Professional Documents
Culture Documents
The organizers wish to express their thanks to those who helped with creating
the exhibit and its catalogue: the TJ-K Group, Csilla Baumann, Andrea Dr,
Attila Glzer, Andrea Kiss Polk, Gbor Lendvai, Balint Nagy, FUGA staff, Studio
Works in Progress 96
Metropolitana, the Secretariat of the HCA, as well as the staff of MK Nonprofit Ltd.
Publication is supported by: The National Cultural Fund, APP (DIADEM), GANZ-
HYDRO, HAGS, HAURATON, Imre Ormos Foundation, MM CIT, SANTA&COLE,
Artistic Projects 118
SEMMELROCK, TERC-CAD
1
Foreword
Landscape, Architecture, Landscape architecture, worked on it, with great results. The term landscape architecture did not yet exist
2010: Landscape Odyssey
Odyssey in Hungary when, in 1963, we became an individual educational unit, titled Land-
scape and Garden Architecture. The significant development in the faculty came
In the fall of 1941 I was called out of Professor Or- after the changes of 1989. When I had chosen as a rector, the branch became a
moss garden design class for urgent military duty. faculty, with the title of Landscape Architecture.
I was sent to Transylvania, to Beszterce. Professor
Ormos immediately instructed me to contact him And now about the title of the writing. Landscape? Adam and Eve harvested the
that, if we survived the war, hed take me on as forbidden fruit, were driven from the landscape of Paradise and must work the land
a teaching assistant. In the unforgettably beautiful hard to be able to sustain themselves. Architecture? Conscious transformation of
Transylvanian landscape I contemplated for years the environment, the creation of aesthetic values to serve functional purposes.
what my work would be as a teaching assistant. Landscape architecture? Also architecture, using living materials and not just dead
Dreaming helped ameliorate the horrors of the days ones, with components of spaces and spatial systems. Landscape architects? A
and I became increasingly certain that in the future group of people -- whose number has grown rapidly in recent years who are cre-
I should design not just gardens but alsothe land- ators and sustainers, who believe and know that their activity leaves our common
scape. And in addition to that, these places should be technically flawless, ecologi- environment the landscape -- healthier, more fertile, more usable, more beau-
cally healthy, ergonomically comfortable, aesthetically pleasing, creatively-inspiring tiful and more creative. This exhibition based publication represents 10 years of
and beautiful. And the question came: do they teach this complex discipline some- landscape architectural activity, full of adventures and battles. The majority of the
where? creators like the profession itself are promisingly young. They do not wait for
miracles, they create them.
For this it would be necessary for a university to offer interdisciplinary training in About 25 years ago I did a low flight over South Korea. It was an unforgettable expe-
ergonomic, technical, urbanistic and aesthetic knowledge, in parallel with landscape rience. In that country it is possible to perceive the hand of the landscape architect
architecture. In Kolozsvr I registered for the Faculty of Economic Sciences. After in nearly every square meter. I hope and believe it will be the same here.
the war I continued in Budapest. On September 1, 1945 Prof. Ormos took me on
as a teaching assistant. In 1951 I got my museologists diploma. (Art history and
archaeology). I signed on as an architecture student and was an outstanding stu- Dr. Mihly Mcsnyi
dent. I became an urban architecture engineer and received my doctorate from the Professor Emeritus
Budapest Technical University. I completed the EME Artistic (Aesthetic) faculty. In Doctor of Agricultural Sciences
Chief Patron of exhibition
the meantime for a year I was on scholarship in Switzerland, to my great benefit.
The curriculum for landscape architecture developed continuously. Many people
2
A few words about the catalog
The Landscape Architecture Division of the Hungarian Chamber of Architects repre- new branch leadership, elected in 2009, determined to make such an exhibit a pos-
Although the landscape architect professions impact could even be felt by the aver-
age person, that is, the human as a part of an ecological-ergonomic-social matrix,
the profession still has not properly evaluated its 20th century achievements and we
have less and less of a chance of documenting the results of the last century.
2010: A Landscape Odyssey is conceived the aspiration of doing just that. We set
out to assemble a collection for posterity of contemporary landscape architecture of
the first decade of the new millennium, with the broadest possible range of genres.
We think that we have a duty as a professional society to document the explosive
and rapidly-growing results of our current achievements and efforts. The chambers
3
2010: Landscape Odyssey
The national premiere of the exhibit at the FUGA Budapest Architectural Center, May 6, 2010.
Photo: Attila Glzer.
4
Private Gardens
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6
Private Gardens
Monoszl: Past in the present [PG-01]
The site is in the center of Monoszl, near the Re-
Private Gardens
form church and by the forest school. Local hous-
ing is mostly built without front gardens and with
side yards. The existing buildings site remains
unchanged. After tearing down some of the de-
teriorating outbuildings the new open spaces
will be turned into a summer kitchen adjacent
to the terrace. The massing of the outbuildings
around the main building is a traditional building
style for the area. By turning the summer kitchen
inward the garden is divided into two areas a
courtyard-like area embraced by the summer
kitchen, and a leisure garden whose intensively-
used part dissolves into the surrounding valley.
The constructions basic concept is to create
structures of natural materials that are suitable
to the surrounding environment and are seam-
lessly incorporated with the garden. The exist-
ing stone-walled village houses reconstruction
was managed without the addition of alien or
inappropriate functions or materials, and we
continued this tendency in the garden as well.
In the course of the demolition nearly all mate-
rials were reused. Thus from the roof structure
we were able to create edging, sidewalk from
the attic bricks, and a retaining wall from the
stone resulting from the earthworks. The new
doesnt want to transform the old and doesnt
want to come into existence in spite of it, but
rather beside it both are themselves. The old is
that which was kept, the new that which has just
come into existence.
In choosing the plants an important criteria in addition to aesthetics was that they be low
maintenance and tolerant, and also be showy throughout the year. We chose many trailing
plants and dwarf evergreens, some flowering shrubs, as well as climbing plants to cover the
walls. The climbing plants are particularly suitable for quickly covering the walls and increasing
the amount of green surface. Circulation is ensured through 1x1 meter slate pavers between the
leisure areas. In the area under the pergolas there are wood pavings and stepping stones. Along
the wall across from the planting bed a slender pool, paved with natural stones, displays a water
feature. All of this, as well as the planting and the wood structures, are illuminated by night so
that the space can provide a pleasant atmosphere and place to rest at night as well.
Design/construction: 2006
Firm: Citi Kert Unlimited Co. Landscape and Garden Design Studio
Citikert Unlimited Co.
Designers: Klra Jordn, Mauricio Flores
Buday Lszl str. 7. Budapest, H-1024 Contractor: Citi Kert Unlimited Co. Landscape and Garden Design Studio
www.citikert.hu Size of area: 128 square meters
8
Richter KKI and Richter Chemical III [PG-03]
This plan was prepared in the course of an environmental redesign tender for the
Private Gardens
Richter Gedeon Pharmaceutical Factory. Our firm won the commission for the con-
struction plans. The site, following the demolition of some of its buildings, became
a large-scale open space that offers the opportunity for a completely new, func-
tional but primarily decorative garden. In planning the green space primarily the
creation of a cultured, elegant workspace environment was the goal, incorporating
and embodying the companys values. The diversity of the buildings facades are
incorporated into a large scale, pure, broad green carpet, the central element of
the site. The circulation surfaces are meant to comfortably serve their function
with minimal paving. The playful moulding of the site surfaces and the shrub level
create a green carpet decoration. The sites focal point, the water feature, ap-
pears as a bright spot of color in the site.
Our firm won the tender through an invitation-only competition. The site is on Gymri
street in Budapests district X. The factory site is still going through a restructuring. In
the course of planning we sought to create a unified system that would connect to four
large units (parking and front garden, inner courtyard, green axis, reserve area) taking
into account that these areas will have varying demands placed on them. The plan
is based on the architectural details of the NMR buildings faceted forms. Typical for
green spaces, we planned gentle but distinctive, playful hilly contours. These become
part of the entrance to the main building. The plasticity of the undulating lawn sur-
faces further emphasize the parallel lines of perennial plantings. Representative water
architecture has been placed at the entrance.
Title of work: Richter Gedeon Chemical Factory former Magnezite site new KKI building, Environmental
construction plan
Planning/construction year: 2006-2007/2007
Architecture: Zoboki-Demeter and Associates Architecture, ZE Design Architecture
Firm: Fkert Design Studio
Designers: Adrienne Szalkai, Zsfia Kedves, Gbor Lendvai, Veronika Ppai, Orsolya Pataky, Luca Csepely-Knorr
Construction: Jvorszky Tiszafa, GanzHydro
Size of site: 2.5 hectares
Private Gardens
field rehabilitations. The Center Point office
building and its garden are on the site once
occupied by a steel and pipeworks, located at
Vci street 81. The three-level underground
garage is below 8 floors surrounding a nar-
row inner courtyard, which is partly opened
to the streetfront. The courtyard is primarily
a display garden, as well as a means of im-
proving the microclimate. From the street the
garden appears to be strictly for decorative
purposes, protected by a large water surface.
In the course of expanding the building the
green space was separated into two larger
and two smaller units. The largest (1200m2)
and the most emphatic unit is between the
two buildings and is an inner courtyard above
the garage. The courtyard visually connects
to two smaller courtyards of 250 m2 each.
In the fourth area a 780 square meter site is
similar to the inner courtyard. The plan uni-
fies the elements of the site that reference its
past with modern garden design tools, em-
ploying unique forms and materials. The re-
taining walls use cor-ten steel in reference to
the industrial past and also lighten the site of
the raised beds. The raised beds proportion-
ally structure the connecting green surfaces.
The thicker soil layer makes tree planting pos-
sible. The planting is simple, employing grass
and Pachysandra, as well as Alnus glutinosa
trees.
Private Gardens
by buildings and serving as the central
part of the Infopark. It was heavily influ-
enced by the buildings surrounding it.
It is bounded by the pavements edging
the surrounding buildings, thus at the
entrances, an elegant stone paving takes
the place of terrazzo paving and desig-
nates the entrances. The central space
is basically a green space with a sunken
turf area for sunbathing. This frame and
the division of functions is further em-
phasized by the strong lines of the rows
of trees. The spatial organization in front
of the Building I includes an outdoor
terrace to suit its function of providing
food and drink. Building C has a paral-
lel 72x7 meter water surface to edge
the meadow. In the decorative pool the
water is in perpetual motion. From the
facades of Building E and F a vertical spa-
tial plasticity serves as a source for the
water through a cascade system lead-
ing eventually to the main pool. In front
of Buildings E and F an individual space
is created. Here the strips of stones in-
tersecting the lawn surface bear the
streamlined symbols of our new century.
Parallel to Building G using the natural
height differences of the site curving
edges produce an upward-moving, rich-
ly-vegetated terrace system.
Planning/construction: 2000-2001/2001-2002
Architectural plan: Office Building and Multifunctional Center/Antal Puhl Architectural Office
Residential buildings: Teampannon Architectural Office
Landscape plan: Land-A Ltd.
Designers: Rezs Danhauser, Anik Andor, Zsuzsa Burmeister, Klra Benda
Land-A Ltd.
Contractor: Harkay and Associates, Fkert Nonprofit Co.
Sas str. 17. Budapest, H-1051 Photo: Gyrgy Darabos, Attila Polgr
+ 36 1 302 4760 www.land-a.hu Size of site: 40 500 square meters
14
Parallel stories [PG-09]
With the emergence of urban block-scale property developments we have also seen the devel-
Private Gardens
opment of various kinds of open spaces. Their structure surrounded by buildings and weaving
them together is suitable for a wide variety of functions. The common area pavements were
expanded with new green strips. In the public area next to Vci street an urban space was created,
decorated with a reflecting pool. The garden walls and the new green spaces create the bound-
aries from the nearby traffic. The two courtyards which have been joined serve as a closed
garden for the houses tenants. From the Pulszky street side, the courtyards provide a soothing
effect and an attractive site, while the other accommodates groups in the restaurants garden and
terrace. Floors 5 and 6 include roof gardens.
Private Gardens
history tradition and connection to
the landscape. Their environment is
not just the grape plantations them-
selves but the building complexes and
gardens that surround them. The gar-
dens most important principle is that
it strengthens the organic unity of the
wine houses, the grape plantations and
nature. Thus, their planning was ap-
proached from all three areas. The gar-
dens, although they are the representa-
tive framework of the vintners, are also
active visitor areas that are suitable for
events. In addition to the wine houses
representative, bourgeois atmosphere
the gardens received traditional fruit
plants. At the Pigs Stone the exist-
ing chestnut trees were enhanced, in
Tarcal the Castle Hotel Garden received
Sorbus and walnut plantings, at Patri-
cius Wine House old apple and pear
species were planted. Along the edges
an the retaining walls the native plants
can be seen, such as thyme and dwarf
almond. In the gardens an average of
40 trees, 3000 deciduous shrubs, 400
evergreen shrubs, 2000 perennials and
300 bulbs were planted. For the grass
planting in the extensively-used area,
fescue was used.
Private Gardens
The Budapest-Esztergom Ecclesiastical Authority once again became the owners of the site, which had become neglected over
the last few decades in spite of its glorious history, beauty and siting. The authorities intention was to restore the buildings
importance by moving the following institutions into it: the Seminary, the Jnos Vitz College, the Primateship Archives, the
Primateship Library, the Christian Museum, the Cardinal Mindszenty Memorial, and a conference center. At the time of the
design of the garden an important criteria was connecting its three spaces (the reception space, the inner courtyard and the
back garden) into an organic whole. The buildings role as the axis was emphasized by the reorganization of the garden spaces.
Since the sites form had changed over the years its current boundary line is partially spontaneous. The central axis and em-
phasis was the only solution to make it possible for the site to have cohesion and coherence. Aside from this the building has a
central, dominant role. Since the historic documents related to the garden were not extant, the gardens lines and forms were
defined using a melding of classic and modern styles.
