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PLEA2006 - The 23 Conference on Passive and Low Energy Architecture, Geneva, Switzerland, 6-8 September 2006
ABSTRACT: This paper presents the outcome of an environmental performance analysis and
theoretical study into the bioclimatic highrises of Malaysian architect Ken Yeang – with a focus on the
tropical climate. By focusing on case studies representing the three main phases of Yeang’s work,
the impact of features such as core placement, sky courts, balconies, shading system and vegetation
system are evaluated in terms of cooling and total energy use under the Malaysian climate. The
climatic performances of the bioclimatic high-rise envelopes are then tested through comparisons
with generic highrise forms. The study highlights the link between bioclimatic theories and climatic
‘performances’ and any conflicts between them. A paradox between theories based on critical
regionalism and bioclimatic intentions are also described. Yeang’s designs are then evaluated in
terms of overall forms rather than separate components. The study then focuses on the debate on
critical regionalism and sustainable design, the balance of modernization and traditional values within
the context of developing cities, and the significance of bioclimatic and critical regionalist theories in
forming the basis of a sustainable architecture appropriate to its cultural and climatic context.
examples in detail, with successes and failings and model. The data required for APACHE is derived from
overall progression in Yeang’s thinking set out’. a 3D data model, which is created by a model
Malaysian architect Ken Yeang is well-known for creation tool called MODEL-IT. It provides the
the development of theories on the ‘bioclimatic capability of creating a 3D geometry model quickly
skyscraper’ applied in a multitude of projects in and without the need for a CAD system.
Malaysia and throughout the world. By focusing on 3 Basically the subprograms used in this analysis
case studies in Malaysian i.e. the Plaza IBM (1984- is the integrated thermal simulation program
1987), the Mesiniaga (1989-1992) and the Menara APACHE, the building modelling program MODEL-IT
UMNO (1996-1998) which represent the three main and the shadow analysis program SUNCAST. These
phases of his work (1970s to the 1990s), this study are used to analyse the impact of design features and
evaluates climatic and energy performance of key overall envelope in terms of the cooling and envelope
‘bioclimatic features’ and the overall ‘bioclimatic’ energy performances under the Malaysian climate.
forms under its climatic context. The aim is to In order to assess the energy impact of the designs,
highlight the links or conflicts, if any, between ‘theory’ the bioclimatic forms and features are compared with
and ‘performance’. The IES-VE simulation program ‘generic’ options for the purpose of benchmarking.
was used to test the sensitivity to features such as These represent the basic shape or form of the
core placement, skycourts, balconies, shading and highrises on which the features are applied or the
vegetation to cooling and total energy use under the optimisation analysis are performed.
Malaysian climate. The overall envelope The ‘bioclimatic’ option refers to the highrise
performances of the high-rises are then tested model as designed by Yeang. The ‘generic’ forms
through a constrained optimisation to evaluate their are based on the primary shapes underlying the
performances under the competing considerations of designs. For Plaza IBM, a rectangular highrise is its
solar heat gain and daylight performance in the ‘generic’ counterpart; for the Mesiniaga, a cylindrical
tropics. A post-occupancy study was also undertaken tower; and the UMNO, a rectangular tower. In past
(Jahnkassim, 2004)[8] to validate the simulation simulation studies, these options are sometimes
results – but the discussion is beyond the scope of called ‘base-case’ or ‘typical’ models (Rao, K.R.,
this paper. The importance between the link, conflicts 1988) [9].
