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The Milk of Salvation: Redemption by the Mother in Late Antiquity and Early Christianity
Author(s): Gail Paterson Corrington
Source: The Harvard Theological Review, Vol. 82, No. 4 (Oct., 1989), pp. 393-420
Published by: Cambridge University Press on behalf of the Harvard Divinity School
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HTR82:4 (1989) 393-420
Gail PatersonCorrington
Rhodes College
1See, e.g., Helene P. Foley, ed., Reflections of Women in Antiquity (New York: Gordon &
Breach, 1981); Averil Cameron and Amelie Kuhrt, eds., Images of Women in Antiquity (Detroit:
Wayne State University Press, 1983); ClarissaW. Atkinson, Constance H. Buchanan,and Margaret
R. Miles, eds., Immaculateand Powerful: The Female in Sacred Image and Social Reality (Boston:
Beacon, 1985); MarthaL. Banta, Imaging American Woman:Idea and Ideals in Cultural History
(New York: Columbia University Press, 1987); and KarenL. King, ed., Images of the Feminine in
Gnosticism (Studies in Antiquity and Christianity;Philadelphia:Fortress, 1988), to name some of
the more recent studies.
2Banta,ImagingAmericanWoman,xxx.
3Nelson Goodman,Languages of Art (Indianapolis:Bobbs-Merrill, 1968) 7-8, cited by Sallie
McFague, Metaphorical Theology: Models of God in Religious Language (Philadelphia:Fortress,
1981) 55.
394 HARVARD THEOLOGICALREVIEW
4Max Black, Models and Metaphors: Studies in Language and Philosophy (Ithaca: Corell
UniversityPress, 1962) 28, cited by ClaudiaV. Camp,Wisdomand the Feminine in the Book of Pro-
verbs (Bible and LiteratureSeries 11; Sheffield:JSOT/AlmondPress, 1985) 72.
5Clifford Geertz, "Religion as a Cultural System," in Michael Banton, ed., Anthropological
Approachesto the Study of Religion (London/New York: Tavistock, 1966) 1-46, cited in Caroline
WalkerBynum, Stevan Harrell,and Paula Richman,eds., Gender and Religion: On the Complexity
of Symbols(Boston: Beacon, 1986) 9.
6McFague,MetaphoricalTheology,74.
7JanetL. Nelson, "Society, Theodicy, and the Origins of Medieval Heresy," in Derek Baker,
ed., Schism, Heresy, and Religious Protest (Studies in Church History 9; Cambridge:Cambridge
University Press, 1972), cited by John G. Gager, "Body-Symbols and Social Reality: Resurrection,
Incarnation,and Asceticism in EarlyChristianity,"Religion 12 (1982) 345.
8CraigOwens, "The Discourse of Others:Feminists and Post-Modernism,"in Hal Foster, ed.,
TheAnti-Aesthetic:Essays in Post-ModernCulture(PortTownsend,WA: Bag Press, 1983) 57 -77.
GAIL PATERSONCORRINGTON 395
Because Jesus is, for Christianity,not only the incarnationof the deity, but also
the redeemerand savior of humanexistence, the relationshipof women to Jesus,
not merely as a model, but as the model for that saved existence, is a crucial
one. RosemaryRadfordRuetherprovides the most devastatingcritique of what
she perceives to be the "mis-appropriation"of the savior figure by Christian
tradition:
historically and conceptually gendered as male. As with all models within reli-
gious traditions,we may, with McFague, ask of this one the following questions:
Why is it dominant? To whom is it significant? Does it fit with "lived experi-
ence," or does it have to be "rationalizedin order to be held"?16To formulate
these questions somewhatmore particularly,were there not, in the period of for-
mative Christianity, female savior figures in the "existing repertoire" of
saviors? Is there a conditioned "way of seeing" that has failed to reveal their
availabilityor women's possible responses to them? Finally, is there some pro-
cess by which the attributesof these female savior figures, as models of and
models for women's religious lives, were incorporatedinto the metaphorical
language for a male deity and male savior, valorizing aspects of women's
experience while at the same time preventingthe savior from being "seen" as
female?