Private Gardens
ovation of a monument but the addition of new functions. The task was multi-layered. While simultane-
ously satisfying the preservation requirements for the garden, we also had to create a multi-functional,
modern garden for the new building behind it. In the front garden of the historical building we restored
the rondo, with the ornamental fountain in its center. This garden will be come the reception area. The
shooting hills grading represented a special technical and design challenge, which also includes the
apartment houses three levels below the surface. The new buildings reception houses roof gardens
are to be intensive hospitality/entertainment terraces and green roofs. The apartment houses gardens
can only be used by the owner and the residents, so we put leisure gardens here, in close connection
with the buildings ground floor spa facilities. The permissions process related to the parking and plan-
ning of the surrounding streets was an important element of the project. The project is currently waiting
for official permission.
Title: Budapest District 2, Mrczibnyi square Shooting House development, landscape architecture element
(study, permission and execution plans)
Planning: 2006-2008
General designer: Egyperegy Kft., Mrton Kovcs architect
Designers, associates: Gbor Szab, Edina Csak, Gergely Vgs, Dr Gyula Pvel
Tr-Team Ltd.
Historic documentation: Gbor Alfldy
Expected construction: from 2011 Pva utca 6. Budapest, H-1094
Size: 15 300 square meters www.ter-team.hu
21
Szpvlgyi Garden [PG-16]
The basis for the concept came from weekly HVG magazine, which
Private Gardens
always tries from week to week to put a representative cover on its
magazine to make a statement about current events in the country.
In the course of reading the magazine one gets a sense of the effect
global events have on each other and the systems between them.
The garden tries to put this thought into visual realization. These
lines of impact have an effect on each other and the various plant
compositions among them: they distort each other. With this the
gardens elements become an interdependent system. The lines of
impact are created vertically with metal discs, resulting in a 20 centi-
meter height increase. Moving the surface level also moves the base
level, and we dont know exactly where its a little higher or a little
lower. The metal bands achieve a sort of land-art effect in the green
grass, where the structural picture becomes a constantly changing
picture by virtue of constant motion. This creates kind of a medita-
tive environment in the garden. The ground levels create a sort of
visual game: while walking through the garden one gets a constantly
changing picture that stimulates ones intellectual work. This con-
tributes to the mental recharging of the office buildings workers.
Private Gardens
the visitor from the mountain plateau to the hill country, arriving at the lake next to the restaurants
terrace. The strongly-expressed visual image provides the gardens function: spiritual recreation for the
workers. Among the landscape architecture tools used are a play with the height differences, the water
architecture and the use of various plants to create a certain atmosphere. The nature of the play with the
gardens surface heights means the garden is divided into two parts. The two parts can each be under-
stood as inner courtyards. The first is more dynamic, with the upper garden including a 3 meter height
difference. The garden references the logical progression of a natural scene: the transition from moun-
tains into flatlands. This image is strengthened by the upper gardens mountain plateau, as well as the
constructed water features, which are embraced into a strongly-framed lake in the lower garden, along
with a gravel flood plain, thus dissolving the tension. The lake is also a reservoir for water in case of fire.
Work title: Spiral Office Building, Dzsa Gyrgy street 128-130, Budapest
Design/construction: 2007/2009
General planner: Zoboki-Demeter and associates Architecture Office
Firm: Ujirny Group
jirny Group
Designers: rpd Kovcs, Dominika Tihanyi
Construction: Park-Line Ltd. Lrinc Pap square 3. Budapest, H-1088
Size: 2 100 square meters +36 20 937 3202 www.ujirany.com
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Paulay Garden [PG-18]
The concept for the ground floor court-
Private Gardens
yard, surrounded by dividing walls, is
to create a home feeling in the open
space. The tool for this is to use objects
familiar in our homes, as well as their
forms and spatial relations. Through
spatial organization the gardens explo-
ration is a great experience. In between
the densely-planted bamboos there is a
quadrilateral pool Edit Szabs unique
glazed ceramic sculptures and bub-
bling fountains recall enlarged versions
of favorite keepsakes, like pebbles, at
home. The idea of personal objects is
also referenced by the turquoise-blue,
finely-glazed stones. The personal at-
mosphere comes from the sense of
individual connection and the dense
bamboo planting. When we come
across the pool, its striking colors give
us a very distinct visual experience. The
rusted pots planted with Gingko trees
also recall the same effect the Gingko
is like an enlarged houseplant, planted
in a small cachepot. The gardens spa-
tial system is like a framed picture. The
pool and its surrounding garden are the
creation, framed in a smoky frame. The
roof garden is partly sunny, in contrast
to the lower shaded area, thus the buid-
ings residents have a place to gather for
common dinners or for sunbathing.
Title of work: 44 flat apartment house, Paulay Ede street. 65, Budapest
Planning: 2005/2007
General planner: Bnti and Hartvig Architectural office
Firm name: Ujirny Group
1088. Lrinc Pap tr 3.
Designers: Gbor Lendvai, Edit Szab, Dominika Tihnyi
+36 20 937-3202 Construction: Park-Line
www.ujirany.com Size: 430 square meters
24
Community Spaces
25
26
Community Spaces
Count Bethlens grave [CS-01]
The gravestone is oriented in the main direction of approach, the north. The monument proves a worthy rest-
Community Spaces
ing place not by its size but by its noble materials and composition. The plots spatial composition was a major
question: to converse Jnos Micss stoneworks optical boundaries, as well as the view of the surrounding ar-
eas that is, to prevent the burial stone from dominating the whole site. This also makes it possible for other
sites to be situated nearby in the future. The use of solid plant forms suggests a kind of equality. The site is
approachable on paving stones, yet not on a concrete path, since this would create a strange effect owing to
the sites size. The main concept is to bring the sun into the composition. The stones material is black granite
block, which is elevated by the light, shining matted glass backdrop and the polished limestone base. The stone
benchs material matches the base and overreaches the glass wall, so on the one side offers security and safety
to the sitter (a safe background) but on the other side allows a view to distant areas. For plant materials the
columnar elements organize the space and add emphasis to the low gorundcover plants. In total it is a dissolved
plant composition, which can be made into a more celebratory atmosphere by mowing the columnar plants.
Community Spaces
Artboretum Garden and Fine Arts Society
Bocskai street 14. Budapest, H-1114
Lead planner: Pter Trk, Ybl prize-winning landscape architect +36 1 361 0194 www.petertorok.com
29
Community Spaces National Theatre and Saint Stephen Basilica environs [CS-05]
Community Spaces
ple of modernistic city building of the 1960s,
for which it got the Hungarian Urbanists Society
1968 prize. In 2001 the municipality issued a
competition, for which the Corvinus University
of Budapest Department of Garden and Open
Space Design and Ger-Szab Architects jointly
won second prize. The six-phase work, begun
in 2002, employed the department as a sub-
planner. The nearly 1.3 hectare size orthogo-
nally shaped main square is widened by the
axis of Rakczi street, which is there reduced to
a two-lane, traffic-calmed segment. The repre-
sentative southeastern area provides space for
larger city events. The main space, paved with
natural stone, gives a vigorous contrast to the
grassed surfaces of the other side of the square
as well as the mass of trees intersecting it in a
regular line. The main approach coming from
the train station is emphasized by a double
tree allee. The axis of the central space is set
by Gyrgy Szroghs Culture House, dating from
1962-66. Towards the square the towering Ho-
tel Karancs (built 1961-64 by Gyrgy Jnossy
and Jzsef Hrecska) gives a counterpoint to the
blocklike stand of trees. The smaller area in
front of the statue is organized by the decora-
tive pool which provides a closure to the Pcsk
Department Store stairs (Jzsef Finta 1968). As
the first phase of the city centers renewal the
Main Squares south side and its connecting ar-
eas were rebuilt in 2006.
Planning/construction: 2002-/2006-
General planner: Ger-Szab Architects
Associate planner: Studio Ars Loci Garden and Environmental Arts
Corvinus University of Budapest
Planner: Corvinus University of Budapest, Department of Garden and Open Space Design
Designers: Balzs Almsi, Pter Istvn Balogh, Albert Fekete, Antal Gergely, Erzsbet Bodzs Faculty of Landscape Architecture, Department of Garden and Open Space Design
Size: (phase 1) 9.5 hectares (1.3 hectares) Villnyi str. 35-43. Budapest, H-1118 +36 1 482 6288 kszt.uni-corvinus.hu
31
Nagykovcsi, Istvn Tisza square [CS-07]
Nagykovcsi is a dynamically-developing village of 6.500 located five
Community Spaces
kilometers from Budapest. The village expects to increase its population
by 3.500-4.000 over the next 10 years. Naturally this means expectations
and demands will increase as well, with regards to the villages ima-
ge. There is an increasing demand to create public spaces where the
villages residents can meet, or where they can hold events to help
strengthen local identity and community. The villages government used
a new, cooperative preparatory method to develop its center. The first
element of the project is Istvn Tisza square, the villages main square
and traditional center, which is also the end stop of the Budapest bus
route. The goal of the rehabilitation was to make the new main square
suitable for meeting transportation or circulation needs, but also provide
an appropriate site for community events and help increase local identity
and amount of green space as well. The municipality, along with the
Wienerberger Brick Co., advertised a student design competition in 2007.
The competition was very successful, with many excellent ideas arriving
from students of architecture and landscape architecture. Nagykovcsis
local government gave CUB Department of Garden and Open Space De-
sign the task of further developing the winning plan.
Community Spaces
central space and the pedestrian street (2) the connected park next to the Market Hall (3) Bercsnyi
street and (4) October 23 street entrance. The Allee building, from its Krsy street entrance, has
two main entrances one from the corner of Vli street and Krsy street, and the other directly
to Krsy street. Both entrances offer reception spaces of high quality with natural stone pavings,
raised planting beds, and reflecting pools. On Krsy street the elimination of vehicular traffic
means a pedestrian street. The urban square here continues as a park. In this area we planned a
smaller playground of unique appearance for families with small children. The shaping of the park
is unified with the central squares paving architecture, with 40 centimeter wide lands continuing
on the green space. The individual lanes are represented as lines on the grassy, sloped surfaces.
On the eastern side of the shopping mall there is a larger paved square beween the two entrances,
which aside from providing traffic connections also adds emphasis to the entrance to the shopping
center. Between the individual raised planting beds are the ventilators for the underground parking
garage, which are covered with unique street furniture and wood boards. In front of the entrance
that opens onto October 23 street we created a brick-paved reception area in harmony with the
faade, made wider with limestone strips.
Community Spaces
by the Heroes Park. Based on the municipalitys decision, these earlier plans were later
used to create a unified revitalization plan for the city center as a whole. First the main
square was renovated in 2005. This was followed by the creation of two sub-centres, which
were constructed by Prenor with grant support in 2009. In the near future the city centers
public parks will be revitalized. These plans are currently being evaluated by the European
Commission.
Community Spaces
The BRAIN is the central seed for this complex public culture institution which is designed to help spread
the newest informatics and scientific research results and also gives space to the History of Informatics
Museum, the Marigold Childrens House playplace, and other community spaces. The central buildings
form also suggests a brain, with the creative and logical sides of the brain systematically represented.
The buildings forms and content also spread to the outer spaces. The form receives content as well: in
the garden we are confronted with the duality of the human mind and the technology it has created. In
accordance with this the gardens elements include anthropo- and technomorph representations. This
is all done in an indirect way so that those in the garden dont unavoidably have to recognize them. Its
enough if they just enjoy the peace of the place, or perhaps its dynamism. If the startling, humorous or
thought-provoking representations cause some kind of mental awakening with the connection between
their forms and contents, then the garden also has succeeded in providing visitors with a lasting experience
not unlike what they might get from a conventional park or garden but just a little bit different. Instead
of the usual statues and portraits of heroes and artists there are kinetic figures. Instead of fountains there
are refrigeration elements, and instead of a raised flowerbed there is a labyrinth of the senses.
Community Spaces
with the city center. Between its two terminal stops it connects with many spaces
and transportation hubs important in citizens daily life. In 2003 some of these
were completed on the Buda side, affecting how the remainder of the lines spac-
es were determined.
Bartk Bla street The designs basic aim was to rehabilitate Bartok Bela street
and create an urban promenade.
Kosztolnyi Dezs square: The circular space opens towards Feneketlen Lake. Us-
ing this natural composition its circular shape has been brought out. Between
curving retaining walls raised lawn surfaces were created, with a curving walk-
way in front of them.
Mricz Zsigmond circus: In the area around the mushroom were created green
spaces echoing its form. Next to the pavement in front of a building with curving
contours a row of low trees will be planted. A raised planting bed will be built on
the other side of the planned road.
Szent Gellrt square: The extension of the axis of the tramline justified the plan.
An important consideration was that a well-ordered square be created in front
of the hotel.
Title of work: Budapest Metro4 Bocskai street station, playground and public space image design
Planning/construction: 2009/2009
General planner: Fmterv
Firm: Korz Tervezsi Stdi
Korz Tervezsi Stdi
Designers: Balzs Grabner, Dnes Terhes
Trkvsz street 97-97B/28. Budapest, H-1025 Construction: Swietelsky Construction, Park-Line landscape construction
+36 30 292 8646 www.korzostudio.hu Size of area: 2 500 square meters
40
Holln Ern street [CS-16]
Instead of the wall-to-wall paving of traditional pedestrian street, a short stretch of Holln Ern street
Community Spaces
was transformed in a way that the green surfaces would dominate the main concept was a garden
street. Bounding the various surfaces are three meandering lines. The surfaces that result from their
intersection provide various functions: shrubs, flower planting, water, seating, pedestals, caf terraces,
pedestrian area, etc. The three lines make it possible for all user groups to harmonize their needs and re-
quirements while still keeping the original composition. The harmonization process took three years and
nearly succeded. Almost that is, according to the designers plans the individual seating areas would
have been bounded by plants as inner spaces, with the benches facing the water feature. However,
owing to fire regulations this plan did not succeed and was turned outward. The promenade is not yet
finished three places still have planned statues and the designers hope that the pedestals will soon find
creators. The Buxus planting will come into its own in 3-4 years.
