Catalogue Helbling Choral Music

HELBLING
Choral Music
Oratorios, Masses, Choral Collections
Chorus XXI Series
Helbling Secular Choral Music Series
Helbling Sacred Choral Music Series
Helbling Choral Concert Series (HCCS)

2 HELBLING Choral Music Contents
CONTENTS
Choral Collections .................................................................................................................................................................................................................................... 3
Sacred Choral Works Oratorios ........................................................................................................................................................................................ 3
Sacred Choral Works Masses ............................................................................................................................................................................................... 6
Sacred Choral Collections ................................................................................................................................................................................................................ 9
Secular Choral Collections ........................................................................................................................................................................................................... 11
Warm-ups ................................................................................................................................................................................................................................................................. 14
Chorus XXI Series New Perspectives in Choral Music .......................................................... 16
Helbling Secular Choral Music Series .......................................................................................................................................... 24
Jazz Choir ................................................................................................................................................................................................................................................................. 24
Chamber Choir goes Pop ................................................................................................................................................................................................................ 26
Masterworks of Great Composers, arranged for Choir and Piano ........................................................................ 29
International Folk Songs, arranged for Choir and Piano ..................................................................................................... 31
Helbling Sacred Choral Music Series ............................................................................................................................................. 36
New Sacred Choral Works ........................................................................................................................................................................................................... 36
Masterworks of Great Composers, arranged for Choir and Piano/Organ ................................................ 37
Helbling Choral Concert Series (HCCS) .................................................................................................................................... 38
Titles 2009 39
...............................................................................................................................................................................................................................................................
Lighter Concert Selection ..................................................................................................................................................................................................... 39

Popular (Rock, Pop, Evergreen, Swing, Ballad) ............................................................................................................................. 42
Folk & Multicultural ..................................................................................................................................................................................................................... 46
Gospels & Spirituals ...................................................................................................................................................................................................................... 47
Sacred ..................................................................................................................................................................................................................................................................... 48
Christmas & Seasonal ................................................................................................................................................................................................................. 52
All Further Titles .......................................................................................................................................................................................................................................... 63
Composers & Arrangers ..................................................................................................................................................................................................... 62

Sacred Choral Works Oratorios 3
Lorenz Maierhofer
Lorenz Maierhofer
In the Beginning was the Word

Oratorio for mixed choir SATB, Solo Soprano and
Im Anfang war das Wort
In the Beginning was the Word
Baritone, Solo Violin, String orchestra and/or organ Oratorium
Duration: about 70 minutes.

In its content, this moving and festive oratorio presents the
Prologue of the Gospel according to St. John in relation to the
maturing of humanity in faith. The work portrays, in the sense
of a creation story, the path that leads from earthly striving and
doubt to religious enlightenment.
Gesamtpartitur
The music is characterised by a sensitive setting of the `Word`, by Lorenz Maierhofer

Full score
powerful melodies and colourful harmonies, and by the optimism Im Anfang war das Wort
of religious faith. In the Beginning was the Word
Oratorium
The 11 choral parts are mainly based on psalms. The messages of Fr gemischten Chor SATB,
Sopran- und Bariton-Solo, Solo-Violine,
Fo
For
or mixed
mixed choir
Soprano
oprano and
So
ch
hoir SA
SATB,
and Baritone
Barit solo, solo violin,
the choral compositions are musically intensified by soprano and Streichorchester und/oder Orgel string
string orchestra
rin and/or organ
orchesstra a
baritone solos. The self-contained character of the choral parts

enables them also to be performed individually, both in religious
services and in sacred concerts. Gesamtaufnahme
in deutscher Sprache
Complete recording
in German
The recitatives are sung by the soloists with organ accompa-

niment (baritone = Prologue of St Johns Gospel, soprano =
associative thoughts on the text of the Prologue) or, optionally, can be declaimed by two narrators. The recitatives are
introduced by a solo violin, arco or pizzicato.
The instrumental accompaniment by string orchestra (violin 1, violin 2, viola/violin 3, violoncello, double bass) and/
or organ lends the work a classical festive radiance.
Contents (Choral parts): In the beginning was the Word Worship the Lord Let your eyes see Gods creation
Earth to heaven Fling wide the gates and doors I lift up my eyes Thou art my God Send forth Thy spirit
Grant us peace I will magnify the Lord The Lord bless you and keep you
rit.
Chor + Soli: Im Anfang war das Wort 13 Solo-Violine: strahlend
1 Choir + Soli: In the beginning was the Word Vn. 1
2 Solo violin: full of radiance
Freely
A Joyfully = ca. 100 arco
Vn. 2
Violin
Violin 1
Va.
(Vn. 3)
6
Violin 2 3 rit.
3 3
Vn.
Vc. 3
Viola 3
(Violin 3)
Db.
Violoncello rit.
Bariton-Rezitativ: Im Anfang
pizz. arco S Baritone recitative: In the beginning
A
Double-bass C 10 Freely
H Wort, und das Wort war bei Gott, es war bei Gott!
O Word, hal le lu jah, the Word was God. Baritone
Solo I
8
Soprano S R Im An fang war das Wort und das Wort war bei Gott, und das
O Hal le lu jah, hal le T In the be gin ning was the Word, and the Word was with God, and the
L B
Solo I
Baritone
8 Hal le lu jah, hal le lu jah, rit.
Soprano C
H Organ
Alto
O
Tenor I Org.
Bass R
Organ 14
Bar.
C Animated = ca. 114 8
Wort war Gott. Im An fang war es bei Gott, bei Gott.
rit.
B Expressive 19 Word was God. The same was in the be gin ning with God, with God.
7
Vn. 1
Vn. 1
Org.
Vn. 2 Vn. 2
Va. Va.
(Vn. 3) (Vn. 3)
Solo-Violine: erwachend
Vc.
Vc. 3 Solo violin: awakening
Freely
Db. pizz. rit.
rit. Db. Violin
Solo
S. S
O lu jah, hal le lu jah!
L Solo
Solo I
Bar. S.
8 hal le lu jah! S Und das Wort war bei Gott. Sopran-Rezitativ: Geboren und erwacht
O Er schenkt mir sei nen Tag.
S L And the Word was God. Soprano recitative: Born and awakened
A I He gives me His Day. Freely
C Solo 6
H Im An fang war das
In the be gin ing was the Bar.
O Soprano
8
I Im
R Er Ge bo ren und er wacht, er wacht, mein A tem fliet im Fluss der Schp fung.
T Hal le Born and a wa kened, a wa kened, my breath flows in the stream of cre a tion.
B tacet ad lib. He
rit.
Org. Organ
Org.
Choral score SATB + organ HI-C6236 12,90

Full score (study score/conductors score) HI-C6237 39,-
Conductors score (full score enlarged, A3 format) on request
Instrumental parts (Vl. 1, Vl. 2, Va./ Vl. 3, Vc., Db., Org.) HI-C6238 55,-
CD - Complete recording (German lyrics) HI-C6239CD 17,80
Sample pages & recordings at www.helbling.com
4 Sacred Choral Works Oratorios
Lorenz Maierhofer
There is a Light
Oratorio with Christmas songs, spirituals,
folk songs and texts based on St. Lukes Gospel
This easy-to-sing, moving, yet at the same time groovy work
combines the Christmas story as told in St. Lukes Gospel
with Christmas songs, spirituals and folk songs. It can be sung
with great flexibility in the spirit of an oratorio.
The work permits two different performance variants:

* An interpretation of the basic edition for choir a cappella,
soli and narrator
** Enriched oratorio edition for mixed choir SATB, soli and
piano, with recitatives for baritone solo (optionally spoken by
a narrator with piano accompaniment)
Contents (Choral parts): There is a light Sunny light of Bethle-

hem Seora Doa Maria Somebodys knocking at your door
Let my light shine bright Vamos pastorcillos This little light of
mine Its a me Those were the days Sunny light of Bethlehem,
Amen Lets sing a song of Christmas
* There is a Light: Basic edition a cappella

for choir, soli and narrator
This edition provides all of the choral pieces as easy-to-sing strophic songs, each introduced by solo passages. Between
the choral sections, the Christmas story from St Lukes Gospel is freely declaimed by a narrator.
The distinctive compositional concept also provides the option of combining different choirs (mixed choir, treble choir,
male-voice choir) together in a single, joint performance.
The naming of the chords throughout indicates the possibility of a free chord accompaniment, for example on piano or
guitar. For pianists, it is also easily possible to take the corresponding passages of the piano accompaniment and the
accompaniment for the spoken texts of the narrator from the enriched oratorio edition.
Choralscore, basic edition SATB HI-C4913 Choral score, basic edition SAA HI-C4914
Choralscore, basic edition TTBB HI-C4912 9,50
** There is a Light: Enriched oratorio edition vocal-instrumental

for mixed choir SATB, soli and piano, with recitatives for baritone or alto solo
(optionally spoken by a narrator with piano accompaniment)
This edition enables the work to be performed as an oratorio for choir, soli and piano, with recitatives for a baritone
(or alto) solo. Alternatively, the recitatives can also be freely declaimed by a narrator to a piano accompaniment (this
option can be heard in the complete CD recording).
In the enriched oratorio edition, the choral sections have been arranged as varied strophic songs. The chord names
given in the piano accompaniment also make a band accompaniment (e.g. piano/bass/percussion) possible.
Choral score, enriched oratorio edition SATB, soli, piano HI-C5749 12,50
Piano part HI-C6304 6,-
CD - Complete recording SATB, piano, narrator (German lyrics) HI-5157CD 17,80
CD - Piano recording HI-5158CD 17,80
Sacred Choral Works Masses 5
Lorenz Maierhofer
Missa Lumen
Latin Mass for mixed choir SATB a cappella and soli,
optionally with string orchestra and/or organ
This new Mass of Light is characterised by a special tonal
language. An expressive archaic vocal style is combined with a
solemn classical charm and slightly popular nuances. The light
of the human quest, of the assurance of faith and divine eternal
joy form the message of the Missa Lumen a Mass that moves
performers and the audience alike. With its scope for variant
performances, the Missa Lumen is a versatile choral repertoire item
Lorenz Maierhofer for the annual calendar of church music: vocal-instrumental or
/KUUC.WOGP
a cappella.
vocal- instru menta

Mixed choir, soli
l
Contents: Kyrie Gloria Credo Sanctus Agnus Dei
and string orchestra
Gemischter Chor, Soli
und Streichorchester
a cappe lla
Mixed choir and soli
Choral score SATB HI-C5893 10,50
Gemischter Chor und Soli
Full score HI-C5897 18,90

Instrumental parts HI-C5905 20,-
& " - & " 4 5 3 * / ( 4
CD Complete recordings HI-C5894CD 17,80
Lorenz Maierhofer
Missa de Anima Lorenz Maierhofer
Latin Mass for mixed choir SATB, Baritone solo,

a cappella or with organ, optionally with MISSA DE ANIMA
drum(s) or stomps For mixed choir SATB, Baritone solo
a cappella or with organ,
optionally with drum(s) or stomps
A strong, rhythmic pulse and powerful archaic vocals characterise Fr gemischten Chor SATB, Bariton-Solo
a cappella oder mit Orgel,
the music of this new Latin Mass of the soul, of the spirit and of optional mit Trommel(n) oder Stomps
life. In a lively and colourful kaleidoscope of harmony, modern

and mediaeval sounding musical tones combine in a festive Mass
with a special radiance. Optionally, the rhythmic, pulsating cha-
racter can be underscored by a percussive drum accompaniment or
with stomps (stamped rhythms or rhythms played percussively with Lorenz Maierhofer
a variety of objects). A youthful and refreshing new repertoire work

for religious services and concerts. MISSA DE ANIMA ic and lively
Festively
tivvely aarchaic,
Feest
sti
Festlich archaisch,
archahaais
is
rchaic, rhythmic and lively
isch, rhythmisch
rhyth und bewegt
festively archaic, rhythm

isch und bewegt
festlich archaisch, rhythm
Contents: Kyrie de Anima Gloria de Anima Halleluja de

Anima Sanctus de Anima Agnus Dei de Anima s-IXEDCHOIR"ARITONES
3 interpretations
OLOORGANDRUM
OLOORGAN
s-IXEDCHOIR"ARITONES
"ARITONESOLO
s-IXEDCHOIRACAPPELLA
Score SATB, drum, stomps, organ HI-C6259 10,50

6 Sacred Choral Works Masses
Lorenz Maierhofer
Lorenz Maierhofer
Missa Missa Harmonia Mundi

Harmonia Mass for mixed choir SATB a cappella,
optionally with organ and 2 trumpets and/or strings
Mundi
fr gemischten Chor SATB a cappella,
optional mit Streichern und/oder Orgel The motto of this Mass is: many tongues one Christian faith! For
for mixed choir SATB a cappella,
optionally with strings and/or organ
this, the Latin text of each of the parts SAT combines with a living
Viele Sprachen ein christlicher Glaube
Many languages one christian faith
language (German, English or Spanish) sung by the independently
borne bass voice. This festive work is relatively easy to sing. Optio-
nally the Mass can be accompanied with strings and/or organ. This
formation can be expanded with 2 trumpets. The brass parts can
also accompany the choral singing together with the organ.
Lorenz Maierhofer The TTBB edition of this Mass can be accompanied with organ and,
Missa optionally, with 2 trumpets.
Harmonia
Mundi Gesamtpartitur
Contents: In nomine / In the Name Kyrie eleison / Have mercy
Viele Sprachen ein
Many langua ges
christlicher Glaube
one christi an faith Full score Laudamus Dominum / Glory to the Lord Cantemus Halleluja
/ Lets sing Hallelujah Offerimus / We offer Sanctus / Holy
Agnus Dei / Lamb of God Corpus Domini / Lord Jesus Body
Jubilate / Be joyful

Full score SATB, strings, trumpets, organ HI-C6269 18,90
Instrumental parts to SATB HI-C6270 20,-
Choral score TTBB, organ, trumpets HI-C6324 10,50
Josef Sulz
Missa Jubilate Deo
Missa
Josef Sulz
Latin Mass mixed choir SATB a cappella,
optionally with organ and/or strings
Jubilate
In its form and style, the short Latin Missa Jubilate Deo follows in the
tradition of classical church music. Alongside powerfully simple
and in many cases insistently expressive moments, effective fugato
Deo
passages and splendid unisons create a highly festive atmosphere.
The singing parts are supported by an organ and/or string (ad lib)
accompaniment, thus ensuring that the sound has a festive effect. Kleine A-cappella-Messe
im klassischen Stil
Because of its cantabile conception, its clear structure and the un- fr gemischten Chor (SATB)
Instrumentalbegleitung ad lib. (Orgel, Streicher)
complicated nature of its harmonies, this Mass is also highly suited
C H O R PA RT I T U R
to the needs of less experienced singers and small church choirs,
and can be performed on a wide variety of occasions.
Contents: Kyrie Gloria Sanctus Benedictus Agnus Dei

Instr. parts (Vl. 1, Vl. 2, Va., Vc., Db., org.) HI-C5559 17,-
Sacred Choral Works Masses 7
Michael Aschauer
Missa anima integra
Latin Mass for mixed choir SATB a cappella,
optionally with organ and/or strings
This Latin Mass is marked by exceptionally rich and powerfully
expressive melody and harmony. Radiant with joy, solemn and
measured, insistent in lamentation, moving in contemplation, the
Mass speaks directly to human emotions and reflects faith, trust,
hope and a zest for life. The optional, easy-to-perform organ and/
or string (colla parte) accompaniment offers an additional perfor-
mance alternative, provides support for the vocal parts and lends
the Mass an added festive splendour. The clarity of form, tonal
disposition, moderate proportion, logical part-writing and balanced
ambitus of the voices make this Mass easy for even small church
choirs to sing on a variety of occasions.

String parts (Vl. 1, Vl. 2, Va., Vc.) HI-C6285 20,-
Siegfried Singer
Missa Classica
(In honorem Sancti Leonardi)
Latin Mass for mixed choir SATB, soli SATB,
with organ and strings, optionally with
brass ensemble and timpani
Both in form and in style, this composition takes as its point of
reference the great tradition of classical church music. In line
with current practice in church music, there is no setting of the
creed. With the festive splendour of its sound, the Missa Classica is
especially suitable for the major festivals of the church year. At the
same time, care has been taken to ensure that the Mass can also be
easily managed by amateur choirs. The choral part is easy to sing,
and the solos can also be handled by capable choral singers. For the
performance, two different instrumental formations are possible:
either with strings and organ only, or with, in addition, two oboes,
two bassoons, two horns and timpani.
Choral score SATB HI-C4828-1 10,50

Full score HI-C4828-0 18,90
Instrumental parts HI-C4828-2 29,90
8 Sacred Choral Works Masses
Lorenz Maierhofer
Ethno-Mass for peace
9 African, Afro-American and Native American
Songs for mixed voices SATB a cappella, soli,
drums and speaker
The Ethno-Mass for peace including celebrated words of
Nelson Mandela, Mother Teresa, Pope John Paul II, Martin
Luther King Jr., can be sung in religious services and
celebrations, in concerts or at events in support of peace, either with
pD
esm
ond
Tutu
Mother Teres
aN
els
on
M
a
a specific ethno sound or by a gospel choir or in traditional classical
o nd
sh
bi e
choral style. The international language of intercultural music
ch
la
Ar
l
iv e
and the spoken texts, quote timless messages of hope and

u
Esq
rez
Adolfo P
appeals for peace.
Contents: Peace to the World (Introit) Oh Burden Down, My

Lord (Kyrie) Singa Yesu Singa / Sing and Open to Jesus (Gloria)
Ah, Kezhegukin / Good Morning, My Day (Gradual) The River
is Flowing (Offertory) Sana, Sananina, Praise the Lord (Sanc-
tus) Hambani Kahle (Agnus Dei) Kuwate / The Infinite Sun
(Communion) Yakanaka Vhangeri / Praise the Lord All Together
(Final Hymn)

CD Complete recording HI-C5431CD 17,80
Lorenz Maierhofer
Body & Soul
New Gospel-Mass for choir SATB a cappella and
speaker, optionally with instr. accompaniment
This groovy, yet at the same time contemplative and meditative
Mass combines stylistic features of gospel, swing and pop with
lyrics based on the Psalms. Each choral piece is preceded by a
meditative spoken text. The arrangements can be performed in
various forms: choir a cappella / choir a cappella and speaker /
choir, speaker and instrumental ensemble.
Contents: Body and Soul (Introit) There is One More Day FER
LORENZ MAIERHO
(Kyrie) Now at the Name of Jesus (Gloria) Who Knows Where
We are Going? (Gradual) Well, Im Gonna Sing (Offertory) I
Sing Holy (Sanctus) Waiting for the Lord (Agnus Dei) Thanks
(Communion) What a Happy Day (Communion) Ive got a
Feeling (Final Hymn)
religious and
spiritual songs (SATB)
THE BODY & SOUL-SINGERS
Choral score SATB HI-C4808 Choral score SSA Gospel-Messe fr gemisch
Gospel-Mass for Mixed
ten Chor
Choir
r: Dieter Dorner
Sprecher/Speake
HI-C4871 Choral score SA HI-C5080 10,50

Instrumental score & parts (to use with all choral editions)
HI-C5461 16,50
Piano part (to use with all choral editions)
HI-C5462 6,-
CD Complete recording HI-C4810CD 17,80
CD with backing tracks HI-C5296CD 17,80
Sacred Choral Collections 9
Lorenz Maierhofer
Close to Gods Footprints
14 Songs & New Gospels
for mixed choir SATB or SAAB a cappella and soli
Lets sing and praise! This is the message of these 14 highlights
for concerts, celebrations and religious services. The easy-to-sing
songs arouse with new gospel sound and groove, the drive of a
cappella pop and the moving charm of meditative ballads. As an
additional option, all of the songs can be performed with instru-
mental accompaniment.
Contents: Close to Gods Footprints In My Fathers World To

RHOFER
LORENZ MAIE
the Left, to the Right Just Here in My Little World When the
$MPTFUP(PET Sun Sets over the Mountains Shine, My Candlelight Cant You
'PPUQSJOUT
14 Songs & New Gospels
Feel Gods Mighty Hands I Do it My Way Fly, Little Butterfly
Hallelujah, Earth and Heaven I Know, My Name is Written There
for mixed voices SATB and
soli
Gods Holy Spirit May God Bless My Living Between Heaven
and Earth
vokal- ense mble
1 Choral score SATB HI-C5888 12,50
Lorenz Maierhofer L O R E N Z M A I E R H O F E R
New Gospel Train

16 spirituals and new gospels for mixed choir
SATB a cappella (also available SAA)
This edition contains new arrangements of new gospel songs and
16 S PI R ITUAL SO N GS
spirituals rich in tradition, easy to sing. They make it possible to for mixed voices (SATB or SAAB)
fr gemischte Stimmen (SATB oder SAAB)
experience the timeless message of hope, love, peace and joy. The
new gospels, the newly composed songs in the collection, combine
elements of the negro spiritual, gospel and the jubilee song, and
expand them with elements taken from jazz and pop.
Contents: The New Gospel Train Hear Me Prayin, Lord Sinner L O R E N Z M A I E R H O F E R S
You Know Burden Down, Lord Certainly, Lord I Sing Holy

Ne w GO SP EL Tr ai n
Heaven is a Wonderful Place Lord, I Know Ive been Changed Vokal-Ensemble WHAT 4
May Peace on Earth Make Love, Not War Ive got Peace like a
River Steal Away Lets Sing a Hallelujah Oh, Mary, Dont You
Weap Save the World Ive got a Feeling

Choral score SAA HI-C5106 11,90
10 Sacred Choral Collections
ONE ARRANGEMENT MANY OPTIONS

Treble Voices (SA or SSA) or Mixed Voices (SAB or SATB)
The series for variable choir combinations by Gwyn Arch

an innovative concept for school, youth manageable piano or keyboard
and adult choirs accompaniment integrated in every
different choir combinations in one score
choir score: additional available CD+ (Audio-CD
two treble voices SA
+ CD-ROM in one) containing:
three treble voices SSA or SAA
complete recordings of all
three-part mixed voices SAT or SAB
5 arrangements
four-part mixed voices SATB
instrumental backing tracks for all
bass part with restricted vocal range arrangements
and occasional alternative notes printable instrumental score,
especially for young male voices printable instrumental parts
The different Go down, Moses

choir combinations
With determination / Mit Entschlossenheit q = c. 116) arr. Gwyn Arch
mf
S S S S S
Go down!
mf
A A A A A / (S2)
Go down!
opt.
T A T / (A2)
opt.
B B B
3
=

Piano mf
Gwyn Arch (Arr.)

5 spirituals
Variable arrangements for choir SA/SSA or SAB/SATB and
piano, optionally with instrumental accompaniment
There is still no end to the fascination exercised by the performances of the
large numbers of gospel choirs, and after the concerts and religious services,
the streets everywhere are full of enthusiastic audiences swinging their way
home, still stirred by the power of the gospel songs and spirituals. So it goes
without saying that the FlexiChoir series would not be complete without the
inclusion of spirituals. The arrangements are varied and groovy, and will get
that crucial feeling going in both the singers and the audience.
le!
lab
ai
v
CD a
Contents: When the Saints go marching in Swing low, sweet chariot Go

down, Moses I couldnt hear nobody pray I want Jesus to walk with me
Choral score + piano HI-C5754 9,90 CD HI-C5755CD 17,80

Sacred/Secular Choral Collections 11
Gwyn Arch (Arr.)

5 christmas songs
One date in the calendar that can always be relied upon is Christmas. And for
choirs in particular it means large numbers of seasonal concerts and religious
services. FlexiChoir offers you a colourful range of Christmas choral music,
from England, France, Spain and the USA. The titles will convince that swing,
real feeling and humour can all be part of the sound of Christmas.
Contents: Joy to the world O holy night A la nanita nana Santa Claus
ai
la ble! is comin to town Mary had a baby
v
CD a

Gwyn Arch (Arr.)

5 irish folk songs
Lovers of folk music rate Irish folk right at the top of the popularity scale. Ire-
land is after all a country with an inexhaustible variety of ballads, love songs,
melancholy songs of home and, of course, drinking songs. The FlexiChoir
series offers you a small crosssection from the Irish folk music repertoire. The
songs provide living proof that Irish music, too, can sound absolutely authen-
tic when sung by a choir.
Contents: A bunch of thyme She moved thro the fair Carrickfergus ai

lab
le!
v
CD a
Cockles and mussels I know where Im goin
Choralscore + piano HI-C5792 9,90 CD HI-C5793CD 17,80 2009 10:11:11 Uhr
Gwyn Arch (Arr.)

5 caribbean songs
For many people, the Caribbeans atttratction is sun, sea and sand, cocktails
and exotic fruit. But for many, too, it is the music of the Caribbean islands that
triggers memories and itchy feet. Whether reggae or calypso, this is music that
your whole body responds to. The FlexiChoir series focuses on folk songs from
Jamaica, Trinidad and Tobago, which bring a taste of Caribbean verve and zest
for life to both choir and audience.
ai
lab
le!
Contents: Come back, Liza Miss Lilian Brown gal trilogy Marianne
v
CD a
Matilda
16 07 2009 16:32:54
Uhr
12 Secular Choral Collections
Lorenz Maierhofer
Inspirationals
African Gospels, Blues, Earth Songs
for mixed choir SATB a cappella,
optionally with drums
Like prayers, Inspirationals convey deep human emotions, full
of spirituality and blues. These easily singable compositions and
arrangements span a wide range of choral music styles with
Indian, African, Afro-American and Native American sounds and
messages. Solo vocal improvisations, spoken texts, expressive in-
strumental accompaniments ad lib, and, not least, choreographies
LORENZ MAIERH
OFER can give the pieces a very individual effect. Whether the mood
is meditative, contemplative or groovy, the Inspirationals move
singers and audiences alike in concerts, celebrations and choral
meditation.
Meditative Choral Music ty and blues /
between multicultural spirituali itt und Blues
Spiritual
zwischen multikultureller
en Chor (SATB)
for mixed choir / fr gemischt
Contents: Om Shanti Om (Give Me Peace) Bianu umuaka kwenu
(Come and Wake up into Daylight) Deep in the Earth (Madshe-
kule) Uyingcwele Baba (You Are Holy, My Lord) Hambani kahle
(Our Light shall Brighten the Night) Sana, Sananina, Sing and
Praise Blues and Trouble Spirit, Come I Wanna Sing My
Blues Essence of Joy Yin & Yang Sunshine to You

Markus Detterbeck
Sing Africa, Sing
9 African songs for mixed choir SATB a cappella
Sing Africa, Sing provides a whole diversity of insights into the
great breadth of African choral music. This collection of choral sett-
ings from the experienced hand of Markus Detterbeck ranges from
songs of welcome through lullabies to religious inspirationals and
politically motivated freedom songs. In addition to the language of
the originals, every song has been provided with singable English
lyrics. The appendix contains warm-ups, guides to pronunciation
for each of the titles. Whether performed in concerts or in religious NBSLVT!EFU
UFSCFDL
CHOR AKTIV 16
services, these lively and rhythmic choral songs are always guaran-
teed to win the enthusiasm of the audience.
fr gemischten Chor
9 afrikanische Lieder
SATB a cappella
choir
9 African songs for mixed
Contents: Mamaliye (Sing Africa, sing) Molweni (Lets say SATB a cappella
hello) Sesithi bonga (Let us sing bonga) Thina singu (Let us be

the burning fire) Thula sizwe (Any day now) Revival Thula
mtwana wami (African lullaby) Hamba kahle (Farewell) Free-
dom is coming
Choral score SATB HI-C5753 12,50 7 2009 12:01:19 Uh

Secular Choral Collections 13
Henry O. Millsby
Swinging Baroque
7 vocal arrangements of instrumental pieces
from the Baroque period, for mixed voices
SATB a cappella (also available SAB, SAA or TBB)
Swinging Baroque contains seven vocal arrangements of well-known
and easy-to-sing highlights of the baroque period. These groovy
choral pieces have been arranged in Swingle Singers style. The
rousing, swinging scat treatments can be performed a cappella;
a vocussion or instrumental accompaniment (for example on per-
cussion, double bass or piano) can lend additional appeal to an
interpretation. These songs will be a source of great enthusiasm for
anyone who has always wanted to experience baroque music with
a difference.
Contents: Swing the Prelude (M.-A. Charpentier) Brighten the

day (J. J. Fux) Bourre for W. A. (L. Mozart) Polonaise for W. A.
(L. Mozart) Theres Swing in the Air (G. F. Handel) Swinging
Intrada (Anonymous) Swinging Anna Magdalena (J .S. Bach)
Choral score SATB HI-C5921 Choral score SAB

HI-C5044 Choral score SAA HI-C5051 Choral score TBB
HI-C5052 11,50
Lorenz Maierhofer ADG:COB6>:G=D;:G
Classic light a cappella 9bWii_Yb_]^j

CHOR AKTIV 18
20 choral arrangements of well-known themes by WYWff[bbW

great composers for mixed voices SATB a cappella
'%8]dgWZVgWZîjc\ZcWZg]biZgI]ZbZc\gdZg@dbedc^hiZc
(also available SSAA, TTBB) '%X]dgVaVggVc\ZbZcihd[lZaa"`cdlci]ZbZhWn\gZViXdbedhZgh
20 easy-to-sing choral arrangements of timeless, popular [g\Zb^hX]iZHi^bbZcH6I7

[dgb^mZYkd^XZhH6I7
themes by the great composers. With humour, sensitivity and

unerring style, Lorenz Maierhofer has created choral pieces
that will inspire enthusiasm in a wide variety of performance
situations festive, tongue-in-cheek and with lively rhythms. ADG:COB6>:G=D;:G
Contents: A Welcome (G. F. Handel) Classic Light-Chant Sing

9bWii_Yb_]^j
and Rejoice (Anonymous) I Hear the Birds Sing (F. Schubert) WYWff[bbW
^hiZc
iZgI]ZbZc\gdZg@dbedc
8]dgWZVgWZîjc\ZcWZg]b
Come, Tender Spring (J. Haydn) It Rings Out So Joyful (W. A. 8]dgVaVggVc\ZbZcihd
[lZaa"`cdlci]ZbZhW
XdbedhZgh
n\gZVi
Mozart) Vienna Polka Sound (J. Strau II) Scat-Minuet

(L. Mozart) Romance in F (L. v. Beethoven) Our Little Night Music
(W. A. Mozart) Good Morning / Good Evening (Chr. W. Gluck)
Love May be (J. Pachelbel) Sunset Serenade (J. Haydn) Wedding
Bells (F. Mendelssohn-Bartholdy) The Great Classics Hallelujah
Choral score SATB HI-C6145 Choral score SSAA

HI-C6305 Choral score TTBB HI-C6306 12,50
14 Secular Choral Collections / Warm-ups
Carsten Gerlitz
Carsten Gerlitz
Love & Choir
6 pop ballads & love songs arranged for mixed
voices SSATB a cappella
6 pop ballads
Cuddling in the choir! With these six well known pop ballads
arranged for mixed voices arranged by Carsten Gerlitz for mixed choir SSATB, this dream
SSATB a cappella
finally becomes reality with every hit a cuddly moving declara-
tion of love! The songs by Phil Collins, Simon & Garfunkel, Robbie
Williams and Nicole Kidman, Mariah Carey and Uncle Kracker are
presented in a new a cappella style. Guaranteed to make the hearts
Shes the one of the performers and the audiance beat faster!
Bright eyes
Something stupid
Without you Contents: One more night Follow me Shes the one Bright
Follow me eyes Something stupid Without you
One more night
Choral score SSATB HI-C5847 12,50

