REPORT

Motion Picture Art Certificate (MPAC): Training For Young People and Women Film
Makers in the Gambia to Foster Creativity and Diversity of our Cultural Expression

Funded by UNESCO under the Participation Programme, 2014-2015

Beneficiary: National Centre for Arts and Culture (NCAC)

Introduction

In December 2013, the NCAC submitted a proposal to UNESCO through the National Commission in
Banjul for the training of 25 Young People and Women Film Makers in the art of film making, leading
to a Motion Picture Art Certificate (MPAC). Following several amendments of the original submission
to meet UNESCOs priority areas and main lines of action, the final version of the proposal was
submitted and approved for funding to the tune of USD 24,932 in September 2014. A contract was
then duly signed between the UNESCO National Commission and NCAC on 9 October 2014 for the
implementation of the project.

The following narrative report details how far the objectives have been met, the implementation
process and challenges encountered, and lessons learnt for the future.

Project Objectives and Strategies

OBJECTIVES:

The main objective is to train 25 young Gambian film makers, including women, (See Appendix 1 for
full list of Participants) to diploma level on the basics of film making and video technology from pre-
production to post production procedures for the development of the creative industry and
preservation of Gambias cultural heritage.

Other objectives include:

To give young people and women a voice through film, so that they can approach social
issues in a free and independent way with a view to their active civil participation in debates
which address both their past cultures and future.
To produce a total of 5 short films of 13 minutes length depicting endangered cultural
practices and intangible heritages for sensitization through film projections.
To give young film makers particularly women, the necessary skills to be self-employed and
industrious in the film sector and in the preservation of our culture.
Improve the socio- economic conditions of artists engaged in the film production and
distribution chain.
To start creating an archival film library at the Research and Documentation Unit of the
NCAC on dying Gambian cultural practices and ceremonies to preserve them for use by
researchers and promotion of Gambia as a tourist destination.

STRATEGIES

The main strategy for the implementation of the project was to use the services of a renowned and
experienced cinematographer and filmmaker Moussa Sene Absa to, inter-alia, elaborate the course

1
content, assist in the identification of suitable equipment, and impart the needed skills. There was
also need to retain the services of an experienced local film maker as assistant to the lead trainer as
part of the skills transfer process. (See Appendix 2 for CVs of Consultants/Trainers)

The other strategy employed was to purchase film equipment for use in the training process, and
which can subsequently be made available for future use by Gambian film makers.

The choice of themes for the films to be produced by the trainees as an end product was guided by
the remit of the NCAC which is tasked with the preservation, promotion and development of the
countrys tangible and intangible cultural heritage.

The choice of participants in the training was guided by consideration of gender, age, institutional
affiliations, experience and evidence of professional or amateur practice.

IMPLEMENTATION PROCESS

The implementation process of the project was guided by the following stages:

1. Recruitment of Consultant Trainers

2. Development of course content
3. Purchase of equipment
4. Call for Participants
5. Implementation of course programme

Stage 1: Recruitment of Consultants/Trainers

As previously mentioned the course made use of the services of 4 main resource persons who are all
well qualified and experienced in the art of film making (See appendix 2).All of them proved to be
very effective in the delivery of their expected inputs. Some of the consultants went to the extent of
making available their personal equipment to enhance the training and production process.

Stage 2: Development of Course Content

At the time of project submission the course content was barely skeletal. One of the tasks of the
lead consultant was to elaborate on details of the course as well as develop a day to day time table
within the given time frame to ensure that the expected outputs are met. This was done by the lead
trainer for realisation within four sessions, as indicated below:

Session 1: Theory 3 weeks

Session 2: Practical /Master Class 3 weeks
Session 3: Project Works 3 weeks
Session 4: Post-production 3 weeks

See Appendix 3 for course content and timetable.

