Professional Documents
Culture Documents
Upper Class
The Upper Classes enjoyed new types of music at court.
They had a taste for new music and new dances.
Masque was popular with the Upper classes. Masques were
accompanied with music and dance at the beginning and
end of the performances and during the interludes.
The most important dances were the Pavan, Galliards and
Almain.
Dancing Masters
New dances had to be learnt and Dancing Masters were
employed.
Dance Master traveled to Europe, notably in Italy, France and
Spain to learn dances.
The most famous Dancing Masters were Thoinot Arbeau
(1520 - 1595 - French), Fabritio Caroso (1536 - 1605 - Italian)
and Cesare Negri (1535-1604 - Italian).
They each produced Dance Manuals which were printed and
distributed.
Various types of dance steps were included in these dance
manuals including walking steps, cutting steps, sliding,
stamping, leaping, jumping and hopping
Dance list
Lower Class
The Upper Class and Lower Class dances would be different.
The lower classes enjoyed the more traditional country
dances such as the Jig, Morris Dancing or the Brand or the
Brawle which were closely associated with the customs and
festivals.
The Elizabethan Lower Classes were not in able to hear the
new court music or learn the steps of the Court dances.
Their only contact with the Upper Class dances would have
been through the theatres.
They would dance country dances that were much simpler,
repetitive and less intricate then the Upper Class dances.
The dances of the Lower Classes would dance would be the
ones performed at fairs and festivals, dances that would
indicate the changing seasons etc
More
So popular that some of the great political and romantic
court battles of that time were fought not by political means,
but on the dancing floors of London Court.
Some reports say that she danced as many of seven
Galliards each morning.
Festive Dance