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Lou Reed - Metal Machine Trio


Cranbrook Art Museum 2016 ISBN 9780989186476 Acqn 26306
Hb 24x32cm 132pp col ills 40

This volume documents the installation at the Cranbrook Art Museum of Lou Reeds Metal
Machine Trio, a live ambisonic 3-D sound installation inspired by Reeds controversial 1975
album Metal Machine Music. Reed worked with acoustic specialists to recreate the live
experience.

Text by Christopher Scoates, Ulrich Krieger, Thurston Moore, Raj Patel.

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Mika Miyamoto - The Netherlands Hindeloopen


Seigensha Art Publishing 2016 ISBN 9784861525551 Acqn 26761
Hb 19x26cm 144pp 250col ills 34.95

Hindeloopen is the name of a small village in the northern area of the sselmeer in the
Netherlands. This style of painting was born in the 17th century, and even now there are a small
number of craftsmen with workshops in town where they continue to produce traditional painted
furniture. In this style, flowers, birds, arabesque patterns, and other designs are painted over
serene base colours of red, dark blue, and green, giving off a sense of calm and grace. The
author, Mika Miyamoto, first encountered this style in Hindeloopen 30 years ago. Motivated by the
retirement of popular artists, Miyamoto has compiled this volume in an effort to preserve a
vanishing Hindeloopen.

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Malcolm Morley - History Painting


Xavier Hufkens 2016 ISBN 9789491245176 Acqn 27086
Hb 25x31cm 32pp 12col ills 21.50

As indicated by the title of this exhibition catalogue, the theme of Malcolm Morleys recent work is
history and, more specifically, war and conflict. The paintings can be viewed as the multi-layered
products of a complex process of historical deconstruction and reconstruction, immersing the
viewer in a vibrant historical universe where past and present merge, fusing anachronistic
elements into a unified whole. As World War I biplanes fly over Spanish galleons, and scenes
from pivotal battles in British and American history play out, it is clear that Morleys sources of
inspiration are the models and figures he has collected over the years, from jousting knights to
Native Americans.

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F R David Spring 2017 - Inverted Commas


KW Institute Contemporary Art 2017 ISBN 9780995713307 Acqn 27183
Pb 12x19cm 240pp 20ills 10.75

F.R.DAVID is a typographical journal, edited by Will Holder, dealing with the organisation of
reading and writing in contemporary art practises. This 13th issue of F.R.DAVID is edited with
Riet Wijnen, and has its origins in her Registry of Pseudonyms, an online database which
accounts for who is who and why who is who. Inverted Commas follows pseudonym through
names, naming, bodies, brains, self, author, other, reader, labour.

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Stefan Bruggemann Showtitles


Christophe Daviet-Thery 2016 ISBN 9782953934779 Acqn 27205
Pb 14x7cm 160pp 17.50

Showtitles is an ongoing work by Stefan Brggemann of titles for exhibitions. They may be used
freely by others. There is no need for any authorization, but their use must be credited to Stefan
Brggemann on the back of the invitation.
Stefan Brggemann is interested in words that become pictures and pictures that become
words. In this way he questions the idea of transferring or mirroring information. Language
becomes a way of remembering, of reflecting and refracting events. His laconic picture-signs act
as memorials to language that must be reactivated. They create imaginary spaces or
experiences for the audience, invoked by words. These spaces are produced through the
individual act of looking, and each look is always new, notwithstanding the familiarity of the
statement. Independently from many other materials and mediums Brggemann uses, one of his
principal strategies is to inject a Pop sensibility into Conceptual strategies in a simple but
refreshing way.

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Richard Wright In The Rijksmuseum


Rijksmuseum 2016 ISBN 9789491714085 Acqn 27209
Pb 25x33cm 56pp col ills 21.50

The work of the British artist Richard Wright is often volatile, it is painted over or destroyed after
the exhibition. Not in the Rijksmuseum, where he hand-painted 47,000 black stars on the ceilings,
left and right of the Night Watch. In this English book this remarkable project is explained. The
book itself is a work of art designed by Karel Martens.