or relationship of Yeang’s theories – including notions
of the ‘critical’ vernacular linked to critical regionalism 3. STUDIES ON BIOCLIMATIC FEATURES
and the performances of his bioclimatic designs - is
also discussed. 3.1 The impact of core-positioning - Plaza IBM
150
kw
150.0
100
100.0
50
0 50.0
Generic core-east core-west Double sided Double sided
model 1 2 0.0
generic core placement skycourt
model
Figure 2: Plaza IBM – impact of core placement
options to energy consumption
Figure 4: Mesiniaga – Cooling and total energy
This provides a ‘buffer space’ on the ‘hot sides’ of impact of skycourts (bioclimatic)
the tower. The extent of reduction is, however,
dependent on orientation factors and the amount of Although skycourts may play a role as ‘thermal
glazed facades. In all cases, the impact of double- buffer’ that reduce the impact of solar radiation and
core positioning is the most significant, outperforming glare entering from the western facades, its benefits
the impact of single-sided options. are seen to be offset by an increase in cooling loads
i.e. in terms of conduction gains (Fig. 4 and 5). The
Plaza IBM - peak cooling impact of core placement incisions made by the skycourts compromise the
otherwise efficient form of the basic cylindrical
tower.In the tropics where heat gain travels uni-
1600 1413.8 directionally into an air-conditioned building
1400 1252.1 1245.3 1196.3 throughout the day – increasing the surface-to-
Peak demand in kw
1143.2
1200
volume ratio with a significant impact on cooling
1000
800 loads. Because the skycourts ‘spiral’ from the south
600 to the north rather than inserted in ideal positions on
400 the west – not all areas are effectively shaded.
200
0
generic core- east core-west double- double-
Mesiniaga - Peak cooling impact of skycourts
sided 1 sided 2
model
600 540.4
501.0 505.8
500
Figure 3: Plaza IBM – impact of core placement
options to peak cooling load demand 400
kw
300
193.7
200.0 179.9
0.0 200
generic without shading with shading
180
model
160
cooling
Figure 7: ‘Overall’ performances of the bioclimatic 140
total
envelopes 120
0 0.2 0.4 0.6 0.8
The results – as summarised in the Figure 7 - window-to-wall ratio
confirm that the highest savings in terms of energy
performance are mainly attributed to features that Figure 8: UMNO – Example of optimisation process
have the highest solar control under the tropical which indicate the window area where the balance
climate between the positive impact of daylight and negative
impact of heat gain is achieved
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PLEA2006 - The 23 Conference on Passive and Low Energy Architecture, Geneva, Switzerland, 6-8 September 2006
Through this process, the performances of the any incidence of glare in the tropics. In the case of
‘bioclimatic envelopes’ are thus evaluated not only in Plaza IBM, if the bioclimatic features are correctly
terms of the impact of their separate ‘features’ or configured, the results show that it can outperform its
components, but overall forms. More importantly, to generic counterpart. The performance of IBM can be
link their climatic performances to more fundamental linked to Yeang’s ideas during this period – which
ideas associated within their underlying theories. The emphasised the idea of the ‘environmental filter’ and
aim is to analyse the skyscrapers in terms of the related specifically to the tropical context. The aim
overall forms - and to link them to the emphasis within was to create ‘an archetype suitable for the tropical
Yeang’s theories and writings during their respective climate’. In contrast, the overall performance of
periods. Mesiniaga’s ‘bioclimatic’ envelope was not able to
outperform that of its ‘generic’ counterpart. Its overall
envelope performance is mainly affected by the
Overall envelope performance summary spiralling incisions made into its basic form
(compared to a more efficient homogenous cylindrical
Bioclimatic Generic
(optimised) (optimised) Generic
form). The cooling impact of the ‘spiralling skycourts’
UMNO was unable to offset the consequent conduction gains
208.4 232.6 297.2 due to an increase in its surface-to-volume ratio.
(1994-1998)
Generic Bioclimatic
The results emphasise that for an air-conditioned
(optimised) (optimised) Generic building in the tropics, the compactness of form
Mesiniaga determines overall exposure to heat gains while
(1989-1992)
204.1 222.0 283.0 allowing a certain level of perimeter areas to be lit by
Bioclimatic Generic usable daylight. A more fragmented form will
(optimised) (optimised) Generic increase surface-area exposed to climate - thereby
IBM
increasing heat gain. However at the same time, the
(1984-1987)
210.6 214.9 283.8 extent of usable daylight i.e. within perimeter areas
190 200 210 220 230 240 250 260 270 280 290 300
will also increase. Hence the net effect - in terms of
overall performance of the bioclimatic envelope or
Kwh/m.sq./yr.
form - is thus representative of the interaction
between the control of heat gain and provision of
usable daylight under this climate.