Lorenz Maierhofer
Ethno Canons
14 canonic songs, based on songs and themes from
4 continents
This collection of 14 warm-up canons provides a tuneful musical
world tour, taking in Australia, Asia, Africa and America. These songs
to perform canonic are suitable for small singing groups as well as
for choirs. The musical patterns permit a broad range of accompani-
ments. This opens up easily understandable paths and insights into the
characteristic sound worlds of a range of different cultures. The
pieces have been deliberately selected and adapted for practical use
in musical and choral teaching, promoting vocal self-awareness,
a sense of rhythm, voice training and production, aural training
and movement. Corresponding suggestions and tips backed up by
concrete exercises are provided for each of the pieces. Individual,
creative interpretations of the Ethno Canons can also be effectively
performed on stage.
The enclosed CD is a complete recording of all 14 canons. It is the
ideal support for a holistic and motivating treatment.
Contents: Abeeyo / A welcome Uh a lay lay Cherry blossom,

Sakura Arirang round Hineh ma tov / Its a good old tradition
Caravans double round Banuwa round Hambani kahle round
Rhythm and Syncopation Saturday night fever Peace to the
world Ah, kezhegukin / Good morning, my day Kuwate / The
infinite sun The river is flowing
Score (German version) incl. CD with complete recordings

HI-S5377 24,90
English version of the score: in preparation
Soundtrack-CD HI-C5410CD 17,80
Warm-ups 15
Lorenz Maierhofer
Warm-ups
for voice & body
25 canonic songs and chants
for choir, classroom and stage
Warm-ups are small pieces with great effect ideal
for many situations where people sing together in
groups. Canonic structures and pattern accompani-
ments such as small bass parts, rhythmic accompani-
ments with vocussion or percussion, and background
vocals permit great diversity in the arrangement of
the pieces for a broad range of levels of difficulty.
These 25 short, easy-to-sing pieces motivate people to sing in a variety of ways. For each of the warm-ups there are
specific hints and tips on how to use them in music and choir teaching: body & voice, rhythm & movement or
performance. Whether as a rhythmic rap number with Vocussion, as a canon with choreographed movement, or as a
creative musical piece, the warm-ups can also be performed very effectively on stage.
The CD supplied with the sheet music offers recordings of all pieces.
Contents: Mister Spookeys rhythm round - Talking faces - Sing a cappella - Echo sound in groove - The train - Drum
and drum - There is sunshine - What a delight - Lets swing ...
Score (German version) incl. CD HI-S5608 24,90 English version of the score: in preparation
Lorenz Maierhofer
Sing-Gymnastics
14 action songs and movements
for choirs, schools and at home
Sing gymnastics are short songs to accompany physi-
cal exercises, catchy little numbers specially designed
to liven up people and get them moving. Whether you
use them as a warm-up or as a refreshing break, these
action songs will always guarantee fresh enthusiasm,
renewed concentration and relaxation. The sheet
music together with the enclosed CD, containing sung
recordings and short video sequences, provide every-
thing you need to motivate!
All of the songs are easy to sing, and everyone will quickly be able to perform them from memory. Accompaniment
patterns for voices, rhythm instruments and mallet instruments are included. Sing gymnastics involve movement for
all areas for the body, from stretching to jumping and tap-dancing to get the circulation going the movements are
balanced and accord with the latest findings of sports medicine.
Contents: Keep your body fit - Alien ladies in the street - Lets keep fit - Moving feet - Shoulder Boogie-Woogie - Up
and down in my moving train - Walk, jump and wave your hand ...
Score (German version) incl. CD HI-S5788 24,90 English version of the score: in preparation
16 Chorus XXI Series New Perspectives in Choral Music
NEW P E RSP E CT I V E S IN CH O R A L M U S IC
te 1
XXI SSAATTBB a cappella CHORUS XXI

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SATB divisi a cappell
SATB a cappe rspectives in Choral Music a
XXI
New k neuer Chorm
neuer Chormusi
XXI
usik
Perspektiven
CHORUS
CwHP eO R U Si n ic
Choral Mus k
New Per
P e r s p e kspectives in Ch
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Ne en neuer e u e r C ral Music SATB divis
Perspektiv hormus
ik i a cappella
AWER RZYGA
SIMON W MICHAEL OST
BE RG ER FRANZ M. HERZOG
IE D FR IE
GO TT FR
RU PE RT
7JWBMB.VTJDB *VQQJUFS Lux aeterna

HARALD FELLER
"WF .BSJB -VYGVMHFC

N o. 4 o f
N r. 4 a u
: Four C
h
JU
s: Vier W ristmas motets
eihnacht /
smotett
en
18.03.2009 8:54:28 Uhr
10:53:28 Uhr
19.03.2009
The series Chorus XXI - New Perspectives in Choral Music, with choral works by contemporary composers, offers
chamber and concert choirs and also dedicated amateur choirs a broad spectrum of sacred and secular pieces.
The diversity of its style and content ranges from musical settings of poems through sacred concert pieces to experi-
mental sound compositions.
Many of the compositions have already been successfully performed in competitions and have aroused considerable
international attention.
EL Raphael
Asi Sea
The Answer of the Sea
SSAATBB a cappella
Love is the amen of the universe. (Novalis) Slowly, in
the sound of the sea, through its broken syllables, a hid-
den message reveals itself. What can the song of the
ocean convey to us? Perhaps the calling of the sea: the
calling of the sea to say amen. We have often heard
voices and narratives in birdsong, in the rustle of leaves

8 ppp

on the trees, in the whistling of the wind and in the SI

sch chu chi chi

ppp
murmur of the sea. Federico Garcia Lorca once said: We S II
sch chu chi chi

must be like a tree, standing constantly in prayer. And
AI

precisely in order to succeed in rendering this profound tl chu - o - ha ho
song of praise of the ocean, we need both the colourful A II

tl chu - o - ha ha
sound of a large
g choir and its calm.
TI

paah sch pl pl pl hu

T II

paah sch aff - u aff ff - u fff u
sfz

SSAATTBB a cappella HI-C6222 BI

schooh afff - un afff ff - u ff - o ho -
4,20 (Minimum order: 10 copies)

sfz

B II

schuh afff - un afff ff - u ff - o ho -
16:26:11 Uhr
Recordings at *) Zunge beim L bei den vorderen oberen Zhnen lassen
www.helbling.com
15.07.2009
More sample pages at www.helbling.com

Chorus XXI Series New Perspectives in Choral Music 17
Veni creator
Creatorspiritus
Spiritus
in festa Pentecostes
SATB a cappella
for the Hilliard Ensemble
Rupert Gottfried Frieberger
Music: Rupert Gottfried Frieberger

Tempo I (tranquillo) Helbling, Rum/Innsbruck
mp

Soprano

p

Ve - ni

cre - a - tor spi - ri

- tus,

men - tes

Veni creator spiritus
Alto

Ve
p
- ni

cre

-

a -

tor,

ve -

ni

cre

-

a -

tor
SATB a cappella

Tenor
Ve - ni cre - a - tor, ve - ni cre - a - tor

p

Bass
Ve - ni cre - a - tor, ve - ni cre - a - tor
The composition of Veni creator spiritus was commis-

Tempo I (tranquillo)

Piano

p mp
sioned by the Hilliard Ensemble and was given its first

(for

rehearsal
only)
performance in the Collegiate Church in Schlgl in May

1998. The Gregorian melody is carried through in each
5
S

tu - o - rum vi - si - ta, im - ple su - per - na of the four fully composed verses, roaming through all

A
the vocal parts. In the third verse, which is reduced

ve - ni, ve - ni, im - ple su - per - na gra - ti - a

ve to three voicings, we encounter its mirror image. In
T

- ni, ve - ni, ve - ni, ve - - ni

verse four, ostinato groups in the sub-choir underpin

B
ve - ni, ve - ni, ve - ni, ve - ni
the soprano cantus firmus. This rhythmically and har-

monically diverse choral composition has meanwhile

9 become part of the repertoire of the Czech Philharmonic

S
gra - ti - a quae tu cre a - sti pec - to - ra
Choir Brno and has been performed at many venues.
A

cre - a - tor, ve - - ni cre - a - - tor

cre
T
CHORUS
New Pers XXI
- a - tor, ve - - ni cre - a - - tor p
P e r s p e k t ectives in Chora
iven ne l
u e r C h o Music SATB a cappella

rmusik

B RUPERT GOTTFRIED FRIEBERGER
cre - a - tor, ve - - ni cre - a - - tor

7F O J D S F B U P S T

QJSJUVT

SATB a cappella HI-C6220 in festa
Pentecos

tes

Recordings at C6220 Veni
creator.indd
1
3 19 03 200
Rupert Gottfried Frieberger, Veni creator spiritusU-/ UîL}],LVU }i}iii` HI - C6220

www.helbling.com
Ave Maria
Rupert Gottfried Frieberger p
SATB a cappella Music: Rupert Gottfried Frieberger
Helbling, Rum/Innsbruck

mp
Soprano
Ave Maria Alto

A
p
-

ve Ma - ri - a

Do
mp
Do

-
- mi - nus

mi - nus
te

- cum

te - cum

p mp

SATB a cappella Tenor
Gra - ti - a ple - na Do - mi - nus te - cum

p mp

Bass
As a dedication to Joseph Werndl, the retiring director

Gra

- ti - a

ple

- na Do

- mi

- nus

te - cum

Piano
of music of Passau Cathedral and an admirer of Anton (for
rehearsal
only)
p

mp

Bruckner, this four to eight voice, homophonically

4
oriented choral piece is characterized by its affinity S

be - ne - di - cta tu in mu - li - e - ri - bus
p
with Bruckner: reminiscent of the Dorian mode, it, too, A

sets its climactic points on the thrice repeated cry of be - ne

- di - cta

tu

in mu - li - e - ri - bus

et
p

be - ne -

be
T
Jesus, before taking up the initial motifs in a kind of

- ne - di - cta tu in mu - li - e - - ri - bus, et be - ne -

p

reprise starting at Sancta Maria, and leading into an

B
be - ne - di - cta tu in mu - li - e - ri - bus, et be - ne -

eight-voice D major for the Amen.

mf

7
pp
S
et be - ne - di - ctus fru - ctus ven - tris - tu - i JE - SUS JE - SUS
pp mf

A

di - ctus fru - ctus, fru - ctus ven - tris - tu - i JE - SUS JE - SUS

pp mf

di
T

SATB a cappella
XXI - ctus fru - ctus ven - tris - tu - i JE - SUS JE - SUS

Ce wHP eO R U Ss i n C h o r a l Muu ss ii ck

pp

rspective

m
er Chor
mf

N iven neu
Perspekt

EBE RGE R B
IED FRI
GOT TFR
RUP ERT
di - ctus fru - ctus ven - tris - tu - i JE - SUS JE - SUS
"WF .BSJB
SATB a cappella HI-C6221

pp mf


Recordings at
19.03.2009
10:53:28 Uhr
2
dd 1
www.helbling.com HI - C6221 Rupert Gottfried Frieberger, Ave MariaU-/ UîL}],LVU }i}iii`

Ave Maria
SATB divisi a cappella
Music: Harald Feller Harald Feller
p
U
Calm
fj
j j
&c J 45 . c
J J
S
fj
A - ve Ma - ri - - - a,
U
mh,
p
J J
gra - ti - a ple - na, Do - mi - nus
Ave Maria
j j j
&c b 5
4 j j j c j j j
A
A - ve Ma - ri - - - a, gra - ti - a ple - na, Do - mi - nus te -
No. 1 from Four Christmas Motets
f p
j 5 U c J J J J
Vc J 4 J J J J
T
A - ve Ma - - - a,
p gra - ti - a ple - na, Do - mi - nus te - -
f
b U
? c J J 5 w c J J J
J
B 4
A - ve Ma - ri - - - a, mh, gra - ti - a ple - na, Do -
Harald Fellers Four Christmas Motets are an expression
j b
U j of individual aspects of the Christmas mystery. By
& c
5
4 c j
J J
U j
means of colourfully arranged harmonies, freely
j
Piano/Klavier
b
? c J w c J
(for rehearsal)
J 45 J floating rhythms and finely drawn melodies, the
composer succeeds with these settings in moving both
p
singers and audience in equal measure in their inner-
j U " f # 54 U
j j # .
4
& #. #

J J c most selves. The composition of the Ave Maria was
te - cum, Do - mi - nus te - cum.
U " f
A - ve Ma - ri - a, mh,
p
U
inspired by a setting by the Spanish Renaissance
& 54 . c
J J composer Toms Luis de Victoria, and for this reason,
cum, Do - mi - nus te - cum. A - ve Ma - ri - a, mh,
U " f # U p Fellers choral piece is based on the same Gregorian
54 # c
V # J J J J
cum, Do - mi - nus te - cum. A - ve Ma - ri - a, mh, be - ne -
version of the text. The piece is also suitable for perfor-
U f U p
? " J 5 mance outside the Christmas period on other feast days
J J J 4 J J c
mi - nus te - cum, te - cum. A - ve Ma - ri - a, mh, be - ne - dic - associated with the Blessed Virgin. CHORUS
New Pers
p
XXI
iven neu l M
e r C h o r usic
musik
SATB divisi
a cappella
&
j U "
# 54 U
. c
# . #
HARALD FELLER
# J J "WF.BSJB

U
# # U
SATB divisi a cappella HI-C6122 N o. 1 o f :
N r. 1 a u s :
Four Chri
Vier Weih
stmas mo
tets /
?
nachtsmo
# 45
tetten
J J c
Recordings at
4 HI - C6122 Harald Feller, Ave MariaU-/ ÙîL}],LVU }i}iii`
www.helbling.com
Verbum caro
Harald Feller SATB divisi a cappella
Music: Harald Feller
P
Calm and expressive
p
j j j 24
& 43 b j 24 c b c
Verbum caro S
Ver - bum
p
ca - ro fac - tum est.

Ver - bum
P
ca - ro
# #
fac - tum est.
3 2 2
No. 2 from Four Christmas Motets A &4 j j 4 # c j
j 4 c
Ver - bum ca - ro fac - tum est. Ver - bum ca - ro fac - tum est.
p P
V 43
j 24 c j
J 24 c
SATB divisi a cappella T J
p P

? 43 b 2 c b J 24 c
Harald Fellers Four Christmas Motets are an expression B J J 4 J
of individual aspects of the Christmas mystery. By

& 34 b

24
# c b
#
24
# c
means of colourfully arranged harmonies, freely floating

Piano/Klavier
b
? 43 b 42 42
(for rehearsal)
rhythms and finely drawn melodies, the composer c c
succeeds with these settings in moving both singers

and audience in equal measure in their innermost F
3
f
7 b c w .
P
est,
3
&c 4 b
7
. 8 J 4
selves. J J J
Ver - bum ca - ro fac - tum est. Ver - bum ca - ro fac - tum est, et ha - bi - ta -
In the Verbum caro, a tranquil beginning is followed by F f P
3 7 b 3
& c b 4 8 j c . j j j
b 4
a second, livelier part with a more joyful character. The .
Ver - bum ca - ro fac - tum est. Ver - bum ca - ro fac - tum, et ha - bi - ta -
F
closing forte, surprising at first sight, gives clear and f 78
P
Vc 43 N. c .
J

J J J 43
vivid expression to the power of the word. Ver - bum ca - ro fac - tum est. Ver - bum ca - ro fac - tum, et ha - bi - ta -
?c
F
3 . f b P
7 b c w 3
SATB divisi
a cappella
4 8 J 4
XXI
R U Ss i n C h o r a l Muu ss ii ck
Ce wHP eO
N
Perspekt
rspective
iven
er Chor
neu
m
Ver - bum ca - ro fac - tum est. Ver - bum ca - ro fac - tum est,
j

R
7 b
LLE

LD FE
c w
HARA
3 3
& c b 4 b 8 4
.. . J b
P
7FSCVNDBS
N o. 2 o f :
Four Chri
stmas mo
tets /
otetten SATB divisi a cappella HI-C6123 b b
ihnachtsm
: Vier We
N .. w
N r. 2 a u s
? c 78
2,60 (Minimum order: 10 copies) 43 J c 34
Recordings at
4
www.helbling.com HI - C6123 Harald Feller, Verbum caroU-/ ÙîL}],LVU }i}iii`

O magnum mysterium
Harald Feller
Slow and expressive
P
b j
& 78 b 43 b. 78 b
S
O
P

mag - num
J
my - ste - ri - um, o

mag - num
J
my -
O magnum mysterium
j j j
A & 78 b 43 b .
78
b No. 3 from Four Christmas Motets
O mag - num my - ste - ri - um, o mag - num my -
P
7 3 b 7 SATB divisi a cappella
T V8 J 4 J J 8 J
P
?7
J 3
J
J 7
J
B 8 4 8 Harald Fellers Four Christmas Motets are an expression
of individual aspects of the Christmas mystery. By
j j
b
& 78
b
b 34
b b ..
78
b
b

means of colourfully arranged harmonies, freely
J
Piano/Klavier
? 87
floating rhythms and finely drawn melodies, the
43 87
(for rehearsal)
J J J
singers and audience in equal measure in their inner-
j j
43 j 87
4
& . b most selves.

ste - ri - um, et ad - mi - ra - bi - le sa - cra - men - tum,
In the setting of O magnum mysterium, an expressive,
3 7
& b .
j
4 j
j
8
b very slow soprano melodic phrase, carried by colour-
j
ful harmonies, gives particularly clear emphasis to the
V . b 43 J b 78
J mystery of Christmas.
b.
?
43 b J

87
J b
J
b
CHORUS
New Pers XXI
p
P e r s p e k t ectives in Chora SATB divisi
iven neu l M

e r C h o r usic a cappella
musik
j 3 j j 7
& b .. b
HARALD FELLER
4 b
8 0NBHOVNNZT
UFSJVN
b .. b( )
SATB divisi a cappella HI-C6124 N o. 3 o f :
Four Chri
3 b
stmas mo
b
N r. 3 a u s

: Vier We tets /
b
ihnachtsm
? 7
4 b J
otetten
J 8
J 3,30 (Minimum order: 10 copies)
4 HI - C6124 Harald Feller, O magnum mysteriumU-/ ÙîL}],LVU }i}iii`
Recordings at
www.helbling.com
Lux fulgebit
Harald Feller SATB divisi a cappella

c ..
Calm
F
&c
. 98 .. 98
cresc.
Lux fulgebit S
Lux
J
ful - ge - bit,
J
ful - ge - bit. Lux
J J J J J
ful - ge - bit ho - di - e,
J
ho -
P
98 b j j j .. j 3j j 98
cresc.
&c
3
No. 4 from Four Christmas Motets A c n

Lux ful - ge - bit. Lux ful - ge - bit,
c J J J .
F
Vc
. 98 . 98
cresc.
SATB divisi a cappella T J J J J J

Lux ful - ge - bit, ful - ge - bit. Lux ful - ge - bit ho - di - e, ho -
F
. . cresc. .
?c J 9 J J c J J J J J 9
Harald Fellers Four Christmas Motets are an expression B 8 8
Lux ful - ge - bit, ful - ge - bit. Lux ful - ge - bit ho - di - e, ho -
of individual aspects of the Christmas mystery. By j j j
. 9 b .. .. c n .. 9
means of colourfully arranged harmonies, freely & c J 8 8
.. ..
Piano/Klavier
.
3 3
floating rhythms and finely drawn melodies, the (for rehearsal)

? c J 98 J J c J 98

singers and audience in equal measure in their inner- f
j j
& 98 J J b J c 98 45
4
.
most selves.
- di - e su - per - nos, su - per nos, su - per nos:
The motet Lux fulgebit begins pianissimo, enigmati- j 3j j j f
j j P
& 98 b c 98
#. j j 5
4
cally and monophonic. In a dynamic intensification, ho - di - e du - per nos, su - per nos, su - per nos: qui - a
ever more tones join in until, after repeatedly gathering f j jP

V 98 J J b J c
J J
98 . b 45
forces, the work closes with a jubilant Amen. - di - e su - per - nos, su - per nos, su - per nos: qui - a na -
P

? 89 J J b f .
J c J J 89 J J 45
a cappella
SATB divisi
XXI
Ce wHP eO
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Perspekt
rspective
iven
er Chor
neu
m
- di - e su - per - nos, su - per nos, su - per nos: qui - a na -

LLE R

LD FE
& 98 98 54
HARA
b b c # ..
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Four Chri
stmas mo
tets /
SATB divisi a cappella HI-C6125 b
otetten
.
N o. 4 o f : ihnachtsm
9 .
3
b b
: Vier We
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? 9 J J J c J J 5
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Recordings at
4
www.helbling.com HI - C6125 Harald Feller, Lux fulgebitU-/ ÙîL}],LVU }i}iii`

Jubilate Deo
SSAATTBB a cappella
Simon Wawer
Lyrics: Psalm 100 Music: Simon Wawer
Jubilate Deo
Vivace h = 8090 p
. . w
S1
S2
&C J J
Ju - bi - la - te, ju - bi - la - te,
p
A1
j
& C . w w w
SSAATTBB a cappella
A2
Ju - bi - la - te, ju - bi - la - te,
p
T1 VC . J b Encounters can awaken beautiful memories and trigger
T2
Ju - bi - la - te,
?C
a feeling of wellbeing. Reason enough for joyful
B1
B2 excitement, euphoric rejoicing and singing with all our
j j j might. However, reflection, inner calm and contem-
& C . w
. . w ww
Piano/Klavier plation of the sublime, into whose presence we have
(for rehearsal)
? C . b
J
entered and whom we remember in our joy, also form
a part of it all.
poco a poco allargando Jubilate Deo has been composed in the style of modern,
w w w N
6
& jazz-like, spiritual a cappella choral works. Strongly

ju - bi - la - te, ju - bi - la - te,
rhythmic and with special harmonic effects, it appeals
& w w w # not only to young peoples choirs but also to committed
ju - bi - la - te, ju - bi - la -
choirs whose members have remained young at heart.
b
V w w
ju - bi - la - te, ju - bi - la - te, ju - bi - la - te,
p
? . . w
J J J J
CHORUS
New Pers
p
XXI
iven neu l M SSAATTBB
e r C h o r usic a cappella
musik
Ju - bi - la - te, ju - bi - la - te, ju - bi - SIMON WAWER
+VCJMBUF%F
N
poco a poco allargando P
w w w SSAATTBB a cappella HI-C6079
& w w w #
Psalm 100
?

w . w w b
J . J J J
Recordings at
6 HI - C6079 Simon Wawer, Jubilate DeoU--// UîL}],LVU }i}iii`
www.helbling.com
Simon Wawer Viva la musica

SSAATTBB a cappella
Simon Wawer
Viva la Musica S1 &

###
q = 80
c
###
& c
SSAATTBB a cappella S2
F
# #
poco a poco acc.
j j j j
A1
A2
& # c . . . .
Vi - va! Vi - va!
What would our existence, our lives, be without music? P
# # . . . . . .
poco a poco acc.
Joyful emotions, sorrowful romances, songs of battle T1 V # c J J J J J J

Vi - va! Vi - va! Vi - va!
or feelings of love: without music, any portrayal of # # p
poco a poco acc.
V # c . . . . . . . .
these could only be imperfect. Music is an elemen- T2 J J J J J J J J
Vi - va! Vi - va! Vi - va! Vi - va!
tal mirror of our selves and our souls, an inherently
poco a poco acc.
? # # # c . . . . . . . . . .
J J J J J J J J J J
B1
human form of expression. Let us take delight in it. Let B2
Vi - va! Vi - va! Vi - va! Vi - va! Vi - va!
us honour it. Let us make use of it for the sake of peace.

q = 132 sempre giocoso
,
# # f. . f
poco a poco acc.
Music! Long may it live! U j
& # J J . . . . j .
6

3
J J J J .
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Vi - va! Vi - va! Vi - va! *) Vi - va! Vi - va la mu - si - ca!
f , f
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poco a poco acc.
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& # J J J J J J .
Vi - va! Vi - va! Vi - va! Vi - va! Vi - va la
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a cappella
Vi - va! Vi - va! Vi - va! *) Vi - va! Vi - va la mu - si - ca!
, f
SSAATTBB
XXI
# # . . U j j j j
. . . .
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m
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neu

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Perspekt
.
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R
WAWE
SIMON
7J WBMB.VTJDB Vi - va! Vi - va! Vi - va! Vi - va! Vi - va la

SSAATTBB a cappella HI-C6257 , f j j j j
. U .

? # # # . . . . .
J J J J J J .
3,30 (Minimum order: 10 copies) Vi - va! Vi - va! Vi - va! Vi - va la
______________
18.03.2009
8:54:28 Uhr
Recordings at *) S1 and T1 dominate / S1 und T1 treten hervor
www.helbling.com 4 HI - C6257 Simon Wawer, Viva la MusicaU--// UîL}],LVU }i}iii`
More
M sample
l pages att www.helbling.com
h lbli
IUPPITER
commissioned by CONSONO chamber choir, cond. Harald Jers
Michael Ostrzyga (*1975)
Michael Ostrzyga
ff

Marcato e molto pesante h = 52

Sopran I
Sopran II

ff
Iup - pi - ter

Op -

- ti -

mus

Ma -ha - ha

-
Iuppiter

Iup - pi - ter Op - ti - mus Ma -ha - ha -
SSAATTBB a cappella

ff
Alt I


ff

Alt II

Iuppiter is a choral work based on Jupiters many Latin

Iup - pi - ter Op - - ti - mus Ma -ha - ha -

ff

Iup-pi - ter
Tenor I
cult names and etymologically related concepts from

Op - - ti - mus Ma -ha - ha -
ff
other ancient languages. In addition, passages from
Iup-pi - ter
Tenor II

Op - ti - mus Ma -ha - ha -
ff
the Ordinary of the Roman Catholic Mass and the
Bass I
Pentecostal Sequence are used.


ff

Bass II
Iup - pi - ter Op - - ti - mus Ma -ha - ha -
The initial sound is succeeded by an ornamental,

7

f

mysterious middle part. The composition ends in a
SI
- megalomaniac, eruptive final part, like thunder and

a - xi - - mus. Ma - jes - ta - tis,

f
S II downpour.
a - - xi - - mus. Ma - jes - ta - tis,

-

f

AI
- a - xi - - mus. Ma - jes - ta - tis,

f

A II

- a - xi - - - mus. Ma - jes - ta - tis,

f

TI

-

a - xi - - mus. Ma - jes - ta - tis,

f

T II CHORUS
8Oa
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MICHAEL OSTRZYGA
BI

*VQQJUFS

- a - xi - - mus. Ma - jes - ta - tis,
SSAATTBB a cappella HI-C5920

f
B II
- a - xi - - - mus. Ma - jes - ta - tis,
Recordings at
6 HI - C5920 Michael Ostrzyga, Iuppiter SSAATTBB Helbling, Rum/Innsbruck Esslingen. All rights reserved.
www.helbling.com
Lux aeterna
Franz M. Herzog SATB divisi a cappella
specially commissioned for the 44th International Choir Competition,
Porcia Castle, Spittal an der Drau, Austria
Lux aeterna
Lyrics: Communio of the Requiem Mass Music: Franz M. Herzog
by Helbling, Rum/Innsbruck
q = 88
F
## >
quasi come campanelli
>
n > > n > n > n
simile
& # # 43 n n n n
S1 J J J J J J J
SATB divisi a cappella ## >
Re -
F
-
quasi come campanelli
> >
-
>
- -
>
qui - em,
>
Re
simile
- - - - - qui - em,
S2 & # # 43
Re - - - - - qui - em, Re - - - - - qui - em,
With Lux aeterna, Franz M. Herzog presents an ##
A1/2 & # # 43
impressive concert piece for mixed voices that with its
##
dramatic interpretation of the content of the requiem T1/2 V # # 43
mass represents a fascinating challenge for every ? # # # # 43

B1/2
dedicated choir. With an exceptionally expressive
# ## 3 n # n # n # n n # n n
musical language, full of tension and suspense and Piano
& # 4 n # n # n
characterized by cluster-like overlays of melodic lines (for rehearsal)

? # # # # 43
and differing sound surfaces and pattern structures, he
has produced a vivid, closely-woven musical setting of 5
##
P
& # # J n n n n n n n n n n
the final plea for eternal light. S1 J J J J J J J J J
Re - - - - qui - em, Re - - - - qui - em, Re - - -
## P
S2 & ##
Re - - - - qui - em, Re - - - - qui - em, Re - - -
# ## p j j j j j
T1/2 V # -
-
-
Re - - - qui - em ae - ter - nam, Re - - - qui -
p j j j
a j j
Seite 1
? ## ##
13:35 Uhr
29.01.2007
u12seit
C5846 Lux_Aeterna_Ne
n
a cappella
n
SATB divisi
CwHP eO
XXI
R U Ss i n C h o r a l M u ss ii ck
B1/2
- - -
Ne rspective er Chorm
u
iven neu
Perspekt
RZO G
M. HE
FRANZ Re - - - qui - em ae - ter - nam, Re - - - qui -
Lux aeterna ## n n n # n # n # n n n # n # n
SATB divisi a cappella HI-C5846 & # # n # n # n #
3,90 (Minimum order: 10 copies) ? # # # #

j j

n

j

a

j
n

j

Recordings at
www.helbling.com 4 HI - C5846 Franz M. Herzog, Lux aeterna SATB divisi Helbling, Rum/Innsbruck Esslingen. All rights reserved.

Kyrie
Music: Franz M. Herzog
Franz M. Herzog
q 98 p
S 1/2
#
& # 43
Ky - rie e - lei-son, Ky - rie e - lei- son, Ky - rie e - lei -
Kyrie
# p
A 1/2 & # 43 from Missa for Mixed Choir
Ky - rie e - lei- son, Ky - rie e - lei - son, Ky - rie e - lei-son, Ky - rie e - lei- son, Ky - rie e - lei -
#
T 1/2 V # 43 SATB divisi a cappella
? # # 43
B 1/2 Following in its extensive structure in the tradition of
the great settings of the Mass, the Missa for Mixed Choir
## 3
& 4 by Franz M. Herzog is marked by its outstandingly
Piano
(for rehearsal)
? # # 43 vivid musical language. All sections of the Mass can
also be performed independently of one another.
5
#
The treatment of the Kyrie text is outstanding for the
& #
expressive and atmospheric density of its musical
son, Ky - rie e - lei- son, Ky - rie e - lei-son, Ky - rie e - lei - son, Ky-rie e - lei- son, Ky - rie e - lei-son, Ky - rie e - lei -
# language. Expressive melodic lines and terse rhythmic

& #
son, Ky - rie e - lei- son, Ky - rie e - lei-son, Ky - rie e - lei-son, Ky-rie e - lei- son, Ky - rie e - lei-son, Ky - rie e - lei -
patterns are repeatedly combined in ways which are
#
V #
always new and vividly convey the message of the text
to the audience.
F
? ## . .
J CHORUS
XXI
New Pers
Ky - rie e - le - i - son, e - le - i - son.

