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Kaley Lane Eaton

hummingbird/butterfly
(2015)

for orchestra
Performance notes:

Large numbers on the first two pages indicate cue numbers. The conductor
should signal these numbers to the orchestra in order.

Instrumentation:
Piccolo
Flute
Alto Flute
Oboe
Clarinet in Bb
Bass Clarinet in Bb
Bassoon
Horn I
Horn II
Horn III
Horn IV
Trumpet in Bb
Vibraphone
Violin I
Violin II
Viola
Violoncello
Contrabass

Hummingbird:
Symbolizes joy, playfulness, lightness, the beauty in the temporary.
Butterfly:

Symbolizes transformation, renewal, rebirth, and the soul.


hummingbird/butterfly
Kaley Lane Eaton

approximately 40"
Conductor cues each entrance; performers
decide individually on tempi and number of iterations
of their boxed motive, until the conductor cues their
A second motive.

6 gradually accelerate and grow in volume


change fingering and timbre at will

Piccolo &
3 >
mf
n
gradually accelerate and grow in volume
> change fingering and timbre at will
Flute &
n mf
1 gradually accelerate and grow in volume
change fingering and timbre at will
Alto Flute &
>
n mf

Oboe &
4 gradually accelerate and grow in volume
> change fingering and timbre at will
Clarinet in Bb &
n mf

Bass Clarinet ?
in Bb

Bassoon
?

2 gradually accelerate and grow in volume



Horn I in F &
n >mf
3 gradually accelerate and grow in volume
Horn II in F &
n
>
mf
5 gradually accelerate and grow in volume
Horn III in F &
n > mf

5 gradually accelerate and grow in volume


Horn IV in F &
>
mf
n

Trumpet in Bb &

2

Vibraphone
{&
p

A

Violin I &

Violin II &

3
Viola B #>
ff
3
7
? >
#>
Violoncello
ff ff

Contrabass
?

www.kaleylaneeaton.com
2

approximately 30"

8
B B5
3
4
Picc. & 4
p f>
B3
Fl. & > 4
4
3
p f
B1
3 > 4
A. Fl. & 4
p f

&
4
Ob. 4
B4
3
& 4
Cl.
> 4
p f

? 4
B. Cl. 4

? 4
Bsn.
4

B2
3
4
Hn. & 4
>
p f B3
3
&
4
Hn.
> 4
p f
B5
3
&
4
Hn.
4
p >f
B8
3
&
4
Hn.
4
p f>

4
Tpt.
& 4

B1 B3
4
Vib.
{& ##> 4
f pp

B B6

>
B1
&
4
Vln. I 4
3
ff
B5 p f

4
Vln. II & 4
3
B4 p f


B 4
Vla. 4
p 3 f
B7
3
? 4
Vc. & 4
p f

? 4
Cb.
4
C
3
15 q = 60
4
Picc. &4

4
& 4 J
Fl.
-
3 n
p

4 -
A. Fl. & 4 J
p n

Ob.
4
&4 . . . . . . . . . . . . . . . .
p

3
Cl.
4
& 4 J
J -
3
p n
. . . . . . . . . . . . . . . .
p

>
?4 #
B. Cl. 4 J
psub.
5
p f
>
?4 bb b b
R n
Bsn.
4
5
p f p sub. f

open
4
Hn. &4 w w w
ppp mp
open
Hn.
4
&4 w w w w
ppp
mp
open
Hn.
4
&4 w w w w w
ppp
mp
open
Hn.
4
&4 w w w w w w
ppp
mp