Figure 9: Overall envelope performances
It has been discussed that Mesiniaga was
designed during the primarily tropical ‘regionalist’
The results in figure 9 illustrate the overall
phase of Yeang’s theories and designs. His
efficiency of the ‘bioclimatic highrise envelopes’ in
regionalist intentions are clearly encapsulated in his
terms of filtering and balancing the positive and
seminal publications during this period - The Tropical
negative impacts under the Malaysian climate. The
Verandah City (1986)[11] and Tropical Urban
net impact is a function of two of the most significant
Regionalism (1987) [12].
parameters under the tropics – the extent of its
positive impact in terms of maximising the use of
daylight and its negative impact in terms of heat gain. a ‘future connection’ in its roof form;
This, in turn, is a function of building configuration and
shape or form – which determines the extent of an ‘indirect connection’ in spiralling
usable daylight and surface area exposed to the skycourts abstracted from traditional
external climate. verandah-ways;
regional seminar in South-East Asia spurred him Mesiniaga was awarded the Aga Khan award in
towards a more assertive language. Singaporean 1995 – and became the first highrise in the Eastern
architect Tay Kheng Soon comments on the Plaza context to be awarded this prestigious prize - in
IBM: recognition to the architect’s contribution to the
The Corbusian image, the planar aesthetic, keeps development of regional architecture in Eastern
creeping in, even though we profess to want to break societies. The Aga Khan Masters Jury’s comments -
the planes and soften the edge of the building. which encapsulates the basis of their award (1995)
Before we can have a soft-edged building, we have to [15]:
develop a soft-edged aesthetic by which to convey …for having boldly designed a meaningful tall
the idea. Instead we continue using hard-edged building in a tropical climate. Eschewing the box-like
aesthetic and trying to get it to carry the soft-edged curtain-wall structures so common in corporate office
message we want to convey. buildings, this project promotes a new language that
Hence in contrast to the Yeang’s earlier designs, punches out parts of the structure and wraps a
including the IBM, Mesiniaga’s form consists of floors spiralling series of interactive open gardens around
of dissimilar configurations rather than conceiving the the main core of the building. It raises the kind of
building as a single volume, the architect sought to architectural debate in which the corporate world
achieve an articulated block of cantilevered spaces. generally, and the Muslim world, more specifically,
The multi-level sky-gardens create a rich interplay of can fruitfully engage.
shadows on the exterior – cast by the cantilevered Peter Eisenman (1996a)[15]– as a member of the
elements. The varied designs of its shading system jury - commented on the significance of the Mesiniaga
additionally give a dynamic character to the overall not only in terms of its critical regionalist form but also
envelope. as a ‘critical’ symbol of a national and collective self-
consciousness as it develops from vestiges of
3.4 ‘Form’ and ‘performance’ colonial administration’. In Eisenman’s own words:
The Mesiniaga is one of the few projects that
Mesiniaga’s form is related to Yeang’s search for contribute new thinking to the general culture in
a more assertive architectural language during the architecture…It came out of a particular set of cultural
‘regional’ phase of his work. It can be concluded intersections in Malaysia which promotes this kind of
Yeang’s regionalist agenda during this period had activity.
interfered with his bioclimatic or environmental one. We are talking about architecture’s symbolic value
In his introduction to Hawkes’ (1996) seminal book to contemporary discourse and not whether it
‘The Environmental Tradition’, Maxwell (1995) [13] functions as a hospital or school. The tower says
gives an insight that provides reconciliation between something about the possibility of a tall building in a
‘form’ and ‘performance’. He comments: tropical climate. All corporate buildings in Malaysia
He is thoroughly conscious of the loose fit, that are nightmares of colonial capital implanted in a
architects know only too well, between form and society.
performance; a space in which cultural pressures It follows that the bioclimatic skyscraper –
can produce strange distortions. particularly the Mesiniaga - should be evaluated at
Likewise, Mesiniaga’s performance can be two levels i.e. as a critique of homogenous high-rise
explained by the force of ‘cultural pressures’ that typeforms within a rapidly modernising context and on
impinge on any work of architecture and causes a another level, in relation to the necessity of ‘icons’ as
‘distortion’. Its performance is thus related to the symbols of progress in a rapidly developing country in
extent of this ‘distortion’ – which causes a the tropical Asian context.