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Ikkoan Of Chikara Mizukami Wagashi


Seigensha Art Publishing 2016 ISBN 9784861525650 Acqn 27207
Hb 23x23cm 194pp 100ills 90col 54

Brimming with unearthly delights, this book tantalises the senses while presenting the rich culture
of Japanese sweets (wagashi) through the work of the world-renowned confection expert,
Chikara Mizukami. As a modern wagashi master, his active role in a wide range of interests is
focused not just in Japan or at Ikkoan, his shop in Tokyo. Mizukami has undertaken many
collaborations with international chocolate companies and patisserie houses, and performed
demonstrations and lectured internationally as well. Included are 72 gorgeously rendered
confections that trace a subtle arc through the seasons, plus explanations about flavours,
interpretations, and vocabulary.

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Urs Fischer - Mon Cher...


Fondation Vincent Van Gogh 2017 ISBN 9791094966044 Acqn 27147
Pb 25x31cm 96pp 55ills 50col 31.50

Published on the occasion of an exhibition at the Fondation Vincent van Gogh Arles, this
catalogue presents recent works from the often astonishing oeuvre of Swiss artist Urs Fischer.
Known for his subversive approach to art, Fischers installations, sculptures, drawings, collages,
and other pieces together invoke a world of visual and collective primary experiences entering
an exhibition conceived by him is to find oneself in an evocative space that is simultaneously
amusing and theatrical, yet undeniably forceful in its visual language. Closely aligned with its
venue, Mon cher is a clever and colourful homage to Van Gogh, the modern age, and anti-
classicism.

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Yoichiro Otani Rain


Little More 2017 ISBN 9784898154533 Acqn 27220
Pb 21x26cm 92pp 70ills 30col 58

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Catherine Goodman - The Last House In The World


Marlborough Fine Art 2016 ISBN 9781909707344 Acqn 27227
Pb 24x30cm 52pp 36col ills 12.50

Following a solo exhibition of portraits at the National Portrait Gallery in 2014, Catherine
Goodman exhibits new larger landscapes and figures at Marlborough Fine Art. Juxtaposing
portraits of people and objects alongside larger-scale landscapes and subjects drawn from film,
this exhibition reveals different facets of Goodmans creative imagination and its rich range of
references drawn from life and art.

The diverse landscapes of Tuscany and the Himalayan mountains in India where she has painted
for many years, continue to feed her recent works. Huts, palapas, and poplar trees become
powerful presences in scenes where a sense of spatial ambiguity often makes the landscape
seem unfamiliar. Typically painted from life on un-stretched canvas, her works are layered with
imagined scenes and memories in the studio, without losing the immediacy of her original
encounter with the subject.

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William Kentridge, Vivienne Koorland - Conversations In Letters And Lines DVD


Fruitmarket Gallery 2017 ISBN 9781908612441 Acqn 27228
DVD 14x19cm 10 +VAT

This exhibition brings together the work of two of South Africas foremost visual artists, William
Kentridge and Vivienne Koorland. Kentridge and Koorland come from the same generation of
South African artists. Born in the 1950s, they first met as university students in the mid-1970s and
have been talking about art ever since. This exhibition foregrounds a friendship of forty years and
a dialogue which has been mutually enriching as the practice of each has informed that of the
other.
Kentridge is known for his animated films, complex narratives and beguiling imagery drawn and
redrawn in charcoal, pastel and paint. Koorland makes huge paintings that are palimpsests of
found and original material, both text and imagery. The works of the two artists are very different,
yet there is much they share.
The selection of works for the exhibition highlights the formal and thematic links between the work
of Kentridge and Koorland, mapping their artistic friendship through shared artistic strategies and
a common sense of the urgency and agency of art.

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Howard Hodgkin - In the Pink


Gagosian Gallery (NY) 2017 ISBN 9781938748370 Acqn 27246
Hb 27x27cm 108pp col ills 70

One of Britain's most celebrated living painters with a career spanning more than fifty years,
Hodgkins intimate oil on wood-panel paintings convey the relationship between hand, eye, and
memory that charges process, visual structure, and emotional temperature.

Hodgkin's compositions are distinctive for the ways in which abstraction and representation,
narrative and pure sensation, past and present are brought into urgent relation. Intimate,
thoughtful, and insightful, his paintings suggest great arcs of time and thought.