Community Spaces
ements, and exploit the positive aspects to create a contemporary public space that
satisfies modern needs both functionally and aesthetically. We tried to connect, along
road 6, the university and market bustling pedestrian and cycle traffic with Uranbanyasz
square through Szilrd Le park. There were two important elements to our concept:
to connect the various parts of Urnbnysz square and connect Szilrd Le park while
making it more passable. We also wanted to create a caf pavilion of sorts in Szilrd Le
park which would serve as an income generator for the site that could be used for its
maintenance and thus contribute towards making it self-sustaining. We hoped that the
other benefit would be that its operation would help prevent vandalism. The parks exist-
ing trees resulted in a zig-zag circulation pattern. We continued these lines and brought
them into the squares planned fountain, like a stylized system of tree branches. In keep-
ing its existing character we tried to create a renovation of a city space that helps define
the citys image, reinforcing the functions of commerce and service. We tried to base
this on a longterm vision that would make it possible to extend the pedestrian zone to
the section of Ybl Mikls street between Krsi Csoma Sndor and ptk street.
Title of work: Uranium city main squares and connecting public areas, Pcs
Planning/construction: 2007/2010
Lptk-Terv Landscape Architects
General designer: Lptk-Terv Landscape Architects
Designers: Barnabs Szakcs, Tnde Jager, Franciska Szab, Eszter Tth, Ilona K. Boda, Boldizsr K, Judit Rka Wallenberg street 2. Budapest, H-1136
Esztergomi, Gbor Fehr, Jnos Magd, Krisztina Jvori, Mrta Fischer, Katalin Hlatky +36 1 788 5111 www.leptek.hu
43
Cseri Park, Kaposvr [CS-19]
The park, a kilometer from the city center and covering 20 hectares, required a com- we connected the playground equipment design to folk tales, with unusual colors.
Community Spaces
plete rethinking of its whole spatial structure in order to create it into a multi-use For the older children we used the idea of the house of wonders to create a scientific
space with a unique adventure playground suitable for all ages. The park which playground. We tried to take the family-friendly concept further and design play
has an admission fee starts at the reception space and with undulating lines a equipment that parents and their children could enjoy together. On the previously
pedestrian path connects the various functional units the forest adventure park, grassed main axis we created a rowing pond encompassing many recreational func-
the adventure playground. We considered it important that we plan such elements tions. There is also the Adventure Cube and the underground sunken exhibit hall, a
that could have an educational role in addition to just providing an opportunity for water playground, handmade playground equipment with folk tale themes, unique
play, and that in addition to the prefab playground equipment there be site-specific play equipment, roller- and extreme sports tracks and large grassed spaces to en-
equipment as well. In this way we were able to create Somogyland, which calls at- sure creative and fun-filled free time.
tention to the countys architectural, cultural and natural values. For the little ones
Community Spaces
necessary for preservation and restoration including analysis and landscape and garden history research as well as
the dendrological and botanical considerations. Most stands of trees in historic gardens are in a state of dilapidation
and the number of gardens reduces from day to day. The castle garden of the Krolyi castle in Nagykroly is one of
the most significant of the historical gardens of the region. According to Krolyi family documents there was already
a garden there in 1698, which is also mentioned in 18th century documents. The gardens construction happened in
parallel with the castles reconstruction between 1792-95. The foreign engineers entrusted with the castles planning
Florin Damma and Franz Rosensting also dealt with the design
of a baroque garden, but this ostensibly was never built. The land-
scape garden whose ruins can be detected in the current castle
garden was created in the early 1880s by Gyrgy Bode on com-
mission of the owner at that time, Gyrgy Krolyi. The early 19th
century garden continued to expand and developed dynamically in
the following decades. The garden in the middle of which the city
museum is located, in the original castle building is currently in
municipal ownership and operates as a natural protected area and
public park. The rehabilitation plan primarily seeks to restore the
onetime spatial system and circulation systems as much as possible,
and increase the parks recreational level.
The Romanian Ministry of Environmental Protection and Forestry has issued a tender application process since 2007 Title of work: Krolyi Castle garden reconstruction
Planning year: 2009
for environmental improvement. Those municipalities applying for funds to create or restore green spaces must prove Firm: Lptk-terv Landscape Architects/AB plan
that the territory in question is in their ownership and that they have the appropriate plan documentation: investment Landscape architects: Albert Fekete, Kroly rsi,
feasibility study or open space construction plans. Being able to provide 10 percent or more cofinancing is an advantage Gbor Fehr, Mrta Fischer,
Krisztina Jvori, Jnos Magd
and the Romanian Government provides these funds from EU resources. 100 applications are supported annually, from Size: 11 hectares
villages of a few hundred to the capital city. The amount of support depends on many factors, including the allotment
of green space per person in the settlement, and may range from 25,000 to 500,000 Euro. The realization costs of the
displayed projects tend to run between 125,000 and 175,000 Euro. The funds can make a significant difference in quality
of life for the residents of small settlements.
Community Spaces
ally-significant monuments that cannot be released from state ownership and that Dg, Festetics Park
have been neglected or misused. Our task is to care for, restore and find proper Doba, Erddy Park
use for these endangered historic sites. Our work, therefore, includes researching Edelny, LHuillier-Coburg Park
the history and assets of their gardens and parks , creating a conservation plan and Fj, Fy Garden
organising their conservation or restoration. We also have to create the infrastruc- Fertd/Eszterhza, Esterhzy Park
ture for their maintenance and check the various works, the often mixed ownership Fertrkos, Gardens of the Bishops Palace
structure, creating proposals for their registration as historic gardens in their one- Fzerradvny, Krolyi Park
time territory. Today we lead 6 EU projects concerning our parks. These are included Lovasberny, Czirky Park
in the list of the Historic gardens under our auspices: Ndasladny, Ndasdy Park
Oroszlny-Majk, Camaldoli Hermitage and EsterhzyPark
Pcel, Rady Gardens
Szabadkigys, Wenckheim Park
Tata, Esterhzy Garden
Zsira, Pejcsevich-Esterhzy Park
Community Spaces
Tihany monastery, the inner courtyard was also
restored as well as the quadrum, the south-
ern terrace garden, the Rege courtyard, the
church and the space in front of the house and
the road leading to it. Many aspects had to be
taken into consideration in the project includ-
ing the most important: the spirituality and
tradition of the Benedictine order should be
manifested in the garden design while still sat-
isfying the demands of the complexs contem-
porary internal and external use. The concept,
we realized, should include all of those garden
construction principles that can be connected
to both our own domestic and universal garden
arts history. It should suit the buildings archi-
tecture and its historic status, and use materi-
als reflecting quality and durability.
Community Spaces
The objective of the design was to solve the areas transportation and circulation In the light of existing conditions, studies and attributes, our purpose is to included
problems furthermore create a kind of spatial system worthy of being a 21st century not a completely new creation, but rather the road of compromise, to transform
city gate. The main lines, simple geometric forms create clarity and transparency. the environment with smaller-greater ideas.
It was also an aim to increase the amount of green space and enrich the plantings
-particularly the flowers- to make allowance for protect the existing trees.
It was also requirement to recall Gyulas identity as a city of baths with plenty of
water surfaces, ornamental fountains and bubbling fountains.
Community Spaces
national theatre is on the former Expo site, where once the old rail lines ran. The with the help of various landscape architecture tools, starting from the lookout hills
interesting aspect of the area is the organic connection to the neighboring office through the meditative stone garden and the soft lines of the land-furnishing. The
buildings, the National Theatre, and the Palace of Arts. The duality of the space central walkway is accompanied by low sitting steps. Landscape furnishing is an or-
gives the public parks function and also serves as a garden for public institutions. ganic part of the landscape.
A further curiosity of the park are the connecting areas which were designed by a An increasingly popular petanque field gives the orientation of the main pedestrian
variety of landscape architects, so that the neighboring park areas merge into each paths later to connect the site to the Danube.
other with a kind of unity.The idea that passing through two phases the green The play garden constructed in the second phase and the meditative garden with
spaces evoke the plasticity of the Danubes gentle waves is manifested perfectly sitting cubes offers a leisure site for people of all ages.
Community Spaces
fice and library complex is on the
site bounded by Czuczor street,
Lnyay street, Mtys street and
Kzraktr street. The entire area is
7,238 square meters. With the con-
struction of the new building new
functions have been added to the
area. An underground garage pro-
vides parking from Mtys street
with exits onto Czuczor street. Pe-
destrians can approach the build-
ing from the imposing entrance at
Kzraktr street, while the offices
can be reached from area streets.
The planning of the green spaces is
tailored to the functions of the site.
Since much of the area has under-
ground facilities, the site was treated technically as though it were a roof
garden. The garden area can be functionally divided into three areas, dis-
tinguished by the expansion of Czuczor street, the buildings intter spaces
and the urban space and rear courtyard spaces. The decorative entrance is
an urban space and its landscaped area will be a public space in the future,
including leisure areas and cafes. The Czuczor street stretch is a tree-lined
pedestrian promenade, primarily with paved surfaces and barrier-free de-
sign as well as elegant green surfaces. Because of the buildings entrance
level there is a height difference between the pavement and street level,
bridged with stairs and ramps with a 5% slope. The rear courtyard area and
the smoking terraces or roof gardens are only accessible by those work-
ing in the buildings. There is exceptionally thick topsoil on the roof gar-
dens, suitable for planting trees as well. The tree plantings on the adjoining
streets was taken care of by placing large planters on the site.
Community Spaces
in November of 2008. The entire process happened at a rapid pace less than 5 months with three planning phrases (outline
plan, permit plan and tender plan) as well as the generation of all related plans. The construction level and the selection of con-
tractors for implementation were done by the local company pitsz Kr. The construction work started in July of 2009 and the
entire projects completion happened in the spring of 2010. The city has long anticipated the renewal of its center. The condition
that preceded the current one was the result of the 1930s and had deteriorated considerably in the last few years. Our plans
aim was to use the 1930s design of Nndor Krmendy to create a likeable, contemporary city center and a representative row of
spaces that would create an organizational north-south axis through the city. The greatest professional challenge to renovating an
established space and finding the appropriate tools for the connecting points to the majority of the community. A public space is
the most accurate mirror for the entire societys visual culture, architecture and environment. For a planner art and public taste
become palpable. If we want to have a democratic approach to a public spaces design in this case the reconstruction of Main
Square it is necessary to have a deep understanding of the fabric of the society. We seek to fill up the users with positive energy.
It was our aim for the plan to add new values to the space and cause people to respond positively to the existing values as well
while protecting and emphasizing them. The city square should be acceptable to society both on a sensual and a rational level and
suggest a future of optimism and celebration. We also wanted it to be a representative for celebrations, a Mediterranean market
or a quiet urban square. The entire area is characterized by natural stone pavings and surfaces. The road and the squares other
spaces are covered with identical, warm-toned granite pavings, which are also designed with anti-slipping measures. Szchenyi tr
and its area have also received new design elements including contemporary water features.
Community Spaces
building. Most of the hospitals buildings have been renovated or updated and part of this was
the demolition of building 3 and its replacement with a new, contemporary central building. In the
course of planning the planned buildings entrance level was taken as the base for the site modifica-
tions and the shaping of the environment. Our aim was to create a simple and logical garden for
around the new hospital. In order to ensure the barrier-free entrance we created a ramp system at
the main entrance. The entrance for disabled people comes from the rear service entrance with a
minimally-sloped pavement. There is also a leisure garden at the main entrance with raised beds,
retaining walls and a pool. At this level theres also the possibility to plant trees in the raised beds.
For this prupose we have planned tall, thin maple trees (Acer platanoides columnare). For the
central area of the leisure garden we planned a concrete-structured pool with stone facing. The
building also has a roof garden. From the resting area there is a staircase flanked with planting
beds leading us down to Building 1 to the existing ground level. The ramps and planting beds are of
reinforced concrete. The significant height differences in the site have necessitated building several
retaining walls. The retaining walls are covered with 3 centimeter thick travertine facings. The plan
was prepared at the construction level and the tendering and acquisition process is still ongoing.
Community Spaces
ground garage, an elegant urban space has been built that organically connects
the architecture fabric of the area. The main area is suitable for accommodating
increasing pedestrian through traffic as well as serving as a meeting and gather-
ing place but it is also appropriate for resting and relaxing. The Klcsey Centre
complex is approached by foot through the Bianco Sardo granite paved decora-
tive square. The spatial systems main element is the 65 square meter reflecting
pool along the museums axis. There is also a row of water features along the
long axis of the pool in the axis of the museum. Above the pool there is a three
meter wide wood covered bridge in the direction of the Klcsey Centre build-
ings axis. There is a significant amount of resting benches as well and planting
beds above the underground garage planted with small trees. The conference
centres roof has low, drought-tolerant plants on it, primarily varieties of Se-
dum and ornamental grass. Near the building from Hunyadi street there was
once the Klcsey Memorial House for which, as a to-be-created memorial we
created an interdependent space in the middle of the promenade. The space,
paved with 40x40x3.8 centimetre conglomerate paving stones, also includes
flowerbeds and drinking fountains.
Community Spaces
Kirlymajor housing estate has been renovat-
ed in accordance with the residents desires,
with individual functions divided by hedges
and railings. The central element of the plan
is a fenced-in playground that was designed to
be enclosed but at the same time feel like an
organic part of the park. The playground is di-
vided into four age groups (0-3, 3-6, 6-12 and
12 and over). On the north side is the area de-
signed for the 0-3 year-old set, the middle area
for those between 3 and 6 and 6-12, and the
southern side for the largest age group. The
playground can be entered through four dif-
ferent gates. Its northern and central area also
include paved resting areas. The benches were
placed in such a way that the parents would
be able to keep a close eye on their children.
Under the playground equipment is rubber-
ized paving as well as mulch. The sandboxes
are defined by solid acacia beams.