In asking and attemptingto answer these questions, we will be engaged in a
process that Helena Michie has called "the mirroras history": "The moment
that we admit the mirror's failure to reproduce an undistortedimage, we are
introducingthe mirroras materialobject, the mirrorof history."17 In the discus-
sion of the mirroras history, one image employed as a metaphorfor the experi-
ence of salvation-that of the divine mother nursing her child-will be exam-
ined in three ways. First, we shall see whetherthis metaphoris continuouswith
the reality of women's lives, whether it valorizes any aspect of female experi-
ence or not, and in what ways. Second, we shall see how a once-dominant
metaphor loses its dominance in favor of another model-that of the virgin
mothermanifestingher divine child to the world. Third,we shall examine how
divine lactationas a metaphorfor divine-humancommunicationbecomes incor-
poratedinto descriptionsof the deity and male savior figure in formative Chris-
tianity.
The importance of the experience of salvation to early Christianity as a
Greco-Romanreligion is emphasizedby Mircea Eliade in his statementthat the
"principal characteristic"of such religions was "the promise of salvation."18
In this context, salvation connotes safety, security, and well-being, procuredby
the agency of a deity who can overcome the hostile cosmic forces that produce
in individuals feelings of helplessness and powerlessness. Within the frame-
work of salvation, the saved participates in the power of the savior by
identificationwith, or adoption by, that savior, who thus is the "parent" of the
saved. Paul expresses one aspect of this experience as the "spirit of sonship" in
'6McFague,MetaphoricalTheology,27.
17HelenaMichie, The Flesh Made Word: Female Figures and Women's Bodies (New York:
OxfordUniversityPress, 1987) 10.
'8Mircea Eliade, A History of Religious Ideas, vol. 2: From GautamaBuddha to the Triumphof
Christianity(Chicago:Universityof Chicago Press, 1982) 277.
398 HARVARD THEOLOGICALREVIEW
Rom 8:15-16: "When we cry, 'Abba! Father!' it is the Spirit itself bearing
witness with our spiritthat we are childrenof God."
One of the most widely worshiped of the saving deities of the Common
Era was not, however, a divine Father but a divine Mother, the goddess Isis.
Apuleius of Madaura,the second-centuryauthorwho tells us that he had been
initiatedinto many of the salvationmysteries of the Greco-RomanWorld (Apol.
55), writes in his novel, the Metamorphoses,that Isis, the conquerorof hostile
Fortune (Met. 11.15), is also the divine and compassionatemother who assists
her unfortunatehuman children. To Lucius, the protagonistof Apuleius's tale,
whose metaphoricalasininityhas turnedhim into an actual ass, Isis declares that
she will save him: "I am here, having taken pity on your misfortunes;I am here,
with favor and with solace."
Because she is a divine mother, Isis becomes associated with other mother
goddesses throughoutthe Mediterraneanworld, such as Hathor, Demeter, and
Cybele. Because she is a female deity, she becomes associated with other
female deities as different as Aphrodite and Artemis, but like all of these
goddesses, Isis protects women in all their passages throughlife. For example,
in Roman Spain (Acci, mid-second centuryCE),a grandmother,Fabia, makes a
dedicationon behalf of her granddaughterAvita to Isis puellaris, protectoressof
prepubescent girls (SIRIS 761). In Beroea, Macedonia, during the Roman
imperial period, a marble tablet is dedicated to Isis lochia, who presides over
childbirth,by L. BruttiusAgathophorusand his wife, Eleutheria,on behalf of
their daughter Meilesia (SEG XII.316; SIRIS 107). But by far the most
widespreadof all representationsof Isis was of the goddess as Isis lactans: Isis
seated, on a throneor some humblerseat, nursingher son Horus. This image is
found outside Egypt from the eighth centuryBCE onward, but it seems to have
been concentratedmainly in the first to fourth centuries of the Common Era,
modeled in numerous figurines and statuettes,on amulets, coins, magical inta-
glios, lamps, and even funerarymonuments,from Egypt to Asia Minor, from
Gaul to pre-RomanSpain, representinga felicitous union of a native Egyptian
image with thatof the Greek nursingdeity, the kourotrophos.
