Professional Documents
Culture Documents
A. ALAJENDRO ARAVENA
B. KEVIN ROCHE
C. GOTTFRIED BHM
D. GORDON BUNSHAFT
5. WHO IS THE ARCHITECT OF THE PHILIPPINE CENTER FOR INTERNATIONAL TRADE AND EXHIBITIONS (PHILCITE)?
A. LOCSIN, LEANDRO V.
B. SINDIONG, ANTONIO S.
C. SANTOS-VIOLA, CARLOS ANTONIO
D. SANTOS, IDELFONSO PAEZ
6. WHO IS THE ARCHITECT OF THE SAN MIGUEL CORPORATION HEAD OFFICE, MANDALUYONG RIZAL?
A. RUANO, ROQUE
B. MANOSA BROTHERS
C. ROXAS, FELIX ARROYO
D. RAMIREZ, EDGARDO P.
15. "... I THINK WHITE IS THE MOST WONDERFUL COLOR OF ALL, BECAUSE WITHIN IT ONE CAN FIND EVERY COLOR OF THE RAINBOW."
A. RICHARD MEIER
B. WALTER GROPIUS
C. FRANK LLOYD WRIGHT
D. FRANK GEHRY
16. AN UPPER STAGE IN A BUILDING WITH WINDOWS ABOVE ADJACENT ROOFS; ESPECIALLY APPLIED TO THIS FEATURE IN A CHURCH.
CLOISTERS
CLERESTORY OR CLEARSTORY
GALLERY
AMBULATORY
18. IN CLASSICAL ARCHITECTURE, IT IS THE TERM FOR THE SPACING BETWEEN THE COLUMNS.
INTERCOLUMNIATION
SUPERPOSITION
COLUMN SPACING
IMPOSITION
19. IN GOTHIC ARCHITECTURE, IT IS A SMALL TURRET-LIKE TERMINATION ON THE TOP OF BUTTRESSES, PARAPETS, OR ELSEWHERE, OFTEN ORNAMENTED WITH
BUNCHES OF FOLIAGE CALLED CROCKETS.
SPIRE
MINARET
PINNACLE
FINIAL
20. IN EGYPTIAN ARCHITECTURE, IT IS A TALL PILLAR OF SQUARE SECTION TAPERING UPWARDS AND ENDING IN A PYRAMID.
PYLON
ZIGGURAT
SPHINX
OBELISK
21. WHO IS THE 2008 PRITZKER PRIZE WINNER?
A. FRANK GEHRY
B. JEAN NOUVEL
C. JAMES STIRLING
D. ALDO ROSSI
26. WHO IS THE ARCHITECT OF THE PLDT FORMER HEAD OPFFICE, DE LA ROSA STREET, MAKATI?
A. NAKPIL, JUAN FELIPE DE JESUS
B. OLIVER, LUCIANO
C. PARSONS, WILLIAM E.
D. NAKPIL, ANGEL E. SANCHO
29. WHO IS THE ARCHITECT OF THE INTERIORS OF ADMIRAL HOTEL, CEBU PLAZA HOTEL, WACKWACK GOLF AND COUNTRY CLUB, PHILIPPINE HOUSE IN CHICAGO,
ILLINOIS, PHILIPPINE HOUSE, HOUSTON, TEXAS ?
A. OLIVEROS, EDITH L.
B. PARSONS, WILLIAM E.
C. NAKPIL, ANGEL E. SANCHO
D. OLIVER, LUCIANO
32.THE WESTERN LIMB OF A CHURCH, AS OPPOSED TO THE CHOIR; ALSO THE CENTRAL AISLE OF THE BASILICAN, MEDIAEVAL, OR RENAISSANCE CHURCH, AS OPPOSED
TO THE SIDE AISLES.
A. AISLES
B. NARTHEX
C. APSE
D. NAVE
A PHASE OF SPANISH ARCHITECTURE OF THE LATER FIFTEENTH AND EARLY SIXTEENTH CENTURIES, AN INTRICATE STYLE NAMED AFTER ITS LIKENESS
TO SILVERWORK.
A. ARABESQUE
B. CHURRIGUERESQUE
C. PLATERESQUE
D. MANNERISM
IS THE ORNAMENTAL PATTERN WORK IN STONE, FILLING THE UPPER PART OF A GOTHIC WINDOW; IT APPEARS TO HAVE BEEN CUT OUT OF A PLATE
OF STONE, WITH SPECIAL REFERENCE TO THE SHAPE OF THE LIGHTS.
A. PLATE TRACERY
B. STONE TRACERY
C. BAR TRACERY
D. TRANSOM
THE SPACE BETWEEN THE LATERAL WALLS OF THE NAOS OF A TEMPLE AND THE PERISTYLE COLUMNS.
A. PTEROMA
B. HYPOSTYLE
C. GALLERY
D. HYPAETHRAL
A MASS OF MASONRY BUILT AGAINST A WALL TO RESIST THE PRESSURE OF AN ARCH OR VAULT.
A. PYLON
B. ANTA COLUMN
C. PIER
D. BUTTRESS
A ROOFED BUT OPEN-SIDED STRUCTURE AFFORDING AN EXTENSIVE VIEW, USUALLY LOCATED AT THE ROOF-TOP OF A DWELLING BUT SOMETIMES AN INDEPENDENT
BUILDING ON AN EMINENCE IN A LANDSCAPE OR GARDEN.
A. BALCONY
B. TERRACE
C. BELVEDERE
D. PIAZZA
47. WHO IS THE ARCHITECT OF THE ROBBIE HOUSE, JOHNSON WAX BUILDING, FALLING WATER?
A. FUMIHIKO MAKI
B. FRANK LLOYD WRIGHT
C. LE CORBUSIER
D. PHILIP JOHNSON