Community Spaces
experiences to create a new school, that is, to promote community or participatory Why is it that some streets are full of trendy stores and restaurants, and others are
planning practices and establish them in Hungary. It is our conviction that the knowl- dead, full of nothing but parked cars? The streets and urban spaces are determined
edge of the local community is essential to the renewal of public spaces. As a result by socioeconomic factors and can be reborn with the help of key players such as
of this better public spaces come into existence, our cities become more livable and business owners and institutions. We try to call on them to sit down together at
the public spaces become the living rooms of our cities. one table and introduce them to the various tools and methods for revitalizing their
neighborhoods.
Community-based programs: We hope that from theory there will be practice. Our websites: www.koz-ter.hu
Our programs take the initiative in conjunction with the affected communities and www.varos-ter.hu
stakeholders. The main aim of this is for planning principles and strategic goals to
be designed based on local spatial use habits and assessed needs. We place special Some of our projects:
emphasis on local residents and stakeholders expectations what they are missing, Street festival on Rkczi t with local store owners and institutions
what they want and what they would choose to change. Future City Game What should our city be like? Interactive common brain-
storming with local communities
Space management: British Council/Studio Metropolitana joint project, Our little city, a television
Scientific spatial use assessments and community surveys contribute to the creation series filmed in 16 different cities.
of a development strategy. The concrete realization is just a part of the successful Membership in TOCEMAs Brussel-based office as the Hungarian Urban Space
community space development. Parallel with this process the space management Management Group, International opening conference
structure is created and in the course of community planning is based on active lo- 3D Thematic Map on Kirly street of stores and cultural assets
cal groups. Space management serves longterm maintenance and local identity and Various public space programs summarized in the 7ed7 space festival, dance-
plays a key role in forming the future of the space. house in the Fvm square underpass.
Title of work: Fertd, Esterhazy castle, northern garden and princes gardens
(project, studies, permission and construction plans)
Client: National Monuments Authority
Planning work started: 2004
General planning: Tr-Team
Designers, associates: Gbor Szab, Katalin Czermann, Erzsbet Schmutz,
Tr-Team Ltd.
Gergely Vgs, Szilvia Tnczos, Rita Varga, Endre Tornai
Pva street 6. Budapest, H-1094 Historic garden documentation and consulting: Gbor Alfldy, Dr. Kristf Fatsar
+36 1 299 0825 www.ter-team.hu Expected completion: 2011 and 2012
66
Nyregyhza City Center [CS-43]
The citys centre has been renovated where there was once a four-lane two-way
Community Spaces
road (Dzsa Gyrgy street) The construction of the Korz shopping centre on
what was once vacant lots was achieved by the local municipality with the de-
veloper bearing the cost. The change in use of Dzsa Gyrgy street with the
construction of a bypass ring road was realized by the city itself. The entire
public works system was also modified as a result of the project. In the course of
the reconstruction many new restaurants, community facilities and other busi-
nesses began to emerge. The image of the pedestrian street as well as its forms
and materials, are overwhelmingly contemporary. The designers considered the
lighting features to be the greatest triumph of the project. In the spatial system
there are five different sizes of pool and water features. The landscaping of the
area around the church was initiated by Tr-Team, and the plan was then pre-
sented pro bono to the catholic authorities. The restoration of a spatial system
first developed a hundred years ago turned out to be the best solution, because
it meant that the city hall and church were once again connected by an axis.
This historic restoration is in harmony with a plan prepared by an architecture
professor in 1908.
Title of work: Nyregyhza, Dzsa Gyrgy pedestrian street and landscaping of Kossuth square
(study, permission and construction plans)
Start of planning: 2006
General planner: Tr-team Ltd.
Designers, associates: Gbor Szab, Katalin Czermann, Erzsbet Schmutz, Edina Csak
Ornamental fountain: Ferenc Bn
Tr-Team Ltd.
Construction: 2007-2008
Construction costs: 34 700 square meters, 650 million forints, Pva street 6. Budapest, H-1094
18 700 forints/square meter including public works +36 1 299 0825 www.ter-team.hu
67
Balatonfred, waterfront rehabilitation [CS-44]
In the course of the citys rehabilitation, Balatonfred managed to rid itself of
Community Spaces
all inappropriate structures. This meant it was possible to create the continua-
tion of the Tagore promenade. This became the Zkonyi promenade, complete
with new yacht club buildings and mixed traffic, but with a predominately
promenade atmosphere. The open air stage on Vitorls square now includes a
small viewing area and blocks for sitting. In Szchenyi park the signages on the
memorial trees have been suitable unified and the trees thinned out some-
what, creating a clearer view to the lake. As a basis of our plan we sought to
focus attention to the natural landscapes attributes. It is here that the declivi-
ties of the Bakony hills run into the Balaton, underground springs reach the
surface, and the Tihany peninsula is revealed to us. The patterns of the waves
and the landscape become the focal point, as the lake itself laps the edge of
the hardscaping with its waves. We also planned a new dock to focus attention
to the beautiful Tihany panorama. The indivdual benches make reference to
the waves as well as to the natural geological forms of rocks in the lake. The
stage itself is made from two blocks. The built-in planting beds feature reeds.
Title of work: Balatonfred, Zkonyi promenade, Vitorls square and Szchenyi park renovation
Planning/renovation: 2004-8/2006-9
TILIA BT.
General planner: Tilia Unlimited Co.
Lead planner: Krisztina Wallner
Associates: Katalin Lukcs, Krisztina Neruda
Specialist planners: Ferenc Balogh, Edit Szab, Zsuzsa Fischer, Jnos Spi,
Tilia Unlimited Co.
Mikls Somogyi, Gbor Szab, Endre Rud, Technoconsult
Pusztadombi street 5/d. Budapest, H-1038 Construction: Strabag, Kutas, Vemvszer
+36 30 203 8628 tilia@euroweb.hu Planning area: ca. 5.6 hectares
68
Sopron, Dek square [CS-45]
Dek square in the town of Sopron is the longest square in Central Europe, at 750 meters. It was
Community Spaces
created by covering the Rk creek. It was restored, using European Union funds, in 2007. We cre-
ated traffic-calmed street along it as well as cycling paths, and two sunken community structures:
a multifunctional square with a caf, and a tourism office. The square received a unified image,
the main element of which is water, since underneath it flows the Rk creek. The water appears
as a moving and reflecting surface, and in imitation as well. We created, among the beautiful old
trees, a playground with solid wood equipment and a gravel surface that references the creek.
We placed plantings of local species behind glass tablets, as if they were in a display window, and
we engraved their names onto the glass. The glass walls reflect the environment and reinforce
the natural effect and also help protect the benches against the wind. We adjusted the amount
of shade over the square by pruning the existing trees and made the square a bit more transpar-
ent. We retained the existing statues and valuable trees, and planned more trees and shrubs to
enhance the greenness of the area, which is even more raised by water surfaces. Natural stone
and gravel, as well as naturally-colored, elegant pavings were installed, along with large lawn
surfaces. Using all these tools we were able to create a community space of unified image, and
it works wery well.
TILIA BT.
Title of work: Sopron, Renovation of Dek square
Planning/realization: 2004-6, 2007-8
General planner: B. Futura Ltd.
Lead planner: Krisztina Wallner
Tilia Unlimited Co.
Specialists: Csand Buzg, Lszl Freiler, Jzsef Pspki, Technoconsult
Construction: FESZ, Strabag, Prenor Pusztadombi street 5/d. Budapest, H-1038
Planning area: 2 hectares +36 30 203 8628 tilia@euroweb.hu
69
Marina Shore Public park and residential area along the Danube [CS-46]
The onetime FOKA bay area of Budapests District XIII is one of the most valuable
Community Spaces
parts of the citys shoreline. In accordance with the regulation plan the investor, Au-
toker Holding, created a 600 meter long, 25-40 meter wide, 3 hectare park. The park
is partly a promenade, cycling and jogging path, as well as a playground with resting
areas and a view across to buda Island. It also offers direct access to the water in
some areas. The complex, from the outside, also includes the buildings with their
courtyard gardens. The as-yet-unrealized part of the project includes the swimming
complex, sportsfields and the landscaping of the small peninsula. In the area already
realized there are wood-paved areas suitable for sunbathing, playgrounds and light-
ing and furnishing. There will also be about 300 ornamental trees, 6000 shrubs and
groundcovering plants. For the time being the construction of the Main Square with
its pergolas and ornamental fountains, has been shelved, as has the yacht harbor,
both victims of the poor economy. The regulation plan for the project was prepared
by Borbala Pterfia, while the landscaping concept was the work of Margit Dkny.
The shore protection plans as well as the preliminary plans were produced by Tr
Team, with architecture by Citinvest Ltd.
Community Spaces
itself. The client was District XIX municipality, which prescribed retaining
the northern sides playground as well as the spatial system coming from a
2007 renewal. New elements included a central leisure area with decorative
fountain, a street furniture design based on Kroly Kss work, a music pa-
vilion, public toilets, expansion of an existing sledding hill, cast iron cande-
labras along the sidewalk in front of the dividing walls, Haidecker fence, the
restoration of the Kroly Ks statue and its illumination, a chess area, a gar-
den of fragrances, sportfields, and a new playground for children over 12.
An automatic irrigation system was also designed along with a new hydro-
logical system for the fountains. New plantings and lawns were created af-
ter significant pruning of existing trees. Many times a year the square hosts
community events which involve automobile traffic entering the square, so
the paths leading into the square from each of the four directions received
quartzite paving. The pavement next to the dividing wall is also quartzite.
The squares symbolism is predicated on elements used by Kroly Ks, as
well as the four directions. The water features were inspired by Kroly Kss
Attilas People graphic work, dating from 1909.
Community Spaces
competition. The client gave us the planning concept: there should be water surfaces, a large
paved area for events, a place for playing chess, a resting area and parking places. There was
no demand for recreational facilities or playground.
Park creation
We planned a festive, paved public space fo the centre of the park. The space is broken up
with multiple staircases and ramps, ensuring barrier-free circulation. The central spaces
southern area includes a pergola under which are chess tables. This area is separated from
the others by ramps, stairs and planting beds. Towards the north a quartzite stone planting
bed has been constructed. Herein the middle of the terraces we planted trees with spherical
crowns. There is an Italian staircase on both sides of the planting bed, also of stone. On the
eastern side there is a lawn area as well as a triangular wooden stage for sunbathing, seat-
ing or performances. From the square going north it is possible to continue along the stairs,
along a cascading water feature. There is a bubbling fountain in the upper pool made of stone
pieces laid upon each other. A circular leisure garden was constructed on the northwestern
side, with a planting bed in the middle. The leisure area and the stairs leading to Lvai street
are connected with flagstones.
Settlement Landscapes
toric, cultural-historic, scientific or aesthetic significance. The regulation governing landmarks
divides them into two large groups, natural and cultural-historical. In the life of the settlement
the vineyards and winemaking have always had great significance. This is proved by the archaeo-
logical remains that show that even before the Tatar invasions there was wine cultivation in the
area. Grape cultivation reached its highpoint in the eighteenth century. The regions famous wine
was transported in caravans to Poland and Russia. In 1851 there were 1,145 holds of vineyards on
the records. Of this 80 percent were destroyed in the phylloxera epidemic of 1880-90. The most
distinctive marks of winemaking in the area are the wine cellars. In the local folk language they
were called spirit holes, carved from local stone and, sadly, now disappearing. There are also
historically-significant structures used for housing winemaking tools and equipment. Local stone
was used to build the retaining walls and bastions.
Settlement Landscapes
This landmark of the Carpathian Basin is rapidly deteriorating. Except for the re- for Soml Hill. The Soml wines exceptional quality and the outstanding natural
freshing exception of Soml Hill, where in the last few decades they have cleared and aesthetic value of the area, as well as the historic landuse and the unique ar-
the forests and restored the retaining walls and begun once again planting grapes. chitectural assets radiate a historical atmosphere and character. The overarching
The Soml Hill is one of the finest vineyard hills in Hungary, an exceptionally valu- goal of this planning is to help promote grape cultivation and protect the existing
able landscape worthy of the title of a historic landmark. Krnyezetterv Ltd. signed landmarks, harmony, atmosphere and character. In the course of the work we found
a contract with 15 settlements in the area of Soml Hill for creating a landuse plan, that our expectations were even surpassed: the result was not just a plan for the
and this made it possible to elaborate a development concept for the Soml Hill area itself but an exemplary project for micro regional planning.
environs. The communal planning process and the simultaneous settlement plan
Settlement Landscapes
dicinal baths under development are becoming a new attraction for tourism. A golf
club and golf course replace abandoned agricultural lands. The protected forest and
meadow are enchanting. Within the area of the planned golf course there are sev-
eral important natural areas (meadows, woods) that merit special protection and
attention. A golf course, as a significant green space, can contribute to a commu-
nitys green space assets if it is designed with the proper approach to protecting the
natural landscape.
Settlement Landscapes
a report regarding audits of the green surface of settle-
ments. At the time the report was issued, a review of the
relevant regulations showed that the concept of green
space had widely varying definitions in each of the docu-
ments, which made it extremely difficult to create a uni-
fied approach to determine the strategic and executive
tasks. It is difficult to name and quantify the tasks and
check their aims, or realize the tasks, if the terms un-
der use are practically in different languages. In Szkes-
fehrvr we are currently creating a
complex green space examination
and evaluation for the landscape/set-
tlement area that will help to create a
common language of these concepts
for development, planning and prop-
erty records, as well as in common
everyday speech.
Title of work: XIII District Municipality Green Space Strategy and Green Network Development Program Plan
Year: 2008-2010
Client: XIII District Environmental Management Nonprofit Ltd.