P e r s p e k tpectives in Chora SATB divisi,
iven neu l
e r C h o r mM u s i c Soprano Solo
usik
# FRANZ M. HERZOG
& #
Kyrie
SATB divisi a cappella HI-C5729 from Missa
for Mixed Choir,
and Percus
Sopran o Solo
sion ad lib
? ## . .
J
Recordings at
6 HI - C5729 Franz M. Herzog, Kyrie SATB divisi, Sopr.-Solo Helbling, Rum/Innsbruck Esslingen. Alle Rechte vorbehalten.
www.helbling.com
Gloria
Franz M. Herzog SATB divisi a cappella
h 62 > wUw>
Gloria S 1/2 & 22
f
> .. > > ..
J
Glo - ri - a,

Glo
> ..
-
J
ri - a.
78
> wUw>
from Missa for Mixed Choir A 1/2
f
> > >
j
& 22 .. .. ..
>
j
ww
> >
ww ww
>
..
J
78
Glo - ri - a, Glo - ri - a, Glo - ri - a.
U>
SATB divisi a cappella >f > ww> > . > ww
T 1/2 V 22 ..
J
J
78
Glo - ri - a, Glo - ri - a.
f
? 22 > .. >J > .. > >
>
ww ww > . > > wUw 78
Following in its extensive structure in the tradition of B 1/2
J
the great settings of the Mass, the Missa for Mixed Choir Glo - ri - a, Glo - ri - a, Glo - ri - a.
j U
j j j
ww .. .... . wwww
by Franz M. Herzog is marked by its outstandingly & 22 .. .. .. ww ww .. J
78
Piano
U
vivid musical language. All sections of the Mass can (for rehearsal)
? 22 .. ..
J ww ww .
J
ww
87
Herzog fashions the Gloria in vivid form. Several q 124 F
9 >
musically independent sections are combined to form & 78
Glo - - - -
a unified whole. The climax of the piece is an intense
and powerful solo. A highly stimulating challenge for & 87
concert and chamber choirs. 7

P
V 8 . .
> >
Glo - ri - a in ex - cel - sis De - o, Glo - ri - a in ex - cel - sis De - o,
P
?7 > . > .
8
Soprano Solo
SATB divisi,
CwHP eO
XXI
R U Ss i n C h o r a l M u ss ii ck
rspective r Chorm
u Glo - ri - a in ex - cel - sis De - o, Glo - ri - a in ex - cel - sis De - o,
Ne iven neu
e
Perspekt
RZO G
M. HE
FRANZ
Gloria & 87
from Missa
for Mixed Choir,
Sopran o Solo
and Percus
sion ad lib SATB divisi a cappella HI-C5730
? 87 . . . .
Recordings at
6
www.helbling.com HI - C5730 Franz M. Herzog, Gloria SATB divisi, Sopr.-Solo Helbling, Rum/Innsbruck Esslingen. Alle Rechte vorbehalten.

Credo
Franz M. Herzog
S 1/2 & 78
q 132
.
F
2
4
Cre - do in
Credo
A 1/2 & 78 24 from Missa for Mixed Choir
T 1/2 V 78 24
P
? 7 . . . . . . . . . . . . . . . . 2
B 1/2 8 4
Cre- do in u - num De -um, Cre - do in u - num De -um, Cre - do in u - num De-um, Cre - do in u - num De - um,
Following in its extensive structure in the tradition of
the great settings of the Mass, the Missa for Mixed Choir
& 78 . 2
4
Piano by Franz M. Herzog is marked by its outstandingly
(for rehearsal)
? 78 24
vivid musical language. All sections of the Mass can
Like Kyrie and Gloria, the Credo is characterised by
5
2 j j 3 4 3 4 several independent sections which form a unified
&4 4 4 4 4
> >
u - num De - - - um.
whole, pedals, powerful melodies and expressive
& 24 34 44 j
>
j 3
4
44 harmonic progressions. A stimulating piece for dedi-
> >
Cre - do in u - num De - - - um. cated choirs!
V 42 43 44 j
>
j 3
4 44
> >
Cre - do in u - num De - - - um.
? 24 . . 34 . . . . 44 . . . . 43 . . . . 44 CHORUS
New Pers XXI
P e r s p e k tpectives in Choral
iven neu
e r C h o r mM u s i c
usik
SATB divisi,
Soprano Solo
Cre - do in u - num De - um, Cre - do in u - num De - um, Cre - do in u - num De - um, Cre - do in FRANZ M. HERZOG
Credo
& 24 j j 43 44 j

j 34 44
SATB divisi a cappella HI-C5844 from Missa

for Mixed Choir,

Sopran o Solo
and Percus
sion ad lib
? 24
43 44 34 44 4,50 (Minimum order: 10 copies)
Recordings at
6 HI - C5844 Franz M. Herzog, Credo SATB divisi, Soprano Solo Helbling, Rum/Innsbruck Esslingen. All rights reserved.
www.helbling.com
Lorenz Maierhofer I. monolog-e

for mixed voices
encounters Ich bin Leben, das leben will, inmitten von Leben, das leben will.
Lorenz Maierhofer (*1956)
monolog-e dialog-e trialog-e "I am the life that wants to live, among the life that wants to live."
Albert Schweitzer (18751965)
SATB a cappella
encounters is a cycle of three compositions for mixed
voices. These sound collages describe three funda-
mental forms of human communication. Taking sound
centred on e as its starting point, the work uses the
means of sound and scene to portray communicative
situations. The graphic notation of this contemporary
choral composition leaves a great deal of freedom for
improvi-sation and creative interpretation: singing,
speaking, movement and acting.
Seite 1
15:34 Uhr
12.03.2007
C5457 Begegnungen
SATB a cappella
CrH
spektive Chora
XXI
O R nUnSe u e r C h o rl mMuussiikc
Pe pectives
in
New Pers
H OFER
MAIER
L ORENZ
gen
b e g ee ng cno uu nn t e r s
- e trialog -
monolo g- e

e
dialog

men
chte Stim
r gemis es
ollagen f ixed Voic

3 Klang-C ges for M
und-Colla
Three So
Recordings at
www.helbling.com Lorenz Maierhofer, begegnungen/encounters SATB Helbling, Rum/Innsbruck Esslingen. All rights reserved. HI - C5457 7

www helbling com
24 Helbling Secular/Sacred Choral Music Series Jazz Choir
HELBLING SECULAR HELBLING SACRED

CHORAL MUSIC CHORAL MUSIC
eeZaaV XVeeZaaV
H6I77VXV H6I7V
mixe
ed
d cho ir
choir
m ixediZg8
<Zb^hX]iZg
8]dg choi r
m ixediZg8
]dg H6I7VcYE^Vcd ]dg
<Zb^hX] <Zb^hX]
Aschauer
M ic hael
Letizia Po
ltini
as
Change
s Gwyn Arch
(Arr.)
Christm
Bells
The Litt
i
tizia Poltin
Lyrics: Le
Birch Trele
ngfe llow
nry W. Lo 82)
Lyrics: He (1807-18
e
Russian Tra
ditional
=>"8+%&- &
=>"8+%'
Uh
13:41:25
20.04.2009
=> " 8+%)* C6017_Ave Maria_SATB

C6045_The .indd 1
Little Birch Tree_SATB
.indd 1
i dd 1
Secular and sacred compositions

ompositions and arrangements,
arrangement a cappella
ll or with
ith instrumental
i ttrrum
mental
t l accompaniment
accompan
niment
With this new series for choir, Helbling is offering you an expanded programme to complement its highly successful
HCCS and Chorus XXI choral series.
You will discover a large number of new composers and arrangers and a variety of choral music styles new religious
and secular choral compositions, arrangements of folk songs from around the world, arrangements of songs and arias
by great composers and new choral pieces in jazz and pop choral style. Although the focus of the compositions and
arrangements is the mixed choir, some of the arrangements are also available in versions for female-voice choirs.
Enrich your next concert programme with brand new compositions and arrangements!
Jazz Choir
2
Apple Song
Apple Song
Stefan Foidl SATB a cappella
Jazzy piece for choir a cappella
q = 164 Jazzsamba (even 8ths) words and music by Stefan Foidl
Apple Song A cheerful

mf
G^7

E-7

A7

D13

S
SATB a cappella mf
Weed -see good - shee

goo ba goo goo suee da dn yoo ba bee,

A
Weed -see good - shee goo ba goo goo suee ba da dn yoo - ba da ba ba da ba da,
With its samba feeling, Apple Song will bring the

mf

Weed-see good - shee goo ba goo goo suee
warmth of summer into every concert hall! The lyrics
T

da ba ba da ba da,

could contain a hidden message, the composition could
mf

B

be describing a Mediterranean island, the song could

Doo ba doo doo doo doo ba doo suee ba yoo ba bee ba doo,
q = 164 Jazzsamba (even 8ths)
A cheerful
be speaking out for peace on Earth, the apple in the

G^7

E-7

A7

D13

title could here become a major symbol of freedom. Or Piano

(only for mf

rehearsal)

does it all quite simply mean nothing at all?

5 G^7 E-7 A-7 D7 D7(b13) G7

weed -see good - she goo ba goo goo suee - yoo ba bee - boo. Weed -see good -shee

weed -see good - she goo ba goo goo da da ba da da ba bee - boo. Weed -see good -shee

weed-see good

- she goo ba goo goo da da ba da da ba bee - boo. Weed -see good -shee

eZaaV
H6I7VXVe

mixed choir
]dg
<Zb^hX]iZg8

Stefan Foidl doo ba doo doo doo doo ba doo suee bo yoo ba bee - boo. Doo - ba doo - ba
Apple Song

G^7 E-7 A-7 D7 D7(b13) G7


=>"8+''(
18.03.2009
14:29:31 Uhr
Recordings at Fotokopieren Photocopying Stefan Foidl, Apple Song U SATB U 2009 HELBLING
www.helbling.com grundstzlich
gesetzlich
verboten
this copyright
material is
ILLEGAL
AUSTRIA: Kaplanstrasse 9, 6063 Rum/Innsbruck | GERMANY: P.O. Box 100754, 73707 Esslingen
Alle Rechte vorbehalten / All rights reserved
HI - C6223

Helbling Secular Choral Music Series Jazz Choir 25
2
I ILove You
love you
SATB a cappella
a love confession for choir a cappella
words and music by Stefan Foidl
Stefan Foidl
A
Dm
q = 68, straight 8ths
S
p
I Love You
I love I love I love

p
SATB a cappella

A

p

There are certainly many who have experienced the

T
mp
mixed feelings involved in making a declaration of

sim.
B

love to their sweetheart. After all, we cannot be certain

doo -doo ts doo -doo -doo
A q = 68, straight 8ths how he or she will react, and it is really difficult to put

our own deep feelings into words! In the composition
Piano

(only for p
mp
rehearsal)

sim.

I Love You, a choir tackles this topic together: maybe
it will be possible to express feelings more successfully
f
9
Gm7
C7
B q = 112, swinging 8ths mf if it is done collectively, or perhaps singing will make
it easier? Again and again, the choir feels its way
I love optional: shop -ping for
stammered
expressions cautiously into the alluring I love ..., only to duck out
f

of embarrassement
into ... my morning coffee or ... shopping for shoes! The

I love
audience is kept on tenterhooks waiting to see whether

f

the declaration will finally cross the lips of the choir
I love
mf

mixed choir

<Zb^hX]iZg8
]dg
H6I7VXVe
eZaaV

doo -doo ts doo -doo -doo doo -doo ts doo -doo -doo Tra -vel -ling the world tra -vel -ling the world Stefa
n Foidl
I Love Yo u
B Lyrics: Stefan
q = 112, swinging 8ths

Foidl

Gm7

C7

f mf

Fotokopieren Photocopying Stefan Foidl, I Love You U SATB U 2009 HELBLING

Recordings at C6224_I_Love_You_SA
TB.indd 1
=>"8+'')
grundstzlich
gesetzlich
verboten
this copyright
material is
ILLEGAL
HI - C6224
www.helbling.com
Riobamba Dance
Riobamba Dance 3
Stefan Foidl A
SATBwith
for choir and Piano
piano or band words and music by Stefan Foidl
funky q = 84, swinging 16ths

SATB

mf D-
Riobamba Dance
1.

(snip)

Uff ah uff we di be di ts Uff ah uff Uff ah uff we di be di ts Uff ah uff (snip)
funky q = 84, swinging 16ths

1.
D-
SATB and Piano

Piano mf

Riobamba is a town in the South American state of

Ecuador which is located fairly high up in the Andes.

5 2.
Stefan Foidl passed through it on one of his journeys,

(snip)
so so so so ba ba du ah u ba do ba dob dob u u ba do ba dob dob
and decided to compose music encapsulating the

2.

impressions which he gathered there. This choral piece

is thus a very personal snapshot of his sentiments,

which has been given musical form. Choirs can learn

Riobamba Dance very quickly, the majority of the motif

9 1. 2.

elements coming as they do one after another in

u (snip) Uh ah shne ge de ge bib! U - tsey du tsey U - tsey du (snip)
unison in the first few bars. Drawing inspiration from

1. 2.

the earthy groove, the musical space also permits

improvisations with which the heights of the Andean

summits can be conquered more swiftly!

13 1. 2.

^Vcd
H6I7VcYE

mixed choir
]dg
<Zb^hX]iZg8
U - tsey du tsey U - tsey du Ba dey dey so so so so ba ba du ah

Stefan Foidl

Riobamba 1. 2.

Dance

SATB and Piano HI-C6225


=>"8+''*
18.03.2009
14:25:09 Uhr
Recordings at
www.helbling.com Stefan Foidl, Riobamba Dance U SATB and Piano U 2009 HELBLING, Rum/Innsbruck U Esslingen HI - C6225

26 Helbling Secular Choral Music Series Chamber Choir goes Pop
Chamber Choir goes Pop

2
Silent Love Simon Wawer

Lyrics: Simon Wawer Music: Simon Wawer
Dolce, sempre con anima q = 54
S
b b
&b b b c
l Solo ad lib
p
34
J .
,m Silent Love
Ooh, ooh.
A
b b
&b b b c 3
4
b
T V b bbb c 34 In Silent Love, Simon Wawer makes use of insistent,
? b b c 3
melancholy harmonies to portray a declaration of love
B b b b 4
to things past, to memories, thoughts and images, in
,
b fact to love itself. Love who can escape it? It is the
& b bbb c J
J
34
.
Piano feeling of supreme happiness that towers above all else,
? bb b c 43
(for rehearsal)
bb
that gives us security, sustains us and transports us into
euphoria even if sometimes a silent love is all that
Tutti
P
b remains.
& b bbb c 43 45
6
c
J w

Ah, ah, ah, ah,
p
b
& b bbb c 43 . c 45
divisi

. .
Ah, ah, ah, ah,
p
b
V b bbb 43 54
divisi
c . .. cw
Ah, ah, ah, ah,
p
? bb b 43 54
divisi
b b c .. .. c ww

mixed choir
<Zb^hX]iZg8
]dg
H6I7Y^k^h^
VXVeeZaaV
Ah, ah, ah, ah, Simon Waw

Silent Love er
b b c j j
43 5
Lyrics: Simon
& b b b c ww
Wawer
4

.. .
SATB divisi cappella HI-C6286
? bb b
b b c .. 43 ..
. c ww 54 2,60 (Minimum order: 10 copies)

Fotokopieren Photocopying S. Wawer, Silent Love s SATB s 2009 HELBLING

Recordings at C6286_Silent
Love_SATB.indd
1
=>"8+'-+
www.helbling.com
grundstzlich this copyright
gesetzlich material is
AUSTRIA: Kaplanstrasse 9, 6063 Rum/Innsbruck | GERMANY: P.O. Box 100754, 73707 Esslingen HI-C6286
verboten ILLEGAL Alle Rechte vorbehalten / All rights reserved
2
Our Music
Our Music
Simon Wawer SSAATB
SSAATBaa cappella
cappella
dedicated to the Chickpeas / gewidmet den Chickpeas
Lyrics: Simon Wawer Music: Simon Wawer
p
Our Music S1
b
&b c
q = 108
.
Doo
p
.
doo
.
doo,

doo
.
doo
.
doo
.
doo,

doo.
p p
b
SSAATB a cappella S2 &b c .
.
. .
.
.
Doo doo doo, doo doo doo doo, doo.
b
(also available SSSAAA) A1 &b c
b
A2 &b c
p
Music there can hardly be any other language in b . . .p .
T Vb c J J
the world that is so varied, so colourful and so widely Doo doo doo, doo doo doo doo doo, doo doo.
p p
spoken as this. Music is our common language. As ? bb c . J . J
B
greatly as we differ in our cultures, our origins, the Doo doo doo, doo doo doo doo doo.
b
colour of our skins, and our sentiments, however & b c .. ..
Piano j j
.
distant from each other are our lives music will ? bb c .
(for rehearsal)

J J
always unite us, bring us together, enable us to
p. . p. .
b
&b ..
5
communicate. We need it just as much as we need the S1
S2
. . . .
air we breathe. F
Doo doo doo doo. Doo doo
b j j j j j
&b j j
j
j j
j
j
unisono
J
A1
A2
We all live in one world! Oh, did you know? We all breath the same air!
b .p .
p
. .
HH66I7VX
VeeZaaV
T Vb J
Doo doo doo doo doo. Doo doo
p p
mixed choir
]dg
? bb . .
<Zb^hX]iZg8
Simon Waw
er
J J
Our Music
Lyrics: Simon
Wawer
B
Doo doo doo doo. Doo doo doo
SSAATB a cappella HI-C6312

b
& b ..

J J

SSSAAA a cappella HI-C6313 J j

? b .
b .
=>"8+(&'
3,30 (Minimum order: 10 copies) J J
16.07.2009
15:28:20 Uhr
Recordings at originally for six treble voices SSSAAA / original fr sechs Frauenstimmen SSSAAA
1
SSAATB indd
Fotokopieren Photocopying S. Wawer, Our Music U SATB U 2009 HELBLING

HI - C6312
www.helbling.com gesetzlich
verboten
material is
ILLEGAL

Helbling Secular Choral Music Series Chamber Choir goes Pop 27
3
She She
Walks inBeauty
Walks in Beauty Andrea Figallo
SATB a acappella
SATB cappella
Lyrics: Lord Byron (17881824) Music: Andrea Figallo
B
? bb c
q = 58
rubato

J J j j
43 c J J .
J

J 43
She Walks in Beauty
She walks in beau - ty like the night of cloud - less climes and
b
& b c 3
4 c 3
4
SATB a cappella
Piano
? bb c 43 c J .
43
(for rehearsal)
J She Walks in Beauty, Lord Byrons romantic love
poem written in 1815, in an original and impressive
j 3
musical interpretation by Andrea Figallo, the bass
? b b 43 J J c . j
43 J c J J J J J 4
4
J J singer of the well-known vocal group The Flying
star - ry skies. And all that's best of dark and bright meet in her a - spect and
b 3 3 3
Pickets! Starting from an expressive, archaic sounding
& b 4 c 4 c 4
bass phrase, the work develops into a musical experience
? b b 43 c . j
34 c J
34
of great stylistic, harmonic and tonal diversity. Figallo
skilfully combines popular and jazz elements with the
b 3 3 j language of classical Romantic music and with new
8
S &b 4

j c 4 c
Ooh doo doo doo, ah sounds to produce a homo-geneous and powerfully
b
& b 43 j c 43 b b j c
divisi
A b expressive choral composition.
J
Ooh doo doo doo, ah
b
T V b 43 c b 43
J
c
Doo doo, ah
? b b 43 J J b
c J J . J 43 J J c
mixed choir
<Zb^hX]iZg8
]dg
H6I7VXVe
eZaaV
B
her eyes. Thus mel - lowed to the ten - der light, Andrea
She WaFigall
lks
o
in Beauty
b
& b 43 j c 43 b j
c SATB a cappella HI-C6019 Lyrics: Lord
b b
Byron (1788-1
b
824)

Piano
? b 3 b 3
.
(for rehearsal)
b 4 c J 4 c
Recordings at =>"8+%&.
A. Figallo, She Walks in Beauty U SATB U 2008 HELBLING, Rum/Innsbruck U Esslingen HI - C6019
www.helbling.com
4 Changes
Changes
Letizia Poltini Lyrics: Letizia Poltini
SATBB a acappella
SATBB cappella
Music: Letizia Poltini
p ,
j
& 43 . . j j .
Changes S
3
When will he come? When will
J
he come

back to me?
p
&4
A

SATBB a cappella Doo
p
3
T V4
Doo
When will he come back to me? The soprano voices p
? 43
B
form this question in a moving melodic phrase before p
Doo
? 43
the other voices join in. Wistful looks back to the past B .
Doo
are suffused with present doubts, until finally hope for 3 j
& 4 . . .
a positive future prevails. The dense tonality of the J

Piano
? 3

(for rehearsal)
music marks, in tune with the lyrics, numerous and 4 .
varied shades of mood, ranging from melancholy

p soffuso e mischiato
wistfulness to a powerful upturn. An immensely 6
& j 3j j c
J J J J J J
multilayered, romantically inspired and moving choral When will all of this change? Doo doo doo doo doo doo
P
j
piece! &

.

c j
doo, will it change? The moon was like a
p
V c
soffuso e mischiato
. J J
doo, will it change? Doo doo doo
p
? c .
soffuso e mischiato
.
eeZaaV
H6I77VXV
mixed choir
]dg
<Zb^hX]iZg8
doo, will it change? Doo

,
i
Letizia Poltin
Changes p
? c .
soffuso e mischiato

Poltini
Lyrics: Letizia
. .
SATBB a cappella HI-C6018
doo, will it change? Doo
&
3
c
3,30 (Minimum order: 10 copies) .

?

.
.. c .
=>"8+%&-
Recordings at .
www.helbling.com L. Poltini, Changes U SATBB U 2008 HELBLING, Rum/Innsbruck U Esslingen HI - C6018

28 Helbling Secular Choral Music Series Chamber Choir goes Pop
3
Never More
Never willthethe
More will Wind
Wind Erik Bosio
SATB a acappella
SATB cappella
Lyrics: Hilda Dolittle Music: Erik Bosio
S &c
Dolce
Nev - er

more
j j

will the
w
wind
24
.
cher -
j
c .
ish you
j

a - gain,
Never More will the Wind
2
&c j j w 4 c

SATB a cappella

A
Nev - er more will the wind cher - ish you a - gain,

j j 24
T Vc w c
The theme of Hilda Dolittles poem Never more will
?c w 24
the Wind is the loss of a loved one. Expressive solos
c
divisi
B J J w
combine with one-voice passages and dissonant tones,
24 j j
which then dissolve only to recombine into new har-
& c ww c .
.
Piano monies to produce an emotional and atmospherically
? c ww
42

(for rehearsal)
w c dense musical language. A tone cluster on the word

flown forms the climax of this development, before the
musical action sinks again and fades into nothingness.
U 64
&
5
j j c
w A deeply moving choral composition.
nev - er more will the rain.
U l Solo freely
6
m
j j . j c
divisi
& w j 4
.
nev - er more will the rain, nev - er more, nev - er more.
U 6
V j j ww c
divisi
4
nev - er more will the rain.
j Uj
? ww 64 c

mixed choir
J J
<Zb^hX]iZg8
]dg
H6I7VXVe
eZaaV
nev - er more will the rain. Erik

Never MoBosio
re
U
will the Wind
& . j 64 j c
ww .
SATB a cappella HI-C6038 Lyrics: Hilda
Dolittle

?

U
wwww 64 c

Recordings at =>"8+%(-
E. Bosio, Never More will the Wind U SATB U 2008 HELBLING, Rum/Innsbruck U Esslingen HI-C6038
www.helbling.com
Erik Bosio Come

ComeBack Home
Back Home
SATB a acappella
SATB cappella
Lyrics: Erik Bosio Music: Erik Bosio
p ,
Come Back Home S &c
Mmh,

45

mmh,
c
p ,
SATB a cappella &c 45 c
divisi
A

Mmh, mmh,
p ,
Vc 5 c
With humming and vocals, Erik Bosio has fashioned T
4
in Come Back Home a highly atmospheric arch of Mmh,
p
mmh,
,
?c 45 c
wistful, gently melancholic and pensive melodic B
Mmh, mmh,
phrases. The focal point of the piece is the imploring
& c j
45
j

c

plea to the beloved: Where are you, darling? Cant
Piano
you see I sit here alone? Please, come back home. j j

(for rehearsal)
? c 54 c

Cant you feel how cold it is outside? My arms are
waiting for you. After an outburst of emotion the
5
4
& c
4
one point at which the music turns to forte there n
remains finally, at the close, the initial humming. mmh, mmh. Oh, oh,
5 divisi c
Whether or not the wish is fulfilled is something that & 4
# b
Bosio leaves unresolved. mmh, mmh. Oh,
5 c
V 4

mmh, mmh. Oh, oh,
? j 54 c

eZaaV

H6I7VXVe

mixed choir
]dg
<Zb^hX]iZg8
Erik Bosio
mmh, mmh. Oh,
ck
Come Bame
5
Ho
& j j c
SATB a cappella HI-C6037 4

Bosio
Lyrics: Erik
b n
#
2,60 (Minimum order: 10 copies) ? j 5 j c
j 4

=>"8+%(,
30.07.2008
9:18:19 Uhr
Recordings at
www.helbling.com E. Bosio, Come Back Home U SATB U 2008 HELBLING, Rum/Innsbruck U Esslingen HI - C6037

Helbling Secular Choral Music Series Masterworks arr. for Choir and Piano 29
Masterworks of Great Composers,

arranged for Choir and Piano
4
SilentWorship
Silent worship
(Non lo dir col labbro)
SATB and Piano
G. F. Handel (16851759),

Lyrics: Arthur Somervell (18631937) Music: George Frideric Handel (16851759)
Arrangement: Gwyn Arch arranged by Gwyn Arch
Larghetto q = c. 52

Piano p

Silent Worship

SATB and Piano
senza Ped.

(also available SSAA and Piano)

3

With his lyrics Silent Worship, Arthur Somervell made
George Frideric Handels aria Non lo dir col labbro

from his opera Tolomeo highly popular, and not only
in Britain. Working with this version, Gwyn Arch
mp has created a moving choral arrangement which, no

6
S

Did you not hear my la - dy go down the gar - den sing - ing? Black - bird and thrush weresi - lent to
less than the piano accompaniment, accentuates the
mp
expressive melody in a fashion which is most discreet
A
Did you not hear my la - dy go down the gar - den sing - ing? Black - bird and thrush weresi - lent to and thus, for that very reason, particularly effective.
mp

T
Did you hear my la - dy go down the gar - den sing - ing? Black - birds weresi - lent to

mp

mixed choir
<Zb^hX]iZg8
]dg
H6I7VcYE
^Vcd

B
George Fride
ric Handel
Did you hear my la - dy go down the gar - den sing - ing? Black - birds weresi - lent to (1685-1759
)
Silent
Worship


Lyrics: Arthur
Somervell
Arrangement: (1863-1937)

Gwyn Arch

SSAA and Piano HI-C6061
Piano
C6060_Silent
Worship_SATB.indd
1
=>"8+%+%
Recordings at
G. F. Handel/G. Arch, Silent Worship U SATB and Piano U 2008 HELBLING, Rum/Innsbruck U Esslingen HI - C6060
www.helbling.com
G. F. Handel (16851759), Whereer You Walk

Whereer you
SATB and walk
Piano
arranged by Gwyn Arch Lyrics: Alexander Pope (16881744) (from Semele) Music: George Frideric Handel (16851759)

Arrangement: Gwyn Arch

Largo q = c. 48

p

Whereer You Walk S
Wher - eer you walk cool gales shall fan the glade.

p

A

SATB and Piano Wher - eer you walk cool gales shall fan the glade.

p

(also available SSAA and Piano)
T

p

B
The atmospheric, gently melancholic aria Whereer You Largo q = c. 48


Walk from George Frideric Handels secular oratorio

Semele became a popular recital piece well beyond p

Piano legato

the shores of England. By his successful arrangement,
subtly in keeping with Handels music, yet still easy to

4
sing, Gwyn Arch has now made this impressive music

accessible to choirs. Trees where you sit shall crowd in - to a shade, trees, where you sit shall crowd in -

Trees where you sit shall crowd in - to a shade, trees, where you sit shall crowd in -

H6I7VcYE
^Vcd
Trees where you sit shall crowd in - to a shade, trees, where you sit shall crowd in -

mixed choir

]dg

<Zb^hX]iZg8
ric Handel

George Fride(1685-1759)
Whereer
You Walk Trees where you sit shall crowd to a shade, trees, where you sit shall crowd in -
Lyrics: Alexan
der Pope
(1688-1744)
Gwyn Arch

Arrangement:

SSAA and Piano HI-C6063

=>"8+%+'
17.09.2008
14:32:35 Uhr

Recordings at
1
www.helbling.com G. F. Handel/G. Arch, Whereer You Walk U SATB and Piano U 2008 HELBLING, Rum/Innsbruck U Esslingen HI - C6062

30 Helbling Secular Choral Music Series Masterworks arr. for Choir and Piano
G. F. Handel (16851759),
arranged by Gwyn Arch
Lascia Chio Pianga
Lascia(from
chRinaldo)
io pianga
SATB and Piano Lascia chio pianga

Music: George Frideric Handel
Helbling, Rum/Innsbruck SATB and Piano

Larghetto

(also available SSA and Piano)

3
Piano p

Shortly after his arrival in London in the year 1710,
George Frideric Handel composed, in only 14 days, his
opera Rinaldo. The first performance in February 1711
p
9

S
was a huge success, and the aria Lascia chio Pianga
3
Las - cia
Gone is
chio
the
pian - ga,
sun - shine.
la cru - da sor - te,
Fare - well, sweet flow - ers.
e che sos
Star -less the
- pi - ri,
night time,
la
so
is one of the greatest favourites with sopranos, with

the music reflecting as it does, in impressive form, the

p

A

Las - cia chio pian - ga, la cru - da sor - te, e che sos - pi - ri, la content of the sorrowful and melancholy lyrics. In
Gone is the sun - shine. Fare - well, sweet flow - ers. Star -less the night time, so

Gwyn Archs arrangement, this composition has been

p

transformed into a rewarding concert piece for choirs.
T
Las - cia chio pian - ga, la cru - da sor - te, e che sos - pi - ri, la
Gone is the sun - shine. Fare - well, sweet flow - ers. Star -less the night time, so
The piano accompaniment takes its lead in every

p
B

respect from the original. mixed choir
<Zb^hX]iZg8
]dg

H6I7VcYE
^Vcd
Las - cia chio pian - ga, la cru - da sor - te, e che sos - pi - ri, la George Fride
Gone is the sun - shine. Fare - well, sweet flow - ers. Star - less the night time, so ric Handel
(1685-1759
)
Lascia
ch'io piang

SATB and Piano HI-C6138 a

Arrangement:

Gwyn Arch

Piano SSA and Piano HI-C6139

2,60 (Minimum order: 10 copies) C6138_Lascia =>"8+&(-
Chio_SATB.indd
1
Fotokopieren
grundstzlich
Photocopying
this copyright
G. Arch (Arr.), Lascia chio pianga U SATB and Piano U 2009 HELBLING
AUSTRIA: Kaplanstrasse 9, 6063 Rum/Innsbruck | GERMANY: P.O. Box 100754, 73707 Esslingen HI-C6138
Recordings at
gesetzlich material is
verboten ILLEGAL Alle Rechte vorbehalten / All rights reserved
www.helbling.com
www helbling com
G. F. Handel (16851759), Art Thou Troubled

SATB and Piano
arranged by Gwyn Arch English lyrics: William Gurney Rothery (1858-1930) Music: George Frideric Handel
mp
Art Thou Troubled Andante (q = ca. 80)
S
Art thou trou - bled?
mp
SATB and Piano A


Art
mp

thou trou - bled?

