Professional Documents
Culture Documents
Long Live the Glorious May 7 Directive, published in 1971, is one of the key propaganda
photobooks of Chairman Mao Zedongs infamous Cultural Revolution. Illustrated with both colour
and black-and-white photographs taken by uncredited photographers, the book extols the virtues
of Maos communist ideology and purports to document the joyful, industrious effects of these
ideas in action.
In Long Live the Glorious May 7 Directive, smiling workers and peasants read together from
Maos Little Red Book of quotations, stalwart soldiers march in unending ranks and Chinese
fighter pilots conquer the open skies. Of course, history remembers the realities of Maos Cultural
Revolution quite differently.
Long Live the Glorious May 7 Directive is now extremely rare; Errata Editions Books on Books 20
presents this fascinating volume in its entirety with essays by Liu Ding, Carol Yinghua Lu and
Shuxia Chen.
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A la plaza con Fidel (To the plaza with Fidel) is doubly rare among Cuban photobooks: relatively
few photobooks were produced in Cuba after the Revolution, and A la plaza con Fidel is also
notable for its unique subject matter. Photographed between 1959 and 1966 and published in
1970 by leading Cuban photographer and cinematographer Mayito (Mario Garca Joya, born
1938), the book focuses on Fidel Castros supporters and the festive atmosphere of the
Revolution. Castro would mark important moments of the Revolution, when either revelry or
reassurance was called for, with public addresses delivered in Havanas Plaza de la Revolucin;
to the plaza with Fidel became a refrain of the Revolution.
The 21st volume in Errata Editions Books on Books series, this edition of A la plaza con Fidel
presents this little-known book in its entirety, with essays by photography curator Leandro Villaro.
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This set of 38 of photographs by the Japanese photographer known as Araki was taken in 1975
1976. The images predominantly depict bustling street scenes in Tokyo; candid shots, made in
his signature style, of everyday life and people moving through the city against a backdrop of
modern buildings and advertising billboards, narrow lanes and broad boulevards. The books front
and back covers replicate an old, used notebook produced by Mitsubishi Paper Mills.
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Bent, curled, twisted apart, or strung neatly in chains and rows, coat hangers of every colour
inhabit the narrow back streets and hidden alleyways of Hong Kong. Photographer Michael Wolf
sought out these ubiquitous metropolitan denizens for his new series, seemingly trying to
discover how many ways this simple piece of wire can be used. Besides functioning as a device
on which to hang things socks, shoes, gloves, towels, baskets, combs, plastic bags, your lunch
the humble coat hanger can also hold a latch closed, stretch a cable, block a valve from turning,
or even keep other coat hangers safe. The book offers a fascinating and fresh look at an often
under appreciated object.
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Heavily drawing on her interest in portraiture, Desire Dolrons latest series intertwines digital
post-production with contemporary art photography. The intentionality of her approach is
palpable; every decision regarding technique and form is meticulously considered in the pictorial
construction of these darkly introverted and strangely timeless photographs. The models inhabit a
tranquil and withdrawn realm of near-perfect compositions. Beautifully crafted in a hybridised
visual language that masterfully blurs the traditional disciplinary boundaries between painting and
photography, analogue and digital. With book design by Irma Boom Office.
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Part of Olivo Barbieris larger project site specific_, which offers a new way to comprehend the
language of cities, stimulating reflection on how urban space can be rethought, redesigned, and
rebuilt in an incessant cycle of death and rebirth, Italian Quakes introduces the element of
natural disasters to the analysis. Launching from Gibellina, a small city in central Sicily that was
destroyed by the 1968 Belice earthquake, the book explores the landscape as an autonomous
object that experiences traumas. Urban shocks and rifts can appear similar, even if the causes
are human actions economic crisis, war, illegal construction, etc. leaving lasting wounds on
the living body of cities.
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"Among the many clothing types in our wardrobe, none leads a more unappreciated existence
than the sock. Wavering between undergarment and outerwear, the staggering amount of
pressure and force applied to the sock each time we take a step forward attests to its silent
resilience. It is thus, not without irony, that the common definition of quality socks lies precisely in
how little we take notice of its presence; a good pair of socks becomes one that is absent when
worn on the feet..."
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In his extensive career as a photojournalist, Thomas Hoepker has travelled around the world and
documented many dramatic and confronting situations for magazines and newspapers. Yet he
has always had an eye for absurd, strange, or funny moments and encounters, which are now
compiled in this volume. According to Hoepker, most of these are fleeting moments, things you
see from the corner of your eye None of the images in this book have been arranged, all of
them just happened. The extensive collection of human comedy stumbled upon through careful
observation includes both recent photos and others from Hoepkers archive; each is informatively
captioned.