The reasons for the popularity(and popularnature)of this image of Isis may
be traced to her very origin as a saving deity in Egypt. In the official iconogra-
phy of ancient, Ptolemaic, and Roman Egypt alike, Isis was the mother and
nurse of rulers. As V. Tran Tam Tinh observes, the belief that milk from the
divine breastgives life, longevity, salvation,and divinity is one which exists "in
the mentality of the populations of the Delta from the earliest antiquity, and
manifests itself in the official imagery of the Pharaohs."19From the time of the
pyramids, two aspects of Isis as the mother and preserver of kings become
19V. Tran Tam Tinh, Isis lactans: Corpus des monumentsgreco-romains d'lsis allaitant Har-
pocrate (EPRO37; Leiden:Brill, 1971) 1.
GAIL PATERSONCORRINGTON 399
20Sechat-Hor(Hat-hor)is also the appellationof the goddess Hathor,and perhapsa source of the
conflationof Isis and Hathor;see ibid., 2.
21HenriFrankfort,Ancient Egyptian Religion: An Interpretation(New York: Columbia Univer-
sity Press, 1948) 6; cf. idem, Kingship and the Gods: A Study of Ancient Near Eastern Religion as
the Integrationof Society and Nature (Chicago:Universityof Chicago Press, 1948) 41, 229-301.
22Ibid.,6- 7.
23FrancoiseDunand,Le culte d'Isis dans le bassin oriental de la Mediterranee(3 vols.; EPRO
26; Leiden:Brill, 1973) 1. 8-9.
24TranTam Tinh, Isis lactans, 4; Jean Leclant, "Le role du lait et d'allaitementd'apres les textes
des Pyramides,"JNES 10 (1951) 123 n. 14.
25TranTam Tinh, Isis lactans, 6-7.
400 HARVARD THEOLOGICALREVIEW
child! Purify him, protect him from all evil."26 At Philae, one of the most
prominentPtolemaic-Romancenters of Isis worship, even the Roman emperors
Augustus and Tiberius, neither of whose sympathies lay with Egypt or its
deities,27presentofferings to the nursingIsis, in symbolic acknowledgmentthat
those who would be kings of Egypt derive their divine power and protection
from Isis, the "queen-mother"of Egypt.28
It was not merely because she was a goddess-motherthat Isis's milk was
regardedas the fluid of life: a major part of Isis's divine power was thanks to
her victory over death, the reviving of her dead spouse, Osiris, and the "virgin
birth" of her divine son, Horus. According to the myth of Isis and Osiris, as
described in the second century CE by Plutarchin his allegorizing treatise, On
Isis and Osiris, Isis assembled all the scattered pieces of her dismembered
spouse's body except for the phallus. Thereupon,she made the missing partout
of mud and her own saliva, settled herself on it in the form of a bird, and
became pregnant with Horus. According to the Stele of Amon-Mose, she
declares, "I have comported myself like a man, although I am a woman, to
make thy name [Osiris] live upon the earth."29Isis then protectedher infant son
Horus from Seth, his father's murderer,nursinghim and teaching him in hiding
in the bullrushesuntil he became king in place of his father Osiris. Thus, every
dead king (and laterevery dead person) becomes Osiris and is rebornas Horus.
While the metaphor of giving birth "like a man" will later be employed
by of the Virgin Mary in the ChristianOdes of Solomon, it is the reviving power
of Isis as savior goddess I wish at present to emphasize. Throughtheir identi-
fication with Osiris and Horus, the dead receive life at the hands of Isis. At
Philae, Isis is celebratedas "Isis the Great, the Mother of God, dispenseress of
life ... mistress of life is her name, because she gives life to the earth, and all
people live underthe orderof her ka."30The Greeks identifiedIsis with Deme-
ter, the goddess of the Eleusinian mysteries, through which the initiate was
assured of joy in the afterlife (cf. HerodotusHist. 2.59). After her Helleniza-
tion, Isis became the focus of a mystery religion of her own among the Greeks
and Romans. In the aretalogyof Kyme (second centuryCE), which was adapted
from an older one at Memphis, Isis declares that she was in fact the first to
"reveal the mysteries" to humankind. In Apuleius's Metamorphoses(11.25),
Lucius describes Isis's role in the mysteries as that of "savioress" (sospitatrix)
and mother (mater): "Holy and eternal savioress of the human race, ever
26Ibid.