Firm name: Greentree Studio
Greentree Studio
Planners: Pter Gbor, Mihly Helembai, Eszter Fehervri, Anik Hegeds, Imre Szives
Hegeds Gy. 50. Budapest, H-1133 Plan type: green network strategy
+36 1 339 4404 www.greentree.hu Size of area: 1 343 hectares
84
Regional Works
85
86
Regional Works
Nature protection and mining [RW-01]
The 1996 law on nature protection demands that protected areas of local signifi- tion, research and preservation activities. Harmony must be created in the course of
Regional Works
cance as well must have a nature protection treatment plan prepared. The Nature the natural protection treatment among the maintenance, educational, touristic, re-
Protection and Rehabilitation Department regularly prepares treatment plans for search and economic activities. Our plans proposals and restrictions were worked
local, national and internationally-significant protected areas. The Naszly Hill of Vc out with respect to the management of the area. It outlines the areas requiring or
was protected with the goal that its excellent natural attributes including plants, not requiring active interventions, and it also outlines the areas too sensistive for
animals, geological features, hydrological features and cultural-historical features regular traffic. Since the area has educational values and goals as well, the plan also
be protected against the effects of mining. The hills geological structure, plantlife proposals infrastructure for this purpose. The treatment plan proposes restrictions
and landscape attributes mean that it represents a unique natural value, rich and or bans in the protected area, including technical sports, agriculture, industrial or
varied in plantlife including some endemic species only found in the Carpathian Ba- touristic use. Over the entire area the primary strategy is a regulated management
sin. It fills an important role in the national ecological network. In 2004 it was listed plan -based on the protection of nature. In the interest of stemming the ill effects
on the Natura 2000 list as a highly significant natural protection area. There are of mining and other harmful activities the plan calls for a 100 meter protective belt
several protected spots (caves, etc.) to be found there. The plan conceptualizes the around the protected area, where change of use or building activity can only be car-
practical goals for the area as well as a protection strategy. Active treatment is re- ried out with special permission from the authorities. The city of Vc has enshrined
quired for the landscape and cultural-historical values, as well as for the protected the proposal into law.
species. Appropriate infrastructure must be provided for nature protection educa-
Regional Works
1. Szigetkz, birds-eye view
2. Planned structure for the future Danube National Park
3. The planned regional changes for the planned Danube National Park
Regional Works
than 80 settlements in Pest county in addition to the capital city and
its 23 districts themselves. Within this area there are more than 100
municipal bodies of a decisionmaking capacity over a total of 2.7% of
the countrys total territory, in which a quarter of the nations popula-
tion lives. The area produces more than 40% of the countrys GDP. The
law related to the regulation of development in the agglomeration
was only passed in 2005 and does not have retroactive powers, but
does govern all major decisions for the future. It blocks the unbridled
expansion of the sprawl, which was leading inevitably to the unusu-
ability of the countrys infrastructure. It also serves to support local
decision-making mechanisms and the harmonization in development
among different settlements. The National Ministry for Development
and Economics in May, 2009 began preparations for examining and
modifying the law. Completing this professional task was awarded
to Pestterv Ltd.. The overview is not designed to make fundamental
changes to the law, but simply provides corrections to make the law
optimal for todays conditions.
Regional Works
Intergovernmental Joint Committee of the
two countries (Hungary and Slovakia) of this
transboundary area determined the need
for a study that would determine further co-
operation and possibilities for development
including tourism, nature and environmental
protection, and infrastructure. The area is
geographically connected and the Aggteleki
National Park in Hungary and the Slovakian
Karst National Park are largely protected by
natural protection legislation. The cave sys-
tem has been a World Heritage site since
1995. The Hungarian area is a border area in
a peripheral situation which results in many
social problems and economic disadvantages.
With accords on territorial designations and
planning thematics, the work is continuing,
parallel between VATI in Hungary and the
Bratislava-based AZ Projekt firm both with
the support of each respective countrys min-
istries. The plan takes into account the areas
attributes and capacities to produce a propos-
al for structure, protection and functional sys-
tems. On the Hungarian side, two smaller pilot
areas (Aggtelek-Jsvaf as well as Hidvgard-
Tornandaska-Bdvalenke) have also received
development proposals. Several joint propos-
als have been accepted for the landscape and
nature protection as well as the touristic and
transporation infrastructure and cultural heri-
tage protection.
Title of work: The New Vsrhelyi Plan: further development and tasks
Planning year: 2002-2007
Lead planner: Annamria Gncz
Name of firm: VTI Nonprofit Co.
VATI Nonprofit Co.
Authors: Istvn Ills, Vilja Vaszcsik
Gellrthegy u. 30-32. Budapest, H-1016 Plan type: regional study plan
+36 1 224 3135 www.vati.hu Scale: groups of settlements
94
Rehabilitation of the Balaton shore [RW-08]
Studies for the Balatons rehabilitation shore Balaton law
Regional Works
In 2000 in connection with the Balaton law, Parliament authorized the govern- This law was accepted in
ment to regulate the lakeshore rehabilitation regulation requirements and also 2000 and later modified,
authorized the competent minister to determine those areas affected by the still retaining its original
regulatory requirements, commission study plans for the overview of the local goals of keeping the Bala-
settlement plans and approve the order. The shore rehabilitation study plan, ton as a significant holiday
in accordance with the law and its requirements, is designed with an eye to area and protecting its
natural protection as well as quality tourism development, and also to the wa- valuable environment and
ter management officials agreedment regarding designation of reeded areas. maintaining sustainable
The study plan determines the boundary of land running along the shore and economic development.
its use, as well as the functions suitable for individual parts of the shoreline. It The law also calls for im-
maps all the content elements that the government order requires. provement of the environ-
ment of the Balaton area
and the lake itself as well as
the improvement of tour-
ism infrastructure. Because
the areas main industry is
tourism, this aim enjoys priority. The areas balanced development however depends
on improving the year-round employment of the people who live there, and not just
the seasonal tourist traffic. This situation brings up the question of balancing the ex-
cess of tourism and the tasks associated with it. The plan calls for enhancing economic
diversity and creating workplaces in varied ways in different areas according to their
environmental and cultural attributes. It does all this within realistic boundaries for the
local stakeholders and interests.
Works in Progress
WP-02 WP-04 WP-05 WP-06
WP-03 WP-04 WP-05 WP-06
Works in Progress
in inner Ferencvros (District IX.), at one time the cultural and
administrative center of the district. Today, owing to the Grand
Boulevard, its situation is quite poor, with circulation and parking
problems. With an eye towards exploiting the sites advantages,
we first sought to put order to the currently chaotic condition
(new traffic order, traffic calming, underground garage) and also
redesigning the public spaces and creating new urban spaces of
considerable value. The area in front of the church will be trans-
formed into such an urban space that is appropriate for events
or everyday meetings all the year round. The church receives its
proper dominant position as well. With widening Bakts street it
becomes even with bus stops and a parking garage entrance
suitable for open air cafes and restaurants. The most character-
istic element of the street is the ornamental strip that unifies and
defines the street and gives it direction. It also makes it celebra-
tory without causing excessive costs to the project. Its connection
is very strong with the Danube and this too will be strengthened,
especially if the terrace is built onto Nehru park. An important
problem to solve is to give pedestrians a safe crossing on Kzrak-
tr street, as well as create a pedestrian axis to Nehru Park.
Title of work: Bakts square and Bakts street tender, permission and construction plans
Start of work: 2001
General planner: Corvinus University of Budapest, Department of Garden and Open Space Design
Corvinus University of Budapest, Faculty of Landscape Architecture
Planners: Dr. Balzs Almsi, Dr. Pter Istvn Balogh, Antal Gergely,
kos Ignc Ginder, Cecilija Horvt (Ginder Studio) Department of Garden and Open Space Design
Expected realization: 2012 Villnyi street 35-43. Budapest, H-1118 +36 1 482 6288 kszt.uni-corvinus.hu
101
Greenway in Buda area [WP-09]
The Buda Greenway Program was created by the Buda Area Greenway As-
Works in Progress
sociation in 2007. The associations membership includes organizations active
in environmental or nature protection as well as preservation, folkways, cul-
ture and tourism. The greenways are those corridors, trails and paths that are
used for leisure and recreation as well as daily transport, with respect to their
ecological significance. The goal is to sustain our environments uniqueness
and also add value to local life. It also helps strengthen local communities
and develop the local economy in a sustainable way. The program embraces
the Zsmbk Basin, including 12 settlements. The greenways main goal is to
create a network of cycling paths, particularly for those living in the Zsmbk
area. It includes historic roads and old coach roads. It is designed to create
an interdependent network apart from the vehicular traffic. Old agricultural
roads are suitable for this purpose. In selecting them we took into account the
beauty of the landscape, the traditional land use and elements that reflect
it, and our natural heritage. The routes connect to the centres of the settle-
ments, particularly to the attractive parts of the villages and their restaurants
or other facilities. The creation of the route system also includes involving
local craftsmen or producers and their services that help stimulate rural eco-
tourism. In creating the Buda area greenway we can count on many signifi-
cant benefits. The use of the roads helps promote healthy lifestyles and also
strengthen community bonds. The program will have a positive effect on the
settlements along the routes and also can help foster new treeplanting initia-
tives in the areas. The existence of the network will call planners attention
to the basins unique image and the importance of preserving its landscape.
Further, it will act as a catalyzer among the local civil organizations and among
the settlements themselves. In the course of realizing the program we want to
call specific attention to the aspects of landscape and nature protection. The
Buda area greenway will have a unique image and a logo with three leaves
symbolizing the surrounding hills and the cooperations among civil organiza-
tions. The signs for the routes will include stone pillars and information tablets
and other elements. The networks opening event happened in May 2008,
where participants did a trial run on a short route.
Works in Progress
countys northerwestern area and is an
agricultural town with about 7000 resi-
dents. Until 2004 there was a military
training center that played an important
part in the towns life. As has always been
the tradition, the center of the city is char-
acterized by several heavily-trafficked
streets coming together, breaking up a
main square that already lacked unity.
The main square, still, has always had
several important roles in the towns life.
The mayors office, the church, the ser-
vice house, the library and the pharmacy
are all to be found here. There are sev-
eral significant architectural structures
including the City Hall from 1826 and
the Reformed Church from 1620. There
has never been a unified, comporehen-
sive restructuring of the square in the
recent past. The last known landscaping
project would have been the World War
II monument with its fountain, put up in
1992. The task was to create a space that
would be streamlined, not archaic but
that connects and unifies the chopped-
up square while keeping to a minimum
cost. The plan that resulted is one of uni-
fied coordinates, regular geometry and
simple material use that provides dyna-
mism and emphasis to the various parts
of the square.
Works in Progress
Miksa street, Lechner dn alley, Gre-
gersen circle, and Somlay Artr walk-
way. The planning is divided into two
phases. The pavement from Lechner
dn alley, a green lane, a parking area
and the paving leading to the building
as well as the community spaces ex-
pand the paved way circulation system
that has already been completed. The
part of the garden along Rth Miksa
street towards the National Theatre --
Somlay Artr walkway required creat-
ing an axis suitable for pedestrian traf-
fic as well as mixed traffic and alleys, as
well as the area touched by the Nation-
al Theatre. Its environmental elements
include a 6 meter wide promenade
paved with sand-colored pavers, the al-
ready-created intersection and element
systems continuation (lamps, alley,
LED lighting, granite pavings), a cobble
stone (granite) pedestrian promenade,
a continuation of the pavings to the
service entrance of the National The-
atre, the connections between the two
promenades; the origami-like struc-
tures on the green surface between the
two promenades as well as the water
elements, lamps, benches, waste col-
lectors, and all are designed to match
the already-built parts of the area.
Works in Progress
tions for the square. From a spatial standpoint we had to rede-
fine Szent Istvn square and create a new proportional system
between the paved and green surfaces, as well as bring out the
significant buildings there, including the mayors office.
Works in Progress
its then-current users, renters, private and municipally-owned properties, inappropriate construc-
tions, incoherent protections, giant overgrown yew trees, hazardous stands of old trees and over-
growth. We had to put order into this chaos and create a basis for conservation and restoration, and
the possibility for displaying the site to the public. In the past ten years professional maintenance has
produced profound changes in this scandalously-neglected parks image.
The parks alleys (length 20 kilometers, 2,500 trees) were radically cut back into geometric form. The
result of this is that the park opened up towards the landscape, producing a stunning visual effect. The
field survey has also been completed as well as a plant inventory and a thinning plan, as well as partial
completion of thinning. The parks restoration has been nonetheless a huge challenge. Although its
historical research was considered a chewed-up bone, documentation in many aspects that would be
essential for authentic restoration and conservation was completely missing. There is separate docu-
mentation for each park area prepared based on the 18th and 19-20th century extant documents.
Research have also extended to the Esterhzy Private Archives in Frakn/Forchtenstein, Austria. For
certain decisions it was necessary to have garden archaeological research and international profes-
sional discussions. It was not a simple question to decide what to do with the neobaroque remnants of
the early 20th century gardens and what could be reconstructed from the 18th century garden, which
has by now totally disappeared. In 2006 the new parking area and the northern park, and in 2009 the
privy gardens and the rose garden reconstruction plans were completed. Professor Imre Ormoss plans
provide the basis for reconstructing the decorative courtyards garden, with European Union funding.
Works in Progress
owners. In 2003 we initiated research of the history of the site that resulted in the entire
site receiving monument protection status as a historic garden. The parks conservation
began in 2003. Overgrowth was cleared out and an important part of the disappeared
spatial structure was authentically restored. Once again the views can be seen and the
panorama is truly stunning. From 600 million forints (aprrox. 2 million Euros) in EU funds
the serpentine lake will be cleared and restored (removing nearly 120,000 cubic meters
of sludge!) including the restoration of 10 wooden bridges and the area around the lake.
Currently this project is in the planning stage. The next step will be the restoration of the
parks spatial structure, which has entailed signing an agreement of cooperation with the
forestry company responsible for the management of most of the park in order to restore
the vistas and clearings, as well as their part of the lake. We created an exhibition in the
house about its history and treasures, called From the Parlour to the Landscape Garden,
that is open from spring to autumn. We use scientific monographs, periodical articles, edu-
cational notebooks, brochures, conferences and websites to educate the public. More and
more people are coming to visit the site, which is near Lake Balaton, with its wonderful
park and its exhibition, which draws several thousand annually.
Works in Progress
tial first prize in 2009 we continued our national main square reconstruction project.