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Emily Dickinson wrote that all it takes to make a prairie is "one clover, and a bee. / And revery." It
turns out that to know a prairie (or meadow) is a bit more complicated, as photographer Barbara
Bosworth and writer Margot Anne Kelley have discovered. For more than a decade, Bosworth
and Kelley have meandered in, studied and photographed a single meadow in Carlisle,
Massachusetts. In addition to their own investigations, they have invited botanists, entomologists,
naturalists and historians to consider the meadow with them. Also included are historic maps of
the property dating to the 1800s, and a transcription of notes from a former owner whose family
has continuously documented plant and bird life in the meadow from 1931 until the 1960s.
Part photo-essay, part journal and part scientific study, this book is a meditation on the shifting
perspective that occurs when one repeatedly sees the same place through new eyes.
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Thomas Struth
Schirmer Mosel Verlag 2017 ISBN 9783829607988 Acqn 27199
Hb 25x32cm 240pp 230ills 175col 52
A comprehensive overview of Thomas Struths photographic uvre, from his 1987 Unconscious
Places to his celebrated Museum Photographs, Family Portraits, Paradise Pictures, and his most
recent series Nature and Politics.
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Claus Goedicke photographs things so commonplace that we barely take notice of them: singly,
frontally, symmetrically but, unlike in commercial photography, with signs of wear and tear,
revealing the limpid beauty and charm emanating from banal everyday objects.
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In photographer Yoshinori Mizutani's new series, a follow up to Tokyo Parrots, his camera is
again drawn to the birds that make their presence known in the city. The stark, black-on-white
images capture large numbers of cormorants, which have apparently exploded in population in
Tokyos suburbs. The very graphic compositions transform the urban landscape of power lines
and the steel lattice towers that carry them into a seemingly two-dimensional picture. The flocks
of cormorants strung along the wires overhead become beautifully abstract yet ominous
silhouettes that often resemble musical notes on a score.
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In his twenties Daido Moriyama spent a short period wandering the streets of Kobe. Particularly
drawn to the harbour, he delighted in watching countless ships being loaded, walking around the
foreign settlements in Yamate and Kitanocho, or helping to print souvenir pictures at a small
photo shop. For an exhibition of his work at the Hyogo Prefectural Museum of Art in 2016,
Moriyama was asked to dedicate a section to his Kobe photos. Discovering he had surprisingly
few, considering his affection for the city, he decided to take more. Travelling back in time to
chase that romantic dream of his youth, he discovered a completely different place, but one
nevertheless just as thrilling.
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Rob Beckers portraits of dancers, ballet masters, and choreographers from around the world
show them in their most natural environment: the dance studio. It goes without saying that these
often bare rooms, far removed from the stage, lights, costumes, make-up, and roles, are where
they spend the majority of their working lives. The images reflect the creativity of the moment,
offering a rare glimpse into the private realm beyond the performance or rehearsal. In
photographs of poses and movements, as well as close-up, intimate and more candid shots of
the dancers, Becker deftly frames the personalities and great athletic strength of these
remarkable individuals.
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Transumanza is the seasonal movement of livestock between summer and winter pastures. The
tradition is still practiced by a small group of shepherds in Lombardy, who move their flocks from
the Alps to the P Valley and back. Unexpectedly, the economic force driving this phenomenon is
no longer the wool trade, but the rising demand for sheeps meat from a growing community of
Muslim immigrants. Stefano Carnellis photographic project follows the displacement of
shepherds and their livestock in an alternative mapping of this complex and often conflictive
relation between a marginal nomadic community and the highly urbanised region it cyclically
passes through.
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French photographer Antoine dAgata departed his homeland in 1983 to begin a series of travels.
He has since gained notoriety with a body of work that deals with addiction, sex, personal
obsessions, darkness, prostitution, and other topics widely considered taboo. DAgata studied
photography at the International Center of Photography of New York City in 1990, under the
tutelage of Larry Clark and Nan Goldin. This publication offers a personal visual reflection of that
time. Designed as a 48-page leporello with an insert containing 20 pages of text, including a letter
written in 1991, it includes self-portraits, scratched out journal snippets, and grainy photographs
of drug use.
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Peek-a-boo is a book that uses augmented reality (AR), a technology designed to enhance our
perception of reality. By transforming or augmenting reality, it opens the door to a world that does
not exist in our own. The book requires an iPhone and a downloaded app to take full advantage
of what it offers. Once the app is installed, hold your iPhone camera in front of the photograph or
image on each page and follow the instructions. New perceptions will manifest by rotating, tilting,
holding still, moving closer or further away, or tapping the screen. With photographs by Yuji
Hamada and AR design by Matilde.
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