Professional Documents
Culture Documents
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Contents
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L E SS O N P L A N:
S A M P L E W O R K M U S I C S TA G E 5 : C O M P O S I N G
VA R I AT I O N S O N A T H E M E
Description of activity
Context
Outcomes
A student:
5.4 demonstrates an understanding of the musical concepts through
improvising, arranging and composing in the styles or genres of music
selected for study
5.5 notates own compositions, applying forms of notation appropriate to
the music selected for study
5.6 uses different forms of technology in the composition process
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102086 Designing Teaching & Learning 1H 2017
Assignment 2: APST and QT Analysis Template
Evaluate the lesson plan according to the following Australian Professional Standards for Teachers. Only
standards directly addressed in Designing Teaching & Learning that are relevant to this assignment have been
included. However, this does not mean the other standards are irrelevant to lesson planning and evaluation more
generally.
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12345 Comments: The resources suggested to use within this task are quite limited, and leave a large
portion of the task up to the teachers discretion.
3.4 Select and use resources
12345 Comments: Using tools such as Finale, it assumes students will be able to compose fluently with
these programs, however, as useful as these tools are, that is not always the case.
Evaluate the lesson plan according to the following NSW Quality Teaching model elements.
Evaluation score refer to NSW QTM Classroom Practice Guide for each element
Comments incl. evidence for evaluation score (2 sentences)
1 Intellectual quality
1.1 Deep knowledge
1 2 3 4 5 Comments: Does not engage further into and understanding of concepts, philosophies or any other
notion other than the task at hand. Students would gather more from this task if they were
encouraged to think further past their given task.
1.2 Deep understanding
1 2 3 4 5 Comments: Most students should be able to provide a deep understanding of composing music,
however students will be at different levels of musicology and may not be as considerate as others
would.
1.3 Problematic knowledge
1 2 3 4 5 Comments: This task allows for a small amount of discussion within students, as to how to approach
this task, given there are various ways of composing. This idea could be expanded on much further
though, as music can be quite subjective.
1.4 Higher-order thinking
1 2 3 4 5 Comments: In a symbolic way, composing in theme and variation requires a high order level of
thinking in the sense of manipulating the given piece to create something new. This requires to think
outside of their general spectrum and design a new piece. However this is not directly noted within
the lesson plan.
1.5 Metalanguage
1 2 3 4 5 Comments: Music requires a high sense of metalanguage as it calls on students to develop a thought
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path separate to the given piece and create something similar, but entirely new, using music as a
language to depict this.
1.6 Substantive communication
1 2 3 4 5 Comments: Communication is low, as students focus on their own work and class only a small
discussion would most likely occur from the given task.
Identify the two APST standards and two NSW QT model elements you are targeting for improvement.
APST
1) 1.5 Differentiate teaching to meet the specific learning 2) 1.4 Strategies of teaching Aboriginal and Torres Strait
needs of students across the full range of abilities Islander students.
QT model
1) 1.1 Deep Knowledge 2) 3.5 Connectedness
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Lesson Plan
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Numeracy Skills Working out theme and variation and apply their
rhythm (beats) knowledge of theory
Aboriginal and Torres Strait Islander Students will understand music of other
history and culture cultures (other than western music)
Critical thinking encouraging
students to discuss and think outside
of western music and society
Resources: (Continuous)
10 Students show the teacher their Teacher: Directing class Studen
minute compositions and explain to the class discussion and allowing for t
s their thought process behind how their informal assessment.
piece reflects Aboriginal culture.
Student: Group interaction
As a class group, students can give by getting students to
feedback in a positive way, as to how discuss their ideas in a
students could incorporate other ideas or positive manner
how they could improve.
Resources: Students
pieces from their
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computers
Conclus Students can then take their Teacher: Giving students Studen
ion compositions home with them to further to opportunity to further t
work on them as homework, with work on their variations,
10 expected 6 Variations of their original as music requires time and
minute theme to be fully notated. constant practice to
s develop skill.
Students can contact teacher through
emails if they need anymore advice. Student:
Will take their
compositions home to
work on further and refine.
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Reflection
What have I learned about the teaching and learning
process when preparing this lesson?
As a teacher, I have developed an understanding of how important
and necessary it is to have a thorough lesson plan/scaffold, to help
direct and engage students. Modifying this lesson plan allows us to
see that it is paramount that we incorporate Aboriginal culture and
music into our classrooms. Taking this particular lesson plan was
difficult in the sense that it was quite narrow in its objectives and
outcomes. Noting this, I was able to readjust the plan as so it would
incorporate concepts from Aboriginal music and a wider variety of
outcomes.
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music
from different stylistic,
social, cultural and
historical contexts
5.9 demonstrates an Assessment through homework, after students
understanding of have had a bit of time to work on it, we can
musical literacy through then mark and grade their work.
the appropriate This will then give the teacher a good indicator
application of notation, of how well the student understands the given
terminology and the concepts and task
interpretation and
analysis of scores used
in the music selected
for study
WHS
What are the key risk issues that may appear for and need to be
reduced/eliminated in this lesson? Using your syllabus and support
documents as well as other WHS policy- Outline the key WHS
considerations that are to be applied in this lesson?