compromise in climatic terms. This can be related to Due to the patterns of globalisation of the
the articulation of an architectural form that would be economy in Asian cities, the impacts of the mass
significant in representing its ‘cultural’ context. media and consumerist values have advanced
Richards (1993) points to Mesiniaga’s success in Western styles into becoming a value and a social
terms of achieving such a regionalist form: norm in these societies - including urban and building
The resultant building - an aggregate of Yeang’s design. As a result of this globalisation trend, there is
bioclimatic principles - undertaken within the a proliferation of Western forms - representative of a
philosophical framework of modern architecture which growing capitalist economy. Particularly in the design
is inflected with appropriate regional characteristics of of large buildings, an ‘advanced’ image with 'hi-tech’,
climate and culture - produces a far-Eastern hybrid ‘intelligent’ and ‘ultra-modified’ features is seen as a
form. pre-requisite for organisations that aim to compete
This distinctive ‘hybrid’ form – as described by globally.
Berkfield (1994) [14] - is the result of a distinctly The adoption of Modernist aesthetics related to
architectural intention: homogenous and unornamented envelopes - in
Most striking is that the Mesiniaga’s exterior is conjunction with technologies such as the steel frame
neither sealed nor uniform. Mr. Yeang has carved a and curtain wall - not only produce cost-effective
series of planted terraces, or skycourts as he calls skyscrapers, but fulfil the desire for the Western
them, into the building. They spiral around the ‘image’. The mass media continuously supports the
tower’s perimeter, providing shaded outdoor creation of a ‘Western’ image. Television and related
sanctuaries and absorbing some of the sun’s heat. technologies are heavily infused with Western urban
imageries - which consequently impinge upon
traditional ways of life and their value systems. Hence
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PLEA2006 - The 23 Conference on Passive and Low Energy Architecture, Geneva, Switzerland, 6-8 September 2006
all urban skylines have been increasingly dominated Metaphors and icons represent particular means
by the International style. In order to maximise land by which regional architects attempt to imbue
area, high-rise economics seek to have the maximum collective identity and establish a link to existing
internal area on each floor (net areas) and the traditions in terms of architectural form. These
maximum gross building area for site (i.e. maximum provide a mechanism by which ‘local’ culture can be
plot-ratios and maximum net-to-gross ratios). reflected in such new building forms. The aim is to be
Colquhoun (1989)[16] observes the link between the critical of modernisation while refusing the abandon
highrise and trends in global capitalism: traditional forms and values – where tradition should
There is another phenomenon which might be combined with the progressive aspects of the
equally be called ‘regionalism’ that has nothing to do modern development.
with any vernacular utopia or any critique of
industrialization. This regionalism exists as part of 4. YEANG’S ACHIEVEMENT
unconscious ‘ideologies’ underlying current practice
and is actually connected with political economic The highrise - in particular - is an entity that
survival. It is the result of a complex interaction represents a symbol of ‘wealth’ and achievement.
between modern international capitalism and various Within an urbanising economy where pressures of
national traditions ingrained in institutions and increased land values, urban accessibility, expanding
attitudes. urban populations and the globalisation of national
As part of the cityscape, the ambitions of economy converge, these modern type-forms have
modernising nations are reflected in urban forms that proliferated due to such economic, social and
symbolise progress and modernity. In the context of technological forces. They are consequently shaped
Malaysia, Bunnell (1999)[17] points to the Petronas by the combination of these factors - including central
Twin Towers as an icon of Malaysia: land prices, corporate needs and engineering
The conceptions of Malaysianness and progress expertise.
