREST

-2 6-

NO

THE

OUTERMOST

IN THE

LEFT

CHANGE

THE

THEM,

GENUINELY

'
APPARENTLY

39)

SUPPORTING

RilGHT.,
AGAIN.

(FIGURE'

LINKED..

BODY,

RING

AND

IN

THE

THE

KEY

.'
HAS

TAKEN

'

ARE

THEM,

HAND,

BOTTOM

THE

BOTTOM

T R I P L E

i I NS IDE

DOWN

OF

KEY.,
RELEASE

KEY

THE

OFF'

CHAIN,

AMD-TOP

WITH

PICK

PLACE,

THEN

RELEASE

RINGS

FROM

LEFT

AGAIN,

AND

S P I N

WHILE
S P I N N I N G ,

THE

BOTTOM

RELEASE

THE

OUTERMOST,

RING

RIGHT,

RETAINING

BUT

ARENTLY
AND

DOWN
THE

THE

RING

THROUGH
CHAIN,

FAST

AS

YOU

UNTIL
FROM

MOVE

OR

FINGERS

OF

HEX,

APP-

F A L T E R I N G PENETRATE

THE

BOTTOM

BY

OF

ENOCHS

BUSINESS

SAME
THE

ONE

ARE

SOLID,

WILL

TO

PAIR

THE
THE

WITH

HESITATINGLY

SECOND

IS

AS

souv

CAM.

LY

THEM

AS

KEY
OF

HERE

IN

THAT
HAS

THOSE
YOU

bP'N

THIS

MOVE

BEFORE,

BEEN
IN

HOLD

fiW

UP

UNLINKED

THE
THEM

f-tfr

LEFT.,
PARALLEL

WITH

THE

? q

FLOOR,

RELEASE
RING.
AND
A

PERLY

AND

(FIGURE

42)

AFTER

DOME,

\\

//'

-7

F , '7

HI

LET
TO

HAND.,

W I L L

BE

DROPPING

THEN

THE

THE

FOR

RELEASE
IN

THE

EFFECT
TO

DROPPING

LEFT

D OWN

f r o

R.ING

SIMILAR

AFTER

SOLID

S W I NG

AND

.INNERMOST

LEFT

40)

RIGHT
IT

MOMENT.,

41)
RING,

THE

SWAY

THE

RIGHT

(FIGURE

R I N G ,

(F. I G U R E
THE
IF

PRO-

THE
THE

SECRET

OF

DOING

RING

WITH

THE

BOTTOM

RIGHT,,
RINGS
DROPS

DO
:IN

NOT

THE

DOWN

MAKE

LEFT

AND

GETS

PROPERLY,

R:iGHT

HOLD

THE

ION

TO

WHAT
"THE

T R E A T I S E

THE

KNOW

TO

fiiws"

LINCOLN
THE

EFFECT

ON

THE

IS

NOW

AUTHOR'S
THE

c OMPLETE

OF

MAG I A ,

TO

THANK
AND

E X C E L L E N T
EVER

THE

OLD

PR. I N T

SHOULD

SUBJECT.,

F I G U R E S ,

AND

W I L L

TAKE

R I G H T ,

NOT

THE

LIKE

N,

TI'.E

THE

DOUBLE

WITH

KEY,

TO

CALL
ON

THIS

WEBER).,
ONLY

ATTENT-

YOUR

SUBJECT.,
SPLEND.ID

MANUSCRIPT

PARTICULAR

EMPHASIS

UNDERSTAND

T HAT

BE

:tN

R I N G S

PREVIOUSLY

ONE

RETAINED

BOTTOM,

(HERMAN

THIS

GETTING

R E I S S U E D ,

.IS

THIS

MANUS-

ACCORDING

TO

INTENTION.,

M A G I C I A N ' S

G I V E S

ONLY"

BY

ONE

THERE

D I G R E S S I N G ,

HAS

L I N K I N G

NAMREH

THE

THE

WRITTEN

IS

:IN

EUGENE

LAURANT'S

S P L E N D I D

ROUTINE

LY,

OF

W R I T T E N ,

ON

KEY

THE

AT

UNTIL

THE

COURSE

S T O R Y - P R E S E N T A T I O N

TUNITY

OF

PRESENT

T A R B E L L

"FOR

WORLD

WITH

MAKING
OUT

AND

WHILE

THE

R E S T S

S I M P L Y

SINGLE

BEEN
BY

THE

TURNS.,

SUBJECT,

HAVE

HOWEVER,

WHILE

R.INGS

EXTRA

THE

EXHAUSTIVELY

PLACED
C R I P T

IL

ON

DEALING

LEAVING

OR

THE

L I T E R A T U R E
BEFORE

HAND

TWISTS

ANY

AND

.IT

FOR

MR.,

THE

IDEAS,

OF

ARE

THE

FOR
:IT

SOME
I

THE

HAS

CHAS.

WALLER.,

MOST

MOMENT,

WALLER

THINK

CHAS,

ALSO

THE

PLEASURE

BY

O R I G I N A L
NEW

BEEN

L I K E

ME

IS

TO

THE

OR.IGINAL

THE

E N T I R E

EXPLAINED.,
TO

EXCELLENT

TO

WALLER

M E N . I N

MOVES

SHOULD
MANY

B E A U T I F U L

TAKE

THIS

THINGS

HE

READ

AND

GREATEST

OPPORHAS

G L O R Y , I N
WR;ITER

HIS

MAGIC

HAD.,

"THE

MODERN

CONJUROR"

SY

C,

LANG

N E I L L

HAS

PRESENTATION

USING

METHOD.,

"MODERN

MAGIC"

ALSO

GOES

.INTO
-2

3 -

THE

OLD

METHODS

RATHER

COMPLETELY.,

"SECRETS
PERFORMING
"THE
THEN

UNDER

BINATION,

THE

THE
SOME

MAGAZINES

MAGIC"

BY

BLACKSTONE

GIVES

MODERN

METHOD

OF

RINGS,,

SPHINX"

NUMEROUS
THE

OF

CARRIED

GUIDANCE
SEVERAL
OTHER
FROM

OF

CONTEST

THE

MONTHS

1INGENIOUS

TO

THE

AMATEUR

WRIGHT

AND

DEPARTMENT,
LARSEN

COM-

AGO*'

CONTRIBUTIONS

TIME

IN

TIME,

HAVE

MOSTLY

APPEARED
WITH

:IN

VARIOUS

; I ND; I V. I D UA L

OF

MOVES.,

CUT
T H I S

f?& STOPE'D PGPt /AAN1PUL ATIOH"


J j V '

iis

EFFECT
OR

THE
THAT

GREATEST

VTQ'RK

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SUBTERFUGE

ilLLUSTRATEQ

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