With paint strokes of varying depth and vigour, his works convey fleeting private moments and
intense recollections. Now (201516) embodies an interchange between light and dark, time and
feeling; while Always Afternoon (2016) transforms a temporal memory into an experience of pure
and exuberant colour. The layered greens and yellows of Dont Tell a Soul (2016) elide the weight
of hours with an emotional jolt; while In the Pink (200814) typifies Hodgkin's approach to what
James Lawrence calls his idiosyncratic assemblage of readings or misreadings. Completed
between 2014 and 2016, each painting creates a pocket of time and silence, demonstrating
afresh the expressiveness, candour, and mastery of a painter in his prime.

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Jaime Davidovich in Conversation with Daniel R. Quiles


Fundacion Cisneros 2017 ISBN 9780984017362 Acqn 26981
Hb 15x23cm 240pp 40col ills 22.50

As a fixture on the SoHo-based experimental art scene of the 1970s and 1980s, Argentine-
American video/television-art pioneer and conceptual artist Jaime Davidovich (born 1936) has
worked in a broad variety of mediums throughout his long career, including video, painting and
installation, while also establishing himself as an activist and TV producer. His weekly variety
program, The Live! Show (197984), featured performances and interviews with artists such as
Laurie Anderson, Eric Bogosian, Tony Oursler and Michael Smith, while other video works
included appearances by the artist Stuart Sherman. Davidovich embraced a postmodernists
eclecticism and a humorous aesthetic. In this lively conversation with scholar Daniel R. Quiles,
Davidovich recounts his early years in post-war Argentina, the 1963 coup dtat that led to his
relocation to New York and his long, influential career.

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Waltercio Caldas in Conversation with Ariel Jimenez


Fundacion Cisneros 2016 ISBN 9780984017355 Acqn 27235
Hb 15x23cm 224pp 43col ills 23

Waltercio Caldas (born 1946) is one of Brazils most recognized and respected contemporary
artists. He occupies a key role in the generation that bridges the historical innovations of the
Concrete and Neo-Concrete artists of the 1950 and 60s and todays younger artists.

In this ninth volume of the Conversaciones series, writer, curator and art historian Ariel Jimnez
engages Caldas in a lively dialogue covering more than five decades of artistic production,
exploring the connections between perception and history, and the way in which artist, viewer,
context and history all play roles in how art is seen and experienced. Combining a formal
intelligence, eclectic materials and provocative games, Caldas works raise subtle questions
about the unique nature of art and its place in a world of redundancy.

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Fiona Tan Ascent


Izu Photo Museum 2016 ISBN 9784904257364 Acqn 26755
Pb 16x24cm 240pp col ills 53.50

Fiona Tans latest book, counterpart to an exhibition at the Izu Photo Museum in Japan, takes
Mount Fuji as its theme. The work is a two-part installation comprising a 77-minute video and
many photographs. The latter is based on more than 4000 photographs contributed by the public
and selected from the museums collection. The project is simultaneously a rumination on the
singularity of the mountain and our relationship to it, an exploration of history as told through
visual culture, and a study of the history of film. The three-part publication (one volume of images
and two with texts) explores identity, memory, and history, wherein Tan also examines the nature
of the gaze itself.

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Hiroshi Sugito - Particles And Release


Torch Press 2017 ISBN 9784907562083 Acqn 26837
Hb 19x24cm 152pp 115ills 100col 40

Based in Nagoya, artist Hiroshi Sugito is trained in Japanese-style painting. This catalogue for an
exhibition of his work at the Toyota Municipal Museum of Art, curated by Yoko Nose, aptly
expresses how his paintings contain everything from minuscule, barely visible objects to
raindrops, trees, houses, and clouds even the universe itself. His soft tones and pale hues
seem to extend outside the paintings frame and into the exhibition space, creating thoughtfully
considered interactions between artworks and the architecture. Sugitos sensitivity with regard to
paintings and the spaces in which they are placed can be seen in the catalogues numerous
installation views.