27Ibid.,7; see also PlutarchAnt. 50, 54.6; Dio Cassius 53.2.4-5; JosephusAnt. 18.65-80.
28FranceLe Corsu, Isis: Mythe et mysteres (Paris:Belles Lettres, 1977) 31; TranTam Tinh, Isis
lactans, 6 - 7.
29Le Corsu, Isis, 8; Dunand, Le culte d'Isis, 10; A. Moret, "La legende d'Osiris a l'6poque
thebaine,"BIFAO(1931) 725 -50.
30Inscriptionfrom Philae, era of Ptolemy VI, from Dunand,Le culte d'lsis, 1. 25 - 26.
GAIL PATERSONCORRINGTON 401
31TranTam Tinh, Isis lactans, 10-12; Theodora Kadzisteliou Price, Kourotrophos:Cults and
Representationsof GreekNursing Deities (Studies of the Dutch Archeologicaland HistoricalSociety
8; Leiden:Brill, 1978) 8.
32Price,Kourotrophos,199.
33Ibid.,201.
34Ibid., 202; cf. Tran Tam Tinh, Isis lactans, 28; Richard Reitzenstein, ARW 7 (1904) 402.
Although Price does point out that male deities (e.g., Hermes)may be kourotrophoi,theirrepresenta-
tion is much rarer,and never includes figuresactually "nursing" at their breasts.
35Price,Kourotrophos,175.
36HeinrichSchlier, "yXaa," TDNT 1 (1964) 647.
402 HARVARD THEOLOGICALREVIEW
and in fact, many of the inscriptions and dedications by women to Isis in the
Greco-Romanworld use this title.37
However, in the opinion of Tran Tam Tinh and others, the official iconogra-
phy and propagandaof Isis seem to have been derived from popularrepresenta-
tions.38One of the oldest known representationsof Isis lactans outside of Egypt,
a bronze from about 1900 BCE,39 has on its base an inscription,stating, "Isis the
goddess speaks ... to her son, Horus, 'I have come.' "40 Because the inscription
may be of a much later date than the bronze itself, it is difficult to determine
whetherthis is indeed a representationof Isis or simply an ex-voto representing
an Egyptian mother nursing her child. FranqoiseDunand, who has studied this
and other figurinesof a popularnaturerelatedto the Isis religion in Egypt, notes
that such "confusion" is frequent,since the ex-votos display their origin in real
life and indicatetheirpossible function in popularbelief:
37SharonKelly Heyob, The Cult of Isis among Womenin the Greco-RomanWorld (EPRO 51;
Leiden:Brill, 1975) 79.
38TranTam Tinh, Isis lactans, 7, 20; Heyob, Cult of Isis, 52, 74-76; FrancoiseDunand,Religion
populaire en Egypte romaine (EPRO 66; Leiden: Brill, 1979) 3-4; idem, Le culte d'lsis, 781; Le
Corsu,Isis, 15.
39EgyptianMuseum,Berlin, Inv. no. 14078; see PI. 3.
40TranTam Tinh, Isis lactans, 8; Dunand,Le culte d'Isis, 1. 97.
41Dunand,Le culte d'Isis, 1. 97.
42Dunand,Religion populaire, 31; Tran Tam Tinh, Isis lactans, 8, 29-30; idem, Le culte des
divinites orientales en Campanie(EPRO27; Leiden:Brill, 1972) 30-31.
43TranTan Tinh, Isis lactans, 18; cf. Leclant, "Le r6le du lait," 123.
