This document contains references to several articles and books about partimento, thoroughbass theory and practice, counterpoint pedagogy, and music theory in the Baroque and Classical eras. The references discuss topics such as Rameau's harmonic theories, thoroughbass and continuo playing, the rule of the octave, fugal composition, early German compositional pedagogy, Italian treatises on thoroughbass from the 17th century, and Haydn's use of partimento.
This document contains references to several articles and books about partimento, thoroughbass theory and practice, counterpoint pedagogy, and music theory in the Baroque and Classical eras. The references discuss topics such as Rameau's harmonic theories, thoroughbass and continuo playing, the rule of the octave, fugal composition, early German compositional pedagogy, Italian treatises on thoroughbass from the 17th century, and Haydn's use of partimento.
This document contains references to several articles and books about partimento, thoroughbass theory and practice, counterpoint pedagogy, and music theory in the Baroque and Classical eras. The references discuss topics such as Rameau's harmonic theories, thoroughbass and continuo playing, the rule of the octave, fugal composition, early German compositional pedagogy, Italian treatises on thoroughbass from the 17th century, and Haydn's use of partimento.
Lester, Joel Rameau and eighteenth-century Cambridge history of western
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Thoroughbass music theory Partimento and continuo Christensen, Thomas Fundamenta partiturae: Thorough playing in theory The century andand of Bach practice
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The regle de l'octave of in eighteenth- thorough-bass Mozart: perspectives Acta musicologica on 64/2 century theory composition and practice pedagogy historiography, composition, Lester, Joel Thoroughbass as a path to Towards tonality, theory, and aspects of performance Christensen, Thomas composition The spanish in the early baroque eighteenth guitar and baroque music theory Journal of Music Theory century seventeenth century triadic theory
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Sanguinetti, Giorgio knowledge of counterpoint Partimento-fugue: and the neapolitan playing in theory Partimento and practice and continuo composition angle playing in theory and practice Lutz, Rudolf The playing of partimento Partimento and continuo Jans, Markus Towards a history Partimento fugue in of eighteenth- the origin and playing Towardsintonality, theory and practice aspects of development century Germany:of theArule of the bridge octave baroque music theory between thoroughbass lessons and fugal Gindras, Bruno composition Eighteenth-Century Music Sanguinetti, Giorgio Prelude on a partimento: Invention in Oxford University Press Overview: the The art pedagogy compositional of partimento of sculo the Byros, Vasili Primeiros tratados italianos do german XVII sobrestates in contnuo: baixo the time ofuma J.S. Bach. Society for Music Theory Rosa, Stella anlise comparativa Per musi, Belo Horizonte The realization of partimenti: An Sanguinetti, Giorgio introduction Jornal of Music Theory From partimento fugue to Maxim, Serebrennikov thoroughbass fugue: new perspectives Bach: Journal of the Muzart's succinct thorough-bass Riemenschneider The Novello, Sabilla y E. H the accompaniment application school of Bacillys Air of musical-rhetorical The Musical Times and Composition Vous ne before pouvez Rameau Iris, Or to harmony, Continuo Singing Schulenberg, David figures figured and dissonances bass, and College Class Music Circular (1860) Symposium Accompaniment thoroughbass ofstyle an Air accompanimentin the baroque by Ourof early Goede, Choice T. Harmony of - Del suonare sopra il and Ornament. Amsterdam University Goede, Therese 17th-century basso, Italianthe concerning vocal solo music realization of How to Enhance the Continuo Amsterdam University Goede, Therese early XVII italian of Accompaniment unfigured an Air bybasses Our Goede, Therese Choice Amsterdam University The trueoffundamentals Harmony andofOrnament. composition, Diergarten, Felix Haydn's partimento counterpoint Eighteenth Century Music