Stage 3: Purchase of equipment

2
As previously cited, equipment had to be purchased from the USA with the assistance of The Gambia
Embassy in Washington DC. The process required the identification of suitable equipment at
affordable cost, and the transfer of foreign currency even though project monies were paid in local
currency. The transfer of foreign currency in particular placed added strain on the limited funds
available to the project. However all purchases went as planned, and were received in good order.
(See Appendix 4 for full list of equipments purchased)

Stage 4: Call for Participants

The call for participants provided the first opportunity to publicise the grant. Announcements were
made in both print and electronic media. (See Appendix 5 ) The announcement had maximum
visibility as it was carried in 4 major daily newspapers, in the national radio and television stations.
Details of the call can be seen in appendix 5.

The national broadcaster, the Gambia Radio and Television Services (GRTS) was accorded the
privilege of sending 5 participants, in return for a weekly 30 minutes airtime to showcase the
activities of the training programme.

Stage 5: Implementation of course programme

The course was held at the Gambia Tourism and Hospitality Institute (GTHI) facility which is a state
of the art training institution fully equipped with modern training facilities, classrooms, equipment,
internet access, restaurant, study space and studio facilities.

A memorandum of understanding was signed with the GTHI, a registered training institution, for the
accreditation and certification of the course through the National Training Authority (NTA).

On the whole the course was implemented without any major hitch. Students participated fully,
although two dropped out because of circumstances beyond the control of the NCAC. However, the
main contention of the students was the lack of proper remuneration. The project finances only
allowed for minimal financial assistance to alleviate cost of transport fares for attendance. The
provision of meals for lunch breaks was also limited to extended working sessions because of
budgetary limitations.

OBSERVATIONS AND LESSONS LEARNT

Project Objectives

Following media announcements, 52 applications were received. Of these only 7 were women
despite the emphasis which encouraged women to apply. This manifests the low female presence
and interest in film production process as distinct from the acting roles which they are normally
interested in large numbers. After a diligent scrutiny of the applications against criteria agreed with
the National Commission, all the women applicants were admitted. An eighth woman was admitted
by virtue of her institutional affiliation, the Ministry of Agricultures film production unit
It is to be observed that at least two of the objectives require medium to long term monitoring and
evaluation to establish whether they have been realised; however, the participants demonstrated a
clear understanding of the whole process including writing their own scripts, conducting
independent interviews and editing their films. Women served in almost all the technical roles in the
film production chain such as film directors, cinematographers (camera and lighting), sound
engineers and editors.

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Strategy

Closer to the time of the implementation it was apparent that the Lead Consultant had a conflicting
schedule with the implementation period. This meant that he could not be available as planned. He
therefore recommended a replacement in the person of Marcia Juzga a Colombian-American Film
maker with an impressive track record as Lead Trainer. After delivering the orientation of the course,
he continued to backstop the programme throughout. The lead trainer was assisted by Essa Jallow, a
Gambian film maker and Oumar Ndiaye an expert in film photography who was fielded in from
Dakar, Senegal, for the shooting of the project works/films.
The remuneration of consultants/resource persons was grossly underestimated. The consultants
contributions were therefore guided by passion, not pecuniary gains.

Regarding the purchase of equipment, all equipment had to be purchased from the USA because
they were not locally available. This meant that considerable cost had to be incurred on shipping.
The Gambia Embassy in Washington DC was most helpful in this process. Public procurement
regulations regarding single sourcing, hitherto not taken into account, also surfaced and were
promptly surmounted.

In respect of participants, the sheer number of applications is a manifestation of the high degree of
interest in the film industry on the one hand, and the evident lack of local training opportunities
available to young people in The Gambia.

CONCLUSION

There is no doubt that this project fulfilled a dire need to enhance the capacities of young and
female film makers in The Gambia. The enthusiasm manifested in the application process, and
during the training programme clearly demonstrates the relevance of the course to the growing
needs of the Gambian film industry.

The evaluations of the programme among the students have revealed a thirst for more in the form
of a higher level diploma course to reinforce the acquired skills.

The MPAC programme has certainly created a pool of the first certified young film makers in the
country who can now form the nucleus of a budding film industry.

