Dear Lauri,

We hope this email finds you well. As you know were working this week on
Impromptu, and looking forward to resuming classes next week. For this we would
like to have the material of Fencer the soonest, to avoid any issues that might occur
with linking the footage etc. We also would like you to provide us with the syllabus
and the bibliography for the rest of the semester, so we have a better idea of the
plan for this class. We would really appreciate if it includes analysis of feature films
instead of scripts or dwelling into the technical side of editing, as we both feel its
where the focus should be in this master program. So maybe we can make the most
out of the class time by learning about the structure of a feature as a whole and
how to construct it, rather than single cuts or scenes. Regarding the editing of the
Fencer we feel we should continue this process first by going through all the footage
and then when we have a bigger picture of what we are actually dealing with we
can continue on more efficiently. The natural order of editing.