are manifested in a single artefact – the highrise. The An ‘ethical’ position for the design of large
building is at once a representation of individual taste buildings - such as the highrise - can be argued as
as well as broader social and cultural processes, one that should encourage alternative but culturally-
prevailing practices and dominant ideas. Official differentiated forms that contribute to the formation of
representations of the building, political and locational identities in rapidly developing cities. The
commercial, do powerful work in defining an tall building is a product of such determining and
appropriate vision of the. overwhelming forces such as economics, law,
As cultural landmarks, high-rise buildings ‘have structure and technology associated with the global
been attributed with a significant degree of economy. The priority in the case of large buildings –
importance in representing the achievement of the under such conditions should be, as described by
new nations’ (Kusno, 2000: p. 198) [18]. Herkert (1999) [21] :
There is thus an imperative towards an assertion …to generate solutions not only within the narrow
of a collective identity against the forces of bounds defined by the characteristics of the
globalisation. Frampton (1980) [19] highlights this archetypical form but to introduce a new style which
need to promote: ‘….a culture of building which, while differs radically from the prevalent archetypical style.
accepting the potential liberative role of
modernization, nonetheless resists being totally
absorbed by the global imperative of production and 5. CONCLUSION
consumption.’
The importance of form in achieving such an While the overall forms of the Plaza IBM and
identity is highlighted by Dovey (1999) [20]: Menara UMNO are respectively linked to the ‘tropical
Despite functional inefficiencies, the corporate archetype’ and the ‘bioclimatic prototype’ during their
tower proliferates primarily because of its role in the respective periods, Mesiniaga’s form on the other
symbolic discourse. The building image takes on a hand, is linked to Yeang’s more ‘cultural-iconic’
renewed economic importance as a primary intentions during its period. These intentions follow
generator of symbolic capital. Distinction is achieved from Yeang’s search for a distinctive regional form
through a quest for uniqueness of form whether during the late 1980s and the increasingly ‘symbolic’
viewed in the city skyline or in relation to neighbouring role of highrises in Malaysia in the 1980s and1990s.
buildings. In terms of language,PLAZA IBM can only be
This reinforces the notion that regional expression described as characteristically a restrained one. Its
is achieved through the poetics of form and reinforces performance is linked with the underlying philosophy
the idea of spatial dynamics as a driving principle or intentions behind its form. Its philosophy is
behind architectural form. In the context of tropical essentially characterised as a position based on
Asia, Kusno (2000) [18] asserts: ‘climatic regionalism’. Yeang’s regionalist ‘inflections’
Southeast Asian identity is achieved by virtue of during this period – i.e. the ‘iconic’ roof, the wedge-
its continuous involvement with the modernist chain shaped upper floors and the ‘weaving’ landscaping -
that preceded its appearance as a subject of were part of an attempt to regionalise the underlying
histories. The construction of ‘cultural’ difference is rigorous bioclimatic ‘order’ – based on the idea of the
thus enabled by the imagined structure of ‘foreign ‘tropical archetype’ under the Malaysian climate.
materials’; a condition enabled to a fundamental Mesiniaga‘s more assertive language is in
degree by a re-articulation of modernist codes. contrast with the restrained language of the Plaza
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PLEA2006 - The 23 Conference on Passive and Low Energy Architecture, Geneva, Switzerland, 6-8 September 2006
IBM and the UMNO. Its overall form can be [3] BURCKHARDT, LUIS (1992) ‘On ecological
described as more exuberant and heroic - the architecture - A memo’ in Tzonis, A. and Lefaire,L.,
architect aimed at iconic expression and sought to (eds.) Architecture in Europe - Memory and Invention
establish the primacy of its symbolic expression. A since 1968, London: Thames and Hudson.
similar ‘heroic’ posture is demonstrated in another [4] ALEXANDER, CHRIS, 1964. Notes on the
bioclimatic highrise design of the same period i.e. the synthesis of form. Cambridge, Harvard Univ. Press;
MBF tower in Penang. [5] LAWSON, BRYAN, 1990. How Designers think.