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Asian Art Rijksmuseum


Rijksmuseum 2014 ISBN 9789071450945 Acqn 27149
Hb 20x25cm 320pp 250col ills 42.75

Opening with a brief history of the Rijksmuseums collection of Asian art, this book is divided into
five chapters, each devoted to a particular region, which present various objects of outstanding
quality and significance. The selection represents different regional styles, and also offers a look
at sophisticated pieces of decorative art tailored to European tastes and produced specifically for
export to Western markets. From fine Chinese and Japanese porcelain to dancing Shiva statues
and imposing temple guards, the diversity and richness of this Amsterdam museums collection of
Asian art is impressive, including valuable objects from Indonesia, Korea, Bangladesh,
Cambodia, and more.

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The War Of Appearances


V2_publishers 2017 ISBN 9789080179387 Acqn 27198
Pb 16x23cm 212pp 27col ills 21

Produced and designed by Joke Brouwer of the V2_Institute for the Unstable Media, this book
presents new essays by nine contributors, among them Paul Frissen, Graham Harman, Luciana
Parisi, Lars Spuybroek, and McKenzie Wark, plus artworks by Paolo Cirio, Wim Delvoye, Toms
Saraceno, and Diana Scherer. Two strategies (opacity and radiance) are developed against the
Enlightenment ideal of transparency, since transformed into a global state of mediation and
automation. Although they initially appear to be diametrically opposed, the strategies soon begin
to overlap, together evolving into a kind of spook-phenomenology that opens up new ways of
thinking and seeing.

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Naoki Honjo Kyoto


Tankosha 2016 ISBN 9784473041272 Acqn 27054
Pb 30x21cm 102pp 50col ills 36.50

What is real and what is not? This is the essential question raised by the photography of Naoki
Honjo, whose use of the tilt-shift technique resulting in a very shallow depth of field with
selective areas of focus creates disorienting images of the real world that at first glance seem to
be photos of meticulously constructed toys and models. Shooting from a birds-eye view, Honjo
enables a fresh perspective on todays landscapes, buildings, and cityscapes that accentuates
the artificial nature of our environment. Kyoto, known for its cherished landmarks and temples,
traditional architecture that forms a stark contrast with the modern city, is the subject of this
series.

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Danae Moons - Out Of Grip


Fw 2016 ISBN 9789490119478 Acqn 27079
Hb 24x31cm 186pp 110ills 85col 37.75

Two years after her disappearance in a boating accident on the Mahakam River, on her way to
explore deep forest in Kalimantan, Indonesia, the first solo exhibition of work by young Dutch
artist Dana Moons was realised in Amsterdam. Published for the occasion, this book gathers her
diverse oeuvre, from prints and film stills to sculptural objects, in turn reflecting her fascination
with nature, stones, and the jungle. Through abstract and organic forms, she sought to express
the confrontation between humans and the world around them, and pursued her deep desire to
understand the foundations of this often paradoxical relationship. With a poignant text by Hans
den Hartog Jager.

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Shannon Ebner - A Public Character


ROMA Publications 20177 ISBN 9789491843747 Acqn 27085
Pb 20x30cm 216pp 130ills 10col 41

Published on the occasion of an exhibition by Shannon Ebner at the Institute of Contemporary


Art, Miami, which centres on an eponymous new video work commissioned by the museum. In
her work the Los Angeles-based artist critically explores the role of images, often through
historical interpretation and with a collaborative practice that includes sculpture, poetry,
performance, and video. Certain aspects, especially seen in the ongoing series Black Box
Collision A, represent her efforts to reflect upon our experience of language today at the
intersection of landscape and architecture. Also included are the works A Hudson Yard, A Self,
and A Singular, as well as insightful essays.

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Philippe Gronon Versos


Les Presses Du Reel 2016 ISBN 9782954531526 Acqn 27248
Hb 23x28cm 136pp 75ills 60col 21.95

Publication dedicated to the Versos series, in which Philippe Gronon photographs the verso side
of paintings by ancient and modern masters. With a foreword by Hubert Besacier. With a
foreword by Hubert Besacier.

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Villains In Ukiyo-e
Seigensha Art Publishing 2016 ISBN 9784861525544 Acqn 26759
Pb 15x15cm 300pp 250ills 200col 18

Explore a wide array of evil through Ukiyo-E artwork. A compilation of approximately 100 works
featuring a diverse line-up of villains, from people who actually lived, including historical figures
who capture the essence of evil such as the likes of Nezumi Koz Jirokichi and Kira Kzuke no
Suke, minor villains, sorcerers and others, to legendary characters from folklore.

