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INDIAN ARCHITECT & BUILDER
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Terrace-Alive
Design Competition
Reclaim your share of the SKY!
Eminent Architect Christopher Charles Beninger would be the juror of this year's competition.
With an established architectural practice in the urban Indian context, Ar. Beninger will judge
the entries based on their design innovations.
Chairman: Jasu Shah 46 If I were a Young Architect, Id first design a structure called ME.
Printer, Publisher & Editor: Maulik Jasubhai Shah
An inspirational essay by Christopher Charles Benninger.
Chief Executive Officer: Hemant Shetty
Indian Architect & Builder: (ISSN 0971-5509), RNI No 46976/87, is a JMPL monthly
the interiors of the ITF office is a young and inventive design.
publication. Reproduction in any manner, in whole or part, in English or any other 102 Shaatika the Sari boutique.
language is strictly prohibited. We welcome articles, but do not accept responsibility
for contributions lost in the mail. A sari store that delights with its vivid hues in a compact space.
108 LANDSCAPE
Sannidhi Residence... Beyond the pluck and push
Anchored on a linear site, Sannidhi residence, is a complex
geometrical massing that plucks and pushes not only the cuboid
form but also plays a clever intervention with the landscape.
114 PRODUCT
Wooden Chair Design
EXPLORE
Integrating seating comfort and aesthetic appeal in this
minimalistic design of the Wooden Chair as part of a larger fine
dining experience for the restaurant Recipes.
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Jag ya D
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Cove
Printed & Published by Maulik Jasubhai Shah on behalf of Jasubhai Media Pvt Ltd
(JMPL), 26, Maker Chamber VI, Nariman Point, Mumbai 400 021.
Printed at M B Graphics, B-28, Shri Ram Industrial Estate, ZG D Ambekar Marg,
Wadala, Mumbai 400031and Published from Mumbai - 3rd Floor, Taj Building, 210,
Dr D N Road, Fort, Mumbai 400 001.
Editor: Maulik Jasubhai Shah, 26, Maker Chamber VI, Nariman Point, Mumbai 400 021.
Indian Architect & Builder: (ISSN 0971-5509), RNI No 46976/87, is a JMPL monthly
publication. Reproduction in any manner, in whole or part, in English or any other
language is strictly prohibited. We welcome articles, but do not accept responsibility
for contributions lost in the mail.
40
The three distinguished panellists were Ar. Ashish Ganju from New
Delhi, Ar. Prem Chandavarkar from Bangalore and Ar. Savita Punde
from New Delhi. Sustainability being their forte, the speakers
presented and discussed various facets of the issue, each with their
own ideologies and concepts about how to translate it to architecture.
Mr. Prem in his talk quoted various scholars of different fields and
cited examples from biology, economic theory and human behaviour,
drawing analogies with the field of architecture and elucidating on
1955 Sketches of Don Quixote by Picasso.
the value of that difference. Id want to be Holistic in my ability to In The Natural House, Frank Lloyd Wright wrote down a Credo,
see the same single thing as many different things, from different coming from the Latin word, I believe, and he listed down all of
perspectives, different angles, and to understand the value of the beliefs that he deemed to be self-evident truths guiding his
multiple manifestations. To do this Id yearn to be of an inclusive actions throughout his lifetime. Each one of us should write in our
and exploring nature, looking at philosophy, the arts, and scientific Sketchbook our own Credo and we should work on it, and revise it
thinking simultaneously, seeking their connections and their now and then.
interrelationships. Yes, Id like to design myself wise, instead
of stupid! This list becomes the performance standards for the design called ME.
The items on this Credo would be the basis of my serious discussions,
When I am finished building my design of me, Id want myself as the essence of my debates, and even the guts of my arguments with
a Trustee of natural and human wealth. Id see Trusteeship in my my friends and my mentors. These questions would be the facts, the
understanding that we are all here on this earth only for a short ideas and the concepts Id explore with my colleagues, classmates
period, and it is our honor to create and hold wealth as a common and my teachers. Wed each have our own Sketchbook of Myself,
resource for future generations. I dont want to design myself and wed compare notes and sketches. We should look at our basic
greedy like the tallest building in the world, or to amass wealth design concept and how we are detailing it out. Just like the idea of
and property like the most ugly, oversized mansion. I want to be a building, wed be arguing over the idea of a person; a person called
driven by compassionate wisdom to hold the wealth of nature and me! Each young architect should write down, in their Sketchbook, a
of humanity, utilising it in a just and sustainable manner, for the personal Credo of their guiding beliefs that will in fact create them
whole of humanity, now and forever. Thus, I will never actually own into the future person they cherish to be!
anything; Ill just be a trustee of my wealth and employ it for the
common good! Each young architect should always be asking: How can I define
myself? How can my design of myself be better, more efficient, truer
So in designing myself, Id think of these things and how I can make and more beautiful than what it is? Id be thinking, discussing and
them an integral part of my thinking, my very soul, and my true sketching down, How can one be truly beautiful, not from the outside,
being. Id be concerned that I become a thinker-doer, and not just a but on the inside! Id yearn to be a great architect, but Id prefer to be
thinker-talker! a good person, should I have to make a choice between the two! Id
rather be admired by the people close by to me than by the unknown
James Joyce, the famous Irish writer, began his autobiographical masses of admirers off in distant places that I do not know.
novel at age 21, called Portrait of the Artist as a Young Man,
publishing parts of it over the years, but only the entire book at the Yes, if I were a young architect Id first design a structure
age of 34. He was clearly designing himself through his craft when called ME!
he first obtained a vision of his future self.