T
Art thou trou - bled?

Art Thou Troubled is a song which extols the healing B

Andante (q = ca. 80)
powers of music. Thus music is the source of all

gladness and will heal thy sadness, as it calls to us mp

legato

Piano

with voice divine. The delightful melody has enjoyed
unbroken popularity to the present day. Under its

original Italian title, Dove sei, amato ben, it formed part

8

of George Frideric Handels opera Rodelinda, which he
Mu - sic will calm thee. Art thou wea - ry? Rest shall be thine, rest
composed for the Royal Academy of Music in 1725.

Gwyn Arch here presents a sensitive reworking of this Mu - sic will calm thee. Art thou wea - ry? Rest shall be thine, be

aria for choir and piano.
^Vcd Mu - sic will calm thee. Rest shall be thine, rest

H6I7VcYE

mixed choir
mp

]dg
<Zb^hX]iZg8

ric Handel
George Fride(1685-1759)
Art Thou
Troubled Mu - sic will calm thee. Art thou wea - ry? Rest shall be thine, rest
Gurney Rothery

Lyrics: William

(1858-1930)

Gwyn Arch

Arrangement:
SSA and Piano HI-C6141

=>"8+&)%
14:11:23 Uhr
04.03.2009
Recordings at
www.helbling.com G. Arch (Arr.), Art Thou Troubled U SATB and Piano U 2009 HELBLING, Rum/Innsbruck U Esslingen HI - C6140

Helbling Secular Choral Music Series Folk Songs arr. for Choir and Piano 31
International Folk Songs,

arranged for Choir and Piano
LaLaCucaracha
Cucaracha 3
Spanish lyrics: Traditional

English lyrics: Gwyn Arch
SATB and Piano
Music: Mexican Traditional
Trad. Mexico, arranged by Gwyn Arch
German lyrics: Thorsten Weber Arrangement: Gwyn Arch

S

Cheerfully q = c. 126

p

Oh,
La Cucaracha

p
A

SATB and Piano
Oh,


T

B Although in early 20th century Mexico it was a
Cheerfully q = c. 126
popular revolutionary song, in recent times, La Cu-

caracha has also been happily sung as a song for
Piano mp leggiero

children. In tune with the many modifications
senza Ped.
to the content, Gwyn Arch, in his choral arrangement,
uses ironically pointed lyrics in German, English and

5 p

mf
Spanish. In this form, the piece shows itself to be
la cu - ca - ra - cha! Oh,
cheerful, bantering and light-hearted.
mf p

la cu - ca - ra - cha! Oh,
p

mf

Oh, la cu - ca - ra - cha! mixed choir
<Zb^hX]iZg8
]dg
p
H6I7VcYE
^Vcd
mf

Gwyn
Arch (Arr.)
La Cucarac
Oh, la cu - ca - ra - cha! ha
Mexican Traditio

nal



C6049_La
Cucaracha_SATB.indd
=>"8+%).
1
Recordings at
G. Arch (Arr.), La Cucaracha U SATB and Piano U 2008 HELBLING, Rum/Innsbruck U Esslingen HI - C6049
www.helbling.com
Trad. Mexico, arranged by Gwyn Arch Cielito Lindo

Cielito Lindo
SATB and Piano
(Beautiful Little Heaven)
Cielito Lindo
Romantico q = c. 144 mp

Music: Mexican Traditional
S
SATB and Piano He chanced
mp
to meet a sweet se - o - ri - ta

(also available SSA and Piano) A
He chanced to meet a sweet se - o - ri - ta
mp

T
The cheerful song Cielito Lindo, the origins of which He chanced to meet a se - o - ri - ta

mp

point towards Spain, became a kind of second B
Romantico q = c. 144 He chanced to meet a se - o - ri - ta

national anthem for Mexicans, both at home and

abroad. Gwyn Archs lively and light-hearted
Piano mf p leggiero
choral arrangement with English lyrics lives up

to this enormous popularity and makes the song
accessible to even wider circles.

9

one night at a fi - es - ta. She was a pic - ture in fine Span - ish la - ces with

one night of fi - es - ta. She was a pic - ture in fine Span - ish la - ces with

one
^Vcd
H6I7VcYE
mixed choir
night of fi - es - ta. She was a pic - ture with

]dg

<Zb^hX]iZg8

(Arr.)
Gwyn Arch
Cie lito Lindo nal

Mexican Traditio
one night at a fi - es - ta. She was a pic - ture with




=>"8+%),

8:40:57 Uhr
30.07.2008

Recordings at
HI - C6047
www.helbling.com G. Arch (Arr.), Cielito Lindo U SATB and Piano U 2008 HELBLING, Rum/Innsbruck U Esslingen

32 Helbling Secular Choral Music Series Folk Songs arr. for Choir and Piano
Trad. Africa, arranged by Gwyn Arch

Malaika
SATB and Piano
Lyrics: Stuart Smith

Wistful (q = ca. 112 ) mp

Tanzanian folk song
Helbling, Rum/Innsbruck Malaika

S
1. Mal - ai - ka, nak -up - en - da mal - SATB and Piano

mp


A
1. Mal - ai - ka, nak -up - en - da mal -

mp

T
1. Mal - ai - ka,
The title of the African traditional song Malaika

mp
is Swahili for My angel, and the song achieved

B
Wistful (q = ca. 112 )

1. Mal - ai - ka, international fame through the South African singer

Miriam Makeba. Numerous other performers have

Piano mp sempre
taken up the piece and aroused the enthusiasm of

their audiences with this tender love song. These new
English lyrics by Stuart Smith tell the sad story of a

5

young man who feels unable to marry his beloved be-
ai - ka. My an - gel, how I love you, my
cause he is too poor. Gwyn Archs choral arrangement

has produced an impressive rendering, full of gentle

ai - ka. My an - gel, how I love you, my
humour, of the dialogue between the two lovers.

mixed choir
<Zb^hX]iZg8
]dg
H6I7VcYE
^Vcd

mal - ai - ka, mal - ai - ka. My an - gel, how I love you, my

Gwyn Arch

(Arr.)
Malaika
Tanzanian
Traditional
Lyrics: Stuart
Smith
mal - ai - ka, mal - ai - ka. My an - gel, I love



C6184_Malaika_SATB. =>"8+&-)

indd 1
Recordings at
G. Arch (Arr.), Malaika U SATB and Piano U 2009 HELBLING, Rum/Innsbruck U Esslingen HI-C6184
www.helbling.com
Trad. Africa, arranged by Gwyn Arch

Jikela emaweni sia hamba
SATB and Piano
Jikela emaweni sia hamba Lyrics: Stuart Smith

Happily ( q = ca.116 )
West African Folk Song
S
SATB and Piano

(also available SSA and Piano) A

T
This popular West African folk song will always be

associated with the internationally renowned South B
African singer and civil rights activist Miriam Makeba,

Happily ( q = ca.116 )

who recorded it as long ago as 1960 in New York. The Piano

mf
lyrics, which she sang in Xhosa tell of young men figh-

ting with sticks on the bank of a river. By contrast, Stu-

art Smiths new English lyrics tell of children at play,
mf
5
who as part of their game sing the praises of the sun,

Jik - el - a ema -we - ni si - a ham - ba, jik - el - a ema - we - ni si - a ham - ba.
the moon and the stars. In his arrangement, Gwyn Arch mf

has turned this traditional African song into an easy-


to-singg choral piece with a typical African feel. mf

Jik - el - a ema -we - ni si - a
mixed choir
H6I7VcYE
^Vcd

ham - ba, jik - el - a ema - we - ni si - a ham - ba.

]dg
<Zb^hX]iZg8
(Arr.)
Gwyn Arch

Jikela mf
emaweni

sia hamba Traditional
West AfricanStuart Smith
Lyrics:



=>"8+&-+
15:33:12 Uhr
09.03.2009
Recordings at
www.helbling.com G. Arch (Arr.), Jikela emaweni sia hamba U SATB and Piano U 2009 HELBLING, Rum/Innsbruck U Esslingen HI - C6186

Tum Balalaika Yiddish Trad., arranged by Gwyn Arch

Tum
SATB Balalaika
and Piano
Tum Balalaika
Yiddish lyrics: Traditional Music: Yiddish Traditional
English lyrics: Gwyn Arch, based on the Yiddish lyrics Arrangement: Gwyn Arch
German lyrics: Dieter Schneider

Allegro q = c. 152 mp

S
1. A

SATB and Piano

mp

A
1. A

T In this version for choir and piano, Tum Balalaika

shows itself playful and dancing, yet at the same

B
time a little melancholy. Several times, Gwyn Arch

Allegro q = c. 152

sets female and male voices in opposition to each

mp other as independent singing groups, and on the

Piano
piano, thirds passages, eighth scales and staccati

provide a richly varied drive. A moving and

9

atmospheric choral arrangement of this well-known

young man lay think - ing
1. Ein - sam stand ein
all the night through,
Md - chen am Strand
think - ing, think - ing what should he
als ein frem - der Mann zu ihr
do.
fand.
Russian Yiddish folk song, with English, German and
1. Shteyt a boch - er, shteyt un tracht, tracht un tracht a gan - ze nacht.
Yiddish lyrics.

young man lay think - ing all the night through, think - ing, think - ing what should he do.
1. Ein - sam stand ein Md - chen am Strand als ein frem - der Mann zu ihr fand. treble choir
1. Shteyt a boch - er, shteyt un tracht, tracht un tracht a gan - ze nacht. <aZ^X]ZHi^b
bZc

HH6VcYE^V
cd

Gwyn Arch
(Arr.)
Tum

Balalaika

Yiddish Traditio

nal



C6040_Tum =>"8+%)%
Balalaika_SSA.indd
1
Recordings at
G. Arch (Arr.), Tum Balalaika U SATB and Piano U 2008 HELBLING, Rum/Innsbruck U Esslingen HI - C6039
www.helbling.com
Yiddish Trad., arranged by Gwyn Arch Hava Nagilah

Hava Nagilah
SATB and Piano
Hava Nagilah Lyrics: Yiddish Traditional

Excited q = c. 112
Music: Yiddish Traditional
S

SATB and Piano (clap)

A

(also available SSA and Piano) (clap)

T

(clap)
In Gwyn Archs choral arrangement, Hava Nagilah

B
shows itself rhythmically powerful and charged (clap)
Excited q = c. 112
with energy. The accentuated piano accompaniment,

the changes of key, the permanent acceleration

Piano f

of the tempo and the increasing volume result

in a build-up of tension right until the close. A
piece whose electrifying effect will have the audience (All)

5

(clap)
jumping out of their seats. f

Ha - va, ha - va, ha - va, ha - va.
f

f

Ha - va,

^Vcd
H6I7VcYE
mixed choir
]dg
<Zb^hX]iZg8
ha - va, ha - va, ha - va.

(Arr.)
Gwyn Arch
f

Hava

Nagilah nal
Yiddish Traditio



=>"8+%)&

9:17:48 Uhr
30.07.2008
Recordings at

www.helbling.com G. Arch (Arr.), Hava Nagilah U SATB and Piano U 2008 HELBLING, Rum/Innsbruck U Esslingen HI - C6041

34 Helbling Secular Choral Music Series Folk Songs arr. for Choir and Piano
Kalinka Trad. Russia, arranged by Gwyn Arch

Kalinka
SATB and Piano
Kalinka
Music: Russian Traditional

Nostalgic q = ca. 69
S
A

SATB and Piano

Solo p

Tutti

T
Un -der -neath the pine tree, green and sha - dy pine tree, I will ling - er

p

This popular Russian folksong now in a rousing

Solo Tutti

B
green and sha - dy pine tree, I will ling - er
arrangement by Gwyn Arch with English lyrics!

Nostalgic q = ca. 69

Several alternations between the choral and solo
Piano p parts, the division of the melody between differing

voices and the constant new accompanying figures
on the piano create a verve which drives the arrange-
ment forward, thus making Kalinka into an effective

6 p

p

concert piece!

Lu - lay, lu - lay. Ka -
p

Lu - lay loo.

there and dream.
mixed choir
<Zb^hX]iZg8
]dg
H6I7VcYE
^Vcd
(mm) Let me ling -er there and dream.

Gwyn Arch
(Arr.)
Kalinka
Russian Traditio
there and dream. (mm) Let me ling -er there and dream.
nal


=>"8+%)(

C6043_Kalinka_SATB.i
ndd 1
Recordings at
G. Arch (Arr.), Kalinka U SATB and Piano U 2008 HELBLING, Rum/Innsbruck U Esslingen HI-C6043
www.helbling.com
Trad. Russia, arranged by Gwyn Arch The

The Little
Little Birch Tree
Birch Tree
SATB and Piano
The Little Birch Tree

Music: Russian Traditional

Freely q = c. 80

Solo (Soprano or Tenor) mp

1. In the field a lit - tle birch was
SATB and Piano
Freely q = c. 80

2. I shall go out

3. I shall carve a
walk - ing
whis - tle
to
from
the
the


pp

Piano

Gwyn Arch presents this well-known Russian folk
song with English lyrics and in a highly original

3

fashion. Numerous effects like the impressive musical stand - ing. Filled with leaves the lit - tle birch was stand - ing.

lit - tle birch tree. I shall cut some bran - ches from the lit - tle birch tree.
representation of the hoof beats of the horses, the

lit - tle birch tree. Make a ba - la - lai - ka from the lit - tle birch tree.

accentuated dissonances on the word colliding
and the glissandi imitating the sounds of horses

are a constant source of surprise. A many faceted
p
entertainment for both performers and audience. 6
meno mosso
Tutti

S

1.-3. Lu - li, lu - li, it stands there. Sud -den -
p

A

1.-3. Lu - li, lu - li, it stands there. Sud -den -

p

^Vcd
H6I7VcYE
mixed choir
]dg
<Zb^hX]iZg8
T

1.-3. Lu - li, lu - li, so si - lent.

(Arr.)

Gwyn Arch
p

The Little
Birch Tree

Russian Traditio
nal B

meno mosso 1.-3. Lu - li, lu - li, so si - lent.



=>"8+%)*

9:29:38 Uhr
30.07.2008
Recordings at
www.helbling.com G. Arch (Arr.), The Little Birch Tree U SATB and Piano U 2008 HELBLING, Rum/Innsbruck U Esslingen HI - C6045

Trad. Maori, arranged by Gwyn Arch

Pokarekare Ana
(Stormy are the waters) Maori love song
arr. Gwyn Arch
SATB and Piano Helbling, Rum/Innsbruck
S

con amore q = ca. 96

Pokarekare Ana
SATB and Piano
A


T

B Pokarekare Ana is perhaps the most popular of the

con amore q = ca. 96

Maori love songs. It is claimed by Maori people from

p
four separate areas of New Zealand as originating

Piano

in their district. Ancient Maori music was mostly in

con ped. chant-like form, particularly war chants called Haka.
However, Pokarekare Ana is very different and reveals

5
p

the influence of mid-19th century European settlers,

Po - ka - re - ka - re a - na, nga wai o Ro - to - ru - a,

Poh - kah -reh -kah -reh ah - nah ngah wahee oh Roh -toh - roo - ah particularly the British. Through them, the Maori was

p

introduced to European music, especially of the more
Po - ka - re - ka - re a - na, nga wai o Ro - to - ru - a,
Poh - kah -reh -kah -reh ah - nah ngah wahee oh Roh -toh - roo - ah
popular kind. He made it his own, embracing European

p

harmony and the popular song formula.
Po - ka - re - ka - re a - na, nga wai o Ro - to - ru - a, mixed choir
<Zb^hX]iZg8
]dg
H6I7VcYE
^Vcd

p

Gwyn Arch
(Arr.)
Pokarekare

Po - ka - re - ka - re a - na, nga wai o Ro - to - ru - a, Ana Maori Traditio
English lyrics: nal
Stuart Smith


p


C6229_Pokarekare_SA =>"8+''.
TB.indd 1
Fotokopieren Photocopying G. Arch (Arr.), Pokarekare Ana, SATB and Piano U 2009 HELBLING
Recordings at
grundstzlich
gesetzlich
verboten
this copyright
material is
ILLEGAL
HI - C6229
www.helbling.com
Trad. Maori, arranged by Gwyn Arch Hine e Hine

SATB and Piano
( Little one ) Maori lullaby

Hine e Hine S
Gently flowing ( q = ca. 84)


p
SATB and Piano A

Hi - ne, e hi -
Hee - neh, eh hee

p

T
Mm Mm

p

Hine e Hine is a famous Maori lullaby. Although it is

B
often described as a folk song, it was actually a com- Gently flowing ( q = ca. 84)
Mm Mm

position by a leading Maori contralto who, after study-
p
ing singing in Australia, came to London in 1901 for Piano

further voice training. For professional purposes she

used a shortened version of her mothers name and be-

6 mp p
came known as The Princess Te Rangi Pai. She made

her dbut in Liverpool in 1901 and thereafter was in 1. Sun to its ref - uge is creep - ing, Hi - ne,
Hee - neh,
e
eh
hi - ne.
hee - neh.

constant demand for recital and oratorio work. She re-

turned to New Zealand in 1905 and made several tour, ne.

neh.
Mm Hi
Hee
-
-
-
-
ne.
neh.

achieving particular acclaim for Hine e Hine.

Mm Hi - ne, e hi - ne.
^Vcd
H6I7VcYE
mixed choir
]dg
<Zb^hX]iZg8
Hee - neh, eh hee - neh.

Gwyn Arch
(Arr.)

Hine e Hine

nal
Maori Traditio
English lyrics:
Stuart Smith
Mm Hi - - ne.
Hee - - neh.

SSA and Piano - HI-C6232

mp legato

=>"8+'(&
13.07.2009
15:25:27 Uhr

Recordings at con ped.
www.helbling.com G. Arch (Arr.), Hine e Hine U SATB and Piano U 2009 HELBLING, Rum/Innsbruck U Esslingen HI - C6231

36 Helbling Sacred Choral Music Series New Sacred Choral Works
New Sacred Choral Works
2
The Singers Michael Aschauer
SATB a cappella
pp
Lyrics: Henry Wadsworth Longfellow (18071882) Music: Michael Aschauer
S
b
& b 43
Maestoso q = 136
f
.. .
J
.
J
.
F
.
J n
The Singers
God sent his sing - ers up - on earth with songs of
f F SATB a cappella
b 3 .. j
A & b 4 # # . n. #
God sent His sing - ers up - on earth with songs of
f F
b 3 j j
T Vb 4 .. . . # J . . God sent his singers upon earth This richly varied
God sent His sing - ers up - on earth with songs of setting of Henry W. Longfellows poem is characterised
f F
B
? b b 43 .. . n J # b
.
by a rousing frame section which conveys Gods inten-
God sent His sing - ers up - on earth with songs of
tions. In the middle section, each of the three singers
Maestoso q = 136
b j j j
& b 43 # .. . # .. .
n. # . n a young, a grown and an old man, who symbolise en-

j j tertainment, encouragement and instruction is given
.. n # #
Piano
. .
? b b 43 .. . b
(for rehearsal)
J .
an independent theme: a lyrically charming soprano
f
melody is followed by a gripping tenor theme, while
b . .
& b . .
6
b n
J b . J J J the third theme sets in, solemn and measured, in the
sad - ness and of mirth, that they might touch the hearts of
f bass. In a recitative section, a solo quartet convincingly
b j j
& b n
#. .
. presents the debate which is the best, preparing with
sad - ness and of mirth, that they might touch the hearts of
f j increasing suspense the return of the frame section.
b . . # . j
Vb . J
sad - ness and of mirth that they might touch the hearts of
An immediately appealing and melodically captivating
f
? b . n n . # . n # b . j choral piece for a variety of occasions.
b J J mixed choir
<Zb^hX]iZg8
]dg
H6I7VXVee
ZaaV
sad - ness and of mirth that they might touch the hearts of Michael Ascha
The Singe uer
j
rs
b j . j .
& b . n b
# ..

Lyrics: Henry
.
W. Longfe

llow
n b
(1807-1882)
.. J SATB a cappella HI-C6283

j #
? b b . n
J
n . #
. .. n #
J
b ..

J
Fotokopieren Photocopying M. Aschauer, The Singers s SATB s 2009 HELBLING
Recordings at C6283_The
Singers_SATB.indd
1
=>"8+'-(

gesetzlich
verboten
material is
ILLEGAL
All rights reserved / Alle Rechte vorbehalten
HI-C6283
www.helbling.com
Michael Aschauer Christmas Bells

Christmas Bells
SATB a acappella
SATB cappella
Lyrics: Henry Wadsworth Longfellow (18071882) Music: Michael Aschauer
Christmas Bells S &b c

Introduction q = 120
F
n . J . b . n . J
I heard the bells on Christ - mas day, I heard the
F
SATB a cappella A &b c .
I heard the bells on Christ - mas day,
F
Written in 1864 under the impact of the American Civil T Vb c # . b J
I heard the
War, Henry W. Longfellows poem Christmas Bells F
? c . j
B b n
articulates the yearning for peaceful coexistence. I heard the bells on Christ - mas
In Michael Aschauers setting, the tone-painting & b c n .

J . b .. n .
J

represented Christmas bells announce peace to the Piano j
(for rehearsal)
? b c . j # . b
n
world in a style almost reminiscent of folk songs. The
sombre tones which suddenly interrupt to give graphic Lively q = 160
U P
3% .
rit.
& b . " 4 ..
6
expression to humanitys doubt fade away again b J
it is the bells which speak the truth and reaffirm the bells on Christ - mas day! 1. I heard
(2.) thought
the bells
how, as
on Christ
the day
- mas
had
(5.) pealed the bells more loud and
protection of Gods omnipresence. This choral piece U P (verse 5 F )
&b . j " 34 ..

with its subtle reflection of the text and its capti-
I heard the bells on Christ - mas day! 1./2./5. Doo doo, doo doo, doo
P
U 3 .. .
vating melody will not fail to affect the audience in V b . " 4
J
Christmas concerts and religious services. bells on Christ - mas day! 1. I heard
(2.) thought
the bells
how, as
on Christ
the day
- mas
had
(5.) pealed the bells more loud and
U P (verse 5 F )
? n " 3 ..
b 4
ZaaV
H6I7VXVee
mixed choir
]dg
<Zb^hX]iZg8
uer
Michael Ascha
s day, on Christ - mas day! 1./2./5. Doo doo, doo doo, doo doo,
Christmalls
Be
U % . j

rit.
& b . b " 34 ..
.
llow

W. Longfe

Lyrics: Henry (1807-1882)

J

U . j
2,60 (Minimum order: 10 copies) ? b .

n

34 ..

=>"8+%'&
Recordings at
www.helbling.com M. Aschauer, Christmas Bells U SATB U 2008 HELBLING, Rum/Innsbruck U Esslingen HI - C6021

Helbling Sacred Choral Music Series Masterworks arr. for Choir and Piano/Organ 37
Jubilate - Praise the Lord Markus Detterbeck

SATB a cappella and Solo
Lyrics: Psalm 148, 150 SATB a cappella and Solo (S/T) Music: Markus Detterbeck
Soprano or
Tenor solo
f
Joyful h = ca. 76 iq = qK e

Solo oder kleine Gruppe ad lib.

Jubilate Praise the Lord

Ju - bi - la - te, ju - bi - la - te, Ju - bi - la - te,
Soprano
f
SATB a cappella and Solo
ju - bi - la - te praise the Lord.
f
Alto

Based on a call-response structure, Markus Detterbeck

f
has developed a dialogue between soloist and choir
Tenor
which is characterized by rhythmic drive. A dynamic

f mid-section provides a musical contrast before a return

Bass
Joyful h = ca. 76
ju - bi - la - te praise the Lord. to the rhythmic motifs of the beginning progressively

intensifies the piece. Elements of Afro-American

f

Piano
music are skilfully combined with a polyphonically
imitative phraseology. A powerful coda brings to a
6

mp close this effective composition for religious services and

concerts.

ju - bi - la - te, Ju - bi - la - te, ju - bi - la - te,

ju - bi - la - te De - o!


mixed choir
<Zb^hX]iZg8
]dg
H6I7VXVee
ZaaVVcYHda
d

Mark us Dette

rbec k

Jubilate

Praise the
Lord
Lyrics: Psalm
148, 150

SATB a cappella and Solo HI-C6261

mp 3,30 (Minimum order: 10 copies)

Fotokopieren Photocopying M. Detterbeck, Jubilate - Praise the Lord U SATB and Solo U 2009 HELBLING
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indd 1
=>"8+'+&

gesetzlich
verboten
material is
ILLEGAL
HI - C6261
www.helbling.com
Masterworks of Great Composers,

arranged for Choir and Piano/Organ
3
Giulio Caccini (15511618), Ave

Ave Maria
Maria
SATBSATB
andandPiano/Organ
Piano/Organ
Music: Giulio Caccini (15511618)
arranged by Gwyn Arch Expressively q = 88

p
? bb b c w w w
B b
Ave Maria b
& b bb c
A - - - - ve, a - - - -

p sostenuto
SATB and Piano/Organ Piano/Organ
? b b b c ww ww www www
b
(also available SSA and Piano/Organ)
?
bbbb w w
5
.
For Giulio Caccini, a member of the Florentine ve, a - - - - - ve Ma - ri - - a.
b b
Camerata and one of the most important personalities &b b n
n n n b
behind the emergence of opera, the two words of
? b b ww n www
b b w
the title, Ave Maria, were sufficient to create a
sensitive musical composition. Gwyn Arch has %
b b p j
J w
9
fashioned his choral arrangement in an equally S &b b w . w
highly sensitive manner: the haunting melody is A -
p
- - - ve Ma - ri - - - - a.
b b
embellished, without being overloaded, with a small A &b b w w w w
A - - - - ve, a - - - - ve,
number of subtly placed counterparts and slight p
b
T V b bb w w w w
variations in the piano or organ accompaniment. A - - - - ve, a - - - - ve,
p
? bb b w w w
B b w
A - - - - ve, a - - - - ve,
%
b
SATB and Piano/Organ HI-C6017 & b b b

Piano/Organ
SSA and Piano/Organ HI-C6051 ? bb b
b
.
17.09.2008
14:21:43 Uhr
G. Caccini/G. Arch, Ave Maria U SATB and Piano/Organ U 2008 HELBLING, Rum/Innsbruck U Esslingen HI - C6017
Recordings at
www.helbling.com More sample pages at www.helbling.com
38 Helbling Choral Concert Series (HCCS)
HEL BL I N G C H O R A L
CONCE RT S E R IE S (H CCS)
Edited by Lorenz Maierhofer
SSAA a cappella
ppella
TTBB
TBB a cappella
a
a cappell
SATB
SATB a
cap
pella
5)& OU R LIT TLE

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LYRICS
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Maierh
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HCCS - 5984
4
11:38:23 Uhr
18.08.2009
- 5952 HCCS
CS - 5197
7
HCCS
HCCS
- 6163
For choral singing at all levels of ability

HCCS is aimed at the enthusiastic amateur choir
from the concert choir to the small group of singers
from the church choir to the gospel choir
from the youth choir to the womens and male-voice choir
The repertoire mainly for choir a cappella takes motivating account of the abilities and limitations of amateur
singers of various levels of ability, from very easy (Level 1) to highly demanding (Level 5).
Choral music in practical individual editions

HCCS offers a diverse range of compositions and arrangements in the form of indivi-dual editions for a variety of
choir formations:
for mixed voices (red editions)
for treble voices (blue editions)
for male voices (green editions).
All individual editions of the choral pieces, also referred to as octavos, are sheet music that complies with interna-
tionally recognised quality standards and include a piano part for rehearsals.
In addition, the sheet music provides valuable information about the respective piece, together with guidance on
pronunciation and hints on interpretation.
LORENZ MAIERHOFER is the general editor of this series.

As a versatile choral expert, composer, arranger and lyricist, and through his comprehensive experience as editor of
numerous choral publications, songbooks and CDs, many of which have become standards, Lorenz Maierhofer now
offers, with HCCS, the practical, tried and tested and refreshing choral repertoire which has so often been demanded.
He is also internationally active as a consultant and speaker, chairof choir workshops and reading sessions and direc-
tor of large-scale public singing events.
Helbling Choral Concert Series (HCCS) Titles 2009 (Lighter Concert Selection) 39
Lighter Concert Selection

2
Fanfare a cappella
SATB a cappella, Percussion ad lib
Scat text: Lorenz Maierhofer
Animated q = 74
Music: Lorenz Maierhofer Lorenz Maierhofer
#
& 24
A

S
#
Yam

da - va dam dam

da ba - da - va da - va da - va da - va da - va
Fanfare a cappella
A & 24
#
Yam da - va dam dam da ba - da - va da - va da - va da - va da - va SATB a cappella
V 24
T
Yam da - va dam dam dam da - va dam dam
(also available SSAA, TTBB)
? # 24
B
Yam da - va dam dam dam da - va dam dam
24
(stomp and drum)
A lively opening piece for many different occasions,

J J J J
(claps or tambourin) composed by Lorenz Maierhofer. The lyrics, with their
# 2
G D G
& 4 scat syllables and the dynamic body percussion for

J
Piano/Klavier
(for rehearsal)
? # 2

example for marching onto the stage make this new
4
Fanfare a cappella a choral piece with a special flair.
#
& . ..
4 (Fine)

da - va da - va da - va da - va yam da - va dam dam da ba - da - va da - va da - va da - va - da.
# ..
& .

da - va da - va da - va da - va yam da - va dam dam da ba - da - va da - va da - va da - va - da.
# ..
V J
SATB a cappella,
Percussion
add lib
dam da - va da. Dam dam da - va dam dam da - va da - va dam dam dam dam da.

?# J
..
'"/'"3&
dam da - va da. Dam dam da - va dam dam da - va da - va dam dam dam dam da. "$"11&--"
..
SATB HCCS-6199
J J
J J J J
D G D G D7 G
SSAA HCCS-6200 Lorenz Maierhofe
MUSIC
r
SCAT TEXT
Lorenz Maierhofe
r
#
&
(Fine)
.. .. TTBB HCCS-6201

HCCS - 6199

? #
J

.. 1,90 (Minimum order: 10 copies)
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verboten ILLEGAL All rights reserved
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2 A Welcome
Willkommen
G. F. Handel (16851759), English and German lyrics:
SATB a cappella
Music part A: based on G. F. Handel (16851759),
Lorenz Maierhofer Festive q = 120 from the Trio Sonata op. 5, No. 5: Bourre
arranged by Lorenz Maierhofer #

& C
A

Music part B, C and arrangement: Lorenz Maierhofer
A Welcome 1. A wel - come to you,

2. It's a pleas - ure to be
1. Will - kom - men, will - kom
2. Es
5. = 1. al
ist ei - ne Freu
my
with
-
-
dear,
you,
men,
de,
a
a
seid
ja,
wel - come to you.
pleas - ure to be with
herz - lich will - kom -
ei - ne wah - re Freu -
you.
men.
de.
#
& C
SATB a cappella
# #
A
#
T V C

(also available SSAA, TTBB) 1. A wel - come to you, my dear, a wel - come to you.
2. It's a pleas - ure to be with you, a pleas - ure to be with you.
1. Will - kom - men, will - kom - men, seid herz - lich will - kom - men.
2. Es ist ei - ne Freu - de, ja, ei - ne wah - re Freu - de.
5. = 1. al
This festive song of welcome is based on a bourre ?# C

B
from a trio sonata by George Frideric Handel, the 250th #
& C #
anniversary of whose death falls in 2009. Whether it is
#
Piano/Klavier
? # C ( )

(for rehearsal)
sung with German or with English lyrics, Lorenz Mai-
erhofer has created with this choral arrangement an

#
l S-Solo ad lib m
..
ideal opener for concerts and for international choral
5
&
.
events. 1./2. It's
1./2. Es
nice
ist so
to
schn euch
meet
hier zu
you,
sehn,
it's
seid
nice to meet
herz - lich will - kom -
you.
men.
# ..
& N #
.
.
1./2. It's nice to meet you, ooh.
1./2. Es ist so schn euch hier zu sehn, uh.
#
SATB a cappella
V
.
. ..
&
"8&-$0. 1./2. It's nice to meet you, ooh.
/ 1./2. Es ist so schn euch hier zu sehn, uh.
8*--,0..& SATB HCCS-6101
?# w
. ..