GAIL PATERSONCORRINGTON 403
44PaulPerdrizet,Terres cuites grecques d'Egypte de la collection Fouquet (Paris, 1921) xx, cited
by Tran Tam Tinh, Isis lactans, 18; cf. Francois Daumas, Les mammisis des temples egyptiens
(Paris, 1958) 339-47.
45MariaTotti, Ausgewdhlte Texte der Isis-und Sarapis-Religion (Subsidia epigraphica 12; Hil-
desheim: Olms, 1985) no. 21 (76); TranTam Tinh, Isis lactans, 19.
46Heyob,Cult of Isis, 16-17; R. E. Witt, Isis in the Graeco-RomanWorld(London:Thames &
Hudson, 1971) 136-37.
47Heyob,Cult of Isis, 52; Witt, Isis, 137; TranTam Tinh, Campanie,30-31.
48Totti,Ausgewdhlte Texte, no. 1 (1-4); ET FrederickC. Grant,ed., Hellenistic Religions: The
Age of Syncretism(New York:LiberalArts Press, 1953) 131-33.
49Heyob,Cult of Isis, 60.
404 HARVARD THEOLOGICALREVIEW
Eternity(AtiOv) proclaimstheonewholoves
hermother(OtiXoutiopa)andherbrother((DitXdeXpov):
withmy child
I lie here,likejustice(06eu;)
betweenmotherandbrother,
andI amof mybrother
thegreatestproclamation (icpuryga),
whosemoderation is spokenof
(ocoppoolu6vn)
throughout theworld(iKoCigo).
Seratous,21 years(old),IeraxYear4.... Neionesy50
The inability to distinguish the deceased woman from the deity suggests the
completeness of the identification. The Isiac examples show that the goddess
not only partookof women's lives, they also partookof eternallife in her.54
Like the goddess Isis, with whom she shares several mythic attributes,the
figure of personifiedWisdom in Judaismis also called "bestower of life" (e.g.,
Prov 8:35; Wis 8:3).55Both BurtonMack and ElisabethSchiissler Fiorenzahave
pointed to the mystic aspects of Hokmah/Sophiain Jewish Wisdom literature
that she shares with Isis.56 John Kloppenborg has suggested that the "dense
configurationof attributesof divine Wisdom in the Hellenistic Jewish Wisdom
of Solomon (particularlyin 8:2-9) originally belonged to Isis, as the traits of a
savior-deitywho was especially connected with royal ideology."57 However, it
should be noted that in the portrayalof the figure of Wisdom, as in that of Isis,
there are two models. These are distinguished by Mack as the "hidden" or
cosmic Wisdom, connected with Isis as the sponsor of kings and sages, and the
"near" or present Wisdom, connected with Isis as "sister, wife, lover, and
mother. "58
However, Kloppenborgpoints out that the cosmic Wisdom of the Wisdomof
Solomon is not the mother of the king, and the traits of "female fertility and
childbirth,"so importantin the Hellenistic cult of Isis, are missing.59In Claudia
Camp's analysis of personifiedWisdom in the Book of Proverbs,she shows that
seldom is Wisdom portrayedspecifically as a mother, although the role of the
mother as the first instructorof childrenin Wisdom (e.g., Prov 6:20) was one of
authority in Israel. Camp demonstratesthat personified Wisdom more aptly
parallels the "woman of worth" in Proverbs 31 as household manager and
counselor of her husband. Royal or cosmic Wisdom is thus the counselor of her
is the one who nourishes and nurses (rpocpeb Kcai t Orlvo;) wise deeds, words,
and thoughts."