The primary function of Kossuth square is to have a representative role both for the
country and the world. Our primary goal in this work was to create a public space that
would be a livable experience for visitors. Our program can be devided into five con-
ceptual levels: (1) Next to the monumentality of Parliament, there should still be the
possibility to enjoy the space on a human scale (2). Subdued, pure elegance to fit into
the existing values (3) The national flag should have a role, and in the development
Kossuth square should symbolize the organizational structure of a democracy (4) The
square should make it possible to relive the memory of the most significant historical
events (5) The amount of green space should not be reduced.
Kossuth square as an important part of the citys structure has been in a subordinate
role until now and should be elevated to its proper place. Currently the park-like devel-
opment excessively dominates the square. Kossuth square needs to have an optimal
proportion between the green and paved areas. Of the classical open space types Kos-
suth square should not simply be a tree-planted public square, park or public garden,
but rather a partly-landscaped ornamental space. This is partly because of its nature
as a historic monument but also because of the pioneer tree stands that are cur-
rently there. In this place and with the current content there cannot be an appropriate,
well thought out solution. Our idea is a style based on public square and open space
architecture. The squares main emphatic elements should be celebratory, modest, in-
clusive, easily seen through. Stylistically we used minimal tools to find the local roots
for the historic area. We reacted to the built environment, the defined original axis
system. In the site there are basically two different-charactered areas in layers upon
each other. Some of the parts of the square are defined by the central wings of Parlia-
ment into the mass of Kossuth square. Near the Parliament this is defined by some
existing and some planted trees. The site of the Parliament is defined by an alley that
reinforces and defines it in the space. In the area around the Rkczi statue the tree
plantings are a scattered, landscape-like planting that is out of place in such a distinc-
tive environment. That is why we repeated the gesture of the existing allees running
along the spatial walls.
Title of work: Vassurny main square and church garden open space plan
Start of planning: 2008
Firm name: Terms Studio
Terms Studio
Designer: Anik Kristly
Badacsonyi u. 1/b. Budapest, H-1113 Expected realization: from 2012, in multiple phases
+36 70 209 5931 www.termes-studio.com Size of area: 7 950 square meters
114
Main square, Salkveskt [WP-22]
In the case of Salkveskt as opposed to the Vasssurny example the main task to visually connect the park. The existing, significantly-proportioned green surfaces
Works in Progress
was to broaden the main square since currently on its eastern side a manor house were kept. We also wanted to ensure that the green surfaces function as a park,
with its vehicular entrances cuts the square into large slices and creates the feeling with people using them for walking, sitting, talking, reading, holding events. In the
of it just being the front garden of the building. We had to dissolve this spatial divi- interest of this we created a path system for the site. On the other side of the Tem-
sion so that the vehicle entrances by the clients request stay in their original ple Hill we created a representative ornamental square which creates a small forum
places. The spaces determining character is the Temple Hill, which is at about a 3 between the mayors office and the church. The central element of this is the deco-
meter height difference in the otherwise flat site. We seized on this motive at the rative fountain, which will eventually receive a sculpture. This square is connected
time of completing our task lengthwise on the square we created smaller hills to the park area by the undulating paths and the hill theme.
Title of work: Majk, Camaldoli Hermitage estate and Foresteria building reconstruction
(EU grant application, studies, building permission plan)
Client: National Monuments Authority
Planning begun: 2005
General planner: Tr-Team Ltd.
Planners, associates: Endre Tornai, Gbor Szab, Katalin Czermann,
Tr-Team Ltd.
Gergely Vgs, Viktria Gl, Dr. Gyula Pavel
Pva street 6. Budapest, H-1094 Historic documentation/consultation: Gbor Alfldy, Dr. Kristf Fatsar, Csaba J. Fekete
+36 1 299 0825 www.ter-team.hu Realization of phase I: 2011-12
116
The Danube City [WP-24]
The Danube City development is taking place in a site with very special attributes,
Works in Progress
because the concerned Danube branchs water level is constant. The site, able to
accommodate 35-40,000 people with a total area of about 500,000 square meters
includes multi-functional properties on 33 hectares. The strip along the watershore
is full of progressive landscape architecture solutions with a new, dynamic effect on
the individual architecture, functions and architectural character. The most significant
element of the development is the strip along the shore, the promenade being built
in the first phase that creates a direct connection between the city and the river.
The complexity of the design demands the following: geodesic survey, soil mechanics
consultation, measurement of the basin, diving survey, the structural condition of the
rampart walls, 2d hydraulic models and landscape architecture planning. There is a
significant visual effect from the console-like, suspended pedestian walks above the
water. The development process is currently at the local regularion phase.
Title of work: Budapest, IX district Rckevei-Soroksri Danube, former Grand Market Place development, shore
and environmental arrangement, boating (Partial studies, permission plans, 2D hydraulic mathematical model)
Start of planning: 2005
General planner: Tr-Team Ltd.
Planners, associates: Gbor Szab, Edina Csak, Erzsbet Schmutz, Szilvia Tnczos, Rita Varga, Lszl Rdly, Dr.
Gyula Pvel, Dnes Kernyi, EEA Budapest
Expected realization: from 2011-2012
Tr-Team Ltd.
Significant data: rampart walls to be demolished: 172 linear meters; partly restored area 652 linear meters;
console sidewalk 105 linear meters; approximate cut and fill 240 000 square meters; Z zone total 31 800 Pva street 6. Budapest, H-1094
meters. +36 1 299 0825 www.ter-team.hu
117
118
Artistic Projects
Artistic Projects
119
Artistic Projects Artistic creations
AP-05 AP-04
Artistic Projects
2007 2008
where there is an annual garden exhibit by in-
vitation for European gardens to create tem-
porary creations. In 2007 the theme was Hun-
garian folk art, which inspired the Embroidery
garden. The flower motif represents an ele-
ment frequently seen in folk art. The tulip it-
self is a composition but at the same time it is
excellently used as a symbol. It can represent
femininity, fertility, and in several hundred
forms it can represent a womans social po-
sition, her family condition, her age, her life
situation. At the same time it can also mean
an embrace, an inclusion. In 2008 the garden
represented an important piece of Hungar-
ian music, Bla Bartks Bluebeards Castle
opera. The suggestive musical work comes
with increasing tension as the viewer is led
ever nearer to the secret, the knowledge of
which leads to complete destruction. In the
garden the princes castle, the doors guard-
ing the mans spiritual secrets, the women
representing dawn, noon, dusk as well as the
newer and final flare and the emptiness that
follows it are all symbolized.
2009 The composition calls attention to
Hungarian wine and wine country. The hills
referring visually to the vineyard hills and cel-
lars combine to create the image of a cluster
of grapes, embraced by a flower planting that
references the colors of the harvest. In this
2009 year we also used native Hungarian flowers.
Titles of works: Embroidery (2007) Bluebeards castle (2008) Wine Country (2009)
Firm: Fkert Design Studio
Planners: Adrienne Szalkai, Veronika Ppai, Mrta Czak,
Fkert Design Studio
Zoltn Gergely, Gbor Lendvai, Nra Mrfai, Anik zsis
Category: conceptual garden festival Dob utca 90. Budapest, H-1073
Target audience: tourists +36 1 342 5182 www.fokert.hu/tervezostudio
121
Spiral and cocoon [AP-07]
Spiral
Artistic Projects
The site is the small town of Magyarkt. The theme is the spiral a form we often see in nature and whose form is structured, yet
flexible, diverse, full of exciting possibilities. The creation of the material is the basis of the action: 4000 strands woven into a 40 meter
net. A long ribbon that can be formed as we like. In the course of making it we dis-
cover properties of it we did not even know existed. It is a symbol of the transition
between heaven and earth. The spiral reflects the movement of every face, endless
change and variation, balanceOriginally the spiral as a formal concept was our
goal in this project but in the course of making it we found so much else. Weaving
the strands together reminded us of the eternity of repetition and in the course of
seeking its final form we could sense the endless possibilities and variations. The
result was a fabric resulting from weaving together two materials, like an easy, ever-
changing brushstroke across nature. In this way it overwrites its own material and
the dimension of its environment.
Cocoon
The site is Sarti, Greece. The theme is inspired by the forms of the seaside. The rock
formations reference living systems. This inorganic, silicate-based landscape con-
ceals the living creatures that periodically pop up from it. It weaves together the
organic and inorganic worlds. This fabric is a natural fabric, formed by human hands.
The land art groups members have been doing openair installations and construc-
tions since 2005. The landscape architects, architects and engineers belonging to the
group are constantly changed, forming and re-forming with each project. The goal
of participation is to create a new sense of space, starting with selecting materials
and going all the way to construction, including every detail. It is exciting to see how
Title of work: Spiral the different professions in the group react and respond to each other, while they
Realization: 2005 are trying to find the proper solutions to the design problem at hand. Living through
Creative group: Grimasz
the process distilled into space, time and material -- creates a new reality for the
Creators: Istvn Berkeczi, Mrta Czak, Balint Dek, Balzs Der, Zoltn Gergely, Orsolya Horvth,
Veronika Ppai, Rbert Rcz, Attila Tth, Eszter Adl Tth, Timea Vojtek creators. The projects are documented on video and photo, which are periodically
Category: land art displayed in exhibitions.
Artistic Projects
locations where we have been carrying out professional work for years, or where in the course of our everyday design work
we have come across tasks that could be achieved through community work. In the course of the creative camps the group
seeks to find the spirit of the place, the landscapes natural features and the hidden possibilities of the local community. The
task is to make imagination into reality. We break free from paper the plan isnt a goal, but rather a tool or a signal. Thus we
serve each other, the locals, the natural world and the landscape.
Building from willow: The willow branches are flexible, strong and have a will to live. This is why theyre just right for creating
self-supporting structures that, given proper care, will grow roots and develop over the years, becoming a living structure that
grows ever stronger.
Landscape care renewal of springs: Cleaning the springs and the environment around the water sources is important so that
we make people aware of the sacred quality of water and that it is a basic human task to protect our water sources and keep
them clean.
Transylvanian bath and community-building work: For 10 years we have been organizing kalakas in Szeklerland, Transylvania.
(A kalaka is a traditional way of getting work done in the village, involving groups of neighbors who help each other finish oth-
erwise difficult tasks). In this landthe landscape heritages most important elements are the healing waters, the onetime baths
and healing places. In the kalaka events in addition to the villages residents the Pagony associates and Ars Topia Foundation
activists, as well as the Kroly Ks Association members, and Hungarian and Romanian university students will participate. After
a week the public bathplace is fnished: basin, springhouse, dressing room, benches, willow structures, summer house, signs.
Artistic Projects
is predominately of landscape archi-
tects, who seek to use artistic tools to
express thoughts on protecting our
landscape and environment. Our aim
is dual: partly to create a new sense
of the landscape as a forum for art;
also to attempt to build a bridge be-
tween the ecological thinking and our
mindless consumer culture. In three
words: we are idealists. Our studio
experiments were followed, first in
2004, by our premiere of our Art-
ists Green event at the Artists Val-
ley Festival in Drgd Basin, Balaton
Highland. Our work consists of inter-
preting the relationship of the urban
human beings connection to the
environment with the appearance
in nature of shocking, out-of-place
manmade elements. Our presenta-
tions take place in happenings in the
landscape and are temporary. In their
creation there is a basic role of both
natural factors and our audience it
happens together with them. The
process is the main thing the end
result is secondary. The hidden con-
nections in the landscape are what
we seek. Our creations are temporal
and erasable interventions into the
ecological system.
TJK Group
The groups members:
Balzs Almsi Ph.D, Gbor Bthory, Zsombor Krisztin Kiss, Tams Dmtr Ph.D., Wallenberg str.. 2. Budapest, H-1136
Rbert Kabai Ph.D., Ildik Rka Nagy Ph.D, Barnabs Szakcs +36 1 788 5111
125
Plant and spatial installations [AP-11]
In the Szchenyi baths, the Palm House is meant to be a place that serves for relax- plants are placed in the high areas of the palmhouse. The epiphytic plants have
Artistic Projects
ation during the day but can transform into an events site at night. In accordance their humidity needs met by a built-in system. They are planted in material capable
with this it was necessary to provide an open space that would accommodate vari- of absorbing a high level of humidity but still remaining lightweight. This is covered
ous types of events. And yet, the main point of a palm house derives from its rich with individually-pressed sheets of plastic. The individual plant installation is an ex-
plant life. This solution seeks to find the balance between these two, resting on periment in creating a new spatial structure that also creates a constantly-changing
the fact that many plants do not require space on the ground. The so-called cloud experience for those in the site, thanks to the constantly changing interplay of hu-
elements are based on a metal net surface. With the help of suspension wires the midity and sunlight.
Artistic Projects
tic action series we carried out in the Palace Quarter was meant to create an image for wallpaper patterns painted onto the asphalt is a reaction to manhole covers, parking
the neighborhood and establish a stable network system among the participants. The lanes, cracks. For example this is how a manhole cover becomes a framed picture. As a
benefit of this is a physical image based on local knowledge. Artistic acts create a com- continuation of the action architecture students using local culture and the theme of
munication interface with society that are closely in connection with the rehabilitation wind wrote quotes from Gyula Krdys work Windblown quotes onto the asphalt
going on in the neighborhood and which focuses attention on local values and po- surfaces. Local business owners and caf owners helped realize the living gallery
tential, thus activating the residents. Our goal is to reconstruct those communication by researching local history and finding ways to display it. The signs and the oral his-
spaces that are in the process of disappearing. The opportunities for human interac- tory help draw attention to local values. The inner courtyard program activates local
tion are continually being reduced, and society is becoming increasingly impersonal. resients by renovating their inner courtyards into gardens. The aim is to create such
It was part of the project to create such situations that reconceptualize the space for a community space that brings color into the residents everyday life and provides a
human relations. We were trying to determine the various urban image elements and space for community gatherings.
their physical manifestations.
Title of work: Palace Quarter artistic action series, Budapest, District VIII.