Within music, one of the key WHS issues that can arise is the issue
of music being too loud, whereas students can permanently damage
their hearing if they continuously listen to loud music over time. It is
my job as teacher to ensure students are using appropriate levels
when listening to their music back, as well as ensure they have
good quality headphones, not earphones that could risk damage to
the ear drum.
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Academic Justification
Despite the original lesson plan being quite extensive, we can note there is room for
improvement in multiple areas; to create a more wholesome and engaging plan. In
reference to the Australian Professional Standards for Teaching guides and
frameworks, we can create improvements in selected areas, which include (but are not
limited to) outcomes 1.5, Differentiate teaching to meet the specific learning needs of
students across the full range of abilities and 1.4, Strategies of teaching Aboriginal
and Torres Strait Islander students. Following this, we can also aim to address the
standards set out by the New South Wales Quality Teaching Model. Particular
outcomes I would aim to address include (but are not limited to) 1.1, Deep
Knowledge and 3.5, Connectedness.
Looking forward, we can focus on the concept of the outcome 1.5, which is achieved
by adjusting our teaching practices, to be inclusive and accommodating for all levels
of learning. As noted in the modified lesson plan, this is achieved by creating more of
a student - teacher interaction, with the teacher being more included in the progression
of the lesson (Hayes, Mills, Christie, & Lingard, 2006). As well as this, students are
informally assessed on a larger array of outcomes and standards, rather than the
limited outcomes of the original plan. Widening this criteria for achievement, allows a
broader spectrum for students to achieve and grow as they work their way through
this particular topic. Continuing this, we can view the correlation between the given
outcomes of an assessment and academic achievement of a student, as Ronald Harden
notes that the use of limited learning outcomes allowed for inadequacy, as predictors
of the complex nature of learning (Harden, 2002), emphasising the notion of needing
a larger array of outcomes to assess all students levels. Continuing this, addressing the
need for outcome 1.4, viewing the original lesson plan, we can see there was little to
no involvement of Aboriginal music, or culture throughout the lesson. With this in
mind, it is paramount that students are opened to learning about Aboriginal music as it
aims to create aware individuals, as well as differentiation to the learning preferences
of Indigenous students. Sandra Styres notes the importance of building good and
equitable relationships between teachers and students, as we can then endeavour to
adjust our teaching to be mindful of the cultural context and protocols (Styres, 2017).
This is achieved by readjusting the original lesson plan, to focus on Aboriginal music,
rather than classical. Introducing the song Treaty (Kelly et al., 1991), we begin to
address this outcome by allowing students to compose their pieces with an Aboriginal
focus to their theme and variations.
Expanding further, we can then look at addressing the outcomes within the NSW
Quality teaching model, as the original lesson plan allows for gaps within the learning
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process. Looking at outcome 1.1, we can see the original lesson plan is very directive
and does not allow for questioning of deep knowledge. We address this in the
remodelled lesson plan by encouraging group discussion, as this allows for student
consideration and critical thinking. The inclusion of group work is widely understood
to help students develop as Groups can change the way people perceive the world
and the reality of their lives. (Johnson, & Johnson, 2004). Furthermore, we can then
go ahead and examine how we addressed outcome 3.5, that being connectedness. This
concept encapsulates the notion of how students are connected to a bigger picture and
draws from the idea of deep knowledge. Within the original lesson plan, teachers are
asked to reference a piece of classical music; however, to accommodate various
outcomes such as connectedness, it is paramount we adjust the lesson plan
accordingly. Again, with this in mind, understanding Aboriginal music and the culture
respectfully behind it, allows the students to develop a better sense of connectedness
not only with the culture, but their own peers as well. We can note that the State
curriculum frameworks to develop [ones] deep knowledge, skills and values that
strengthen the sense of Aboriginal identity and understanding among a whole
community (Vaughan, Burridge, & Whalan, 2012).
To conclude, although the NESA original lesson plan was thoroughly produced, we
can see the need to further scaffolding and refining overall; as many outcomes from
various teaching guides and models were not being met. The APST and the NSW
QTM guide both permit for improvement with the notion of developing students who
are culturally aware as well as engaged and interested. Following this, I personally
feel as though this particular lesson plan has been modified and adjusted so it means
multiple learning outcomes and therefore, aids students in being the best they can be
as learners, peers and individuals.
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References
Hayes, D., Mills, M., Christie, P., & Lingard, B. (2006). Teachers and
Schooling Making A Difference: Productive pedagogies, assessment
and performance (1st ed.). Crows Nest, NSW: Allen & Unwin.
Kelly, P., Yunupingu, M., Kellaway, S., Williams, C., Yunupingu, G., &
Mununggurr, M. et al. (1991). Treaty. Australia: Mushroom Records.
Retrieved from https://www.youtube.com/watch?v=Jf-jHCdafZY
Ludwig, J., & Gore, J. (2003). Quality Teaching in NSW Public Schools
A classroom practice guide Retrieved from http://web1.muirfield-
h.schools.nsw.edu.au/technology/Programs/Template/Quality
%20Teaching%20Guide.pdf
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Sample work Music Stage 5: Composing Variations on a Theme | NSW
Education Standards. (2017). New South Wales Education Standards
Authority. Retrieved 14 May 2017, from
https://educationstandards.nsw.edu.au/wps/portal/nesa/k-
10/understanding-the-curriculum/resources/sample-work/sample-
work-detail/sample-work-music-st5-composing-variations-on-a-
theme
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