SSAA HCCS-6195
T
ARRANGEMEN
MUSIC AND r
Maierhofe
Lorenz ON G. F. HANDEL

BASED
LYRICS
AND GERMAN r
ENGLISH
Lorenz Maierhofe
# ..
& N
TTBB HCCS-6102 #
..

..

.

? #
HCCS - 6101

. ..
1,90 (Minimum order: 10 copies) w
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40 Helbling Choral Concert Series (HCCS) Titles 2009 (Lighter Concert Selection)
2 Komm, holder Lenz

Come, Tender Spring
German and English lyrics: Lorenz Maierhofer,
SATB a cappella, optional with string quartet
Music: Joseph Haydn (17321809),
Joseph Haydn (17321809),
based on the original version from the oratorio The Seasons
Animated
j
Lied version and arrangement: Lorenz Maierhofer
Helbling, Rum/Innsbruck arranged by Lorenz Maierhofer
& b 68 . .
Intro
S . J
6
Ref.: Komm, hol - der Lenz!
Ref.: Come, ten - der spring!
& b 8 .
Des Him - mels Ga - be, komm!
Sweet gift of heav - en, come!

j

Aus
A -

Come, Tender Spring
A
.
Ref.: Komm,
Ref.: Come,
hol - der Lenz! Des Him - mels Ga - be, komm!
ten - der spring! Sweet gift of heav - en, come! SATB a cappella, optionally with
V b 68 . .
J

T J J string quartet (also available SSAA, TTBB)
Ref.: Komm, hol - der Lenz! Des Him - mels Ga - be, komm!
Ref.: Come, ten - der spring! Sweet gift of heav - en, come!
? b 68 . j
B . . J
J

J
Ref.: Komm, hol - der Lenz! Des Him - mels Ga - be, komm!
This moving a cappella song of spring is an arran-
Ref.: Come, ten - der spring! Sweet gift of heav - en, come!
j j gement of a theme from the oratorio The Seasons by
& b 68 ... . .
..
Piano/Klavier Joseph Haydn, the 200th anniversary of whose death
(for rehearsal)
? 6 . j
b 8 . . J J J falls in 2009. The piece presents numerous new per-
U Fine
formance options and, whether performed a cappella
&b j j
5
. or with string accompaniment, will be a new choral

ih - rem To - des - schlaf er - we - - - - cke die Na - tur.
wak - en na - ture from death - like sleep, fair spring, come.
U
highlight for spring concerts. Instrumental parts are
&b j
j
.
j
j
.
seperately available.
ih - rem To - des - schlaf er - we - - - - cke die Na - tur.
U
wak - en na - ture from death - like sleep, fair spring, come.
V b . . n A
J

SATB a cappella,
optional with
J
string quartet
,0..
Oh, er - we - cke die Na - tur. )0-%&3-&/;
U
Oh, fair spring, come.
?b . . . .
J SATB HCCS-6147 $0.&
. 5&/%&341
3*/(
Oh, oh.
Oh, oh. SSAA HCCS-6148 Joseph Haydn
MUSIC
U Fine
ADAPTION
AND ARRANGEMEN
Lorenz Maierhofe T
j
r
& b j
GERMAN
AND ENGLISH

Lorenz Maierhofe
LYRICS

BASED ON
r
n .
THE ORIGINAL

VERSION
A . TTBB HCCS-6149
J
? b . U
HCCS - 6147

J . A. . . 1,90 (Minimum order: 10 copies)
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www.helbling.com
2 We All are Children of this World

SATB a cappella, optional with instrumental accompaniment
Lorenz Maierhofer Lyrics: Lorenz Maierhofer, based on
quotations of Rigoberta Mench Tum
Music: Lorenz Maierhofer
and Mahatma Gandhi
Groovy q = 86
# U
We All are Children & c
Intro

> > > >
S
Children of this world! Children of this world! Children of this world! Children! Chil - dren!
# (whisper/speak) U
(snap) (snap) (snap)
& c
of this World A
#

>
We

>
all are

>

> >
> U
chil - dren!
V c

SATB a cappella T
> > >
U
Children of this world! Children of this world! Children of this world! Children! Chil - dren!
> > > > >
(snap) (snap) (snap)
?# c
(whisper/speak)
B
This song by Lorenz Maierhofer is a choral hymn to a We all are chil - dren!
# c D D7 U

D omit3 D omit3
better, more humane world. The profound message of &

Piano/Klavier
(for rehearsal)
? # c U
the lyrics is based on quotations from Mahatma Ghandi
and the Nobel Peace Prize winner Rigoberta Mench. A Animated

#. j # j
l Solo ad lib m
This choral piece can be performed a cappella or with & .
5
J J
instrumental accompaniment. 1. We
2. We
all are chil - dren of this
are the change, we want to
world, let's be hap - py,
see, let's be hap - py,
cre - a - tive and
cre - a - tive and
cu
cu
-
-
ri - ous. 1./2. Dis -
ri - ous.
4. = 2. / 6. = 1. al
# j j
& .. .
1. We all are chil - dren of this world, ooh, 1./2. Dis -
2. We are the change, we want to see, ooh,
4. = 2. / 6. = 1. al
#
V ..
J

J
#
J
1. We all are chil - dren of this world, ooh, 1./2. Dis -
2. We are the change, we want to see, ooh,
4. = 2. / 6. = 1. al
? # ..

optional with
instr. acc.
J
1. We all are chil - dren of this world, doo doo ts doo doo ts doo doo doo doo. 1./2. Dis -
SATB a cappella,
2. We are the change, we want to see, doo doo ts doo doo ts doo doo doo doo.
4. = 2. / 6. = 1. al
8& "--"3& j j
# . . j # j
G D7 G Am D7 G D7 Em A7 D
.

$)*-%3&/ &
0' 5)*4 803-
%
SATB HCCS-6150 #
J J

1,90 (Minimum order: 10 copies) ? # ..

MUSIC
r
J
Lorenz Maierhofe
LYRICS
r,
Lorenz Maierhofe
Mench Tum
Rigoberta
based on and Mahatma
Gandhi
HCCS - 6150 Recordings at Fotokopieren

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Helbling Choral Concert Series (HCCS) Titles 2009 (Lighter Concert Selection) 41
2 The Seasons of Our Love

SATB a cappella
Lyrics: Lorenz Maierhofer Music: Lorenz Maierhofer Lorenz Maierhofer

# U

Emotionally and freely
& c w
S
#
In the be - gin - ning let us sow for the springtime, mm.
U
In springtime The Seasons of Our Love
& c
w
A
In the be - gin - ning let us sow for the springtime, mm. In springtime
SATB a cappella
# U
T V c
w
In the be - gin - ning let us sow for the springtime, mm. In springtime A poetically moving choral composition by Lorenz
U
?# c Maierhofer that is characterised both musically and
B
In the be - gin - ning let us sow for the springtime, mm. In springtime lyrically by a deep emotional intensity. Here, the
# U passing of the seasons becomes a symbol for the
c
&
www
Piano/Klavier
U flourishing of a relationship, from its first tender
? # c
(for rehearsal)

burgeoning, through the time of its full blossoming
until, in mature years, the partners can enjoy the fruits
# U
b . 34 n # n together: May they be blessed, the seasons of our
6
&
then may our seed bloom to sum - mer, mm. In summer may our crop grow to au - love!
# U
& w 43

then may our seed bloom to sum - mer, mm. In summer may our crop grow to au -
U
# b. 3 .
V 4
then may our seed bloom to sum - mer, mm. In summer may our crop grow to au -
?# n bU . 3 # n
4
SATB a cappella
then may our seed bloom to sum - mer, mm. In summer may our crop grow to autumn, ooh,
U
# 3 # n 5)& 4&"40/4
&

b.
w b . 4 n n
.
() SATB HCCS-6152 0' 063 -07&
? # n bU . 3 # n
4 1,90 (Minimum order: 10 copies) Lorenz Maierhofe
MUSIC
Lorenz Maierhofe
r
LYRICS
r
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Recordings at HCCS - 6152
All rights reserved

verboten ILLEGAL
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2
Wedding Bells
F. Mendelssohn-Bartholdy (18091847), SATB a cappella
Lyrics and scat text: Lorenz Maierhofer Music: Felix Mendelssohn-Bartholdy (18091847),
arranged by Lorenz Maierhofer Festive q = 80

from the Wedding March
Arrangement and additional music: Lorenz Maierhofer
# A
S & # c . .
Wedding Bells #
& # c .
Ref.: Da
*) Ref.: Da
da - va da,
da - va da,
da - va dam
da - va dam
da - va dam
da - va dam

da - va dam. My dear, oh
da - va dam. Dam dam dam

A .
SATB a cappella #
Ref.: Da
*) Ref.: Da
da - va da,
da - va da,
da - va dam
da - va dam
da - va dam
da - va dam
da - va dam. My dear, oh
da - va dam. Dam dam dam
T V # c . .
Ref.: Da da - va da, da - va dam da - va dam da - va dam. My dear, oh
The sound of the organ version of the wedding march
*) Ref.: Da da - va da, da - va dam da - va dam da - va dam. Dam dam dam
? ## c . .
B
from Felix Mendelssohns A Midsummer Nights Ref.: Da da - va da, da - va dam da - va dam da - va dam. My dear, oh
*) Ref.: Da da - va da, da - va dam da - va dam da - va dam. Dam dam dam
Dream has accompanied countless numbers of happy #
& # c . .

Piano/Klavier
couples on their way to the altar. Lorenz Maierhofer (for rehearsal)
? ## c . .

has written lyrics for this well-known instrumental
#
& # . # n . # n
3
piece and turned them into an a cappella choral
version that will certainly be a new highlight for hear the Hal - le - lu - jah Wed - ding Bells from heav - en high, hal - le - lu - jah, hal - le - lu - jah, hear the
#
da da - va da - va dam dam da da - va dam dam da, dam dam dam da da - va da - va da - va
singing at weddings. & # #. n #. n
hear the Hal - le - lu - jah Wed - ding Bells from heav - en high, hal - le - lu - jah, hal - le - lu - jah, hear the
#
V # #. n #. n
? ## .
.

da da - va da - va dam dam da da - dam dam da, dam dam dam da da - va da - va da - va
#
SATB a cappella
& # # .. # n n

.
#. # n n
n
# n #
8&%%*/( ? # # # .. #.
#&--4 .
SATB HCCS-6093 ______________

Felix Mendelsso
hn-Bartho
MUSIC
ldy *) optional text version: scat syllables, sounding like instruments / optionale Textvariante: Scat-Silben, den Instrumenten
ARRANGEMEN
Lorenz Maierhofe
T
LYRICS
r
nachempfunden
r
Lorenz Maierhofe
Pronunciation tips for the scat syllables / Aussprachetipps fr die Scat-Silben:
du = doo = [du:] / ba = [b8] / dam = [dam] / yam = [jam] / dava = [dawE]
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42 Helbling Choral Concert Series (HCCS) Titles 2009 (Popular)
2
Good Night
Gut' Nacht
English lyrics: William Shakespeare
from Romeo and Juliet, Act II, Scene II
SATB a cappella
Lorenz Maierhofer
German lyrics: Lorenz Maierhofer
S
#
& c
Emotionally q = 92
. . . w
Good Night
1./2. Good night, good night, good night, good night,
1./2. Gut' Nacht, gut' Nacht, mein Lieb', gut' Nacht,
A
#
& c . . . w
SATB a cappella
#
T V c . . . w
William Shakespeares powerful words of farewell
1./2. Good night, good night, good night, good night,
1./2. Gut' Nacht, gut' Nacht, mein Lieb', gut' Nacht,
spoken by the lovers in Romeo and Juliet are
?# c . . .
B . . . combined with music by Lorenz Maierhofer to create
1./2. Good night, good night, good night, good night, part - ing
1./2. Gut' Nacht, gut' Nacht, mein Lieb', gut' Nacht, Ab - schied
a song of eventide and farewell of a special nature.
# c
& ... . ..
.. . www Musical density and tones in close harmony that take
Piano/Klavier
? # c . . . their inspiration from jazz express the sweet pain of
(for rehearsal)
. . .
separation and the hope of an early reunion.
5
# j
&
part - ing is such sweet sor - row, sor - - - - row.
Ab - schied lsst mich s kla - gen, weh - kla - gen.
#
& j
w
# j
V w
part - ing is such sweet sor - row, sor - - - - row.
Ab - schied lsst mich s kla - gen, weh - kla - gen.
? # . w SATB a cappella
is such sweet sor - row, sor - - - - row.

lsst mich s kla - gen, weh - kla - gen. (00%/*()5
# j
& (65/"$)5
w SATB HCCS-6092
ww
? # . 1,90 (Minimum order: 10 copies) Lorenz Maierhofe
ENGLISH
William Shakespe
GERMAN
MUSIC
r
LYRICS
are
Lorenz Maierhofe
LYRICS
r
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www.helbling.com
Popular
2
A Friend
R. Clemens Schfer Lyrics: Angelika Rothmayr
SATB a cappella
Music: R. Clemens Schfer
Emotionally q = 75
b j U j
A Friend S &bb c
1. Doo,
.
I

J
need a friend

be - side me

j
who
b U
SATB a cappella A &bb c .
1. Doo doo doo doo doo
b U
V b b c . b
J
J
A romantic pop ballad which, with great sensitivity,
T J J
1. Doo, doo doo doo doo doo doo doo doo
takes as its theme the importance in a persons life of a ? bb c U . j j j

B b w J . . .
friend. This new composition by R. Clemens Schfer in 1. Doo, doom doo doom doo doom doo doom doo
A b/B b U Eb b A b maj7
typical a cappella style is ideal for performance as the b j .
j
E 7/G
j
Gm7
& bb c . b
u

J
closing piece of a concert or as an encore. Piano/Klavier U J
.
? bb c w j
(for rehearsal)
b . j . . j
u J .
b j j j . j j
& b b .
4
w J
sees the beau - ty of love, I need a friend who guides me, when
b j
&bb
doo doo doo, of love, doo doo doo doo,
b j j b
V b b J n A J
J J
J n
J
doo doo doo doo doo doo, of love, doo doo doo doo doo doo doo doo,
j j
? bb . . j . j j j
SATB a cappella b J . . J . . .
doom doo doom doo doom doo doom doo doom doo doom doo doom doo doom doo
B b7 Eb b b
" '3*&/% b
Cm7
j
F7 Fm7
j
E 7/G
j
A maj7 Gaug7
& b b . w . b
SATB HCCS-6083 A J J n
J
2,60 (Minimum order: 10 copies) ? b b . . n j j
. j j j
.
MUSIC
b J . .
Schfer
J .
R. Clemens
J .
LYRICS
Rothmayr
Angelika

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Helbling Choral Concert Series (HCCS) Titles 2009 (Popular) 43
2
When the Moon is on the Run
SATB a cappella and Soprano Solo
Lyrics: Hans Unterweger
Animated q = 80
Music: Hans Unterweger Hans Unterweger
A
&b c .
Intro

Solo (S)
Doo dub dub doo, doo - ah. 1. When the moon is on the run, When the Moon is
S &b c .
A &b c
Doo dub dub doo,

doo - ah.
.
1. Doo

doo

on the Run
Doo dub dub doo, doo - ah. 1. Doo doo
Vb c b . SATB a cappella
T
?b c . (also available TTBB)
B
F B b maj7 B b m6 F C/E
& b c b ...
This sensitive, yet at the same time groovy new

Piano/Klavier
(for rehearsal)
? b c
love ballad by the widely recognized a cappella pop
.

specialist Hans Unterweger will touch the hearts of
performers and audience alike. It can be sung a
& b . #
4
. cappella or with accompaniment.

when she fears to meet the sun, when she knows that dawn is
&b
doo doo doo doo doo - ah ah - - - ah
&b
Vb #
SATB a cappella
and Soprano
Solo

?b
8)&/5)&.00/
doo doo doo doo doo doo doo - ah doo doo *40/5)&36/
Dm Dm/C Dm/A G m7 B b/C C F A7
SATB HCCS-6084
& b
#
TTBB HCCS-6085 Hans Unterweg
MUSIC
er
Hans Unterweg
LYRICS
er
? b 2,60 (Minimum order: 10 copies) HCCS - 6084
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AUSTRIA: Kaplanstrasse 9, 6063 Rum/Innsbruck | GERMANY: P.O. Box 100754, 73707 Esslingen HCCS-6084 Recordings at
www.helbling.com
2
City of My Heart
Franz M. Herzog Lyrics: Franz M. Herzog / Aja / Elli Bauer
SATB a cappella and Solo, Piano ad lib
# Intro
q = 70
& # c j
*)

.
City of My Heart Solo
#
1. There's
2. It's
a place for which I
a place that gives me
S & # c .

j

SATB a cappella, ##
Ooh, doo doo doo doo doo doo. 1./2. Ooh,
& c
w w w
optionally with piano accompaniment A
1./2. Ooh,
#
Ooh,
T V # c
Ooh, 1./2. Ooh,
Franz M. Herzog composed this moving pop ballad to ? ## c

. .
J
B J
open the World Choir Games 2008 in Graz, where it Ooh, doo doo doo. 1./2. Doo doo doo doo
#
was sung by thousands of choral singers in unison. A # D
& # c
D E m7 D/F G G/A E m7

real concert highlight, it can be sung a cappella or with Piano/Klavier
(ad lib)
? ## c
j
.
piano accompaniment.
# j
& #
4

care with that friend - ly small town flair, a place to call my own, oh. When I
#
peace, where I can find re - lease, a place to call my home, oh. Come and
& #
##
ooh, oh doo doo
& w w
ooh, oh doo doo
#
V #

ooh,
j oh doo doo
? ## . . . . .
SATB a cappella
and Solo, Piano
ad lib
J J J J
doo doo ooh doo doo doo doo doo doo, oh doo doo
# F # m7 A/C #
# D/F
& #
G G/A D E m7 B m7 D
$*5:

0'.:)&"35 SATB HCCS-6151 j
? ## j .
. J j
. .
MUSIC
Herzog
Franz M.
Herzog,
Franz M. Bauer
Aja, Elli
LYRICS
______________
*) The introduction can be played by the piano alone. / Die Intro kann vom Klavier alleine gespielt werden.

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gesetzlich
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44 Helbling Choral Concert Series (HCCS) Titles 2009 (Popular)
2
Que sera, sera
Whatever will be, will be
Lyrics: Ray Evans / Jay Livingston
SATB a cappella
Music: Ray Evans / Jay Livingston
R. Evans / J. Livingston,
Arrangement: R. Clemens Schfer
& 34

.
arranged by R. Clemens Schfer

S
A
1. When I
& 43
was just

a lit

- tle girl,
I asked my

moth - er:

Que sera, sera
1. When I was just a lit - tle girl, I asked my moth - er:
T V 34
.
1. Ooh,

.
girl,

.
ooh,
Whatever will be, will be
? 43 SATB a cappella
B

.
.
1. Doo ba doo. When she was a girl.
& 43
C
Piano/Klavier
? 43
. Originally composed for an Alfred Hitchcock film, this

(for rehearsal)

.
.
international hit achieved worldwide popularity with
Doris Days version in the film The Glass Bottom Boat.

.
7
&
.
. Clemens Schfers arrangement of the Oscar-winning
What will I be, will I be pret - ty, will I be rich?
title, in carefree, flowing triple time, gets right to the
&
.
very heart of this piece of wisdom: What ever will be is
What will I, what will I be? Ooh, will I be pret - ty, will I
just a matter of fate Que sera, sera!
V
.
. SATB a cappella
what will I be? Ooh, will I

26&4&3" 4&3"
?
b

.

.

.
Whateve
SATB HCCS-6202
r will be

, will be
What will I be? Ba doo doo ba doo doo ba doo

SSAA HCCS-6203 Ray Evans MUSIC
/ Jay Livingston
ARRANGEMEN
R. Clemens
Schfer
T

G7

.
Ray Evans

LYRICS
/ Jay Livingston
&

..

TTBB HCCS-6204 6202 Que sera_SATB.indd
1
HCCS - 6202
?
b

.

.

. 2,60 (Minimum order: 10 copies)
Fotokopieren
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gesetzlich
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this copyright
material is
see copyright notations p. 7
Copyright of this edition 2009 HELBLING
HCCS- 6202 Recordings at
www.helbling.com
2 Conquest of Paradise
SATB a cappella, Solo (S/T) ad lib
Vangelis, arranged by Lorenz Maierhofer Lyrics: Vangelis
q = 76
Music: Vangelis
Arrangement: Lorenz Maierhofer
V b 43 . .
Solo: vocal or instrumental ad lib
..
1.
S/T-Solo
Conquest of Paradise (ad lib)
S & b 43
( )
Co - ra.
. . ..
& b 43
Na na na, na na na.
..
SATB a cappella, optionally Solo A .
Na na na, na na na.
3
(also available SSAA, TTBB) T V b 4 ..
Tm ta ta tm ta ta tm tm, tm ta ta tm ta ta tm tm, tm ta ta tm ta ta tm tm, tm ta ta tm ta ta tm tm.
? b 43 ..
B
Musically powerful archaic forms of pop are the Tm ta ta tm ta ta tm tm, tm ta ta tm ta ta tm tm, tm ta ta tm ta ta tm tm, tm ta ta tm ta ta tm tm.
43 ..
defining characteristic of this hit, which achieved (stomp/drum)
1.
& b 43 ..
Dm Dm Dm Dm
worldwide popularity as a film soundtrack and through

.

.
.
Piano/Klavier ()
its use as music to accompany combatants at inter- ? 3 ..

(for rehearsal)
b 4
national boxing events on their way to the ring.

A
..
5 2.
Lorenz Maierhofer has arranged this compulsive piece Vb

( )
1./2. Ah.
with its dynamic bolero rhythms for choir. No matter &b .. j .
. # . # . #

whether it is performed a cappella or with instrumental na. 1. Na na na na
(2.) no - re - ni
na
per
na
i -
na
pe,
na
in
na na na
no - re - ni
na
co -
accompaniment, this choral piece will be a distinctive & b # .. j .
. # . # . #

opener for concerts, festivities and events. na. 1. Na na na na na na na na na na na na
j j
(2.) no - re - ni per i - pe, in no - re - ni co -
SATB a cappella
and Solo (S/T)
ad lib
Vb .. . .
tm tm tm. 1./2. Na na, tm tm ta ta tm ta ta tm, na na na, tm
?b .. # .
$0/26&45
0'1"3 "%*4& SATB HCCS-6205 tm tm tm. 1./2. Tm ta ta tm ta ta tm, na na na na, tm tm tm ta ta tm ta ta tm tm
..
MUSIC
SSAA HCCS-6206
Vangelis
T
ARRANGEMEN
r
Lorenz Maierhofe
LYRICS
2.A
Dm A7 Dm
..
Vangelis
& b . . j .
TTBB HCCS-6207 # # # ( . ) #
j
? b .. . .
HCCS - 6205
#.
2,60 (Minimum order: 10 copies) ______________
tm = tam [t8m], like a bass-drum
grundstzlich
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verboten
Photocopying
this copyright
material is
ILLEGAL
1992 EMI Music Publishing Ltd, London W6 8BS. This arrangement 2008 EMI Music Publishing Ltd, London W6 8BS
Reproduced by permission of International Music Publications Ltd (a trading name of Faber Music Ltd) . All Rights Reserved
Copyright of this edition 2009 HELBLING
HCCS- 6205
www.helbling.com All rights reserved

Helbling Choral Concert Series (HCCS) Titles 2009 (Popular) 45
2
Life is a Tango
Lyrics: Lorenz Maierhofer
Groovy q = 116
Music: Lorenz Maierhofer Lorenz Maierhofer
#
& c j ~~~ j j
A