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 APPENDIX 1: List of Participants

NAME COMPANY CONTACT STATUS SPECIALTY

1 ModouSanu Jallow Mediamatic 6952002/3952002/ Completed Producer
7952002
2 AlieuBadouBittaye Mediamatic 6952002/3952002/ Completed Editor
7952002
3 Sheikh TijanSonko Supreme Movie 7294702/ 9803311 Completed Producer
Production
4 Isatou Cham Freelance 7198228/3545802 Completed Sound
Engineering
5 BintaJarjusey Better Future 7427992 Completed
Multimedia Cinematography
( Camera &
light)
6 BabucarrManka Better Future 7954388/3954388 Completed Editor
Multimedia
7 DembaCeesay Tedungal Multimedia Completed Director

8 Omar Leigh Tedungal Multimedia 9851229/ 7174524 Completed Producer

9 AlhagieManka State of Mic 7824388/3924388 Completed Cinematographer

( Camera & light )
10 EbrimaCeesay Kanyeleng Art 9333321/3883314 Completed Cinematographer
( camera & light)
11 OusmanKebbeh GTBoard Completed Producer

12 Lamin Sanyang NCAC 9935396/ Completed Sound

7935396/3935396 Engineering
13 MaimunaSenghore Agricultural Comm. Completed Editor
Unit
14 AishatuJallohJobe Pan African Movie 7774388/9406856 Completed Sound
Production Engineering
15 Amadou A. Sillah Sillarts Audio Visual 3914570/9914570 Completed Director

16 KaddijatouMarong Jatus Movie 9983006 Completed Sound

Engineering
17 Ramatoulai Jallow Jarama Production 9786191 Completed Director

18 FamaraFofana GRTS 3655536/7834771 Completed Producer

19 Musa Sanneh GRTS Completed Cinematographer

( camera & light)
20 Emily Bass GRTS Completed Sound
Engineering
21 SaineySarjo GRTS Completed Cinematographer
( camera & light)
22 NjapuNjie GRTS Completed Editor

5
23 AdamaMarong GTHI Completed Editor

24 MattyJobe NCAC 7237178 Incomplete Director

25 Momodou Gaye GTHI 9976333 Incomplete Producer

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 APPENDIX 2: CVs of Consultants/Trainers

Moussa Sene Absa

Baie de Thioupam
BP:01 Poponguine, Senegal

Tel: + 221 9577162

Cell: + 221 6412995

Biography:

Born in 1958 in Dakar, Senegal

Moussa Sene Absa overflows with creativity. He is an

artist, writer, and musician, as well as a film director.

He made his debut as an actor, then moved to directing

with the production of his own stage play, La Lgende de
Ruba.

In cinema, he wrote the screenplay for Les Enfants de

Dieu, which was honored at the Francophone film
festival.His directorial debut, the short film Le Prix du
Mensonge, earned him the Silver Tanit at the Carthage
Film Festival in 1988.

His film Tableau Ferraille won the award for best

photography at FESPACO 1997.

His next work, Madame Brouette won the Silver Bear at

Berlin Film Festival 2003.

He has also produced a popular daily comedy sketch ( 400

pieces) , Gorgorlu, for Senegalese television.

His talent as a painter is also well established and his

work has been exhibited in Senegal, Europe and North
America.

Filmography:

Features:

His next Film : The Legend of Ruba

2006 Terange Blues 2006

7
2002 Madame Brouette ,

Extraordinaire destin de Madame

Brouette, L'

Winner of Silver Bear, Berlin Film Festival 2003

Tribeca Film Festival 2003

2001 And So The Angels die Ainsi meurent les anges

1997 Tableau Ferraille

Winner of award for best photography at FESPACO 1997.

1994 Rocking Poponguine Twist Popenguine aka a

twiste Poponguine (Senegal: French title)aka Twisting
in Popenguine

SHORTS:

2006 Song of Seduction Ngoyaan , (documentary), 45

minutes.

2005 Blues for a Diva, (documentary) 52 minutes.

2005 Jef Jel (documentary)

2001-2003 Gorgorlu, 400 short films , each 5 minutes

for
Senegalese Television.
1994 Yalla yaana (fiction) 40 minutes.