4
Tpt. & 4

rubber mallets
4 j3 b
Vib.
{& 4 J
3 p
p

C
q = 60

o o o o o
arco
3
con sord.
4 o
j
Vln. I &4 J
3 3 3 3 3 3
p eespressivo pp sempre

# o o # o o w # o o o o
4
Vln. II &4
pp sempre 3 3 3 3
pp sempre
arco
o o o o
Vla. B 44
3 3 3 3 3
pp sempre pp sempre

arco
#o o #o o o
pizz.
4 j3 #o #
Vc. & 4 J
3 3 3 3 3 3 3
p pp sempre

o o o o o o o o o o
?4
Cb.
4 &
3 3 3 3 3 3 3
pp sempre
4
21 D

Picc. &
tone-color trill
> flz
>
w
- j J
Fl. & J -
3 3
mp pp sub. f

tone-color trill

w
A. Fl. &
pp sub. ff

-
Ob. & . . . . . . . -
. 3
J
mf mp

Cl. & -
3

J J J -
. . . . . . . . mp 3 -
mf

>
B. Cl.
? #.
J
f p

>
Bsn.
? J

p


Hn. & w w w
n

Hn. & w w
n
open
Hn. & w w
n ppp
open
Hn. & w w
n ppp

Tpt.
&

b j j3
Vib.
{&
n J
3 3
mp

D alternate between

arco
3
via sord. sul pont. andord.

Vln. I &
j j

J
3 3 3 3 3 3
p sempre
mp
alternate between
sul pont. and ord.
# non divisi
# # #

Vln. II &
3 3 3 3 3 3 3 3 3 3 3 3 3
p sempre p sempre
divisi
(other half of section)
divisi 3 3 3
alternate between
(half of section) sul pont. and ord.
# # #

Vla. B &
3 3 3 p sempre 3 3 3 3 3
3 3 3
p sempre

alternate between
pizz. sul pont. and ord.
# n 3 # #
Vc. & J J J j j j
3 3
3 3 3 3
3 3 p sempre
mp

alternate between
sul pont. and ord.


Cb. &

3 3 3 3 3 3 3 3 3 3 3 3 3
p sempre
E 5
tone color trill continue, rapidly
27

w >
J
Picc. &
3 3 3 3 p
pp f

ord.
> > > > # continue, rapidly

Fl. &
3 3 3 3
mp

jet whistle continue at own rate


> > >
A. Fl. &
O 3
ff ff mp

Ob. &

Cl. &
J
3
mp

B. Cl.
?

Bsn.
?

open

Hn. & w w
>
ppp f
open
Hn. & w w w
>
ppp f f

Hn. & w w w
>
f f

Hn. & w w w
>
f f

Tpt.
&

b . b
J
Vib.
{& J
f f 3
mf

sul pont. E
ord.

Vln. I & J
3 3 3 3 3 3 3
mp sempre 3
mf

sul pont.
<#> # # # divisi

Vln. II &
3 3 3 3 3 3 3 3 3 3
mp sempre

divisi
sul pont. 3 3

Vla. &


3
3
3
3


3
3 3 3 3 3 3
mp sempre

sul pont.
<#> # # #
Vc. &
3 3 3 3 3 3 3 3 3
mp sempre

divisi
sul pont. 3 3 3

Cb. &
3 3 3 3 3

3 3
mp sempre
3 3
3 3
6
31
w w
Picc. & J J
mp 3 f

-
-
Fl. &
J
J R


3 3
3 mp
f

-
- J
A. Fl. & J
3 mp
f


Ob. & -
-
- -
w J j
Cl. &

mp >
f
f

? >
B. Cl. J
f

Bsn.
?


Hn. &

Hn. &

Hn. &

Hn. &

Tpt.
&


J J j j3
Vib.
{& 3

3
f

>

j j3
Vln. I & J J

3 3
f
3 vary degrees
3 3 of vibrato
>
Vln. II &
3 3 3 3 3 f
mf sempre

3
3 3 3 3

Vla. &

3 3 3
mf sempre
divisi


Vc. &
3 3 3
mf sempre

f

3 (divisi) 3 vary degrees


3 3
of vibrato
?
Cb. &

>
mf
3 3
f
3
F 7
35 cut off abruptly
> >
#J
w
Picc. & J
f ff

3
j
Fl. &
3
mf p mf
espressivo
cut off abruptly
> w >
A. Fl. & J
f ff
cut off abruptly
Ob. & j w
j
> >
f ff
cut off abruptly
3 3
Cl. & w w j
>

mf espressivo p mf

cut off abruptly


>
B. Cl.
? w w
J
ff
cut off abruptly
? w >
Bsn.
w
J
ff


Hn. &

Hn. &

Hn. &

Hn. &

Tpt.
&

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Vib.
{&
eee e e e eee e e e ee e e e e eee e e e eee e e e eee e e e ee e e e e eee e e e eee e e e eee e e e eee e e e eee e e e eee e e e eee e e e eee e e e eee e e e
p f dim.