The Cynic philosophers also regarded themselves as the metaphorical
"nurses" responsiblefor the discipline and educationof those who were infants
in knowledge. Dio Chrysostom(Or. 33.7.44) describes the attitudeof instruc-
tors to their hearers as that of nurses who "smear the cup with honey" to get
childrento swallow bad tastingbut salutarymedicine. In the same vein, accord-
ing to AbrahamMalherbe,is Paul's attitudetowardsthe Thessalonians: "like a
nurse (rpo(po6)caring fondly for her children" (1 Thess 2:7).64 As in Philo,
however, the instruction imparted by the nurse, described metaphorically as
milk, may be inferior, since it is for the spirituallyinfantile. In 1 Cor 3:2, Paul
treats the Corinthiansas "infants" in Christ, feeding those still on the material
plane with milk, not the "solid food" of adult spirituality. The author of
Hebrews also shows impatience with those who are still drinkingthe "milk" of
the rudimentsof Christianknowledge, ratherthan eating the "solid food" of the
"difficult teaching" meant for adults (ztrEtot), not children (vimtot). The
authorof 1 Peter, however, reverts to the original use of the metaphorof divine
nursing as a means of impartingsalvation. In 1 Pet 2:2-3, the source of saving
nourishment is the male God, while nursing refers to spiritual instruction:
"Like newborn infants, long for the pure milk of reason (ob koyKucv a5oXov
ydaa), so that in it you may grow up to salvation, since "you have tasted that
the Lord is good" (XPiriaro).
The appropriationor inversion of the metaphorof divine nursing in describ-
ing the activities of a male deity becomes all the more strikingif we note that,
for the first five centuries of the Christianera, there appearto be no representa-
tions of Mary nursing the infant Christ. One clue to the reason why this is so
may be found in the Syrian ChristianOdes of Solomon (first to second century
CE),in which female metaphorsare applied to God the Fatherand male meta-
phors are used for the Virgin Mary. This process of inversion, as Caroline
Bynum has argued, is typical of the way in which men use gender symbols:
"Women's symbols and myths tend to build from social and biological experi-
ences; men's symbols and myths tend to invert them."65However, this process
of inversion seems simultaneouslyto appropriatefor males, and hence, to give
value to, a model derived from female experiences, and to devalue them as
female experiences. As Susan Harvey observes, early Syrian Christianityinher-
ited "a religious traditionremarkablefor its receptivity and sensitivity towards
feminine aspects oc the divine," with a long established "pattern of powerful
64AbrahamJ. Malherbe, "Gentle as a Nurse: The Cynic Backgroundto I Thess. ii," NovT 12
(1970) 203 - 17. Tpoqe6l; in Greek is also used as a synonym for catSatyoyd;: see, e.g., Xenophon
EphesiusEphesiaca 1.14.4. See also Price, Kourotrophos.
65Bynum,"Introduction,"in idem, et al., eds., Genderand Religion, 13.
408 HARVARD THEOLOGICALREVIEW
female symbols," carriedover from the worship of the Dea Syria, Isis, Cybele,
and Hera.66 The Christianity that reached this region, carrying with it its
"aggressively masculine imagery for God," caused "strains" within the meta-
phorical language for the deity.67These strains appearespecially visible in the
nineteenth Ode of Solomon, whose imagery has been consistently described as
"grotesque."68Whathas caused editors and translatorsof this poem to charge it
with "grotesquerie" is thatmale and female characteristicsseem to be reversed:
the "Father" has breasts and acts the role of midwife, while the "Mother,"
Mary,bringsforth "as a strongman."
In suggesting possible interpretationsof these metaphors,we must look at the
poem as a whole:
1. A cup of milk was offered to me,
and I drankit in the sweetness of the Lord's kindness.
2. The Son is the cup,
and the Fatheris he who was milked;
and the Holy Spiritis she who milked him;
3. Because his breastswere full,
and it was undesirablethathis milk should be released
withoutpurpose.
4. The Holy Spiritopened her bosom,
and mixed the milk of the two breastsof the Father.
5. Then she gave the mixtureto the generationwithout
theirknowing,
and those who have received (it) are in the perfection
of the righthand.
6. The womb of the Virgin took (it),
and she received conceptionand gave birth.
7. So the Virgin became a motherwith greatmercies.
8. And she laboredand bore the Son but withoutpain,
because it did not occur withoutpurpose.
9. And she did not seek a midwife,
because he caused her to give life.
10. She bore as a strongman with desire,
and she bore accordingto the manifestation,
and possessed with greatpower.
11. Andshelovedwithsalvation,
andguardedwithkindness,anddeclaredwithgreatness.