1992 Molaan (documentary) 30 minutes.

1991 Entre nos mains (documentary) 30 minutes

1991 Jaaraama (documentary) 20 minutes

1991 Set Setal (documentary) 30 minutes

1990 Ken Bugul (fiction) 60 minutes

1988 Prix du mensonge, Le (fiction) 20 minutes

1988 Perigord Noir (actor) Feature film, directed

by Nicole Ribowski

8
1988 Paris XY ( actor) feature , directed by Zeka
Laplaine

Jury Member

Kerala International film festival ( India) 2003

International film festival of India at Goa-2004

Cairo international film festival 2003

International francophone film festival of Namur-belgium-

2002

Festival International du court-metrage dAdibjan ( Cote

dIvoire) Chairman of the Jury-2010

Festival du Cinema de Tarifa ( Spain) 2010

Workshops and lectures

Mnet-South Africa ( New directions) 2000

Film group workshop at Bridgetown-Barbados -2005

Tenk-dakar-2006

NYU,Lake Forest...Columbia College Chicago

Escuela International de Cine y Television (Cuba) 2009-

2010

Senior lecturer in film at the Errol Barrow for creative

Imagination. University of the West Indies (Barbados)
2008-2011

Major Awards

Silver tanit Carthage-1987

Best Director-Milano

Public prize-Angers

Silver Bear- Berlinale-2003

Best music awards

9
Language: Fluent in Wolof, French, English, Spanish,
Italian

MARCIA ELAINE JUZGA MUOZARCIA

http://cargocollective.com/MarciaJuzgaELAINE JUZGA MUOZ

PROFESSIONAL SKILLS
Audiovisual director with knowledge and experience
in directing and cinematography in audiovisual
media. Ability to research, develop and editing for
documentaries. Ability to use different video cameras
and handles Final Cut Pro, editing program.
Languages: Spanish and English.

AUDIOVISUAL DIRECTOR
nuclear262@gmail.com //
(57) 320 404 2621 Colombia/ (22) 77 724 4571 Senegal
AUDIOVISUAL DIRECTOR
EDUCATION
Professional in Film y Television -2000
University Corporation UNITEC.
Bogot, Colombia - 2000
Specialization in cinematography and documentary film.
I.S.A Instituto Superior de Artes.
La Habana, Cuba - 1998

WORK EXPERIENCE

Director, Writer and Researcher.

TV Documentary Series EN NOMBRE DE LA GLORIA
CM& y Seal Colombia.
Bogot, Colombia 2013

Filmmaker and researcher of documentary journalism.

TV Documentary Series INTERVENTION
A&E TV CHANNEL + BEtv Productions.
USA / Bogot, Colombia 2012

Video & Photography Workshop Member.

Collective Communications in vulnerable areas.
Foundation CIREC + Fair Tunes Colombia.
El Salado (Montes de Mara) + San Francisco (Antioquia)
Colombia 2011

10
Audiovisual Director.
Deparment of tv commercials RTVC Seal Colombia.
Video Base + Tiempo de Cine.
Bogot, Colombia 2009-2010
Director and screenwriter
TV series Blind Date+ Secrets
Reality Shows Channel 61/62 KCRW TV
Los ngeles, California.
USA, 2005-2007

Executive Producer.
Commercials & Music Videos.
Production Company: Ofrenda Films.
Los ngeles, California.
USA, 2004

Partner & Executive Producer.

Commercials & Music Videos.
Production Company: Utopa Films.
NYC & Los ngeles.
USA, 20022003

Camera Operator + First Assistant Camera + Louder.

Feature Films, Shorts Films, Commercials & videos clips.
PANAVISION.
New York City.
USA, 2001-2002

Production Department.
Commercials & Music Videos.
Production Company: Kree 8 Productions.
Miami, Florida.
USA, 2000-2001

Assistant Director.
Commercials & Music Videos.
Production Company: Rhayuela Producciones.
Bogot, Colombia 1999-2000

PERSONAL PROJECTS
Director+ Making + Script + Research.
Documentary: SOUNDS OF SAI
San Andrs Islas, Colombia 2013