S
#
1./3. Doo dn
~~~
ba dm brrr
~~~
*) doo dn ba dm brrr doo dn ba dm brrr dm. (clap)
Life is a Tango
& c j j j
A
~~~ ~~~ ~~~
#
1./3. Doo dn ba dm brrr *) doo dn ba dm brrr doo dn ba dm brrr dm. (clap) SATB a cappella,
V c J ~~~ J ~~~ J ~~~
T
1./3. Doo dn ba dm brrr *) doo dn ba dm brrr doo dn ba dm brrr dm. (clap)
optionally with instrumental
?# c
B
1./3. Dm dm dm doo dn dm dm dm doo dn dm dm

dm doo dn dm. (clap)
accompaniment
#
& c j j j
Em A m7 Em D Em D Em

Tango music is characterised by deep emotions, by
Piano/Klavier
? # c
(for rehearsal)
feelings of joy and torment just as life is. Lorenz
Maierhofer has made this the theme of this groovy
# j .
and humorous a cappella highlight with the pointed
3
.
3 5
& J
1. Life is a Tan - go, ba dm dm, with sound and groove, ba dm dm dm, (clap) life is a
declaration: Life is a tango, and tango is fun!
3. It goes for - ev - er, ba dm dm, with sun - shine or rain, ba dm dm dm, brings us to -
# j
& j .
3 3
.
3

1. Life is a Tan - go, ba dm dm, with sound and groove, ba dm dm dm, (clap) life is a
# 3 j . 3
.
3
V J
1. Life is a Tan - go, ba dm dm,
with sound and groove, ba dm dm dm, (clap) life is a
?#

Dm dm dm doo dn dm dm doo - - ah, with sound and groove, oh yeah.
j
SATB a cappella,
#
Am A m7 D D7 G Em optional with
instr. acc.
j ..
3 3
& .. .
.
-*'&*4 "5"/(0
? #
SATB HCCS-6153
______________
dam = d8m / dm = like a double bass Lorenz Maierhofe
MUSIC
Lorenz Maierhofe
LYRICS
r
r
*) brrr = like a vibraslap, humorous
Fotokopieren
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www.helbling.com
3
Heimweh (Schn war die Zeit)
T. Gilkyson / R. Dehr / F. Miller, Memories are Made of This
SATB a cappella
German lyrics: E. Bader, D. Rasch Music: T. Gilkyson, R. Dehr, F. Miller
arranged by Lorenz Maierhofer English lyrics: T. Gilkyson, R. Dehr, F. Miller Arrangement: Lorenz Maierhofer
#
Animated
& c ..

Memories are Made of This S
#
(snap)
1./2. So schn,
1./2. Sweet, sweet
schn war die Zeit.
mem' - ries you gave a me.
simile
So schn,
Sweet, sweet
& c ..

A
SATB a cappella (snap)
# c
simile
V ..
(also available TTBB) T
1./2. So schn,
1./2. Sweet, sweet
schn war die Zeit.
mem' - ries you gave a me.
So schn,
Sweet, sweet
?# c ..
.
B
Dean Martin, Freddy Quinn and many other performers 1./2. So schn,
1./2. Sweet, sweet
schn war die Zeit,
mem' - ries you gave
so
a
schn,
me,
have made this a popular worldwide hit, no matter # c
G D7
..
G
&

whether it is sung with German or with English Piano/Klavier
? # c
.
(for rehearsal)
..
lyrics. Lorenz Maierhofers sensitive and easy-to-sing
arrangement of this evergreen will arouse enthusiasm 4

#
time and again. &
schn war die Zeit. So schn, schn war die Zeit.
mem' - ries you gave a me. Sweet, sweet mem' - ries you gave a me.
#
&
#
V
schn war die Zeit. So schn, schn war die Zeit.
mem' - ries you gave a me. Sweet, sweet mem' - ries you gave a me.
SATB a cappella
?#
.
)&*.8&) schn war die Zeit. 1. Bren - - - - nend hei - er Ws - ten - sand,
2. Vie - - - - le Jah - re schwe - re Fron,
.&.03*&4 mem' - ries you gave a me. 1. Take one fresh and ten - der kiss,
5)*4
"3&."%&0' SATB HCCS-6097 2. Don't for - get a small moon - beam,
#
D7 G D7
TTBB HCCS-6098 &

MUSIC
Miller
R. Dehr, F.

T. Gilkyson,
T
ARRANGEMEN
r
Lorenz Maierhofe
LYRICS
GERMAN
D. Rasch
E. Bader,
LYRICS
ENGLISH
Miller

R. Dehr, F.
T. Gilkyson,
HCCS - 6097
? #
.
Recordings at Copyright of this edition 2009 Helbling, Rum/Innsbruck Esslingen. All rights reserved HCCS- 6097
www.helbling.com
46 Helbling Choral Concert Series (HCCS) Titles 2009 (Folk & Multicultural)
Folk & Multicultural

2
Jamaica Farewell
SATB a cappella
Lyrics: Traditional Music: Calypso, Trad. Jamaica
Arrangement: Lorenz Maierhofer
Jamaican Trad.,
#
Animated q = 140
S & # c j arranged by Lorenz Maierhofer

(snap)
J (snap)
1.3. Down the way, down, down, down, down, down, down.
#
A & # c j
(snap)
J
1.3. Down the way,

down, down,

down, down,

down, down.

(snap)
Jamaica Farewell
# J . J .
T V # c SATB a cappella
1.3. Down, down, down, the way, down, down, down the way, down,
? ## c
B . . . .
J

J (also available SAA, TTBB)
1.3. Down, down, down, down the way, down, down, down, down the way, down.
##
j
D D G D D D G D
& c A new choral evergreen with a Latin calypso feeling.

j j
. .
Piano/Klavier
(for rehearsal)
? ## c . .

. .
With this catchy song from the Caribbean, Harry
J J
Belafonte achieved an outstanding hit. This choral
# j
A arrangement by Lorenz Maierhofer has made the well-
& #
5

loved song into an easy-to-sing highlight for choirs,
J (snap)
1. Down the way where the nights are gay and the sun shines dai - ly on the moun - tain top.
2. Down at the mar - ket you can hear la - dies cry out while on their heads they bear. one that can be sung a cappella or with accompani-
#
3. Sounds of laugh - ter ev' - ry - where and the danc - ing girls sway - ing to and for.
& # j
ment.
J
1. Down the way where the nights are gay and the sun shines dai - ly on the moun - tain top. (snap)
2. Down at the mar - ket you can hear la - dies cry out while on their heads they bear.
3. Sounds of laugh - ter ev' - ry - where and the danc - ing girls sway - ing to and for.
#
V # J J SATB a cappella
down.1. Down the way where the nights are gay and the sun shines dai - ly on the moun - tain top. Down
2. Down at the mar - ket you can hear la - dies cry out while on their heads they bear. Down
3. Sounds of laugh - ter ev' - ry - where and the danc - ing girls sway - ing to and for. Down +"."*$"
? ## . . SATB HCCS-6208 '"3 &8&--
. . . .

1.3. Down down down, down down down, down down down, down down down. Down SAA HCCS-6209 Calypso, MUSIC
Trad. Jamaica
ARRANGEMEN
Lorenz Maierhofe T
r
LYRICS
##
Traditiona
l

D G A7 D

& TTBB HCCS-6210
6208 Jamaica
Farewell_SATB.indd
1
HCCS - 6208
? ## . .
. . . .
Fotokopieren
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3
Down by the Salley Gardens
Herbert Hughes (18821937), Lyrics: William Butler Yeats (18651939)
SATB a cappella
Music: Herbert Hughes (18821937)
arranged by Markus Detterbeck

Arrangement: Markus Detterbeck
Solo or small group ad lib
# ##
Expressive q = 92
& # c
Down by the Salley Gardens
S
Doo doo doo doo doo doo doo
##
A & ## c
SATB a cappella ##
T V ## c
(also available SSAA) ? ## ## c .

w . w . w
B
Dung gung gung, *) dung gung gung, dung gung gung,
This song numbers among the most popular of Irish ##

& ## c
folk songs, and its lyrics are derived from the great Piano/Klavier
? ### # c . w . w . w
(for rehearsal)
Irish poet William Butler Yeats. Markus Detterbeck has
composed a moving arrangement of the piece, skilfully
incorporating the typical Irish sounds of the bagpipe ## j
& ##
7
.
drone. It can be sung a cappella or with accompani-
doo doo doo doo doo doo. Doo doo doo doo doo doo doo
ment.
##
Solo or small group ad lib
& ## .
Doo doo doo doo doo
# ##
V #
SATB a cappella
? ## ## . w . w
dung gung gung, dung gung gung,
%08/#:5)&
## j
& ##
4
"--&: ("3%&/
SATB HCCS-6211 . .
4

SSAA HCCS-6212
MUSIC
? ### # .
Herbert Hughes
w . w
T
ARRANGEMEN
k
Markus Detterbec
LYRICS
Yeats
William Butler
HCCS - 6211
3,30 (Minimum order: 10 copies) ______________
*) dung / gung: pronounced oo as in good or look
Recordings at Copyright 2009 Helbling, Rum/Innsbruck Esslingen. All rights reserved HCCS- 6211
www.helbling.com
Helbling Choral Concert Series (HCCS) Titles 2009 (Gospels & Spirituals) 47
2
Hambani kahle
The Light shall Brighten the Night
Das Licht erleuchte die Nacht South African Trad.,
SATB a cappella
English and German lyrics:
Lorenz Maierhofer
With an archaic feeling q. = 56
Music: based on a Zulu traditional
Adaption and arrangment: Lorenz Maierhofer arranged by Lorenz Maierhofer
A f p
# j j
& # 68 .
B
. . . . . .. .. .
S
# f
Ham - ba, ham - ba, ham - ba - ni kah - le. Ham - ba - ni,
p
Hambani kahle
A & # 68 . . . . .
j
. .
.. ..
.
j
# f
Ham - ba, ham -
j
ba, ham - ba - ni
j
kah - le. Ham - ba - ni,
f SATB a cappella
V # 68 . . . . . .. ..
.
T
Ham - ba, ham - ba, ham - ba, ham - ba - ni kah - le. Ham - ba - ni (also available SAA, TTBB)
f j j f
? # # 68 . . . . . .. .. .
B
. .
. . .
Ham - ba, ham - ba, ham - ba, ham - ba - ni kah - le. Ham - ba - ni Go in peace is the translated form of the Zulu mes-
# j j
& # 68 .. sage of this South African song. Lorenz Maierhofer has
D D A D D
. . . . .. .. .. .
. .. . .. .. . .
Piano/Klavier J expanded this valediction both musically and lyrically
j j
? # # 68 . . . . . .. .. .
(for rehearsal)
.
. . . . to create a choral piece that can be sung not only all
year round as a song of farewell but also as a song for
# j j j j
& #
6
. j Advent or more specifically as a hymn to the light of
.
ham - ba - ni kah - le, ham - ba - ni, ham - ba - ni kah - le. Ham - ba - ni, ham - ba - ni kah - le. peace. It is suitable for performance in concerts, on
#
& # j
.
j

j
.
j

j ceremonial occasions and in religious services.
ham - ba - ni kah - le, ham - ba - ni, ham - ba - ni kah - le. Ham - ba - ni, ham - ba - ni kah - le.
# F
j
V # . . . . . . .
SATB a cappella
kah - le, ham - ba - ni kah - le. Ham - ba - ni kah - le. The

Das
)".#"/* ,")-&
. F
? ## . . .
The Lig
. . .
ht shall

Brighte
n the N
SATB HCCS-6213
Das Lic ight
J
ht erleu
chte die
Nacht
kah - le, ham - ba - ni kah - le. Ham - ba - ni kah - le. The

Das SAA HCCS-6214 based on
a Zulu traditiona
MUSIC
l
ARRANGEMEN
Lorenz Maierhofe T
ENGLISH
r
## j j j j
AND GERMAN
Lorenz Maierhofe
LYRICS
D A D D D r
& .
.

j .
.
TTBB HCCS-6215
HCCS - 6213
? ## . . . . . . .
J
Fotokopieren
grundstzlich
gesetzlich
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Recordings at
www.helbling.com
Gospels & Spirituals

2 I Sing Holy
Du bist heilig
Lorenz Maierhofer English and German lyrics:
Lorenz Maierhofer
Emotionally q = 70
F
I Sing Holy S
b
&bb c

1./2. I sing Ho - ly,

ho - ly, ho - ly!
J J
I sing Ho - ly in grate - ful

praise.

God, who
1. Du bist hei - lig, mein Schp - fer, du bist hei - lig, mein Gott und Herr. Du bist
SATB a cappella b F
&bb c
2. Du bist hei - lig, mei - ne Zu - flucht, du gibst Halt mir, mein Gott und
j j

Herr.
.
Du bist
(also available SAA, TTBB) T

b F
Vbb c J J .
1./2. I sing Ho - ly, ho - ly, ho - ly! I sing Ho - ly in grate - ful praise. God, who
1. Du bist hei - lig, mein Schp - fer, du bist hei - lig, mein Gott und Herr. Du bist
Whether in religious services or in concerts, this choral 2. Du bist hei - lig,
F
mei - ne Zu - flucht, du gibst Halt mir, mein Gott und Herr. Du bist
? bb c j j
piece, taken from the gospel Mass Body & Soul, is B b
1. Ho - ly, ho - ly, ho - ly! I sing Ho - ly in grate - ful praise. God, who
already a fixture in the repertoire of many a choir. In 1. Hei - lig, hei - lig,
2. Hei - lig, hei - lig,
hei - lig,
hei - lig,
du bist hei - lig, mein Gott und bist hei - lig. Du bist
du gibst Halt mir, mein Gott und bist hei - lig. Du bist
Eb
this choral edition, which for the first time includes b
Gm Cm
j j Fm
& bb c .
.
a German version of the lyrics, the song will allow Piano/Klavier
j j
? bb c )
(for rehearsal)
b
(

the message of the glory of God to ring out time and
again. 5
b j A j
& b b . n J
1. made the earth and heav - en, 1./2. come and save me from all that harms, oh yes, I am
2. made the light and dark - ness,
1./2. hei - lig, hei - lig, hei - lig. Ho - si - an - na, dir sei Lob - preis und Ehr', ho - si -
b j
& b b . j
j

b A
V b b n.
J
J
instr. acc.
optional with
a cappella,
J
SATB
1. made the earth and heav - en, 1./2. come and save me from all that harms, oh yes, I am
*4*/()0-: 2. made the light and dark - ness,
1./2. hei - lig, hei - lig, hei - lig. Ho - si - an - na, dir sei Lob - preis und Ehr', ho - si -
%6#*45)&*-*( SATB HCCS-6088 ? bb . j j
MUSIC
b J
SAA HCCS-6233
r
Lorenz Maierhofe
Ab Eb Bb B b7 Ab
LYRICS
AND GERMAN r
ENGLISH
Lorenz Maierhofe
j
bb j j
G Cm Cm Fm

& b . n A
HCCS - 6088
TTBB HCCS-6089 n .. A
? bb . j j
1,90 (Minimum order: 10 copies) b J
grundstzlich
gesetzlich
Photocopying
this copyright
material is
All rights reserved
www.helbling.com
verboten ILLEGAL

48 Helbling Choral Concert Series (HCCS) Titles 2009 (Sacred)
3
I've been Saved
Lyrics: Susanne Schempp

SATB a cappella
Music: Susanne Schempp
Susanne Schempp
q = 160 A
# %
S & # c ..
Ref.: I've been guid -

ed,

I don't hide

it,
Ive been Saved
#
A & # c ..
SATB a cappella
Ref.: I've been guid - ed, I don't hide it,
T
#
V # c
.. (also available SSA)
Ref.: I've been guid - ed, I don't hide it,
? ## c .. Ive been Saved is a lively choral piece in typical new

B
Ref.: I've been guid - ed, I don't hide it, gospel style. Borne along by confident religious faith,
A
#
D
% D Em
this spirited, swinging song will arouse enthusiasm in
& # c ..

Piano/Klavier concerts and religious services alike.
? ## c
(for rehearsal)
..
#
& #
4
w
can't de - scribe it, I've been saved.
#
& # w
# w
V #
can't de - scribe it, I've been saved. SATB a cappella
? ## w
*7&#&&/4"7&%
SATB HCCS-6094
#
A D
& # www SSA HCCS-6234

Susanne MUSIC
Schempp

Susanne LYRICS
Schempp
? ##
w 2,60 (Minimum order: 10 copies) HCCS - 6094
Copyright 2009 Helbling, Rum/Innsbruck Esslingen. All rights reserved HCCS- 6094
Recordings at
www.helbling.com
Sacred
2 Silence is Flowing
Wolfgang A. Mozart (17561791), English and German lyrics:
Im Fluss der Stille
SATB a cappella
Music part A: based on a melody of
arranged by Lorenz Maierhofer Lorenz Maierhofer

Emotionally q = 86 W. A. Mozart's Wiener Sonatinen
Music part B and arrangement: Lorenz Maierhofer

A
S &b c
Silence is Flowing 1. Si - lence is

2. Si - lence is
1. Im
2. Im
Fluss der
Fluss der
flow
flow
Stil
Stil
-
-
-
-
ing,
ing,
le
le
is flow - ing like
I like to hear
trgt mich das kla
gibt Rich- tung mir
-
a
it's
re
das
riv
sing
Was
Was
-
-
-
-
er.
ing.
ser.
ser.
It's my
It's my
Es
Es
&b c # N
SATB a cappella A
Vb c
(also available SSAA, TTBB) T
1. Si - lence is
2. Si - lence is
flow
flow
-
-
ing,
ing,
is flow - ing like
I like to hear
a
it's
riv
sing
-
-
er.
ing.
1. Im Fluss der Stil - le trgt mich das kla - re Was - ser.

2. Im Fluss der Stil - le gibt Rich-tung mir das Was - ser.
? c .
It was a melody taken from Mozarts Viennese B b J
1. Si - lence, si - lence is flow - ing like a riv - er.
Sonatinas which inspired Lorenz Maierhofer to 2. Si - lence, si - lence is flow - ing, hear, it's sing - ing.
1. Im Fluss, im Fluss trgt mich das kla - re Was - ser.
create this choral song with its classical charm. The 2. Im Fluss, im Fluss gibt Rich - tung mir das Was - ser.
& b c # N
musically and lyrically peaceful flow of the piece

Piano/Klavier
? b c .
(for rehearsal)
speaks of the sense of divine protection to be found J
in the river of silence whose clear waters carry us

j
& b .
5
# . N
ever and again homewards. To be sung on contemp- J
1./2. riv - - - - - - er to car - ry, to car - ry me home.
lative ceremonial occasions or in concerts, with either 1./2. fhrt und lei - tet, be - lei - tet mich heim.
j
&b j .
g
German or English lyrics.
SATB a cappella
1./2. Like a riv - er to car - ry, to car - ry me home.
1./2. Es fhrt und lei - tet, ge - lei - tet mich heim.
4*-&/$&
Vb j w
*4'-08*/(
*. '-644
SATB HCCS-6154 ? # N w
%&345*--& b J
SSAA HCCS-6155
MUSIC
1./2. Like a riv - er to car - ry, to car - ry me home.

W. A. Mozart
based on
T
ARRANGEMEN
MUSIC AND r
Lorenz Maierhofe
ADDITIONAL
AND GERMAN
LYRICS
r
1./2. Es fhrt und lei - tet, ge - lei - tet mich heim.
j
ENGLISH
Lorenz Maierhofe
j
TTBB HCCS-6156 & b .
#
.. N
HCCS - 6154

1,90 (Minimum order: 10 copies) ? b # N

w
w
J
grundstzlich
gesetzlich
Photocopying
this copyright
material is
www.helbling.com verboten ILLEGAL All rights reserved

Helbling Choral Concert Series (HCCS) Titles 2009 (Sacred) 49
Lobet den Herren allezeit

Worship the Lord
German and English lyrics:
SATB a cappella, optional with strings/organ
Lorenz Maierhofer
Lorenz Maierhofer, Festive q = 180
f (2.x p, Soli ad lib.)
based on psalms
#
& 34 c 34 ..
S
1. Lo -
2. Er

bet
ist

den
voll
Her
Gnad
- ren
und

al -
Herr -

- le - zeit.
lich - keit.
.
Worship the Lord
3. Ges - tern wie heut und in E - wig - keit.
1. Wor -
2. His
3. No
ship
love
lim -
the
and
it
Lord,
kind
has
-
praise
ness
all
Him
will
His
at
nev
glo - ry
-
all
er
and
times.
end.
grace.
SATB a cappella, optionally with strings
# f (2.x p, Soli ad lib.)
A & 34
c

34
.
.. or organ (also available SSAA, TTBB)
# f (2.x p, Soli ad lib.)
T V 34 c 34 . ..
1. Lo -
2. Er
bet
ist
den
voll
Her
Gnad
- ren
und
al -
Herr -
- le - zeit.
lich - keit.
A new and powerful Laudate Dominum composition
3. Ges - tern wie heut und in E - wig - keit.
1. Wor -
2. His
ship
love
the
and
Lord,
kind -
praise
ness
Him
will
at
nev -
all
er
times.
end.
by Lorenz Maierhofer, a festive piece marked by
3. No
f
lim - it
(2.x p, Soli ad lib.)
has all His glo - ry and grace.
powerfully dynamic rhythms. Whether it is sung a
?# 3
4 c 3
4 . ..
B
cappella or with organ or string accompaniment, this
#
& 34 c 34
.. .. choral song is certain to be a rewarding new addition

Piano/Klavier
(for rehearsal)
? # 34
c
34

.. .. to the repertoire for religious services and concerts.
Instrumental parts are seperately available.
5
# F c 3 . c
& 4
1.3. Lob - - - - sin - get in die Him - - - mel weit,
1.3. Sing all His prais - es, sing them with all your might.
# F
& # #
c
43 N . c
# F
V c 43 c
SATB a cappella,
optional with
strings/organ
-0#&5%&/
)&33&/
1.3. Lob - - - - sin - get in die Him - - - mel, weit, in die "--&;&*5
1.3. Sing all His prais - es, sing them with all your might, sing and
F
?# .
43
8034)*15
c c SATB HCCS-6157 )&-03%

Lorenz Maierhofe
MUSIC
SSAA HCCS-6158
r
1.3. Lob - - - - sin - get in die Him - - - mel weit, GERMAN

AND ENGLISH
Lorenz Maierhofe
BASED ON
LYRICS
r
PSALMS
1.3. Sing all His prais - es, sing them with all your might.
# 3
& c 4 N .. c
# # TTBB HCCS-6159
HCCS - 6157
? # c 43 . c 1,90 (Minimum order: 10 copies)

Fotokopieren
grundstzlich
gesetzlich
verboten
Photocopying
this copyright
material is
ILLEGAL
All rights reserved
HCCS-6157 Recordings at
www.helbling.com
Von Gott kommt alles her 3
Lorenz Maierhofer God Only is the Maker

SATB a cappella
German lyrics: Matthias Claudius (17401815) / Music: Lorenz Maierhofer
Lorenz Maierhofer (verse 4)
God Only is the Maker English lyrics: Jane Montgomery Campbell (18171878)
#
Animated q = 108
j
& # c
A
S . .
SATB a cappella 1. Was
3. Er
nah ist und
macht die Sonn'
was fer - ne,
auf - ge - hen,
von
er
Gott kommt al - les her,
stellt des Mon - des Lauf,
1. God on - ly is the Mak - er of all things near and far;
(also available SAA, TTBB) #

& # c
3. We thank Thee, then,

O Fa - ther, for all things bright

and good,
j
A . .
# j
V # c . .
An expressive hymn of praise to the creation with T
1. Was nah ist und was fer - ne, von Gott kommt al - les her,
the words of the poet Matthias Claudius. Whether in 3. Er
1. God
macht die Sonn'
on - ly is
auf - ge - hen,
the Mak - er
er
of
stellt des Mon - des Lauf,
all things near and far;
3. We thank Thee, then, O Fa - ther, for all things bright and good,
concerts or on ceremonial occasions, this composition ? ## c j
B . .
by Lorenz Maierhofer is ideal for singing on a wide # j
& # c

..
. ..
range of occasions throughout the ecclesiastical year. It Piano/Klavier .
(for rehearsal)
? ## c j .
can be sung with either German or English lyrics. .
# j
& #
5
. .
der Stroh - halm und die Ster - - - ne, der Sper - ling und das Meer,
er lsst die Win - de we - - - hen und tut den Him - mel auf,
He paints the way - side flow - - - er, He lights the eve - ning star,
the seed time and the har - - - vest, our life, our health, and food,
#
& # .
j
.

#
V # .
SATB a cappella
J .
70/(055 der Stroh - halm und die Ster - - - ne, der Sper - ling und das Meer,
-&4)&3
,0..5"- er lsst die Win - de we - - - hen und tut den Him - mel auf,
(0%0/-:
SATB HCCS-6160 He paints the
n
way - side flow - - - er, He lights the eve - ning star,
.
*45)&.",&3 the seed time and the har - - - vest, our life, our health, and food,
? ## j .

MUSIC
SAA HCCS-6161
r
Lorenz Maierhofe
LYRICS
GERMAN
r
/ L. Maierhofe
M. Claudius
LYRICS
ENGLISH
ry Campbell
Jane Montgome
TTBB HCCS-6162 ## a j
& a .. ..
.
HCCS - 6160
2,60 (Minimum order: 10 copies) ? ##

n .

j
.
www.helbling.com
50 Helbling Choral Concert Series (HCCS) Titles 2009 (Sacred)
Alta Trinit beata

Holy Trinity / Heil'ge Dreifaltigkeit
Italian lyrics: Laude, 15th century
SATB a cappella
Music: 15th century
Italian (15th century),
German and English lyrics: Lorenz Maierhofer Arrangement: Lorenz Maierhofer
S-Solo ad lib: Hal - le - lu - jah, hal - le - arranged by Lorenz Maierhofer

& b 42
Joyfully l

& b 42
Al - ta
Ho - ly
Tri - ni
Heil' - ge Drei - fal - tig -

-
Trin - i - ty
t
high
keit
be
in
des
- a - ta,
heav - en,
Him - mels,
da noi
send your
seg - ne
sem - pre
bles - sing
uns auf den Alta Trinit beata
A

Al - ta
Ho - ly
Tri - ni -
Trin - i - ty
t
high
be
in
- a - ta,
heav - en,
da noi
send your
sem - pre
bles - sing
SATB a cappella
Heil' - ge Drei - fal - tig - keit des Him - mels, seg - ne uns auf den
T V b 24

Al - ta Tri - ni - t be - a - ta, da noi sem - pre
Ho - ly Trin - i - ty high in heav - en, send your bles - sing
Heil' - ge Drei - fal - tig - keit des Him - mels, seg - ne uns auf den
? b 42

This 15th century Italian hymn praises the Holy Trini-
B
ty of God the Father, God the Son and God the Holy
& b 42

Spirit, one of the fundamental tenets of Christian
Piano/Klavier
? b 42

(for rehearsal)

belief. Lorenz Maierhofer has reworked the traditional
song arrangement. No matter whether it is sung with
lu - - - - jah.

m

4
& b w w

w

Italian, German or English lyrics, this choral piece is
a
down
- do
to
- ra - ta.
man - kind.
Tri - ni
Foun - tain
-
of
t
light,
glo
peace
-
-
ri
ful
- o - sa
riv - er, equally suitable for religious services and ceremonial
We - gen des Le - bens. Quel - le des Lichts, Freu - de und Frie - den,
&b
w

occasions and for concerts.

a - do - ra - ta. Tri - ni - t glo - ri - o - sa
down to man - kind. Foun - tain of light, peace - ful riv - er,
We - gen des Le - bens. Quel - le des Lichts, Freu - de und Frie - den,

w
Vb

SATB a cappella
"-5"53*/*5
a - do - ra - ta. Tri - ni - t glo - ri - o - sa
down to man - kind. Foun - tain of light, peace - ful riv - er,
#&"5"
?b
We - gen des Le - bens. Quel - le

des Lichts,
w
Freu - de und Frie - den,

SATB HCCS-6163 )0-:53*/

)&*-(&%3&*' *5:

"-5*(,&*5

SSAA HCCS-6196 MUSIC
15 th century
ARRANGEMEN
Lorenz Maierhofe T
& b ww
ITALIAN
Laude, 15 th LYRICS

century
ENGLISH
AND GERMAN
TTBB HCCS-6164
Lorenz Maierhofe
LYRICS
w
? b

HCCS - 6163
Fotokopieren
grundstzlich
gesetzlich
verboten
Photocopying
this copyright
material is
ILLEGAL
All rights reserved
HCCS- 6163 Recordings at
www.helbling.com
3
Let Me be Near to Thee
Lorenz Maierhofer Lass mich nah sein bei Dir
SATB a cappella
English and German lyrics: Music: Lorenz Maierhofer
Lorenz Maierhofer
Emotionally, like a pop ballade q = 88
Let Me be Near to Thee S

Intro
&b c
U

Doo

doo

doo doo doo
.
doo.
U
Du du du du du du.
SATB a cappella A &b c
U
(also available TTBB) T Vb c .
Doo doo doo doo doo.
U
l Solo ad lib (vocal or instrumental) m
.
Du du du du du.
?b c . .
This moving new gospel ballad by Lorenz Maierhofer B
Let me be near to Thee! Doo doo doo.
speaks of mankinds yearning for closeness to God, Lass mich nah sein bei Dir! Du du du.
(Gm7)
U C sus4 C
especially in our darkest hours. A song for concerts, & b c ..

Piano/Klavier
U
.
ceremonial occasions and religious services, it can be ?
(for rehearsal)
b c . .
sung with either German or English lyrics.
A
&b . . .
5
1. Oh Lord, my Lord, let me come clos - er to Thee.

2. Oh Lord, my Lord, let your an - gels watch o - ver me.
1. Mein Gott, Dein Weg fh - re n - her mich zu Dir.
2. Mein Gott, Dei - ne Hand, sie wacht - ber mir.
&b . .
Vb n . n . A
1. Oh my Lord, let me come clos - er to Thee. 1./2. When the
2. Oh my Lord, let your an - gels watch o - ver me.
1. Oh dein Weg fh - re n - her mich zu Dir. 1./2. Wenn es
SATB a cappella 2. Oh Dei - ne Hand, sie wacht - ber mir.
?b
-&5.&#&
.
/&"3505)&& 1./2. Oh Lord, my Lord, ooh. When the
-"44.*$) 1. Mein Gott, Dein Weg, uh. 1./2. Wenn es
/")4&*/#&*
%*3 SATB HCCS-6095 2. Mein Gott, Dei - ne Hand, uh.
Bb
& b
F Am F G7 C sus4 C
TTBB HCCS-6100 .. .. ..
MUSIC
.
Lorenz Maierhofe
n
LYRICS
AND GERMAN r
ENGLISH
Lorenz Maierhofe
2,60 (Minimum order: 10 copies) ? n A

HCCS - 6095
b .
www.helbling.com
Helbling Choral Concert Series (HCCS) Titles 2009 (Sacred) 51
3
Vater unser
The Lord's Prayer
SATB a cappella, optional with organ/strings
Lorenz Maierhofer
German and English lyrics: Music: Lorenz Maierhofer
based on Mt 6,913
S
#
& # C
Expressive q = 126
Intro

The Lords Prayer

Va - ter un - ser,
Our Fa - ther
#
& # C
SATB a cappella
A

T
#
V # C


Va - ter un - ser,
Our Fa - ther
? ## C
This Lords Prayer is the piece which gives its name
B
Va - ter to Lorenz Maierhofers only recently released Vater
Our
#
& # C

unser-Messe (Lords Prayer Mass). It can be sung both

Organ
ww
a cappella or with string or organ accompaniment. The
? ## C ww w

w
(ad lib)

composition is characterised by Maierhofers sensiti-
ve response to this powerful text. A melodious and
#
harmonically moving work for every devotee of ple-
& #

6
der du bist im Him - mel, ge - hei - ligt wer - de dein Na - me.

asant sounding sacred choral music, it is suitable for
in heav - en, hal - lowed be your name.
# performance in both religious services and concerts, a
& #

cappella or with string accompaniment. Instrumental
##

V

parts are seperately available. SATB a cappella,
optional with
organ/strings
7"5&36/4&3
der du bist im Him - mel, ge - hei - ligt wer - de dein Na - me.
in heav - en, hal - lowed be your name.
? ##
5)&-03%4

SATB HCCS-6090 13":&3
un - ser im Him - mel, ge - - - hei - ligt wer - de dein Na - me.

SSAA HCCS-6197
Lorenz Maierhofe
MUSIC
r
GERMAN
AND ENGLISH
based on LYRICS
Fa - ther in heav - en, hal - - - lowed be your name.

Mt 6,913
##
&

w
TTBB HCCS-6198

w
HCCS - 6090
? # # ww
Copyright 2009 Helbling, Rum/Innsbruck Esslingen. All rights reserved HCCS-6090

Recordings at
www.helbling.com
When the Sun Sets over the Mountains 3
Lorenz Maierhofer Zieht die Sonne hinter die Berge

SATB a cappella
English and German lyrics: Music: Lorenz Maierhofer
Lorenz Maierhofer
Emotionally q = 92
When the Sun Sets over S

#
& c #
l Soli ad lib
#

1. When the sun sets o - ver the moun - tains, when the sun sets o - ver the
the Mountains A
1. Zieht die Son - ne
# l Soli ad lib
& c #

hin - ter die

Ber - ge,
#
sinkt sie

in das wei - te

# .
SATB a cappella T V c w w
1. Ooh, ooh,
(also available TTBB) ?# c

1. Uh,
# #
uh,
#
B
1. Doo ts doo doo doo ts doo doo doo doo doo doo doo doo
1. Du du du du du ts du du du du du du du du
This spiritually moving choral ballad is a hymn # c Em B7 B7
& # #
expressing religious faith. A profound and comforting
Piano/Klavier
? # c w . w
# # #
(for rehearsal)
piece, its radiant strength can bring gladness to every
concert and also on many occasions throughout the

ecclesiastical year. # j

4

m
& J J
sea, then God's light keeps on shin - ing, keeps shin - ing for you and
Meer, rich - te auf den Blick zum Ho - ri - zont, da - hin - ter ist e - wi - ges
# m
j j j
& #
#
V
J J J
SATB a cappella
then God's light keeps on shin - ing, keeps shin - ing for you and
rich - te auf den Blick zum Ho - ri - zont, da - hin - ter ist e - wi - ges
?# j
8)&/5)&4
07&35)&.
6/4&54
06/5"*/4 J J
//&
;*&)5%*&40 (&
doo ts doo doo, then God's light keeps on shin - ing, keeps shin - ing for you and
)*/5&3%*&
#&3 SATB HCCS-6167 du ts du du, rich - te auf den Blick zum Ho - ri - zont, da - hin - ter ist e - wi - ges
# j j j
Em E7 Am D D7
TTBB HCCS-6168 & #

MUSIC

r
Lorenz Maierhofe

LYRICS
AND GERMAN r
ENGLISH
Lorenz Maierhofe

2,60 (Minimum order: 10 copies) ? #

j
J J
HCCS - 6167
www.helbling.com
52 Helbling Choral Concert Series (HCCS) Titles 2009 (Christmas & Seasonal)
Christmas & Seasonal

3
Christus natus est
Lyrics: based on the antiphon for
SATB a cappella
Lorenz Maierhofer
the Magni%cat of the Christmas vesper
S &c
Festive q = 110
43 c 43 c Christus natus est
A &c 43 c 43 c SATB a cappella
f (also available TTBB)
T Vc 43 c
3
4 c
Glo - ri - a in ex - cel - sis De - o: Al - le - lu - ja, Chris - tus
f

B
?c 43 c 43 c A concertante composition for Christmastide by Lorenz
Glo - ri - a in ex - cel - sis De - o: Al - le - lu - ja, Chris - tus Maierhofer in which he combines archaic mediaeval
& c 43 c 43 c atmospheric sound with a modern musical language.
Piano/Klavier
? c Enlivened by its powerful rhythms, this festive hymn
43 43
(for rehearsal)
c c
will ring out at Christmastime.
f
43 43
7
&c c
Chris - tus na - tus est: Ho - di -
f
&c 43 c 43
Chris - tus na - tus est: Ho - di -
Vc 43 c 43 . .
SATB a cappella
na - tus, Chris - tus na - tus est.
?c
43 c 43 . . $)3*4564
/"564&45
na - tus, Chris - tus na - tus est. SATB HCCS-6165
& c 43 c 43
Lorenz Maierhofe
MUSIC
TTBB HCCS-6166
r

based on
the antiphon LYRICS
for the Magnificant
of the Christmas
vesper
? c
43

c .
43 .
.. 2,60 (Minimum order: 10 copies) 6165 Christus
natus SATB.indd
1
HCCS - 6165
Copyright 2008 Helbling, Rum/Innsbruck Esslingen. All rights reserved HCCS- 6165
Recordings at
www.helbling.com
3
Sunny Light of Bethlehem
Lorenz Maierhofer Heilges Licht von Bethlehem
SATB a cappella, Piano ad lib
Lyrics: Lorenz Maierhofer Music: Lorenz Maierhofer
Sunny Light of Bethlehem Intro q = 90
j U
Dm
& b c ...
.
B bmaj9
U
J j
F9 C Dm B 9 F9

Dm
gU
Gsus9 G7 C9
g ...
b
Piano/Klavier
U U
SATB a cappella, optionally with piano
5
j .

(ad lib)
? .
b c .

accompaniment (also available SAA, TTBB)
U
Freely
j 5 j
& b . n
This Christmas song by Lorenz Maierhofer is already
Praise sing - ing full of joy, praise sing - ing full of joy, praise sing - ing full of joy the Lord, oh yes!
numbered among the standards for choral singing at B b9 B b9
U
C

Dm F9 C Dm F9 Dm Gsus9 G7
& b ..
.
j
n n
Christmastime. In this choral edition, it has for the first
U
j
?b
3
time been released in the form of a varied strophic song n

. 3

which can be sung with English or German lyrics and
a cappella or with piano accompaniment. The piece Softly
F
& ..
9
is also part of the musical version for choirs of the S .

1./2. Sun - ny light of Beth - le - hem, oh sun - ny light of joy. Good
Christmas story as told in St. Lukes Gospel: There is 1./2. Heil' - ges Licht von Beth - le - hem, so stil - le und so rein. Dein
a Light. A & .. .
1./2. Heil' - ges Licht von Beth - le - hem, so stil - le und so rein. Dein
SATB a cappella,
Piano ad lib
T V .. .
46//: -*()5&. 1./2. Heil' - ges Licht von Beth - le - hem, so stil - le und so rein. Dein
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Lorenz Maierhofe
LYRICS
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Helbling Choral Concert Series (HCCS) All Further Titles 53