Hallelujah.69
Within this rich profusion of poetic language, we note that divine milk is
once again the vehicle of salvation. This is true also of Ode 8.16, where God is
again divine nurse:
I fashionedtheirmembers;
andmy ownbreastsI prepared
forthem,
thattheymightdrinkmy holymilkandlive by it.70
occurs throughthe agency of the male, ratherthanby a female Holy Spirit. This
answers such questions as that propoundedby Logion 17 of the Gospel of Tho-
mas: "When did a woman (Mary) conceive of a woman (the Holy Spirit)?"
Therefore, Mary's bringing forth of Christ "by will" (or "desire"), a process
defined as "male," is the means by which Mary becomes "male." According
to Gos. Thom. 114, as previously noted, only females who are made males will
enter the kingdom of heaven.75Although Lagrande'sargument,like Drijvers's,
may appearconvoluted, it agrees with the view, as we see it in Philo, that "vir-
gin" means "male."76
These examples have two implications for the history of female metaphors
for and models of the experience of salvation in early Christianity. On the one
hand, metaphorsderived from childbirth and nursing, once applied to female
deities, when they become increasinglydetached from women's social and bio-
logical experiences, are appropriatedfor applicationto male models as descrip-
tive of modes of communicatingdivine wisdom and protection. On the other
hand,Mary, who might be expected to be regardedas the "mother of salvation"
(or at least the motherof the savior) par excellence, becomes a model for virgin-
ity in woman, a process by which they symbolically become male. Thus,
through Mary, women are "redeemed" from the sin of Eve and its conse-
quences, as expressed in Gen 3:16 (RSV):
Inpainyou shallbringforthchildren,
yet yourdesireshallbe foryourhusband,
andhe shallruleoveryou.
75JeanLagrande,"How Was the Virgin Mary 'Like a Man'?" NovT 22 (1980) 97 -107.
76Baer,"Philo's Use," 84.
GAIL PATERSONCORRINGTON 411
ence, became the cause of salvation, both to herself and to the whole human
race." By implication,althoughone perhapsnot intendedby Irenaeus,Mary is
first the redeemer of herself, and then, not merely of other women, but of all
humanity. This conclusion is an importantone, since the redemptionthrough
Mary occurs before she bears Christ. Thus Mary is even furtherdetached from
actual childbirthand from the concerns of the "flesh," even though, in patristic
and medieval theology, it is to Mary that Christ owes his human nature and
form.77
In the early period of formative Christianity,then, there seems already to
have been a dissociation of Mary from maternityin the material sense. This
detachmentmay even be reflected in the canonical gospels, in which Jesus is
consistently portrayedas dissociating himself from Mary (e.g., Mark 3:31 and
par.;John 2:4; possibly even John 19:25-27). In the earliest representationsof
Mary and the infant Jesus in Christianart, he is seated on her lap in the position
of Horns being nursed by Isis, but even when his position suggests it, it is
difficult to determinewhetherhe actually suckles at her breast(see P1.6). As G.
A. Wellen observes of these early representationsof Mary and Jesus, they are
"manifestations," the child Jesus being seated on Mary's lap so that she may
show him to the wise men, in symbolic fulfillment of the prophecy of Balaam
(Num 24:17).78RobertJavelet adds that, in extant catacombart, and to a greater
extent in early Byzantine art, Mary is represented"en patricienne," while the
infant Jesus reigns as Pantocratorfrom the maternal lap/throne.79Tran Tam
Tinh points out that, despite the desires or contentionsof many art historiansto
the contrary,it is the image of the king who rules from his divine mother's lap
that forms the iconographicconnection between Isis and Mary, while there is a
very tenuous connection between Isis lactans and Maria lactans, at least in the
firsteight centuriesof the Christianchurch.80The rareexceptions are five paint-
ings datingfrom the sixth or seventh centuryCE,found, as might be expected, in
Egypt, but all in the cells of monastics (see P1. 7). A similar painting from the
seventh or eighth centuryCE,found in the cave of a hermit in Asia Minor;and
the two grave steles that have already been mentioned, which are also from
Egypt. On the latter two, as previously noted, the identity of the nursing figure
is ambiguous.81
We might ask why, when the image of the divine mother nursing her child
was an available, not to say dominant,metaphorfor the experience of salvation
77CarolinWalker Bynum, "And Woman His Humanity:Female Imageryin the Religious Writ-
ing of the LaterMiddle Ages," in idem, et al., eds., Genderand Religion, 261.