11
Director + Making + Camera.
Documentary: Bogotrax!!
Bogot, Colombia 2009

DOCUMENTARY DIRECTOR
Workshop Iberoamerican children's TV
Seal Colombia, 2009

Videographer.
Series Striptease
City TV, Bogot, 2000

Documentary Director
El Cielo del Tbet.
Bogot, 1999

DIRECTOR MUSIC VIDEOS

Artist: Silverio (Mxico) - Song: Todo lo Sabemos.
Artist: Emergence (India) - Song: Nambikei
Artist: Cero 39 (Colombia) - Song: Oie, T! La de la cachuchita!
Artist: Orange Hill (San Andrs Isla) - Song: Im not a qualify image.
Artist: Job Saas (San Andrs Isla) - Song: Beautiful San Andrs.
Artist: Jimmy Archbold (San Andrs Isla) - Song: Grey Eyes.
Artist: Creole (San Andrs Isla) - Song: Hold On
Artist: Shungu (San Andrs Isla) - Song: See you, See you Gial!
Artist: Sokhana Adama (Senegal, Africa) - Song: Sante Yalla Warnanou.

CINEMATOGRAPHY MUSIC VIDEO

Artist: Sagrada Escritura - Song: El Fantasma de la Muerte.
Award of Fondo de Cinematografa 2001, Colombia

Essa Jallow
essajallow@yahoo.co.uk

BA(Hons) Interactive Media (TV production), Foundation Degree

Broadcast TV production Targeting Employment Opportunities
BA(hons) Interactive media (TV production) and Foundation Degree Broadcast TV production graduate,
highly motivated to secure employment in the Media and communication industry. Fast learner and hard
worker with a keen eye for detail and strong command of camera and editing techniques. Passion for the
art of visual storytelling, with filmmaking talents repeatedly recognized through numerous films in The
Gambia and UK.

12
 KEY SKILLS
Cameras: -EX1

Editing Software:

Other Applications:

Systems: Windows and Mac OS

EDUCATION
Liverpool John Moores University Liverpool, UK
BA (Hons) Interactive Media (TV production)
Critical Reflective studies
Development strategies
Major project (Documentary)
Professional practice
University of Salford Manchester, UK
Foundation Degree Arts in Broadcast Television Production, 2009 to 2011

Live studio production Drama Production Production management

Live OB production Industrial Experience Editing
News package production Directing Self promotion

WFA Media and Cultural Centre, Manchester, England

Certificate Unit credits towards Level 3 Diploma in media techniques (video Production) Includes:

Introduction to Visual Storytelling Editing Overview of Digital Arts

Screenwriting Fundamentals Directing
Production Design & Management
Institute for African Media Communicators, Cairo, Egypt. October 1995 February 1996
Certificate Mass Communication Includes:
Introduction to radio production Overview of major media Introduction to News reporting
Introduction to TV production Organizations (CNN, BBC,
Washington Post etc)
Introduction to the print media
The Thomson Foundation, Banjul, The Gambia. February 1998- March 1998
Certificate, Reporting Skills

Commonwealth Broadcasting Association, Banjul, The Gambia. April 1998

Certificate Audience Research and marketing

AVID Technology, Pinewood Studios, England. May 1998

Certificates, Media composer Editing and Trouble Shooting
Camera assistant/utility with Olympic broadcasting service at London 2012 Olympics

13
 WORK EXPERIENCE

DATE ROLE EMPLOYER

May 2013 - Present
December 2013 - Present
September 2013 - Present
Feb 2013 May 2013
27th July 2012 12th August
2012
May 2001 July 2005
Producer/Director/Camera Freelance
operator/Editor
Media Consultant EyeAfrica Online TV
Presenter Capital Radio 100.4FM
General Manager Iclick US, The Gambia
Camera Assistant Olympic Broadcasting Service, London
2012
Senior Editor Gambia multimedia Unit, GFPA