vary degrees
F
of vibrato cut off abruptly
> w >
Vln. I & J
f ff
cut off abruptly

Vln. II &w
w ww >
J
ff

vary degrees
of vibrato ord.
3
j
Vla. & w
w w
w
> mf
3
f p mf
vary degrees espressivo
of vibrato
> w ?
ord.


J

Vc. & J &
3 3

mf espressivo p mf
f

> > cut off abruptly


>
Cb.
?
w w
w
w
J
ff
8
39 G

Picc. &

> > >


#>
J
Fl. & J
3 3
f ff

A. Fl. &


Ob. & J
J
3 3
f sempre

j
3 3 >
Cl. & j
>
#>
f > ff

B. Cl.
?

Bsn.
?


Hn. &

Hn. &

Hn. &

Hn. &

straight mute
j j
Tpt.
& n
3
3
f sempre

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Vib.
{& eee e e e eee e e e eee e e e eee e e e eee e e e eee e e e eee e e e eee e e e eee e e e eee e e e eee e e e eee e e e eee e e e eee e e e eee e e e eee e e e e eeee eeeeeeee e eee eee e eee e ee e ee ee
p f f sempre

G

Vln. I &


Vln. II & J
J
3 3
f sempre
> > > 3
#>
J j j
Vla. & J n
3 3 3
f ff f sempre

j
3 3 >
Vc. & j
>
#>
f > ff

Cb.
?

9
42

Picc. &

Fl. &

A. Fl. &

>
3
J J J j
Ob. &
ff 3

Cl. &

B. Cl.
?

Bsn.
?


Hn. &

Hn. &

Hn. &

Hn. &

3
j j 3
Tpt.
& J j

f ff

5 5 5 5 5 5 5 5

Vib.
{ & e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e#e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e
ff sempre cresc.


Vln. I &
>
3
J J J j
Vln. II &
ff 3

3
j 3
Vla. & J

j
j


f ff

Vc. &

Cb.
?

10 H
45 cut off abruptly
#w >
Picc. & J
n fff possibile

w >cut off abruptly


Fl. & J
n fff possibile
cut off abruptly
w >
A. Fl. & J
n fff possibile
cut off abruptly
Ob. & w j

>
n fff possibile
cut off abruptly

& w j
Cl.

n >
fff possibile
cut off abruptly
? w >
B. Cl. J
n
fff possibile
cut off abruptly
? w >
Bsn.
J
n fff possibile

cut off abruptly


j
Hn. & w
>
n fff possibile
cut off abruptly
j
Hn. & w
>
n fff possibile

cut off abruptly


j
Hn. & w
>
n fff possibile
cut off abruptly
j
Hn. & w
>
n fff possibile

cut off abruptly

Tpt.
& w j

>
n fff possibile

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

Vib.
{ & e e e e#e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e#e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e#e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e
pp sub.
fff possibile

Hnon divisi cut off abruptly

Vln. I
ww
& >
J
n fff possibile
cut off abruptly
j
Vln. II & w
w
>
n fff possibile
cut off abruptly
j
Vla. & w
w >
n fff possibile cut off abruptly

& w j
Vc. w >
n fff possibile cut off abruptly

? w j
Cb.
w
w >
= n fff possibile
48 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
U
Vib. & e e e#e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e#e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e#e e e e e e e e e e e e e E
e e e e e e e e e e e e e e e e e e e e

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