POPULAR Can You Feel the Love Live is Life

Tonight by OPUS,
by Elton John, arranged by Lorenz Maierhofer
Aber dich gibts nur einmal arranged by Carsten Gerlitz In 1985, the rock group OPUS topped the charts
fr mich It is not only cinema audiences that are stirred around the world with their Live is Life. Today,
Heart of Gold by Can You Feel the Love Tonight from The the song is seen as one of the timeless high-
Lion King. The arrangement of Elton Johns pop lights of pop-rock history. Lorenz Maierhofers
by Nilsen Brothers Pepe Ederer,
ballad is a euphonic choral piece. This song will choral arrangement in a cappella style is a
arranged by Lorenz Maierhofer
awaken the enthusiasm of both the singers and choral hit easy-to-sing and guaranteed to stick
In 1965, the German group Nilsen Brothers their audience alike. in your mind, it can be sung a cappella or with
won the hearts of pop fans with a mellifluous instrumental accompaniment.
catchy tune that overflowed with love and
yearning. Even today, this evergreen still re- HCCS-5436 SATB 2,60
HCCS-5798 SATB 2,60
mains hugely popular in both its English and
German versions. With his easy-to-sing choral HCCS-5799 SSAA 2,60
Daydream Lullaby
arrangement and tongue-in-cheek humour, HCCS-5800 TTBB 2,60
by Henry O. Millsby
Lorenz Maierhofer has brought the charm of the
powerful and expressive original to the choral The swinging and humorous lyrics of this song by
platform. Henry O. Millsby are an invitation to daydream. Lollipop
An easy-to-sing and groovy choral piece with a by Beverly Ross / Julius Dixon,
HCCS-5821 SATB 2,60 pithy charm. arranged by Lorenz Maierhofer
HCCS-5822 TTBB 2,60 In 1958 the American group The Chordettes
HCCS-5186 SATB and Bass Solo 2,60 had an international hit with their song
Lollipop. This easy-to-sing choral arrangement of
Barbar Ann Doo Dub Dah this evergreen brings back to life the charm and
by Fred Fassert, by Lorenz Maierhofer flair of the 1950s.
Swinging in chorus! In the refrain, four indepen- HCCS-5437 SATB 2,60
The songs of the Beach Boys have lost none of dent voices move with each other and against
their appeal since they were at their height in the each other, singing scat syllables a groovy
sixties. Freedom, zest for life and the American choral hit, pithy, with tongue-in-cheek humour Love is a Flame
way of life are also captured in sound form by this and easy to sing. The verses will make everyone by Hans Unterweger
rousing choral arrangement of their greatest hits. want to join in and swing. A highlight for both Choral pop sound of the very best is what this new
concerts and singing get-togethers! hit for choir and soloist by Hans Unterweger has to
HCCS-5439 SATB and
Baritone Solo 2,60 offer. Groove, sound and a catchy melody make
HCCS-5801 SATB 2,60 this piece a highlight of any concert. It can be sung
HCCS-5459 TTBB and Tenor Solo 2,60 HCCS-5802 SSAA 2,60 a cappella or accompanied by a group.
Begegnungs-Jodler HCCS-5803 TTBB 2,60 HCCS-5987 SATB 3,30

Meeting Yodel HCCS-5996 TTBB 3,30
by Lorenz Maierhofer Dreaming
Yodel goes Jazz would be one way of (A Song of Peace and Harmony)
characterizing with a twinkle in the eye this by Lorenz Maierhofer
Mah-na-mah-na
crossover piece. Starting out from short Alpine by Piero Umiliani,
This easy-to-sing choral piece in the style of a arranged by Markus Detterbeck
yodelling composition with German and English pop ballad sings of the dream of a better world.
lyrics, the yodel, with its solo voice and with Whether in concert or on festive occasions, this With its snappy opening motif, the song Mah-na-
effects such as vocussion, evelops into a jazzy, choral piece never fails to arouse enthusiasm with mah-na from the Muppet Show became a highly
groovy concert piece. the romantic charm of its sound. successful hit. In this arrangement, Markus
Detterbeck has taken up the musical comic effect
HCCS-5321 SATB and HCCS-5185 SATB 2,60 and expanded the piece by punchy use of motifs
Soprano Solo 3,30 from well-known songs.
HCCS-5231 SSA 2,60
HCCS-5673 SATB 2,60
Bel ami / So Do I
by Theo Mackeben, Have a Nice Day HCCS-5674 SAA 2,60
arranged by R. Clemens Schfer by Lorenz Maierhofer HCCS-5675 TTBB 2,60
The popularity of the title song Bel ami from A cheerful, swinging choral composition with
the 1939 film of the same name has remained optimistic charm and drive. This easy-to-sing choral
unbroken to the present day. Whether sung a piece has already become a standard and can be Marmor, Stein und Eisen bricht
cappella or accompanied by a band, R. Clemens performed on a wide variety of occasions. Marble Breaks and Iron Bends
Schfers lively arrangement will carry away by Christian Bruhn / Drafi Deutscher,
both performers and their audience in equal HCCS-5192 SATB 2,60 arranged by Lorenz Maierhofer
measure. It can be sung in either German or HCCS-5193 SSA 2,60 Drafi Deutschers unforgettable hit Marble
English. Breaks and Iron Bends in an easy-to-sing
HCCS-5740 TTBB 2,60 arrangement by Lorenz Maierhofer. A stirring
HCCS-5965 SATB 2,60 new choral hit, it can be sung with German or
Leaving in Close Harmony English lyrics, a cappella or with instrumental
HCCS-5966 TTBB 2,60
accompaniment.
by Lorenz Maierhofer
A close harmony setting of the internationally HCCS-5967 SATB 3,30
Audio samples: known farewell song Now Its Time for Leaving,
@
with lyrics in 12 languages. HCCS-5968 TTBB 3,30
www.helbling.com HCCS-5179 SSATB 2,60

HCCS-5180 SSAA 2,60
54 Helbling Choral Concert Series (HCCS) All Further Titles
Music is Number One and snappy lyrics, Lorenz Maierhofer sets off a arrangement presented here highlights in tongue-
by Hans Unterweger firework display of good humour. A rousing new in-cheek fashion the underlying cheerful mood.
choral hit for many occasions!
Whether performed by choir a cappella or with HCCS-5831 SATB 2,60
instrumental accompaniment, Music is Number HCCS-5961 SATB 2,60
One is a happy and carefree piece that everyone HCCS-5832 TTBB 2,60
will want to sing and swing to. Music moves and HCCS-5984 SSAA 2,60
unites is the message of this rousing song. HCCS-5962 TTBB 2,60
HCCS-5669 SAB 2,60 LIGHTER

HCCS-5670 SATB 2,60 The Lion Sleeps Tonight CONCERT SELECTION
by G. Weiss / H. Perettti / L. Creatore,
HCCS-5671 SAA 2,60 arranged by Carsten Gerlitz
HCCS-5672 TTBB 2,60 Wimoweh, the song from the African town- Audite silete
ships made famous by Miriam Makeba and The Now Listen, Be Quiet
Only You Tokens, is numbered among the timeless by Michael Praetorius,
pop classics. In Carsten Gerlitzs choral arrange- arranged by Lorenz Maierhofer
by Vincent Clarke, ment, this haunting song will be the highlight of
arr. by S. S. Barrett / L. Maierhofer This dance-like song in praise of music has beco-
any choral concert. me well-known in a setting by Michael Praetorius.
It was with Only You that the English a cap-
Lorenz Maierhofers arrangement is marked by its
pella ensemble Flying Pickets achieved HCCS-5438 SATB 2,60 interesting figuring of the parts. This vibrant pi-
worldwide fame. This easy-to-sing choral arran-
ece from the 17th century can be sung in Latin,
gement is closely oriented towards the original
German or English in small solo formations or by
with its distinctive charm, feeling and groo- The Rose large choirs.
ve, it will arouse the enthusiasm of singers and by Amanda McBroom,
audience alike. arranged by Lorenz Maierhofer HCCS-5188 SATB 1,90
Bette Midlers international hit The Rose is the 1,90
HCCS-5676 SATB 2,60 HCCS-5741 SAB
title song from the film of the same name about
HCCS-5677 SSAA 2,60 the legendary singer Janis Joplin. This sensi- HCCS-5238 SSA 1,90
HCCS-5678 TTBB 2,60 tive and expressive pop ballad has become a HCCS-5240 TTBB 1,90
classic of its genre. Lorenz Maierhofers a cappella
pop arrangement captures the mood of the song
Red, Red Rose in an expressive staging for choir and soloists Bourre for W. A.
by Stefan Kalmer a cappella or with instrumental accompaniment. based on a Bourre from Leopold Mozarts
A choral piece that combines the light- Notebook for W. A. Mozart, arranged by
ness of a British folk song with the verve HCCS-5796 SATB and Soli 2,60 Henry O. Millsby
of a pop song. A youthful and temperamental HCCS-5797 TTBB and Soli 2,60 Leopold Mozarts piano piece for his son,
setting to music of the well-known poem by Wolfgang Amadeus, has been adapted as a
Scotlands national poet, Robert Burns. groovy choral piece by Henry O. Millsby. This
Time to Leave swinging vocal arrangement uses scat syllables
HCCS-5498 SAA 2,60 by Franz M. Herzog and so continues, in a sense, in the tradition of the
An atmospheric farewell song in pop-ballad style Swingle Singers.
HCCS-5499 SAB 2,60
for soloist and choir. This new choral composition
by Franz M. Herzog provides with or without HCCS-5187 SAB,
Rote Lippen soll man kssen piano accompaniment a refreshing highlight in Drum Set ad lib 1,90
Lucky Lips any choral concert. HCCS-5236 SSA,
by Jerry Leiber / Mike Stoller, Drum Set ad lib 1,90
arranged by Lorenz Maierhofer HCCS-5403 SATB, Soprano-/Tenor-
Solo, Piano ad lib 2,60 HCCS-5237 TBB,
One of the best-known evergreens, which Drum Set ad lib 1,90
achieved worldwide popularity with Cliff HCCS-5747 SSA, Soprano Solo,
Richards English version, here in a rousing and Piano ad lib 2,60
easy-to-sing choral arrangement by Lorenz HCCS-5748 TTBB, Tenor-Solo,
Das klinget so herrlich
Maierhofer. Whether sung with English or with Piano ad lib 2,60 It Rings Out So Joyful
German lyrics, this is a compulsive piece for many based on W.A. Mozart,
occasions. It can be sung a cappella or accompa- arranged by Lorenz Maierhofer
nied by a band. What a Wonderful World It rings out so joyful now for choir as well!
by George David Weiss, With his lyrical and musical expansion
HCCS-5970 SATB 3,30 arranged by Carsten Gerlitz of the well-known melody from Mozarts Zauber-
HCCS-5971 TTBB 3,30 Louis Armstrongs timeless classic is one of the flte (Magic Flute), Lorenz Maierhofer has created
best-known declarations of love for the beauty a highly effective choral piece. Whether it is sung
of the Earth. Carsten Gerlitz has created a choral with German or English lyrics, the humorous inter-
Shall I Compare arrangement that impressively captures the mood play of voices and glockenspiel or triangle is a high-
by Stefan Kalmer of the song. It can be sung a cappella or with in- light for concerts, celebrations and social occasions.
In over 400 years, William Shakespeares son- strumental accompaniment.
net Shall I Compare Thee to a Summers Day HCCS-5765 SATB 2,60
has lost none of its radiance. The timeless HCCS-5963 SATB 2,60 HCCS-5767 TTBB 2,60
effect of this classic work is reflected in Kalmers
groovy setting.
Wochenend und Sonnenschein Die Forelle
HCCS-5501 SATB 3,30 Happy Days are Here Again The Trout
by Milton Ager, based on Franz Schuberts lied
arranged by Carsten Gerlitz Die Forelle D 550,
The Entertainer arranged by Siegfried Singer
This hit from back in 1929 has become
(Sing the old ragtime song along) an evergreen. Whether in English or German, One of Schuberts best-known lieder, in an
based on Scott Joplin, this exhilarating number has achieved world- easy-to-sing arrangement for choir, can be
arranged by Lorenz Maierhofer wide popularity thanks to innumerable artists performed a cappella or with piano accompani-
Scott Joplins famous rag, now in a version for such as the Comedian Harmonists and ment. A concert piece that combines the charm
choirs! With his easily singable choral arrangement Barbara Streisand. The slightly jazzy choral of choral sound with that of the solo song.
This choral song can also be sung with English mental theme from the symphony The Un- May God be with You
lyrics, a cappella or with optional piano accom- finished by Franz Schubert. Lorenz Maierhofers by Stefan Foidl
paniment. sensitive choral adaptation is in the euphonic tra-
dition of romantic song compositions which have The lyrics of this sensitive and expressive
HCCS-5444 SATB, Piano ad lib 2,60 been turned into folk songs. It can be sung in composition by Stefan Foidl are based on Irish bles-
German or English. sings, traditional Irish benedictions. An atmosphe-
HCCS-5528 TTBB, Piano ad lib 2,60 ric song of farewell for concerts and religious
HCCS-5475 SATB 2,60 celebrations.
Erlaube mir, feins Mdchen HCCS-5488 SSA 2,60 HCCS-5808 SATB 2,60
Allow Me, oh Maiden HCCS-5489 TTBB 2,60
by Johannes Brahms, HCCS-5809 TTBB 2,60
This choral classic in folk-song style by Johannes Ich wollte, meine Lieder May God Bless My Living
Brahms tenderly and subtly takes love as its theme I Wish My Songs were Segen will uns tragen
and arouses the same enthusiasm today as it did Flowers by Lorenz Maierhofer
in Brahms times. In addition to the German lyrics, by Lorenz Maierhofer
this edition also includes a new English version. An atmospheric new blessing for many occasions
Lorenz Maierhofer has set two poems by throughout the cycle of the year, it can be sung
HCCS-5958 SATB 1,90 Heinrich Heine, Ich wollte, meine Lieder (I wish with either German or English lyrics. With its simp-
my songs) and Wenn ich bei meiner Liebsten le and moving lyrics and music, this composition
HCCS-6073 SAA 1,90 bin (When I am with my sweetheart) to music is certain to become a new addition to the re-
HCCS-5959 TTBB 1,90 in a lively, dancing, strophic choral song. A pertoire for religious cervices, celebrations and
charming declaration of love. German lyrics only. concerts.
Frhlich klingen unsre Lieder HCCS-5613 SATB 2,60 HCCS-5985 SATB 1,90
Merry Let the Tune be Sounding HCCS-5685 TTBB 2,60 HCCS-5986 TTBB 1,90
A festive choral piece with classical charm for Intrada a cappella Mit leichtem Blut / Vienna Polka
concerts, celebrations and festive occasions. This Anonymous (17th century),
composition can be sung a cappella by a choir arranged by Henry O. Milsby
Sound of Johann Strauss
alone or a cappella alternating echo-like with a based on the fast polka Leichtes Blut
group of soloists. The alternative perfomance with It was an unknown 17th century master who op. 319, arranged by Lorenz Maierhofer
piano or organ accompaniment rings out as a composed the melody of this intrada, which
Henry O. Millsbys choral arrangement has made A witty choral arrangement of Johann Strausss
sparkling musical dialogue.
into a rousing a cappella piece. With or with- well-known polka, with humorous lyrics in Ger-
out body percussion and step movements, the man and English.
HCCS-5666 SATB a cappella or
with Piano/Organ 2,60 Intrada a cappella is an ideal opener for concerts
and festivities! HCCS-5175 SATB,
HCCS-5667 SAA a cappella or Piano ad lib 2,60
with Piano/Organ 2,60 HCCS-5829 SATB 2,60 HCCS-5176 TTBB,
HCCS-5668 TTBB a cappella or HCCS-5830 TTBB 2,60 Piano ad lib 2,60
with Piano/Organ 2,60
Lets Joyfully Raise Our Voices Neigen sich die Stunden

Give them thy fingers Wir feiern ein Fest der Freude Now Its Time for Leaving
by Stefan Kalmer based on M.-A. Charpentier, by Lorenz Maierhofer
In his poem Give them thy finger, William Prlude (Te Deum), This choral standard, which has been translated
Shakespeare describes the yearning of a young arranged by Lorenz Maierhofer into numerous languages, unites people of a
man for his beloved to show him the same Lorenz Maierhofers arrangement of the theme wide diversity of cultures in peace and harmony.
love and devotion that she bestows upon from Marc-Antoine Charpentiers Prlude to The choral edition contains the lyrics in
her piano. Groovy and with a melancholy his Te Deum has resulted in a radiant choral twelve languages.
charm, Stefan Kalmers jazzy concert piece will piece. A highlight for all festive occasions, it can
arouse your enthusiasm. be sung with German or English lyrics. HCCS-5162 SATB 2,60
HCCS-5739 SAB 2,60
HCCS-5843 SAB 3,30 HCCS-5815 SATB 1,90
HCCS-5163 SSA 2,60
HCCS-5816 SAA 1,90
Good Bye with a Smile HCCS-5164 TTBB 2,60
HCCS-5817 TTBB 1,90
A farewell song for the moment of parting, Oh Hear the Sound
looking confidently to the future in the hope of Lets Sing a Welcome of Silence
a reunion not long delayed. This captivating piece Singt ein Willkommen Hr in den Klang der Stille
with its charming close-harmony sound is an ideal by Lorenz Maierhofer by Lorenz Maierhofer
close for concerts and social gatherings. A hymn of welcome for two choirs, full of festive A choral highlight marked by romantic and contem-
euphonic splendour, easy to sing with a range
HCCS-5742 SAB 2,60 plative simplicity. On festive occasions both spiritual
of different performance variations a cappella,
with piano/organ accompaniment or accompa- and secular, this easy-to-sing choral piece will move
HCCS-5743 SATB 2,60 singers and audiences alike.
nied by wind and drums. The three editions, for
HCCS-5744 SAA 2,60 mixed choir, male-voice choir and female choir,
HCCS-5745 TTBB 2,60 can be combined in any way desired as choir and HCCS-5174 SATB and
echo choir. This fascinating work with its flexible Soprano Solo 1,90
performance options was composed by Lorenz HCCS-5213 SSA and
Hrst du den Vogelsang Maierhofer for world choir games 2008 in Graz. Soprano Solo 1,90
I Hear the Birds Sing HCCS-5215 TTBB and
based on the theme from Franz Schuberts HCCS-5953 SATB SATB 2,60
Tenor Solo 1,90
symphony D 759, The Unfinished, HCCS-5954 SAA(A) SAA(A) 2,60
HCCS-5955 TTBB TTBB 2,60
The melody of this new choral song to spring-
time is based on the well-known instru- HCCS-6262 Instrumental parts 9,80
Our Little Night Music Sing and Rejoice FOLK & MULTICULTURAL
Unsere kleine Nachtmusik Freut euch und singet
based on W. A. Mozarts theme from Trad., arranged by Lorenz Maierhofer African Lullaby
Eine kleine Nachtmusik KV 525, A new festive choral song. The melody, which
arranged by Lorenz Maierhofer Thula mtwana wami
was also used by Melchior Frank in his choral by Markus Detterbeck
A humorous choral adaptation of the well- arrangement Kommt, ihr Gspielen (Come, all play-
known theme from Mozarts A Little Night fellows), can be traced back to a 16th century English Markus Detterbeck, a proven expert on African
Music, with lyrics in English and German. dance tune. A lingering melody for many occasions, choral music, has arranged the traditional
it can be sung with German or English lyrics. South African lullaby Thula mtwana wami as an
HCCS-5159 SATB 2,60 atmospheric choral piece. In both the original
HCCS-5956 SATB 1,90 language and with the new English lyrics, this pi-
HCCS-5160 SSA 2,60 ece introduces a delightful variety into any concert
HCCS-5964 SAA 1,90 programme.
HCCS-5197 TTBB 2,60
HCCS-5957 TTBB 1,90
HCCS-5973 SATB 2,60
Romance in F
based on Beethovens theme from
Sunset Serenade Aya Ngena
the Romanze in F-Dur op. 50, In der Abendstund Trad., arranged by Henry O. Millsby
arranged by Henry O. Millsby based on Joseph Haydns theme from the A Zulu song full of lively African rhythms and
A sensitive choral adaptation of the internationally Serenaden-Quartett op. 3/5, driving energy. The song was born out of the
well-known theme from Beethovens Romance arranged by Lorenz Maierhofer anti-apartheid movement, and in Henry O.
in F, to be sung with scat syllables. The well-known theme from Joseph Haydns Millsbys stirring arrangement it will be the
Serenade Quartet as an atmospheric evening song. highlight of every concert, rousing the audience
HCCS-5172 SATB 2,60 An easy-to-sing choral piece with lyrics in English to almost jump out of their seats.
and German.
HCCS-5181 SATB and Soprano Solo,
Roses in Red HCCS-5161 SATB and Drums ad lib 2,60
Rosen so rot Soprano Solo 2,60
based on Wolfgang Amadeus Mozart, HCCS-5201 TTBB and
Ej uchnjem
Tenor Solo 2,60
Yo, heave ho
It was a motif from Mozarts Viennese Sonatinas
Trad., arranged by Peter Hammersteen
that inspired Lorenz Maierhofer to compose this Swinging
expressive love song. A moving new choral stan- The Song of the Volga Boatmen is one of
dard for concerts and for festive and convivial sin- Anna Magdalena the best known of Russian folk songs. This
ging, with both German and English lyrics. arranged by Henry O. Millsby expressive choral arrangement combines the earthy
This groovy choral piece is based on the rhythm of the work song with the idyllic charm
HCCS-5960 SATB 2,60 of Russian folk music to produce a powerful
well-known minuet from the Notebook for
concert piece.
HCCS-5975 TTBB 2,60 Anna Magdalena Bach. Henry O. Millsbys vocal
arrangement continues in the tradition of groups HCCS-5472 SATB or SAB 2,60
such as the Swingle Singers. A choral highlight
Rosemary that never fails to arouse enthusiasm. HCCS-5485 SAA 2,60
by Lorenz Maierhofer HCCS-5484 TTBB 2,60
Rosemary thats the name of the young lady with HCCS-5711 SAB 2,60
a plentiful supply of boyfriends. She turns up
HCCS-5681 SATB 2,60 Greensleeves
absolutely on time for all her rendezvous, but
unfortunately, again and again shes late for work. HCCS-5682 SAA 2,60 Trad., arranged by Peter Hammersteen
Both the lyrics and the music of Lorenz Maierhofers HCCS-5683 TTBB 2,60 The lament for the unrequited love of the lady
rhythmic and snappy composition arouse the enthu- Greensleeves is one of the best known songs of
siasm of all who hear it. A humorous choral piece for Renaissance England. While the melody has its ori-
concerts and competitions. Theres One More Song gins in Scotland, the lyrics are said to be by King
So lebet wohl bis zum Henry VIII. Peter Hammersteens choral arrange-
HCCS-5813 SATB 2,60 Wiedersehn ment turns Greensleeves into a sensitive concert
HCCS-5814 SAA 2,60 piece full of simple elegance.
by Peter Hammersteen
A moving farewell song, full of the happy HCCS-5473 SATB or SAB 1,90
Sah ein Knab ein Rslein stehn certainty of an early reunion. Whether it is sung
in English or German: this catchy, easy-to-sing HCCS-5487 SSA or SAB 1,90
Young Man Passing a Blossom choral song will bring people together.
Spied Ipharadisi
by Heinrich Werner, HCCS-5170 SATB 2,60
Trad., arranged by Lorenz Maierhofer
arranged by Peter Hammersteen
HCCS-5169 SAB 2,60 This inspiring African gospel piece resonates with
Alongside the version by Franz Schubert,
Heinrich Werners folk song setting of hopeful yearning for a paradise where there is
Heidenrslein (Rose among the heather) is When My Day is Done a life of singing and dancing. Lorenz Maierhofer
one of the most popular lieder classics. Ruhet mein Tag sich aus arranged the piece with richly expressive African
Peter Hammersteen has arranged the piece with by Lorenz Maierhofer musical and stylistic elements for an international
great sensitivity and succeeded in creating a With this choral piece, Lorenz Maierhofer presents concert tour by the Vienna Boys Choir. This
simple choral piece in the tradition of the a sensitive song for evening and farewell. A ver- choral setting with a solo part can also be accom-
romantic choral song. It can be sung in the original satile highlight for every type of choir, to be sung panied on drums.
German or with the new English lyrics. with or without a solo part and with German or
English lyrics. HCCS-5614 SATB and Solo 3,30
HCCS-5686 SATB 2,60
HCCS-5615 SSA(A) and Solo 3,30
HCCS-5687 SAA 2,60 HCCS-5999 SATB 1,90
HCCS-5665 TTBB and Solo 3,30
HCCS-5688 TTBB 2,60 HCCS-6000 SAB 1,90
Ladoo, Farewell, My Dear lies within the easy-to-sing and captivating song Thina Singo (Let Us be the
comes across particularly strongly if the singers
Friends accompany the music with gesture. The
Burning Fire)
Ladu, lebt wohl, liebe Freunde choreography is described and illustrated in the Trad., arranged by Markus Detterbeck
Trad., arranged by Peter Hammersteen sheet music. A rhythm oriented choral highlight from South
An atmospheric evening and farewell song, based Africa that conveys African zest for life with the
on a Russian folk melody. This choral piece is an HCCS-5875 SATB 2,60 call and response, clapping, stamping, finger-
appeal, full of fervent hope for an early reunion, HCCS-5885 SAA 2,60 snapping and percussive vocal effects typical of
to Ladoo, the divine protector of lovers and tra- the style. A powerful call for togetherness!
vellers. HCCS-5886 TTBB 2,60
HCCS-5697 SATB 3,30
HCCS-5443 SATB 2,60 Samba lel, Little Chico HCCS-5698 SSAA 3,30
HCCS-5560 SSAA 2,60 Samba lel, kleiner Chico
HCCS-5737 TTBB 3,30
HCCS-5458 TTBB 2,60 Trad., arranged by Lorenz Maierhofer
A choral piece with all the verve and charm of La-
tin American folklore. The verses describe a beach Three Gipsies
La Mariposa encounter full of Latin groove. Little Chico, the Trad., arranged by Uli Fhre
Trad., arranged by Lorenz Maierhofer little drummer boy, has a talent for getting An atmospheric Celtic folk song from Scotland
A choral arrangement of a stirring dance from the girls going with his drumming rhythms. with a gently melancholic tinge. It tells of a
the Andes! Regardless of whether it is sung with A rousing concert piece, with or without woman who chooses a life of wandering with
Spanish, English or with German lyrics, this easy- accompaniment on drums. the three gypsies rather than the comfort of
to-sing piece brings the fascinating verve of South domestic family life. Uli Fuehres successful choral
American folk music to the concert platform. It HCCS-5404 SATB 2,60 arrangement casts its spell over the performers
can be sung a cappella, or freely accompanied by and their audience alike.
rhythm instruments or a Latin band. HCCS-5495 SAB 2,60
HCCS-5496 SAA 2,60 HCCS-5972 SATB 2,60
HCCS-5976 SATB 1,90
HCCS-5500 TTBB 2,60
Thula sizwe (Any Day Now)
Old McDonalds Walk Around Singa Yesu Singa Trad., arranged by Markus Detterbeck
by Henry O. Millsby
Sing and Open to Jesus Be calm and cry no more, God will protect us, is
An amusing choral arrangement whose particular Trad., arranged by Lorenz Maierhofer the English version of the Zulu text of this song,
charm lies in its imitation of animal sounds. which is an exceptional reflection of the thoughts
A stirring choral arrangement full of the
characteristics and elemental power of African and feelings of the black population of South
HCCS-5173 SATB 2,60 Africa. With his choral arrangement and new
gospel music. It can be sung either in concerts
HCCS-5210 SSAA 2,60 or in religious services, in either the original English lyrics, Markus Detterbeck brings this
language or in English. message in stirring form to the concert platform.
HCCS-5211 TTBB 2,60
HCCS-5331 SATB, Drums 3,30 HCCS-5880 SATB 2,60
Portsmouth HCCS-5332 SSAA, Drums 3,30
Trad., arranged by Carsten Gerlitz Un poquito cantas
A piece that achieved international popularity HCCS-5370 TTBB, Drums 3,30
Trad., arranged by Franz M. Herzog
in a pop version by Mike Oldfield, Portsmouth Franz Herzogs infectious, rhythmically accented
has been arranged for choir by Carsten Gerlitz. The Earth is My Mother choral arrangement of this Latin American dance
An arrangement full of dance-like charm and by Lorenz Maierhofer song is captivating in its tone-painting, forward
cheerfully optimistic drive. striving accompanying patterns. The solo part
An expressive choral work based on a motif taken
sets expressive accents. A thoroughly effective
HCCS-5479 SATB, Piano ad lib 2,60 from a song of the Native American Navajo which,
highlight for concerts, celebrations and festive
with its integrated spoken texts and archaic drum occasions.
HCCS-5361 SAB, Piano ad lib 2,60
rhythms, intensifies into an impressive acoustic
experience. HCCS-5820 SATB 2,60
Rasti, romarin
HCCS-5883 SSAA 2,60
You, My Lovely Rosemary HCCS-5281 SATB, Speaker,
Du, mein Rosmarin Drums 3,30 HCCS-5884 TTBB 2,60
Trad., arranged by Emil Adamic (SATB), HCCS-5282 SSAA, Speaker,
Peter Hammersteen (TTBB) Drums 3,30 Uyingcwele Baba
This touching love song from Slovenia is a HCCS-5415 TTBB, Speaker, (You are Holy, My Lord)
melodious, romantic hymn to the beloved. Drums 3,30 Trad., arranged by Lorenz Maierhofer
Whether it is sung with the traditional Slovenian
verses or with the new German and English A stirring Zulu song that is sung in South Africa
lyrics, this choral piece will arouse enthusiasm The River is Flowing with improvisation to set the mood for religious
in both concert performances and on social Trad., arranged by Lorenz Maierhofer ceremonies or at the Sanctus in church services.
occasions. Lorenz Maierhofer noted down the basic
At the centre of this choral piece is a Native
melody of the song, and has expanded and
American song whose theme is the eternally
HCCS-5836 SATB 1,90 adapted it into an atmospheric choral arrange-
changing flow of existence in the great river
ment. For concerts, festive occasions and religious
HCCS-5837 TTBB 1,90 of life. Lorenz Maierhofer has expanded the song
services.
both lyrically and musically, and adapted it into a
moving choral arrangement. The prevailing mood
Sana, Sananina, Praise is meditative, with archaic tonal elements, and the
HCCS-5699 SATB 2,60
the Lord flow of music ebbs away to the spoken words of HCCS-5700 SSA 2,60
Chief Seattle: [...] Leave nothing but footprints. HCCS-5701 TTBB 2,60
This powerfully expressive African gospel song has
its roots in a cry of hosanna from Botswana and HCCS-5616 SATB 2,60
has become a choral hit which can be performed
equally well in concerts or as the Sanctus in HCCS-5617 SSAA 2,60
religious services. The power of expression that HCCS-5702 TTBB 2,60
What a Saturday Night Come and See the Immer wenn es Weihnacht wird
(Linstead Market) Christmas Star Christmas Joy is All Around
Trad., arranged by Lorenz Maierhofer Wieder naht der heilige Stern by Norbert Wallner,
This easy-to-sing choral arrangement of the by Lorenz Maierhofer arranged by Lorenz Maierhofer
popular Jamaican standard conveys a typical A new choral standard for Advent, full of concer- Norbert Wallners atmospheric carol for Advent
Caribbean feeling reminiscent of Harry Belafonte. tante festive atmosphere. This easy-to-sing compo- and Christmas has become a classic of Christmas-
The piece can be sung either a cappella or sition can be per-formed in concert and in a liturgical tide singing. Lorenz Maierhofers interesting, yet
with accompaniment for example with Latin setting, with English or German lyrics. easy-to-sing choral arrangement and its new Eng-
percussion. lish lyrics make this choral piece a highlight of any
HCCS-5165 SATB 2,60 concert or celebration.
HCCS-5694 SATB 2,60
HCCS-5166 SAB 2,60 HCCS-5810 SATB 1,90
HCCS-5695 SAA 2,60
HCCS-5167 SSA 2,60 HCCS-5871 SAA 1,90
HCCS-5696 TTBB 2,60
HCCS-5168 TTBB 2,60 HCCS-5811 TTBB 1,90
Yakanaka Vhangeri / Praise the
Lord All Together En natus est Emanuel
Geborn ist der Emanuel Let My Light Shine Bright
Trad., arranged by Lorenz Maierhofer Trad., arranged by Lorenz Maierhofer