The evolving theories of the bioclimatic skyscraper 2nd edition, London,Boston: Butterworth Architecture;
thus can be explained as a continuous position which [6] POWELL, ROBERT,1999; Rethinking the
oscillates between the ‘climatic’ regionalism of IBM Skyscraper – The complete architecture of Ken
and UMNO to the cultural/iconic assertiveness of the Yeang, Thames and Hudson;
Mesiniaga. Their performances are thus related to [7] RATTENBURY, KESTER, 1996, Architecture by
Yeang’s regionalist position - which oscillated numbers, Building design, no.1249, Jan 26, p2;
between these opposing poles. The theory and [8] JAHNKASSIM, PUTERI SHIREEN, 2004, The
design of the Mesiniaga can be seen as a point of Bioclimatic Skyscraper – A critical analysis of the
convergence between the two agendas or tendencies theories and designs of Ken Yeang, unpublished PhD
which creates a maximum tension between ‘climatic’ thesis, University of Brighton, U.K.,
and ‘cultural/iconic’ intentions or ‘poles’ within [9] RAO, K. R., DING, G. D., PERDERSON, C.O.,
Yeang’s position. MCCULLEY, M. T., 1988. Simulation studies of
This position can be argued as that which energy performance in humid climates. in Cowan. H.,
achieves a minimum compromise in climatic or (ed.), Energy conservation in multi-storey Buildings;
environmental terms, in order to achieve a culturally- [10] THAM, KOK WAI, 1985. Parametric energy
differentiated form symbolic or representative of its analysis of a commercial office building in Singapore.
particular cultural context. His achievement thus lies Masters Degree thesis, University of Sydney;
with this ‘minimum’ level of compromise – linked to a [11] YEANG,KEN, 1985. The Tropical Verandah City.
achieving a collective significance amidst the need for Malaysia : Longman Publishers.
cultural-consciousness within a rapidly developing [12] YEANG, KEN, 1987. Tropical Urban
nation.The theories and designs of Ken Yeang thus Regionalism: Building in a South-East Asian city,
embodies a continuous tension - between romanticist Mimar Publications.
tendencies based on ‘nature and culture’ and a [13] MAXWELL, ROBERT, 1996. Foreword. in
rationalisation of design based on methods of Hawkes, D., The Environmental Tradition - studies in
science. The bioclimatic skyscraper is thus the architecture of environment, London:E& FN Spon;
representative of Yeang’s continuous attempts to [14] BERFIELD, SUSAN, 1994. Skyscrapers for the
reconcile the resource-consuming nature of the high- tropics : Jumping out of the glass box. The Asian Wall
rise entity with the resource-conserving philosophy of Street Journal, Friday- Saturday, July 8 – 9, 1994;
his life’s mission outlined in his PhD. The importance [15] EISENMAN, PETER, 1996a. Masters Jury
of the study of the theories and designs of Ken Yeang discussion. Davidson, Cynthia ( ed.) , Architecture
is highlighted by Lawson (1994) [22]: Beyond Architecture - the 1995 Aga Khan Award for
He represents a designer who thinks about Architecture, Academy Editions.
implementing an investigative theoretical agenda for [16] COLQUHOUN, ALAN,1989. Regionalism and
his practice and about how to manage people so that Technology. in Colquhoun, A., 1989. Modernity and
agenda can continue to be realised. He continues the Classical tradition: Architectural Essays 1980-
through design to research and develop his thinking 1987,Cambridge, Massachusetts: MIT Press, p.207-
about issues of his choice, he satisfies his clients and [17] BUNNELL, TIM, 1995. The Making of a cultural
produces award-winning architecture. The fact that landmark: An interpretation of the Petronas Twin
he achieves this with a socially and culturally Towers. B.A. Honours Dissertation, University of
responsible agenda and by working almost Nottingham;
exclusively with highly commercial clients suggests [18] KUSNO, ABIDIN, 2000a. Imagining Regionalism,
that this process is certainly worth our attention. Re-fashioning Orientalism: Some current Architectural
Discourses in South-East Asia. Journal of South-east
ACKNOWLEDGEMENTS Asian Architecture , no.4, 2000, p. 45-61.
[19] FRAMPTON, KENNETH, 1985. Critical
The authors wish to thank Professor Dean regionalism - Modern architecture and cultural
Hawkes and Professor David Robson for their identity. in Frampton, K., Modern Architecture – A
valuable contribution to the completion of this study. critical history, Thames and Hudson.
[20] DOVEY, KIM. 1999. Tall storeys. in Framing
Places: mediating power in built form. London :
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[21] HEKKERT, PAUL, 1996. The Designer as Hox
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