78G. A. Wellen, Theokotos: Eine ikonographischeAbhandlung iiber das Gottesmutterbildin
friihchristlicheZeit (Antwerp:Spectrum1961) 14- 16.
79RobertJavelet, "Marie la femme m6diatrice,"RSR58 (1984) 165.
8Tran Tam Tinh, Isis lactans, 43; Wellen, Theotokos,14-90.
81TranTam Tinh, Isis lactans, 45-47; see above, n. 51.
412 HARVARD THEOLOGICALREVIEW
in the MediterraneanIsis cult both before and during the early centuries of
Christianity,it does not seem to have been employed extensively by Christian
artists,while that of the divine queen-mothermanifestingher child to the world,
also originatingin the Isis cult, was. One simple, if not very satisfactory,expla-
nationmight be that Christianartistsdid not wish to connect their deity with any
goddess religions as practiced by pagans. However, this answer would not
explain the apparentlydeliberate iconographic connection between the infant
Christ "enthroned" on his mother's lap and the infant Horus enthronedon the
lap of Isis. Thus it would appear that, at least in the public iconography of
emergent Christianity,the majesty of Christas conquerorof death, and the roy-
alty of the Theotokos throughher relationshipto him-an inversion of the rela-
tionship between Isis and Horus-is emphasizedat the expense of their human-
ity. The continuumbetween Isis and Mary is thus throughroyal ideology and
imperialpropaganda,as we saw in the case of Wisdom, ratherthan throughIsis
as prototypicalmotherand nurse of the child to whom she gives life and imparts
divine power, and whom she protects and saves. Mary as an ideal is both royal
and virgin. When the Isis devotees are praised at all by the church fathers, it is
for their chastity and modesty (cf. Tertullian De cast. 13). It may thus be
inferred that the motif of the lactating mother was eschewed in Mary's case
because she is a model for "overcoming" the material by the spiritual, the
female by the male. Women are "redeemed" by and in Mary because the
obedient virgin overcomes the painful childbirththat is the curse of the disobe-
dient Eve.
Anotherreason that Maria lactans does not dominate early Christianart and
literatureis simply that she is not the savior. The metaphorof nursing,however,
is appropriatedto describe the saving activities of the male savior-deity.
Modeled after him, the male "nurses" of the New Testamentepistles feed the
infant Christians,their spiritualchildren, with the "pure milk" for the health of
the soul that comes from the Father (cf. 1 Pet 2:2-3). Irenaeus refers to the
Lord (Christ)feeding the faithful "as if from the breastof his flesh" (Adv. haer.
4.38.1), while Clement of Alexandria, in his Paedagogos, consistently uses
breast milk as a metaphorfor the Logos, issuing from the breasts of the Father,
Christ,or the Virgin Church.82In Paed. l.vi.46. 1, Christhimself as the Logos is
"milk from the breasts of the Father." Christ is described in a hymn from the
thirdbook of the Paedagogos (3, Hymn, 42- 47) as
HeavenlyMilk,
pressedfromthebride'ssweetbreasts,
thegiftsof yourWisdom...
82Anneweisvan de Bunt (van den Hoek), "Milk and Honey in the Theology of Clement of Alex-
andria," in Hans Jorg auf der Maur, ed., Fides Sacramenti,SacramentumFidei: Studies in Honour
ofPieter Smulders(Assen: Van Gorcum, 1981) 32- 33; cf. Drijvers,"19th Ode," 344.
GAIL PATERSONCORRINGTON 413
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Bronze of Isis nursing Horus (ca. 1900 BCE). Egyptian Museum, Berlin, no.
14078.
From FranqoiseDunand,Le culte d'Isis dans le bassin orientale de la
M.diterranee (Leiden:Brill, 1973) 1, pl. V.
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