May 1992 April 2001 Senior producer Gambia Radio and TV services

PRODUCTION EXPERIENCE
Jointly produced a documentary on The Livestock and Hoticulture Project
Jointly produced a documentary for Womens Advancement and Child Care (WACC)
with a UNESCO communications consultant
Produced and directed a promotional video for Sheikh Zaid Regional Eye care Centre in
Kanifing
Conducted training programme for Sports journalists, Organised by the Gambia Football
Association
Produced and directed a thirty minute documentary on the Post Health For Peace Initiative
project in the Gambia and Guinea Bissau, coordinated by Sightsavers International
Produced and directed a promotional video for the Banjul International airport
Camera Assistant at the London 2012 Olympic games
Camera Operator on a promotional DVD for the National Cycling centre in Manchester.
Assistant Director on a Senegal/Gambia Drama on Malaria aimed at sensitizing the public
about Malaria.
Directed and edited a TV drama highlighting the dangers of Female Genital Mutilation in
Senegal
News anchor, Producer/Director on both radio and TV for many years on The Gambia
Radio and TV services
Directed and edited numerous music videos.
Produced and presented sports shows on radio for many years.

I Essa Jallow, certify that to the best of my knowledge and belief, this CV correctly describes
me, my qualifications, and my experience, and I am available to undertake the
assignment in case of an award. I understand that any misstatement or misrepresentation
described herein may lead to my disqualification or dismissal by the Client, and/or sanctions.

Signature

14
 APPENDIX 3: Work Plan , including Timetable + Course Syllabus
PROJECT WORK PLAN
ACTIVITY DATES RESOURCES PERSON(S) REMARKS

Identification and 15th September - Contract - NCAC/ Negotiations by Baba

Recruitment of Agreement MSA & SOJ
Consultant - Module - Marcia
Development Baba to forward draft
work plan to all parties
15TH November, - NCAC/
2014. - Identification of MSA SOJ to forward CVs to
local resource Marcia and MSA
persons (CVs)

Purchase, 15th October - Filming - Baba/ Commissioned

installation and Equipments SOJ Gambia Embassy USA
testing of for purchases
equipment: 15th November,
cameras, lights, etc 2014.
- GPPA approval - Hassou
m

Agreements with 06th November Gambia Tourism and - SOJ/ To negotiate with
training and Hospitality Institute Baba GTHI for training
locations venues (GTHI) Hosting and venue and
for both theory Accreditation accreditation ( Draft
and practical 15th November, MOU )
exercises 2014.
GRTS staff for
- Hassou
installations and press m GRTS Director
coverage Generals

(Draft MOU required)

Tumbung Art Village ( - SOJ

Practical)
Visit and update on
the grounds

15
Selection of 25 15th November Draft criteria for SOJ/
participants - selection NATCOM/Baba/
Release on News
Papers, Public notices
and TV.
30th November, Newspaper advert & Hassoum
2014. public notices on radio
Gambia & TV

Official Opening Friday, 5th Venue, equipment NCAC/ Write invitations for
and handing over December, 2014 installation, catering NATCOM/ ceremony
ceremony for and press coverage GTHI/ GRTS
equipment.

TRAINING BEGINS 3 Weeks of theory

Orientation - Induction of 25 Students identify

Program students areas of specialty:
Saturday,6th Major/ Minor
December,2014
- Screening: Moussa Sene
Introduction to Yoole The Absa
films : Sacrifice

(Documentary
work and
Narrative
structure)

Module 1 : Monday, 8th Classroom Marcia Juzga

16
Introduction December,2014

to Production

Module 2: Tuesday, 9th Classroom Marcia Juzga

Introduction December, 2014

to Camera

Module 3: Wednesday, Classroom Marcia Juzga

Introduction to 10th December,
Sound 2014.

Module 4: Thursday, 11th Classroom Marcia Juzga

Introduction to December,
Lighting 2014.

Module 5: Friday, 12th Classroom Marcia Juzga

Introduction to December,
Editing 2014.