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Scary Pictures Of Ukiyo-e


Seigensha Art Publishing 2016 ISBN 9784861525667 Acqn 26760
Pb 11x15cm 300pp 250ills 200col 18

Fear and fright are universal emotions that all human beings share. We usually try to avoid
anything that seems unknown, dangerous, or eerie. Yet such frightening things often arouse our
ghoulish curiosity and a desire to scrutinise them. This can even lead to a thrilling, pleasurable
sense of joy in the face of danger. This book explores the various ideas of fright and horror as
depicted through ukiyo-e prints made in Japan during the Edo period. Filled with images of
supernatural and deformed creatures, spirits armies, wrathful demons, sea monsters, vengeful
ghosts, and many other ghastly sights, the book is a treasure trove of chillingly titillating, wild
imaginations.

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Hiroshige Utagawa Postcards


Seigensha Art Publishing 2016 ISBN 9784861525643 Acqn 26915
Pb 11x15cm 70pp 35col ills 14.75

32 postcards taken from Hiroshige Utagawas famous series 53 Stations at the Tokaido Road.

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Mariko Kuwahara - Stone Dealer


Torch Press 2016 ISBN 9784907562076 Acqn 26916
Pb 13x19cm 246pp 100ills 34.95

The town of Onishi lies roughly 100 kilometres to the north-west of Tokyo, where legend has it
that a troll who once lived on a nearby mountain threw a big stone down the mountain; people
started to call the place where it landed Onishi. Mariko Kuwahara spent time there talking with
local inhabitants and photographing the stones and rocky landscapes she found. The people who
made the deepest impression on her were the men called Ishiya-san (stone dealers). On its
surface, this book is a document of her conversations with them, yet underneath it is a story of
disappearing towns and villages in Japan, of dialects soon to be lost, and ways of life in danger of
being forgotten.

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Sigmar Polke - Alchemie und Arabeske


Schirmer Mosel Verlag 2017 ISBN 9783829608015 Acqn 27201
Hb 27x21cm 200pp 260col ills 48
Text in German

This exhibition catalogue explores the secret grounds (chemicals, paints, and plant juices
applied to fabrics, foils, and grids) and line structures (using arabesques by Drer or Altdorfer)
of Polkes painting, with a special focus on his resin and curlicue pictures. Ed by Helmut Friedel
fr Stiftung Frieder Burda. With texts by Helmut Friedel and Barbara Vinken as well as a talk
between Bice Curiger and Sigmar Polke.

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Dorian Gaudin
Palais De Tokyo 2017 ISBN 9782840669449 Acqn 27216
Pb 16x24cm 96pp 80col ills 14.95

Dorian Gaudin focuses on the interplay of correspondences between the organic, psychical, and
material worlds. Combining performance, sculpture and cinema, his oeuvre moves back and forth
between automation and living systems. He mobilizes, dislocates, and mechanizes in an
amalgamation of genres: absurdist theatre, science fiction cinema, burlesque and Minimalism. In
his exhibition at the Palais de Tokyo machines and social rituals, visual illusion and physical
presence set in motion a mechanism which is also that of the emotions. Revealing the capacity of
objects to generate narrative and elicit our emotional and intellectual involvement, his works
remind us of the way fetishization of objects and technology governs our relationship with the
world.

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Abraham Poincheval
Palais De Tokyo 2017 ISBN 9782840669432 Acqn 27217
Pb 16x24cm 96pp 59col ills 14.95

Abraham Poincheval is an insatiable explorer. Whether by crossing the Alps while pushing a
capsule he used as his shelter, or by enclosing himself for a week in a rock, hisitinerant or
staticexpeditions require total physical commitment. The inhabitable sculptures which the artist
conceives are laboratories allowing him to experience time, enclosure or immobility. They are the
envelope that hosts the performer, an object that disturbs the landscape, and which exists
through word of mouth. Abraham Poincheval's two new performances at the Palais de Tokyo lead
him to experience the temporalities of the animal and the mineral kingdoms.

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