Realization: 2008-9
Firm: Uj Irny Group
jirny Landscape Architects
Designers: Dominika Tihnyi, local residents, university students
Category: public space art Lrinc pap square 3. Budapest, H-1088
Target audience: residents, passers-by +36 20 937 3202 www.ujirany.com
127
18th Century Baroque Gardens of Hungary
The book is the first comprehensive body of research about Hungarian Baroque dens of the time. In terms of ornamental gardens, like most of the other European
Research Works
garden history. It shows pictorial sources of Hungarys 18th century gardening and countries, Versailles was viewed as the non plus ultra, but the German influence can
its castle gardens as well as its hunting and vegetable gardens too. The gardens also be perceived in Hungarys Baroque gardens. Hungarys 18th century gardens
are discussed in terms of type, with all garden elements reviewed and explained. in relation to the European average remained almost entirely provincial. The lack
Among its two large units the first is the more comprehensive. It is reviews the topic of significant creations in addition to the modest economic circumstances may also
in the context of Europe and includes detailed explanations of the gardens along be blamed on too much enthusiasm for ever newer fashions. Aside from all this, in
with analysis. the second half of the century Hungarys garden arts reached out ever more to the
In Hungary, after liberation from the Turks, the conditions were favourable for Ba- European trends and the aristocracy was able to create pleasure grounds that could
roque gardening to begin blooming. This happened primarily in the then-capital, compete with the large gardens of Western Europe.
Bratislava, and in the areas that had not been under Turkish rule, as well as in
Transdaubia and in Slovakia what had then been Upper Hungary and the area
around the ancient capital, Buda. In Hungary it was only at the beginning of
the 18th century that the Versailles-influenced gardens began to come into ex-
istence and this was only in the middle of the century that they really spread In
this period we can see the slow transformation of the gardens. The embroidery
parterres slowly turned into mixed types (lawn-embroidery) and towards the
end of the era we can see purely lawn areas too. The most significant Hungar-
ian Baroque gardens are mostly from this period. From the last two decades
of the 18th century onwards the English Romantic garden style elements be-
gan to spear within the Baroque gardens and this becomes a transitional style
in the 1780s. In Hungary the French gardens are mostly modest, mixed-use
ornamental gardens. There are very few gardens in the country that reached
the level that was the average in Europe. It could well be that the plans show
expansive, expensive designs but the actual sites themselves only show drasti-
cally-reduced realizations. In Hungarian gardens, among them in the more im-
portant ornamental gardens, a small surface area is typical, which also meant
that only a few of the usual elements of a French Baroque garden could find
their place. The simple bosques were generally next to or behind the parterres
and usually in a row. Often they alternated with alleys or hedges. The modest
forms of these gardens of course does not mean that the gardens builders or
their contemporaries were unaware of the exemplary gardens of the time. We
can see patterns taken from the most excellent of the Western European gar-
Research Works
research usually runs in parallel with on-site archaeological work. Providing a basis for den in Tata sought to identify the location of several different specific elements of the
the on-site work needs to be done after a careful analysis of cartographic documents, sites as well as the onetime path system. At the Esterhzy Castle Garden of Cskvr,
using GIS. With their help it is possible to avoid errors typical in mapping historic sites many follies were constructed at the end of the 18th century, most of which have since
and develop an efficient system. In the course of geophysical surveys it is not neces- been destroyed or have disappeared, additionally the gardens later renovation meant
sary to damage the territory under examination since the instruments in use see that their original sites became completely uncertain. In order to clarify errors arising
under the surface. This method is well-suited for working in significant sites, like for from the various maps of the area it was necessary to identify the exact coordinates in
example at the Roman fortifications in Keszthely-Fenkpuszta, or in large-scale gar- order to find the site of the onetime glashouse, the Diana gate, or most of the details
dens. In some of the most significant Hungarian historic gardens we have carried out of the gardens path system. The discovery Gypsy House was a more complex task,
successful geophysical assessments, including the gardens of the Esterhzy Castle of which was ultimately only made possible by using a historic description compared
Cskvr and the Batthyny Castle of Bicske. A discovered object can be researched with indications on the site. The heretofore unknown Hermitage was discovered by
on the site once it has been identified on the map or found in geophysical surveys, the aforementioned coordinate points and field research done in the course of the
in order for the field researchers to find the precise spot to mark for excavation. In analysis. In 2005 excavations began in the Alley Wood that is the hunting grounds of
large gardens GPS is the best tool. The geophysical research or the on-site surveys is the Esterhzy Castle Garden of Cskvr, leading to the discovery of several other un-
followed by targeted digging, since the authenticity of the restoration of the site can expected finds, including the remnant of a hameau (folly village) that included minia-
depend on the researches use of all tools at their disposal. It was a geophysical survey tures of an Egyptian Pyramid and a windmill, as well as elsewhere in the garden the
that marked out the Batthyany castles rondos exact place, the precise structure of Alley Woods Hermitage and the Chinese pavilion that once graced the inner garden.
Title of work: Geophysical Surveys in Historic Gardens and Archaeological Sites of Hungary
Corvinus University of Budapest, Faculty of Landscape Architecture
Research years: 2002-2010
Lead researchers: Dr. Kristf Fatsar, Kroly Belnyesy Department of Landscape and Garden History
Author: Dr. Kristf Fatsar Villnyi street 35-43. Budapest, H-1118 +36 1 482 6248 kertmuveszet.uni-corvinus.hu
129
TKA Project
The Faculty of Landscape Architecture in Corvinus University of Budapest initiat- projects longterm consequential goal is to create a broader framework for coopera-
Research Works
ed the TKA Project (Cultural Landscape Heritage Inventarisation and Mapping in tion with the professional stakeholders, civic activists and local residents, which will
Hungary) in 2009. The survey and research project encompasses the entire palett also continually ensure the ongoing collection of data on landmarks as well as its
of cultural and natural heritage, including already-known monuments as well as systemization, service to the public, publication and with this have a greater signifi-
many smaller, obscure ones such as bells, stone crosses and mosaic landscapes. The cance to the issues of cultural and natural protection. In summary the projects most
project not only helps researchers, municipalities and decisionmakers, but is also important result is to bring into existence a database that encompasses landscape,
readily accessible to anyone with an internet connection. Locals and those plan- natural and cultural landmarks and will contribute to making the landmarks better
ning travel can find the target areas hidden treasures and they can also provide known and also contribute to strengthening local identity and local sense of stew-
information to the database themselves. The TEKA project has lasted through 2010 ardship to the environment.
and its partner is the Norwegian University of Life Sciences, Faculty
of Landscape Architecture and Regional Development, as well as
the Institute of Geodesy and Remote Sensing, the Ministry of En-
vironmental Protection and Water, the Office of Cultural Heritage
Protection, and the Cultural heritage Protection Specialty Office.
The projects general goal is to create a comprehensive inventory
that would cover the entire country and contribute to preserving
valuable landmarks and their heritage. The concrete aim is to pro-
vide the basis for the methodology of creating such a comprehen-
sive database, create the database itself, establish its operational
framework, maintenance and operation, and organize ongoing site
surveys. In addition to those sites protected by cultural or environ-
mental protection laws in the country, there are countless other
landmarks that are not of national significance but still remain im-
portant landmarks in local identity and tradition. Surveys so far have
shown that these unprotected landmarks are significantly larger in
number than the sites currently under protection, yet it is also clear
that their number owing to changes in economy, lifestyles ad also
because of lack of protection are rapidly declining. The database
not just integrates exist data on cultural and natural landmarks, but
it also uses new surveys as well as the participation of the public
to supplement existing data. The establishment of the data also in-
cluded a system plan and an operational/maintenance concept. The
Research Works
ten difficult to define. In many languages the words are
one and the same. The scientific appreciation of land-
scapes and scenery began in the second half of the last
century. International literature shows many examples
of research of landscape scenery appreciation, visual-
aesthetic evaluations. The resulting landscape scenery
evaluation methods have primarily determined the land-
scapes quality by aesthetic value. The beauty of the
landscape scenery is, nonetheless, objectifiable. In spite
of the various types of theoretical understanding of land-
scape there are also many practically-oriented landscape
scenery evaluation methods used today in Europe. The
environmental impact studies required by the European
Union require an examination of the aesthetic impact
that would be brought about by planned infrastructure
developments. The European Landscape Accords also
require landscape or landscape scenery research and in-
ventory. In Hungary the 1996 and 1998 laws governing
regional development created the possibility to estab-
lish nationally or locally-significant protected landscape
areas. A generally-accepted method for establishing the
landscape scenery areas boundaries had not existed un-
til now, which means the boundaries established until
now lack a unified logic and differ greatly from one plan
to the other. The research has yielded a unified meth-
odology that is easily usable with individual plan types.
It is also economic and utilitarian. The method uses the
attributes of the area to be assessed (both cultural and
natural) in an aggregate evaluation, refined with the pro-
fessional contributions of the regional planner or land-
scape planner.
Research Works
that adopted and adapted the methodology and form of conservation management plan.
This has resulted in a series of such as have established this as a pattern in this country. Today,
preparation of this kind plans in the case of historic gardens has now begun to be required in
Hungary by the heritage authority and certain EU funds. The main aspect of the methodol-
ogy is that a thorough historic research is prepared, the result of which is that all relevant
documentation can be easily reviewed and understood in a user-friendly form. The values
to be preserved are clearly assessed and described, and a basic conception and priorities of
the conservation are clearly shown. This gives a profound basis to the client, planner and au-
thorities alike and hastenes the preparation process. In Hungary Gbor lfldy a landscape
architect and garden historian is credited with introducing this methodology to Hungary
after receiving his MA degree in conservation at the University of York.
Conservation plans and restoration concepts prepared by Gbor Alfldy:
Gardens of the Hungarian National Museum, Budapest (with
Jnos Stirling), 1999
Fertd, Esterhzy Park, concept and preparatory study (2001)
as well as conservation plans for different parts of the gar-
dens (6 volumes) 2003-2006
Lovasberny, Czirky Park, with Balzs Bnyai, 2002
Doba-Somlvr, Erddy Park, 2007 (EUROPA NOSTRA MEDAL)
Fuzrradvny, Krolyi Park, (4 volumes) 2009
Hdervr Park (4 volumes), 2010
Mndok, Forgch Park (3 volumes) 2010
Somogyvr (4 volumes) 2010
Anarcs (4 volumes) 2010, with Anna Ecsedy
Other garden history research:
Historical research of Buda Royal Castle Gardens, Keszthely,
Hgysz, Tiszadob, Dg, Hatvan, Nagymgocs, Perbenyik,
Soponya-Nagylng, Kpcsny, Rjtkmuzsaj, Vajta,
Pilissznt and other parks
Bibliographies in garden history
Habsburg gardens in Hungary (2008)
MGUS KFT.
MAGUS Ltd.
Researcher/author: Gbor lfldy Krecsnyi street 5. Budapest, H-1025
Firm: MGUS Publishing and Garden Design Ltd. +36 20 317 5573 anna.ecsedy@gmail.com
133
Research of Baroque gardens
Works: Preservation gave me the contract to prepare research on the gardens history and
Research Works
- Tracing the disappearance of Baroque garden sculpture as well as their origins the iconographic system of its statues. The history of the Baroque Bishops Gardens
Published: Acta Historiae Artium 2006 (Opus Mirable award) in Fertrkos resulted in a detailed construction history owing to the wealth of ex-
- Drassburg, Austria Zichy-Mesk Gardens. Documentation of the history of the tant archival material about the site.
gardens, 2007. Client: Bundesdenkmalamt, Vienna
- The bishops castle of Fertrakos and its garden. Scientific documentation,
2007. Client: Hungarian National trust of Historic Monuments, Budapest.
- Hungarian nobles residences and gardens in and around Vienna. Architectural
and garden architecture monuments, 1700-1940. Research from 2004. Kleb-
elsberg Scholarship, Vienna.
In the course of the research there was the
gathering of scientific documents related to
the restoration of historic gardens as well as
processing of general garden historic or gar-
den-related art historic questions primarily
related to the Baroque period.
From the standpoint of historic and pres-
ervation issues it is equally important and
exciting to research Baroque garden sculp-
tures, their origins and their fates. For ex-
ample in Gernyeszeg, Transylvania (today
Gorneti, Romania), well-known Baroque
statues have been traced through a number
of translocations and re-uses. The research
was published in a summary in 2006 and it
recieved Opus Mirabile Prize from the Art
History Committee of the Hungarian Acad-
emy of Sciences . The Gardens of Daufalva/
Drassburg, which was once within Hun-
garian borders, has uniquely retained its
original Baroque structure and its wealth of
statuary. The Austrian Office of Monuments
MGUS KFT.
Title of work: Baroque gardens, 17th and 18th century garden and garden sculpture research
MAGUS Ltd.
Researcher/author: Anna Ecsedy
Krecsnyi street 5. Budapest, H-1025 Firm name: MAGUS Publishing and Garden Design Ltd.
+36 20 317 5573 anna.ecsedy@gmail.com Time of research: 2002-2010
134
Garden History Collection
This private collection, systematically amassed over a decade and a half, represents
Research Works
one of the countrys richest collections. In the last decade, research and documenta-
tion of the history of gardens as well as the preparation of conservation plans has
become virtually impossible without the search for and interpretation of historic data
and images. The collection has been an indispensable tool for individual garden resto-
rations as well as exhibitions, publications or large-scale summary or inventory work.
Data collection:
- Tens of thousands of archival and professional data about Hungarian gardens
and garden architects
- Garden designers or builders brochures and advertisements, 19-20 centuries
- Price lists from aristocratic tree nurseries
- Material from garden expositions
Postcard collection:
- 12,000 postcards, primarily of Hungarian gardens from the 19th century to the
present (country house parks, villa gardens, public parks, bath parks, hospital
gardens, factory gardens, etc)
Graphic collection
- Prints about gardens, 17th-20th centuries
- Individual graphics about gardens (ink and pencil drawings, watercolors, 18th-
20th centuries)
Photo collection
- Several hundred archival photographs, mainly of Hungarian gardens, 19th and
20th centuries
- Photos by the archive owner of domestic and foreign historic gardens, more
than 50,000
Coins or medals
- Domestic and foreign garden medals, 19th-20th centuries
Library
- More than 1,000-volume professional library of Hungarian and international
garden history professional literature and old garden design books (18th-20th
century)
MGUS KFT.