Continuations of 2nd / 3rd week Classroom Marcia +

Modules 1- 5 Local resource

persons

17
African Film Friday, 19th Screening: Moolade Moussa Sene
History December, Absa
2014.
Focus: Sembene
Ousmane:
Revolution vs.
Romanticism

Poetry and Film: Saturday, 20th Screening: Madame Moussa Sene

December, Brouette Absa
Music and film, 2014.
Tales and
traditions

Senegalese film Sunday, 21st Screening: Tableau Moussa Sene Focus on Gambian
industry: December, Ferraille Absa films? Review &
2014. critique
City vs. rural area,
Tradition and
modernity,

Practical exercises 5th 24th January,

Master class 2015
Hands- on- experience Marcia + local 3 Weeks
resource
persons

Project work

Work on short 26th January- Locations on the 5 Moussa Sene 3 Weeks

films begin 15th February, thematic films Absa
2015

Studio Sessions :

Editing to 16th February - GHTI Computer lab Moussa Sene 3 Weeks

distribution (5 10th March, setting for editing suite Absa + Marcia
short films) 2015 Juzga

18
Closing ceremony NCAC
+
13th March, Report writing / NCAC +
screening of 5 2015 SUBMISSION NATCOM
short films

COURSE SYLLABUS

Course Information:

Title: Motion Picture Arts Certificate (MPAC) Film Training Programme

Duration: 12 weeks intensive training programme (600hrs)

Process: Theory and Hands on experience - immersion training programme

Training Consultant: Moussa Sene Absa, a Senegalese film maker and tutor

Course Coordinator: Sheikh Omar Jallow, Director for Literature, Performing and Fine Arts
(NCAC)

Course Description:

The course provides an understanding of film making techniques both in basic theory and
practical application. The core contents to be covered in the course range from pre-
production, production to post- production stages within the 5 modules of:

1. Production Management
2. Directing
3. Cinematography ( Camera and Lighting)
4. Sound
5. Editing ( Adobe Premier and Final Cut)

Course Objectives:

The program seeks to provide intensive immersion training in the film production process
through theoretical and practical lessons for 25 participants. The practicals involve a master
class hands-on-experience in the production of five short films ( documentariesand feature
films) with lessons in pre-production, production, post-production and distribution
channelling. This training serves as the pilot program for the start of formal academic
training for Gambian film makers and is intended to continue twice annually, in
collaboration with The Gambia Tourism and Hospitality Institute (GTHI).

19
Learning Outcome:

1. 25 Participants trained in various techniques and issues of professional film making

to acquire skills that will enable them to be self-employed independent film makers
2. Participants are able to produce standard and quality films that are marketable
worldwide
3. Participants acquire skills to successfully work as professional members of a film
crew.
4. Participants are able to create short films from the initial conception stage to the
realisation of the finished product on their own.

Resources:

1. Human: The experiences of a lead trainer Marcia Juzga a Colombian US national

film maker; Omar Ndiaye a Senegalese, Italy-trained Director of Photography, Essa
Jallow a Gambian local resource personspecialised in editing of films, working under
the supervision of the course designer and renowned Senegalese film maker Moussa
Sene Absa
2. Material: Film equipment including, camera, sound and lighting equipment.
3. African films, books and internet materials for researchand reference purposes.

MODULE TOPIC

General: 0.1: Films analysis (brief history)

0.2: Documentary work and Narrative structure
Introduction to Film:
Poetry and film
Music and film
Tales and tradition in film
Screening: YOOLE, The Sacrificeby Moussa Sene
Absa
Screening: Madame Brouette by Moussa Sene
Absa
0.3: African Film History (Focus: Sembene Ousmane)
Revolution vs. romanticism
Screening: Black Girl, by Ousmane Sembene
0.4: Senegalese film industry
City vs. rural area
Tradition and modernity
Digital impact in filmmaking
Analyse the state of Gambian film
Screening: Tableau Ferraille by Moussa Sene
Absa
20
 Screening: ( selection of a Gambian film)
0.5: Fundamentals of Narration and storytelling
Linearity vs. circle
Local storytellers
Films in the society
Screening: Taranga Blues by Moussa Sene Absa
0.6: Editing as the heartbeat of a film
Sound and Locations
Colours and shapes
Screening: Twist a Popenguine by Moussa Sene
Absa

1. PRODUCTION: 1:1: Production basic tools:

Production design, logistics, creating schedules and
(Producer)
budgets.
Responsibilities, duties and functions within the
film crew.
Locations scouting, apportionment / breakdowns
1:2 -Artistic direction:
Art department
Analysis and critic of the film
Colour palette
1:3 - Creating scenarios:
Atmospheres and environments for a movie
Make- up and costumes
Props and gaffers