Yakanaka Vhangeri is a powerful South African
This Day is Born Emmanuel
An inspiring choral arrangement of the
gospel song, which also forms the finale of Lorenz by Michael Praetorius,
popular gospel song. After an atmospheric and
Maierhofers Ethno-Mass for Peace. This easy-to- arranged by Siegfried Singer
meditative introduction, the joyful news rings
sing piece fascinates us with the typical antiphonal This festive Christmas carol by Michael Praetorius out in a festive, lively and groovy call and
singing of the choir and the solo part. It can be with the richly varied form of its verses is a response. A highlight of any concert or festive
sung a cappella or accompanied on drums. rewarding rediscovery for very Christmas program- occasion at Christmastide and throughout the
me. It can be sung with Latin, English or German church calendar.
HCCS-5974 SATB 2,60 lyrics.
HCCS-5713 SATB 2,60
HCCS-5997 SATB 2,60
HCCS-5714 SAA 2,60
HCCS-5998 TTBB 2,60
HCCS-5715 TTBB 2,60
CHRISTMAS & SEASONAL Feliz Navidad

by Jos Feliciano, Lets Sing a Song of
At Holy Christmas Time arranged by Lorenz Maierhofer Christmas
In 1970, the blind musician Jos Feliciano had by Lorenz Maierhofer
Ja, es begab sich a hit with Feliz Navidad, and today this is still
by Lorenz Maierhofer An infectious Christmas song in the style
one of the most popular Christmas songs world- of a hymnic pop ballad for solo voice (alto or
This new choral song tells, in classical and contem- wide. Rhythmically accentuated yet still easy baritone), choir and piano. A highlight full of swin-
plative style, yet with the charm of a pop ballad, the to sing, Lorenz Maierhofers choral arrangement ging groove for an Advent or Christmas concert.
story of Bethlehem. A highlight for concerts and arouses great enthusiasm melodious and at the
festive occasions at Christmastide. same time catchy, it is certain to be a highlight of
HCCS-5191 SATB, Solo and Piano 2,60
Christmas concerts and celebrations!
HCCS-5189 SATB 1,90 HCCS-5249 SSA, Solo and Piano 2,60
HCCS-5242 SSA 1,90 HCCS-5818 SATB 2,60
HCCS-5819 TTBB 2,60 Little Baby Jesus Christ
Candlelights Flaring
Brennende Lichter Heilige Nacht This composition in gospel style proclaims in
Heavenly Night paeans and with a moving groove (drum accom-
based on Wolfgang Amadeus Mozart,
by Johann F. Reichardt, paniment ad lib) the message of Bethlehem. A
arranged by Lorenz Maierhofer stirring choral piece for concert, religious services
This moving choral piece is based on the theme and festive occasions.
from the first movement of Mozarts piano sonata This composition by Johann Friedrich Reichardt,
in A major, KV 331. Lorenz Maierhofer has created a contemporary of Franz Schubert, is one of the HCCS-5492 SATB, Drums ad lib. 2,60
a subtle arrangement of this popular melody as a most popular classical-romantic choral pieces at
setting for a contemplative text for Advent and Christmastide. A solemn and moving choral work of
expressive simplicity for concerts and festive occa- Shine
Christmastide. A moving arrangement for ceremo- sions, now available in a singable English version. (Baby mine, good night)
nial occasions and concerts. by Andrea Figallo
HCCS-5712 SAB 1,90
This atmospheric choral piece by Andrea Figallo,
HCCS-5706 SATB 2,60 HCCS-5716 SATB 1,90 the bass singer of The Flying Pickets, can be
HCCS-5707 SSA 2,60 HCCS-5717 SAA 1,90 performed as a Christmas lullaby or a sensitive
HCCS-5708 TTBB 2,60 love song. Regardless of whether it is sung by an a
HCCS-5718 TTBB 1,90 cappella ensemble or a larger choir, this piece will
move both the singers and the audience alike.
Christmas Lullaby Himmlischer Adventjodler
by Andrea Figallo Heavenly Advent-Yodel HCCS-5864 SATB 2,60
A touching and sensitive lullaby for Christmas- by Lorenz Maierhofer
time, which tells the story of a woman and
Lorenz Maierhofers Heavenly Advent-Yodel
her child on the first Christmas Eve. Movingly
is the expanded two choir variant of his widely
composed by Andrea Figallo, the bass singer
known Advent-Yodel. In this festive concertante
of the well-known vocal group The Flying
version, the main choir communicates with a Audio samples:
Pickets.
group of soloists or with a single solo voice. A
@
highpoint of any concert or festive occasion.
HCCS-5719 SATB
HCCS-5812 SSAA
2,60
2,60 HCCS-5709 SATB SSA 2,60
www.helbling.com
HCCS-5882 TTBB 2,60 HCCS-5710 TTBB SATB 2,60
composition that will move singers and audience in Laudate Dominum

SACRED CHORAL MUSIC equal measure, whether performed in concert, on by Ottavio Pitoni,
festive occasions or in religious services. arranged by Siegfried Singer (TTBB)
Ave Maria
2,60 The Laudate Dominum of the versatile Italian
Hail Mary HCCS-5823 SATB
baroque composer Ottavio Pitoni is distinguished
by Lorenz Maierhofer HCCS-5881 SSA 2,60 by its chordally uncomplicated and easy-to-
A solemn composition based on the Angelus with sing arrangement. This composition, with its
the full splendour of romantic sound. An intimate expressive dynamic contrasts, is a splendidly
prayer for mixed voices and soprano solo, to be per-
Er ist das Brot exhilarating piece for concert, religious services
formed in concert or in a liturgical setting. He is the Bread and festivities.
HCCS-5269 SATB and The lyrics of this easy-to-sing sacred composition in HCCS-5775 SATB 2,60
Soprano Solo 2,60 motet style are based on a verse of St. Johns Gospel. HCCS-5777 TTBB 2,60
Whether performed in concert, in religious services
or as a grace, this choral piece moves the listener
Bleibe bei uns, oh Herr with the simplicity of its spiritual radiance and the Mater Dei
Stay with Us, oh Lord richness of its tone. by Lorenz Maierhofer
Oh, resta con noi An easy to sing choral composition in motet style,
by Lorenz Maierhofer HCCS-5183 SATB 2,60 with classical charm. As an option, texts can be
This romantically inspired large-scale choral canon HCCS-5184 SAB 2,60 freely spoken during the declamatory sections of
for three mixed choirs and a solo voice (soprano the work. A moving sacred choral piece for concert,
or tenor) continues in the euphonic tradition of HCCS-5228 SAA 2,60
religious services and festive occasions.
vocal music for multiple choirs. Its moving sim- HCCS-5229 TTBB 2,60
plicity combined with its exceptional tonal and HCCS-5177 SATB 2,60
spatial effect produces a very special singing and
acoustic experience for religious services and in Groer Gott, wir loben dich HCCS-5219 TTBB 2,60
concert. Holy God, We Praise Thy Name
Trad., arranged by Lorenz Maierhofer May God be with You
HCCS-5272 SATB SATB SATB This song numbers among the great international by Stefan Foidl
and Soprano- or Tenor Solo 3,30 standards of the Christian hymnal. Maierhofers The lyrics of this sensitive and expressive
arrangement extends the hymn with a triumphant composition by Stefan Foidl are based on Irish bles-
Cantate Domino cry of hallelujah, which can ring out as an intro- sings, traditional Irish benedictions. An atmosphe-
duction and as a bridge. The solemn choral sound ric song of farewell for concerts and religious
by Ottavio Pitoni,
of the verses is spanned ad lib by a solo part, celebrations.
arranged by Siegfried Singer (TTBB)
which can also be performed instrumentally. The
The expressive simplicity of this rhythmically ac- congregation can join in in the customary manner.
cented, easy-to-sing spiritual choral piece from the HCCS-5808 SATB 2,60
The versions for mixed and male-voice choir can
pen of the baroque composer Ottavio Pitoni opens be sung together. HCCS-5809 TTBB 2,60
up to every choir the musical world of its age. It
can be sung in concerts or religious services. HCCS-5993 SATB 2,60 Pater noster
HCCS-5989 SATB 2,60 HCCS-5994 TTBB 2,60 by Lorenz Maierhofer
HCCS-5990 TTBB 2,60 This classical concertante setting to music of
Hes Alive the Latin text of the Lords Prayer combines
meditative intensity with simplicity of form and
Der Herr ist mein Hirt Seht, er lebt archaic tonal effects to produce a solemn choral
by Lorenz Maierhofer piece of special spiritual radiance in religious
My Shepherd is the Lord
The medieval tones of this powerful, large-scale services and concerts.
by Johannes Steinwender
Easter hymn by Lorenz Maierhofer grip both
A simple but effective setting to music of the 23rd performers andaudience alike. Church modal HCCS-5515 SATB 2,60
Psalm by Johannes Steinwender which can be elements,sequences of fifths and fourths, changes
performed equally well in a religious service or of time and an ad lib percussion accompaniment HCCS-5516 SSAA 2,60
a concert of religious music. It can be sung with give musical clarity tothe triumph of the resurrection. HCCS-5561 TTBB 2,60
German or English lyrics. A rewarding addition to the repertoire of any
dedicated choir!
HCCS-5991 SATB 1,90 Salzburger Ave Maria
HCCS-5724 SATB and Salzburg Hail Holy Mary
Give Thanks to the Lord Percussion ad lib 3,30 by Lorenz Maierhofer
by Franz Koringer The canonical middle section of this polychoral com-
Laudate Dominum position is spanned by a solo part. The intense tonal
A musical setting of the psalm with its stylistic and spatial effect of the piece arises out of the musical
roots in the great tradition of vocal music for based on Johann Joseph Fux,
tension between the main choir, the solo voice
multiple choirs. For concerts and religious services. arranged by Lorenz Maierhofer
and the two side choirs. The formation of the
This festive hymn of praise is based on the melody latter may be vocal or instrumental, or groups
HCCS-5359 SAB SAB 2,60 of a minuet by Johann Joseph Fux, one of the of soloists. A choral composition full of romantic
HCCS-5360 SSA SSA 2,60 most important Austrian composers of the musical splendour.
baroque period. The choral setting and the use
of Latin psalms as lyrics unite with the baroque HCCS-5387 SATB SATB SATB
Der Herr hat seinen dance form in a manner in keeping with the and Soprano or Tenor Solo 3,30
Engeln befohlen style. Ideal for a variety of occasions throughout
the church calendar.
For He has Ordered His Angels Sanctus (from Missa Lumen)
HCCS-5738 SAB 2,60 by Lorenz Maierhofer
A stirring choral canon with great words of trust
and faith from the Psalms. After an expressive in- HCCS-5703 SATB 2,60 Song-like yet at the same time powerful,
the Sanctus from Lorenz Maierhofers Missa
troductory section, a solo part spans two canoni- HCCS-5704 SAA 2,60 Lumen is a fascinating piece. It develops its full
cally led choral groups. Melody and harmony move
angel-like within a mild and gentle atmosphere HCCS-5705 TTB 2,60 musical splendour regardless of whether it is
performed a cappella or in the variations with organ
filled with magnificent romantic tones. A choral
or string orchestra accompaniment. A highlight for Ive Got a Feeling

religious services or concerts of religious music. GOSPELS & SPIRITUALS
HCCS-5988 SATB 2,60 Amazing Grace This choral piece in ballad form, taken from
Trad., arranged by Peter Hammersteen the mass Body & Soul, brings together stylistic
HCCS-6263 Instrumental parts 9,80 elements of both pop and gospel. It inspires
One of the great and timeless standards of folk enthusiasm in both concerts and on festive
music. An easy-to-sing and atmospheric arrange- occasions, whether sung a cappella or with instru-
The Great Classics Hallelujah ment for soloist with choral accompaniment. mental accompaniment. A moving hymnof praise,
by Lorenz Maierhofer full of religious optimism.
A very special choral highlight by Lorenz Maier- HCCS-5190 SATB and
hofer! Motifs from well-known works by Bach, Alto Solo 2,60 HCCS-5721 SATB 2,60
Handel, Mozart, Beethoven, Smetana and Dvork HCCS-5245 SSA and
are worked together to form a festive Hallelujah. HCCS-5722 SAA 2,60
Alto Solo 2,60
The piece can be sung in concert and on festi- HCCS-5723 TTBB 2,60
ve occasions of every kind. For performances at HCCS-5247 TTBB and
weddings, additional alternative lyrics are provided Baritone Solo 2,60
which take love as a central theme. A rewarding Let My Light Shine Bright
challenge which will arouse the enthusiasm of the Trad., arranged by Lorenz Maierhofer
singers and the audience alike.
Burden Down, Lord
Trad., arranged by Lorenz Maierhofer An inspiring choral arrangement of the
Burden down! I lay my burden down! is popular gospel song. After an atmospheric and
HCCS-5992 SATB 3,30 meditative introduction, the joyful news rings
the hopeful request of this well-known spiritual
from the Deep South of the USA. With his out in a festive, lively and groovy call and
The Lord Bless You and Keep easy-to-sing choral arrangement for two response. A highlight of any concert or festive
occasion at Christmastide and throughout the
You / Der Herr segne und solo voices and accompanying choir, Lorenz
church calendar.
behte dich Maierhofer has brought this song full of hope
by Lorenz Maierhofer and religious faith to the choral platform in a
powerfully expressive form, in concert and HCCS-5713 SATB 2,60
The Aaronic Benediction is the oldest bene- religious festivities. HCCS-5714 SAA 2,60
diction handed down to us through the bible
and is still used in Christian and Jewish religious HCCS-5715 TTBB 2,60
HCCS-5772 SATB 2,60
services today. The power of this text forms an
exceptional bond with Lorenz Maierhofers music. HCCS-5773 TTBB 2,60
A powerfully expressive choral piece that will Little Baby Jesus Christ
become a permanent part of the repertoire of by Lorenz Maierhofer
both secular and spiritual choirs.
Freedom is Coming
Trad., arranged by Markus Detterbeck This composition in gospel style proclaims in
paeans and with a moving groove (drum
HCCS-5806 SATB 1,90 The well-known South African song Freedom is
accompaniment ad lib) the message of Bethlehem.
coming is a potent ex-pression of the profound
HCCS-5872 SAA 1,90 human desire for peace and freedom. Markus
A stirring choral piece for concert, religious ser-
vices and festive occasions.
HCCS-5807 TTBB 1,90 Detterbeck has taken this song and produced a
powerful choral arrangement. A choral piece that
will arouse the enthusiasm of audience and sin- HCCS-5492 SATB 2,60
Ubi caritas / Wo die Gte ist / gers alike.
Where Charity is Lord, I Know Ive Been Changed
by Lorenz Maierhofer HCCS-5783 SATB 2,60 Trad., arranged by Henry O. Millsby
With this composition, Lorenz Maierhofer has HCCS-5784 SSAA 2,60 Groovy and harmonically interesting, this gospel
created a further work for dual choirs in which song describes the revelation and spiritual en-
two choirs singing in canon are spanned by a solo lightenment of baptism. This gospel highlight of
voice. Borne by the euphonic splendour of the I Lift My Eyes concerts, religious services and festive occasions is
choral singing, the words radiate the goodness by Lorenz Maierhofer justwaiting to be rediscovered.
and love of the Lord. The piece can be sung with A powerful new gospel by Lorenz Maierhofer for
Latin, German or English lyrics. soloist and choir in call and response style, a HCCS-5178 SATB 2,60
touching and inspiring lyrical and musical message
HCCS-5995 SATB SATB 2,60 of hope. An easy-to-sing composition full of sound
and groove, a highlight for concerts, celebrations May Peace on Earth
and religious services. by Henry O. Millsby
Zwischen Himmel und Erde
Between Heaven and Earth An expressive gospel ballad, which with its choral
HCCS-5804 SATB 2,60 soul sound articulates a heartfelt wish for peace.
HCCS-5870 SSAA 2,60
A new choral standard for congratulations, a HCCS-5442 SATB 2,60
wide variety of festive occasions and religious HCCS-5805 TTBB 2,60
celebrations. This easy-to-sing composition im-
presses with the heartfelt simplicity and profound
Ipharadisi Revival
expressiveness of its music and lyrics. Trad., arranged by Markus Detterbeck
An emotional freedom song in gospel style, ar-
HCCS-5860 SATB 1,90 This inspiring African gospel piece resonates with
ranged by Markus Detterbeck. This stirring choral
hopeful yearning for a paradise where there is
HCCS-5861 SAB 1,90 a life of singing and dancing. Lorenz Maierhofer piece, is an outstanding rendering of the intensi-
fication of a whisper into the loud cry of Revival
HCCS-5862 SAA 1,90 arranged the piece with richly expressive African
musical and stylistic elements for an international across the country, a cry which can no longer be
HCCS-5863 TTBB 1,90 ignored.
concert tour by the Vienna Boys Choir. This
choral setting with a solo part can also be accom-
Audio samples: panied on drums. HCCS-5778 SATB 2,60
@
HCCS-5779 SSAA 2,60
www.helbling.com HCCS-5614 SATB and Solo

HCCS-5615 SSA(A) and Solo
3,30
3,30
HCCS-5665 TTBB and Solo 3,30
Singa Yesu Singa Waiting for the Lord arouses the enthusiasm of todays singers and
audiences no less than those of the period.
Sing and Open to Jesus Wartend auf den Herrn
Trad., arranged by Lorenz Maierhofer by Lorenz Maierhofer
HCCS-5691 SATB 2,60
A stirring choral arrangement full of the This new gospel song taken from Lorenz
characteristics and elemental power of African Maierhofers mass Body & Soul can be performed HCCS-5692 SAA 2,60
gospel music. It can be sung either in concerts by an ensemble or by a large-scale choir either HCCS-5693 TTBB 2,60
or in religious services, in either the original lan- in English or with the new German lyrics. No
guage or in English. matter whether it is sung a cappella or with piano
accompaniment, or with soloists and a gospel La canzon della gallina
HCCS-5331 SATB, Drums 3,30 group, this piece will arouse enthusiasm in both Wann uns die Henn
concerts and religious services.
HCCS-5332 SSAA, Drums 3,30 by Tiberio Fabrianese
HCCS-5370 TTBB, Drums 3,30 HCCS-5982 SATA 2,60 This humorous madrigal from the early 16th cen-
tury was a great success from its very beginnings,
HCCS-5983 TTBB 2,60
because of the effective way in which it imitates
Soon I will be Done the cackling of hens. This version contains, for the
Trad., arranged by Markus Detterbeck first time, the original Italian lyrics and also German
Even gospel greats such as Mahalia Jackson CHORAL MASTERPIECES lyrics from the same period.
included this message full of profound faith and
trust in their repertoires. Markus Detterbeck has HCCS-5194 SATB 2,60
Audite silete/ Now Listen, Be
fashioned his groovy soul choral arrangement with
haunting rhythmic and melodic patterns and so Quiet / Ja, hret und schweiget
by Michael Praetorius Musica aeterna
created a powerfully expressive choral piece that
captivates singers and audiences alike. This dance-like song in praise of music has beco-
me well-known in a setting by Michael Praetorius. This fascinating hymn to music combines forms
HCCS-5720 SATB 3,30 Lorenz Maierhofers arrangement is marked by of expression of contemporary choral music with
its interesting figuring of the parts. This vibrant the tones of centuries past. A classical concertante
HCCS-5736 SSAA 3,30 richness of tone creates an inner tension with the
piece from the 17th century can be sung in Latin,
German or English in small solo formations or by interesting accents of the solo part and with
This Little Light of Mine large choirs. rhythmic-percussive, spoken and choreographic
elements. A festive and musically inspiring choral
Seht, wie das kleine Licht concert piece.
Trad., arranged by Lorenz Maierhofer HCCS-5188 SATB 1,90
This lively gospel song conveys in impressive fa- HCCS-5741 SAB 1,90 HCCS-5493 SATB and
shion the glorious message of the light. No matter HCCS-5238 SSA 1,90 Soprano Solo 2,60
whether it is sung with English or with German
lyrics, this piece will arouse enthusiasm both in HCCS-5240 TTBB 1,90 HCCS-5494 SSAA and
Soprano Solo 2,60
concerts and on the various festive occasions
throughout the year. It can be sung a cappella or Cantemus
with piano accompaniment. Odi et amo
Let us sing! is the maxim of this festive by Jacob Handl-Gallus
HCCS-5980 SATB 2,60
choral composition. Viva la musica long live A musical jewel from the wide-ranging creative
HCCS-5969 SAA 2,60 music! This powerful work will arouse the enthu- work of the Renaissance composer Jacob Handl-
HCCS-5981 TTBB 2,60 siasm of audiences at festive occasions of every Gallus. This sixpart setting of a Catullus poem on
kind. A new piece for the repertoire and a rewar- hate and love is characterised by powerful
ding challenge for dedicated choirs. doublechoir effects through the alternation of top
To the Left, to the Right and bottom parts.
by Lorenz Maierhofer HCCS-5952 SATB 2,60
In this groovy choral composition Lorenz Maierho- HCCS-5690 SATB divisi 2,60
HCCS-6103 SSAA 2,60
fer fascinatingly unites pop and new gospel. With
or without the solo part, a cappella or accompa- HCCS-6104 TTBB 2,60
nied by a band, the piece is a highlight in concerts
Sakura
and religious services. Trad., arranged by Herwig Reiter
Es treibt der Wind / Through
Sakura, the well-known Japanese folk song that
HCCS-5979 SATB 2,60
Wintery Woodland sings of the magnificent spectacle of the cherry
by Lorenz Maierhofer blossom. Herwig Reiters choral arrangement, with
This composition draws its inspiration from the its use of interesting contemporary tonal effects,
Uyingcwele Baba late romantic period and is a musical setting of resonates with the special atmosphere of a Far
(You are Holy, My Lord) the well-known poem by Rainer Maria Rilke. Inter- Eastern spring.
Trad., arranged by Lorenz Maierhofer esting, communicative and at a concertante level,
A stirring Zulu song that is sung in South Africa the choral voices portray theyearning for a night HCCS-5171 SAATTB 2,60
of splendour.
with improvisation to set the mood for religious HCCS-5365 SSSAAA 2,60
ceremonies or at the Sanctus in church ser-
vices. Lorenz Maierhofer noted down the basic HCCS-5182 SATB 2,60
melody of the song, and has expanded and HCCS-5225 SSAA 2,60 Vier Stck dem Menschen geben
adapted it into an atmospheric choral arrange-
ment. For concerts, festive occasions and religious HCCS-5226 TTBB 2,60 Freud
services. by Erasmus Widmann,
In These Delightful arranged by Siegfried Singer (TTBB)
HCCS-5699 SATB 2,60 Pleasant Groves What gives people pleasure? The 17th century
had a resounding musical answer in Erasmus
HCCS-5700 SSA 2,60 by Henry Purcell, arranged by
Siegfried Singer (SAA, TTBB) Widmanns choral composition in madrigal style:
HCCS-5701 TTBB 2,60 good food, a refreshing drink, lively music and,
Taken from the incidental music to Shadwells play not least, a beautiful woman. To be sung in
The Libertine or The Libertine Destroyed, the cho- concerts and at social gatherings.
ral piece In these delightful pleasant groves is a
genuine highlight of British choral music of HCCS-5780 SATB 1,90
the baroque period. With the lively exuberance
of dance and his onomatopoeic effects, Purcell HCCS-5782 TTBB 1,90
62 Composers & Arrangers
Gwyn Arch Michael Aschauer

(b. 1931) (b. 1977)
Works in this catalogue: Works in this catalogue:

page 10, 11, 29-35, 37 page 7, 36
Erik Bosio Markus Detterbeck

(b. 1983) (b. 1969)

page 28 page 12, 37, 46, 53, 56, 57, 60, 61
Harald Feller Andrea Figallo

(b. 1951) (b. 1972)

page 18, 19 page 27, 58
Stefan Foidl Rupert Gottfried

(b. 1970) Frieberger (b. 1931)

page 24, 25, 59 page 17
Carsten Gerlitz Franz M. Herzog

(b. 1966) (b. 1962)

page 15, 53, 54, 57 page 2123, 43, 54, 57
For further information please visit our website www.helbling.com

Composers & Arrangers 63
Lorenz Maierhofer Michael Ostrzyga

(b. 1956) (b. 1975)
Works in this catalogue:

page 36, 8, 9, 1215, 23, 3842, Works in this catalogue:
4461 page 21
Letizia Poltini EL Raphael

(b. 1984) (b. 1972)

page 27 page 16
R. Clemens Schfer Susanne Schempp

(b. 1960) (b. 1958)

page 42, 44 page 48
Siegfried Singer Josef Sulz

(b. 1947) (b. 1930)

page 7, 54, 58, 59, 61 page 6
Hans Unterweger Simon Wawer

(b. 1962) (b. 1979)

page 43, 53, 55 page 20, 26
For further information please visit our website www.helbling.com

For orders and further information please visit our website:
Helbling Verlag GmbH Helbling Verlagsgesellschaft m.b.H.

Martinstrasse 42-44 Kaplanstrasse 9
73707 Esslingen GERMANY 6063 Rum/Innsbruck AUSTRIA
817/08-09
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Catalogue Helbling Choral Music

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Catalogue Helbling Choral Music

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HELBLING

Oratorios, Masses, Choral Collections

Chorus XXI Series

Helbling Secular Choral Music Series

Helbling Sacred Choral Music Series

Helbling Choral Concert Series (HCCS)

Sacred Choral Works Oratorios ........................................................................................................................................................................................ 3

Sacred Choral Works Masses ............................................................................................................................................................................................... 6

Sacred Choral Collections ................................................................................................................................................................................................................ 9

Secular Choral Collections ........................................................................................................................................................................................................... 11

Chorus XXI Series New Perspectives in Choral Music .......................................................... 16

Helbling Secular Choral Music Series .......................................................................................................................................... 24

Jazz Choir ................................................................................................................................................................................................................................................................. 24

Chamber Choir goes Pop ................................................................................................................................................................................................................ 26

Masterworks of Great Composers, arranged for Choir and Piano ........................................................................ 29

International Folk Songs, arranged for Choir and Piano ..................................................................................................... 31

Helbling Sacred Choral Music Series ............................................................................................................................................. 36

New Sacred Choral Works ........................................................................................................................................................................................................... 36

Masterworks of Great Composers, arranged for Choir and Piano/Organ ................................................ 37

Helbling Choral Concert Series (HCCS) .................................................................................................................................... 38

Lighter Concert Selection ..................................................................................................................................................................................................... 39

All Further Titles .......................................................................................................................................................................................................................................... 63

Composers & Arrangers ..................................................................................................................................................................................................... 62

In the Beginning was the Word

Duration: about 70 minutes.

The music is characterised by a sensitive setting of the `Word`, by Lorenz Maierhofer

baritone solos. The self-contained character of the choral parts

The recitatives are sung by the soloists with organ accompa-

Choral score SATB + organ HI-C6236 12,90

The work permits two different performance variants:

Contents (Choral parts): There is a light Sunny light of Bethle-

* There is a Light: Basic edition a cappella

** There is a Light: Enriched oratorio edition vocal-instrumental

vocal- instru menta

Full score HI-C5897 18,90

Latin Mass for mixed choir SATB, Baritone solo,

life. In a lively and colourful kaleidoscope of harmony, modern

a variety of objects). A youthful and refreshing new repertoire work

festively archaic, rhythm

Contents: Kyrie de Anima Gloria de Anima Halleluja de

Score SATB, drum, stomps, organ HI-C6259 10,50

Missa Missa Harmonia Mundi

Choral score SATB + organ HI-C6268 10,50

Contents: Kyrie Gloria Sanctus Benedictus Agnus Dei

Choral score SATB HI-C5527 10,50

Contents: Kyrie Gloria Sanctus Benedictus Agnus Dei

Choral score SATB + organ HI-C6284 10,50

Contents: Kyrie Gloria Sanctus Benedictus Agnus Dei

Choral score SATB HI-C4828-1 10,50

and the spoken texts, quote timless messages of hope and

appeals for peace.

Contents: Peace to the World (Introit) Oh Burden Down, My

Choral score SATB HI-C5425 14,90

HI-C4871 Choral score SA HI-C5080 10,50

Contents: Close to Gods Footprints In My Fathers World To

New Gospel Train

Contents: The New Gospel Train Hear Me Prayin, Lord Sinner L O R E N Z M A I E R H O F E R S

You Know Burden Down, Lord Certainly, Lord I Sing Holy

Choral score SATB HI-C5104 11,90

ONE ARRANGEMENT MANY OPTIONS

The series for variable choir combinations by Gwyn Arch

The different Go down, Moses

Gwyn Arch (Arr.)

Contents: When the Saints go marching in Swing low, sweet chariot Go

Lorenz Maierhofer ADG:COB6>:G=D;:G

Classic light a cappella 9bWii_Yb_]^j

20 choral arrangements of well-known themes by WYWff[bbW

20 easy-to-sing choral arrangements of timeless, popular [g\Zb^hX]iZHi^bbZcH6I7

song of praise of the ocean, we need both the colourful A II

4,20 (Minimum order: 10 copies)

the soprano cantus firmus. This rhythmically and har-

Rupert Gottfried Frieberger, Veni creator spiritusU-/ U^iL}],LVU }i}iii` HI - C6220

As a dedication to Joseph Werndl, the retiring director

oriented choral piece is characterized by its affinity S

www.helbling.com HI - C6221 Rupert Gottfried Frieberger, Ave MariaU-/ U^iL}],LVU }i}iii`

& . b most selves.

ever more tones join in until, after repeatedly gathering f j jP

www.helbling.com 4 HI - C6257 Simon Wawer, Viva la MusicaU--// U^iL}],LVU }i}iii`