MAGUS Ltd.
Title of work: Garden History Collection Krecsnyi street 5. Budapest, H-1025
Owner: Gbor Alfldy, Magus Publishing and Garden Arts +36 20 317 5573 anna.ecsedy@gmail.com
135
Research Works Danube branch mappation
Research Works
green surface cover of Budapest and its environs and its relation to surface tem- its agglomeration between 1990 and 2005, 4D Landscape Architecture Periodi-
perature between 1990 and 2005. The research used multispectral satellite images cal, number 4, pages 21-27
analyzed in a geographical information system. We used images taken by the TM - Ongjerth 2008: An examination of Budapests green surface cover, Falu-Vros-
sensor of LANDASAT 5 on July 23rd 1990 and August 1st 2005. Regi 2008, number 1, pages 30-37
- Gbor, Jombach 2008: The relationship of the intensity of green surface cover and
Publications related to the research: urban temperature in Budapest, Falu Vros Regi 2008, number 1, pages 31-36
- Gbor, Jombach, Ongjerth 2006: A Measurement of Budapests Green Surface - Gabor, Jombach 2010: The relation between the biological activity and
Condition Using Satellite Images, 4D Landscape Architecture Periodical, Num- land surface temperature in Budapest, Applied Ecology and Environmental
ber 4, pages 15-22 Research 7 (3) pages 241-251
Title of work: Changes in the green surface cover of Budapest and Agglomeration between 1990-2005,
connections between surface temperature and vegetation cover
Years of research: 2006, 2008
Client: Studio Metropolitana
Firm: Greentree Studio
Greentree Studio
Authors: Pter Gbor, Sndor Jombach, Richrd Ongjerth
Type of research: Remote sensing, satellite image analysis Hegeds Gy. street 50. Budapest, H-1133
Covered area: approx 2 450 sq km +36 -1-339-4404 www.greentree.hu
137
138
Prize Winning Creations
Prize Winning Creations
139
Design for Uranium Citys Main Square, Pcs competition [PWC-01]
The Uranium Miners square: Our aim was to give the two halves of the
Prize Winning Creations
square visual and functional connection, that is, create a visually transpar-
ent and interrelated square. This unification is partly through a formal sense
by creating a rectangular space of high-quality limestone paving that con-
nects the two parts. The relative emptiness reinforces the representational
character of the area. We did not envision significant changes relative to
the squares current condition. We concentrated on reinforcing the char-
acter of the buildings surrounding the square and expanding their sphere.
Szilrd Le park: The park was expanded into a quadrilateral order us-
ing the areas structural, linear and functional intersections. 1. In order
to achieve this the heavily-trafficed crossaxis, along the citys main traffic
route, the squares long-reaching and narrow area the celebratory, less
intensive functionalitas supports the formal connection with the square.
2. The parks western area follows the formal contination of the apartment
houses there with a shady leisure area designed for intensive use with
patterned tree plantings. 3. In the parks south area we sought to place
the intensive recreational areas. This is partly the playground but also the
more closed-in sport areas. 4. In the parks middle area there is a large
interdependent surface with minimal planting. The unified lawn surface
will be netted owing to precipitation. This area is the representative part
of the park.
Title of work: Pcs-Uranium City main square and connecting public spaces plan
Balzs Almsi Ph.D
Year of Award: 2007
Kakkuk street 18/A. Budapest, H-1116 Authors: Balzs Almsi, Antal Gergely, Betrix Bcs, Veronika Fally,
+36 30 363 0691 Mt Srospataki, Szilvia Tnczos, Rita Varga
140
Prize-winning creations
PWC-03 PWC-04
1. Ferenc Reitter Prize Szent Istvn Basilica environs and district V work, Budapest [PWC-02]
Artboretum Garden and Fine Arts Society
2. Europa Nostra prize Karasz utca-Klauzl tr, Szeged [PWC-03]
3. Pro Architectura Prize Holocaust Museum Garden, Budapest [PWC-04] Bocskai street14. Budapest, H-1114
Lead planner: Pter Trk, Ybl prize-winning landscape architect +36 1 361 0194 www.petertorok.com
141
Kossuth square, Budapest [PWC-06]
The objective of the plan was to use the original idea of Steindl
Prize Winning Creations
to create a triple square but tailor it to contemporary needs
within realistic borders, rationally, feasibly. Instead of propos-
ing radical changes we sought to create a concept that takes
into account all existing values and traditional functions and
puts them into a unified frame. In enumerating the functions
naturally protocol has its place: state events, memorials. But
of at least equal significance is its importance as a tourist site,
for there is no tourist that would not seek out what is cer-
tainly the most famous Hungarian building. At the same time
political gatherings, gatherings of protest or support also find
space here. Kossuth square is the main square of the coun-
try. It is possible that Heroes Square is better known and in
many senses and for many more symbolic, yet, the highest
decisionmaking body, the square of Parliament, where the na-
tional flag flies, merits the title of Main Square. What is a main
square meant to be, and whats it good for? In addition to
todays general practice (state events, protocol, tourism) pri-
marily the citizens of the city (in broader sense, and here: the
country) should be able to meet freely here with each other
at any event of their choosing. If it rains or the wind blows: in
peace, in safety, with maximum acceptance and respect for
each other, in the happy knowledge of unity.
Title of work: Pcs-Urnvros main square and connecting public areas, competition
Year of award: 2007
Garten Studio
Designers: Gyrgy Szloszjr, Borbla Salg, Dniel Kontra
Czak street 13. Budapest, H-1016 Firm: Garten Studio
+36 1 212 7365 www.gartenstudio.hu Award: Third prize
148
buda, Main square [PWC-13]
In our approach, the Main square does not break away from its roots as the center inner square is the planned water architecture a system of spouts sunken into the
Title of work: Pcs, Design for Urnvros main square and connecting areas
Year of award: 2007
Korz Tervezsi Stdi
Firm: Korz Tervezsi Stdi
Trkvsz street 97-97B/28. Budapest, H-1025 Designers: Balzs Grabner, Dnes Terhes, Zsuzsa Burmeister, Levente Szab
+36 20 292 8646 www.korzostudio.hu Award: Second prize
154
Main Square, buda [PWC-19]
In the course of the planning process we sought to create the conditions for
Title of work: buda Main Square and environs urban design and environmental planning
Year of award: 2008
Korz Tervezsi Stdi
Firm: Korz Tervezsi Stdi
Designers: Balzs Grabner, Dnes Terhes, Dra Takcs, Levente Szab Trkvsz street 97-97B/28. Budapest, H-1025
Place: first +36 20 292 8646 www.korzostudio.hu
155
Szchenyi square, Pcs [PWC-20]
In the course of the planning process
Prize Winning Creations
we sought to create a square that would
have multiple uses and function well for
a long time. We also kept in mind the
sites existing attributes including its
spatial connections, existing plantings,
current functions, and also the new de-
mands of a 21st century population and
the European Cultural Capital of 2010.
We sought to create visual connections
to weave together the squares and
streets with unified material use and
techniques to bring out the squares
natural beauty. We wanted to increase
the amount of leisure and hospital-
ity facilities as well as the shading and
the variety of water surfaces, while still
keeping most of the original statuary
and plantings. We also sought to make
it possible to have seasonal exhibitions
and enhance pedestrian and cycling
transit and barrier-free circulation for
the disabled. Finally, we wanted to up-
grade the public transit and eliminate
car traffic. We proposed a square that
would reference the city centres new
identity and invest it with new elements
that would fill it with life and bring plea-
sure to everyone who lives in the area.
We wanted to give Szchenyi square
and with it Pcs a representative ap-
pearance.
The underused areas must be incorporated into the city fabric and serve
as a sort of prevention against ghettoisation or the slumification process.
It is an important task to increase recreational opportunities for all ages.
Since the area was built the social composition of the area has changed
considerably and the current spatial structure is not in harmony with con-
temporary demographics. The renovation of public areas must also offer
an opportunity for involving private capital. In the long term with modifi-
cation of the zoning plan, the entire stretch of Csontvry street could be
renewed in a such way that the existing commercial structures be razed
and new, more contemporary and unified ones be created, resulting in a
new city centre and a fundamental change in quality.
Title of work: Rckeve Garden Culture Exhibition and Leisure Park Environmental Plan
Year of award: 2007
Lead planner: Gbor Szcs
Pagony Landscape Architecture Ltd.
Firm: Pagony Landscape Architecture Studio
Designers: Gbor Szcs, Viktor Lszl, Pter Tth Budafoki street 53. Budapest, H-1111
Award: First prize +36 1 365 1805 www.pagonyiroda.hu
163
Cseri Park, Kaposvr [PWC-28]
The competition called for the development and transformation of Cseri Park, which had lost its func-
Prize Winning Creations
tions after the changes of 1989. The park was to be turned into a recreational attraction that would
exceed that of a traditional urban arbour. The planned functions are to be separated by age groups
and include transitional family spaces that may be used by multiple age groups. Individual operation
and target groups are taken into consideration with the separate skate park and playground, using the
lands natural contours to maximum effect. The proposed playground would be unique in the region.
The main elements of the concept would be to create play opportunities for people of all ages includ-
ing parents and teenagers. The playground is not a conventional one: it would be capable of receiving
large groups and would be an active tourist destination and the site of regular special events. There
would also be rentable equipment including petanque, foam balls, hula hoops, jumpropes, etc. Our
goal was to create a creative place that would contribute to skills development and imagination.
Title of work: Heart of Budapest City Hall Forum Project, landscape architecture plan
(competition first prize, permission plan)
Start of planning: 2008
General planner and designer: Eric van Egeraat, EEA Rotterdam
Tr-Team Ltd.
Designers: Gbor Szab, Edina Csk, Gergely Vgs
Pva street 6. Budapest, H-1094 Expected realization: ?
+36 1 299 0825 www.ter-team.hu Award: First prize
172
Orthophoto game [PWC-37]
The orthophoto game was first implemented as part of the Budapest Atlantis Pro-
The cemetery is the burial place of 11,000 German and 800 Hungarian soldiers. Under each granite stone there are 4-6
sarcophagi. The surrounding Peace Park has the same planting order as the parcels. The reception buildings design,
the cemeterys fitting into its surroundings and its garden design received a Pro Architectura Award in 1999. The site
is five hectares.
In the case of Kecskemt the main square has long been a promenade and meeting place and site of cul-
tural and intellectual happenings. This needs to be expanded and taken further to the entire downtown
core that is, this spirit should be spread to area streets into an interconnected pedestrian network.
Following this the differentiation among the various types of public spaces will mean that everyone can
find their proper place. Part of the basic condition for this is the closing off to vehicular traffic of the area.
On the edges of the core of the city
there will be three points where a
place should be provided for those
arriving into the city, which will re-
quire articulating this need in suit-
able architectural and open space
architecture solutions. This reno-
vation of the inner city can only be
done in the context of keeping the
places built heritage and tradition-
al boundaries, nonetheless, next to
this on the edge of the city centre
it will be possible to create the em-
blematic building of 21st century
Kecskemt, which will be recog-
nized by the people of the next
century and generations to come.
VZM Ltd.
Bimb u. 20. Solymr, H-2083 Title of work: Kecskemt, main square and environs competition
+36 1 439 0490 www.vzm.hu Firm: Vlgyzugoly Workshop
176
Santa & Cole focuses its efforts on publishing useful, long-lasting lightings
and street furniture, made with recycled and recyclable materials, such as
more efficient street lamps, with LED technology, which encourage energy
saving and minimize pollution.
santacole.com
S-TR KFT
LLI T 5 III/23
H-1091 Budapest
+ 36 1 321 85 98
hungary@santacole.com
Squares, Roads, Terraces
Application
This system is applicable for all intensive roof garden types as long as the struc- 3
tural elements and types of vegetation have been selected to meet the criteria
set for roof top reservoir irrigation systems within the scope of green roof tech-
nology. Flooded roofs are ideal for marshy gardens, increasing the ecological 1 2
value of green roofs. Over and above the ecological benefits, the thermal pro-
perties of the building also improve significantly. In combination with a complex 1 Outlets
water management system, the DIADEM Marshtop operates in a self-sustai- The DHA-110-D roof outlet
ning manner without the need for further water replenishment. with clamping collar ensures
uniform water level on the
waterproofing with the aid
Water management sources for the quantity lost of a height-adjustable ex-
system due to evaporation. tension flange found inside System build-up
The DIADEM Marshtop System requirements: the outlet. The height of the
possesses significant water Roof constructed to zero extension flange can be ad- 3 Water replenishment 4 Habitat
retention and evaporation falls, or constructed with justed according to need. The KSR+W inspection box Maintaining a constant,
properties thereby reducing screed to falls in a stair- with built-in water level regu- uniform water level on the
the strain on the sewage step pattern lator made of stainless steel waterproofing creates ideal
system, helping the natural Outlet with rooftop reser- regulates the replenishment conditions for a wet habitat
circulation of water, capi- voir irrigation unit of water when falling below and some colonies with
talising on the ecological Automatic water level the required minimum level unique species of flora and
usage of precipitation and regulator thereby resulting in optimal fauna.
reducing the urban heat Drainage board with ade- water circulation.
island effect. quate capacity
The essence of the system Root resistant water- 2 Storm water retention
is that the roof surface proofing The DIADRAIN-150 system
acts as a water basin and Roof constructed to meet is designed so that its depth
only the surplus water sufficient load-bearing is in direct proportion to the
flows away from the roof. capacity amount of annual precipita-
The excess water is then With appropriate planning tion and the water retention
channelled and collected in the system can be desig- requirements of the project
rainwater harvesting tanks ned to provide water flow for achieving appropriate
acting as compensation for fire pumps. water attenuation.
APP Kft. Fehrvri u. 75. H-9028 Gyr Phone: +36 96 / 512 910 Fax: +36 96 / 512 914 E-mail: info@diademroof.com www.diademroof.com
We make cities more beautiful
mmcit a.s.
Blovice 519
687 12 Blovice
Czech Republic
m +420 725 067 076
sales@mmcite.cz
www.mmcite.com