2. DIRECTING 2:1- Screenplay and direction:

From idea to the script (research)
2:2- Development stories:
Theory of narrative writing:
Script, synopsis, plot, rundown or treatment of
short films
Director proposals and script for documentary.
2:3 - Direction of actors:
casting and staging:
Director-actor relationship
Create profiles, do casting and develop staging
Visual examples to understand directing actors

21
3. CINEMATOGRAPHY 3:1- Camera and Lighting:
Create appropriate atmospheres for each
script/story.
3:2 - Technical script adaptation.
3:3 - Technical use of the camera.
Storyboard, image composition, framing, exposure,
camera displacement, etc
3:4 Lighting
Colour and expose / measurement temperature.
Use and technique of lights.
Illumination design
4. SOUND 4:1 -Sound and soundtrack for movies:
4:2 - Structural use of sound/ effects
4:3 - Microphones and sound capture.
5. EDITING 5:1 - Postproduction and mounting/assembly
5.2- Video editing ( Final cut and Adobe Premier)
5.3- Narrative structure in film ( voice over)
5:4 Distribution channelling
PROJECT WORK Each group of five participants embark on producing a 13
minutes film on a theme of their choosing, to be realised
according to the stages outlined in the film production
process.

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 APPENDIX 4: List of Equipment Purchased

FILM EQUIPMENT PURCHASED FOR THE MPAC PROGRAMME

No. Item Unit Cost Total Cost Remarks

2 cameras 1,099.00 2,198.00

Camera Canon 7D: It COMES with a lens that permit a lot of
possibilities
Canon EOS 7D SLR Digital
http://www.bhphotovideo.com/c/product/647503-
Camera with 28-135mm f/3.5-
REG/Canon_3814B010_EOS_7D_SLR_Digital.html
5.6 IS USM Lens

2 audio recorders 199.99 399.98

A Portable Digital Audio Recorder, good and practical
http://www.bhphotovideo.com/c/product/600761- Zoom H4n Handy Mobile 4-
REG/Zoom_H4N_H4n_Handy_Mobile_4_Track.html Track Recorder

2 microphones 586.50 1,173.00

About the microphone, the idea is better to buy something
like this
link: http://www.bhphotovideo.com/c/product/747422- Rode NTG-2 Complete Shotgun
REG/Rode_NTG_2_Shotgun_Microphone_HDSLR.html Microphone HDSLR Kit

1 light kits 1,264.87 1,264.87

Light Kits: Depends of the budget but this is pretty complete:
http://www.bhphotovideo.com/c/search?atclk=Brand_Chim B&H Photo Video Doug
era&ci=20511&N=3988592078+4093831186& Jensen's Interview Kit
SanDisk 32GB Extreme Pro
4 compact flash memory cards 32g CompactFlash Memory Card
99.95 399.80
(160MB/s)

2 We will need two bags for each camera.

http://www.bhphotovideo.com/c/product/200008-
REG/Canon_6227A001_Gadget_Bag_100EG.html $24.95 49.90 2 Camera bags Canon
Canon LP-E6 Rechargeable
2 batteries for cameras + 3 old batteries Lithium-Ion Battery Pack (7.2V,
59.00 118.00
1800mAh)

EXTERNAL MEMORIES DRIVES PORTABLE 2TB: http://www.bhphotovideo.co

2 http://www.bhphotovideo.com/c/product/1017471- m/c/product/1017471-
99.99 199.98
REG/seagate_stdr2000100_2tb_backup_plus_portable.html REG/seagate_stdr2000100_2tb
_backup_plus_portable.html

Final Cut Pro Software (see if these could be purchased http://www.bhphotovideo.co

2 m/c/search?Ntt=Final+Cut+Pro
online from the Gambia and installed in the Gambia
+Software&N=0&InitialSearch=
yes&sts=ma&Top+Nav-Search=

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APPENDIX 5: Call for Participants and other newspaper coverage

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