*Christopher Charles Benninger began his teaching career at The School
I would want to work on this design of me, and then to see that it is of Architecture at Ahmedabad (1968), Harvards Graduate School of Design
a functional design that can be done; can be made, and can change (1969-71), The School of Planning at Ahmedabad (which he founded with
the world! Id design myself to become an actor who does things, Balkrishna Doshi in late 1971), and at the Centre for Development Studies
and not an observer who sits on the side observing and criticising and Activities (which he founded in 1976, continuing through 1996). His
the doers! I would not worry about my career path too much, but book, Letters To A Young Architect, won the Best Architecture Book of the
Id worry about my personal path of self-discovery. Id try to increase Year Award and was on the Top Ten Best Selling Non-fiction Books List for
my skills, deepen my knowledge, and most of all sharpen my many months. It was later translated into Chinese, Gujarati and now into
sensitivities. Maybe Id list down the skills, the areas of knowledge, Marathi and Bengali. His page (A Network of Ideas; Not a Social Network)
and the sensitivities Id like to acquire in my Sketchbook of Myself. www.facebook.com/christopher.benninger.3 is the most popular architectural
Then Id plan out how, and through what means, I can acquire these site between Zurich and Tokyo, with more than 30,000 members.
elements, integrating them into my personae.
HOUSE AT
CROSSROADS
Ar Jayakrishnan K B,Trivandrum
Ar Jayakrishnan succinctly weaves a house at the
crossroads into the urban, social, spatial and infrastructural
fabric of the city of Trivandrum.
Text and Images: courtesy Ar Jayakrishnan K B
The city does not tell its past, but contains it like the lines of a hand, written in the
corners of streets, the gratings of the windows, the banisters of the steps, the antennae
of the lightning rods, the poles of the bags, very segment marked in turn with scratches,
indentations, scrolls.
MAGIC THREADS
Studio Motley, Bengaluru
Designed by Studio Motley, this kids boutique and activity
center, breaks away from the conventional perception of a
childrens store and yet retains a playful quality of space.
Text: Lavina Bulchandani | Drawings: courtesy Studio Motley
Images: courtesy Siddhi Madgaonkar & Anand Kurudi
The brief called for a boutique for childrens clothes along with spaces demarcated for a
jungle gym and a multipurpose activity room which could house parties, events, etc.
A decision was made early on to eschew the use of bright colours one would normally
associate with a childrens store and instead create the desired liveliness with light and
shade patterns and natural textures playing off each other. The intent was also to create
a subtle backdrop for the childrens clothes and accessories, one which doesnt compete
with the bright objects but in its own way contributes to the ambience
K ushti is a form of traditional mud wrestling from India. It is centuries old, but in the last few
decades the number of people taking up Kushti has been diminishing, with wrestlers taking
up mat wrestling instead. Currently played only in few cities in India, Kolhapur being one of
them, where only 6-7 traditional Talims (The Wresting Training Place called Talim) still thrive
while the rest converted to modern technique (very often persuaded by the Indian Government
to adapt to the Olympics eligibility). In Talim, the Pehalvan (wrestler) trained to enhance his
wrestling skills in a definite patch of Red mud called Aakhada for 7-8 years under guidance of a
Vastad (Trainer/mentor/teacher) to win medals in locally organised competitions.
Abijit has documented the agony and ecstasy of the traditional sport kushti. His attempt is
not to merely document the craft but to bring the spirit of the fighter and various forms of
tensions he undergoes. The training is tough and tedious. Through light and shade he has
brought forward the pains of the person who is undergoing kushti Training.
He has chosen and experimented with unusual angles of the akadas and that makes his work
stand out from other documentaries.
Many people including Raghu Rai have photographed this subject in black and white; the light
and shade and play of human forms makes it an ideal subject for black and white Photography.
Abijit has dared to use colour and he has become quite successful in that too.
The warm tones created by the reflection of light on red mud builds the atmosphere of fighting
and the spirit of this sport.
MUMBAI
` 200
INDIAN ARCHITECT & BUILDER EXPLORE
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JULY 2014
VOL 27 (11)
` 150
JAN 2014
VOL 27 (5)
MAR 2011
VOL 24 (7)
IN CONVERSATION
Mario Botta, Mario Botta Architetto
ARCHITECTURE
Delhi Public School, Bengaluru: Khosla Associates
Lateral House, Bengaluru: Gaurav Roy Choudhury Architects
HERITAGE
Adaptive Reuse of Jal Mahal Bijolai, Jodhpur: Grup.ISM Pvt Ltd
Architecture
KPIT Cummins Campus, Pune: Venkatraman Associates
Academia
Knowledgescapes : Neha Koul and Dr Gaurav Raheja
Young Designers 14
Architecture: Of Mud And A Moat
Product: 3Rs Chair
Free supplements: Asian Paints ColourNext 2011 Birla Yuvaratna 2010
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