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Contents
Chapter 1. Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
HD I/O Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Whats Included . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
System Requirements and Compatibility . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
About This Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
About www.avid.com . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Contents iii
1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
HD I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
www.avid.com . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
2 HD I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
HD I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
HD I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
3 HD I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
HD I/O HDX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
HD I/O HD Native . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
HD I/O Pro Tools|HD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
5 I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
6 DB-25 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
DB-25 ............................................... 85
+4dBuDB-25 ......................................... 85
10dBVDB-25 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
AES/EBU DB-25 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
TDIF DB-25 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
7 HD I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
HD I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
iv HD I/O Guide
Chapter 1: Introduction
Chapter 1: Introduction 1
Synchronization
System Requirements and
Compatibility
Loop Sync input and output for connecting ad-
ditional Avid HD audio interfaces and periph-
erals Avid can only assure compatibility and provide
External Clock input and output for synchro- support for hardware and software it has tested
nizing HD I/O with external Word Clock de- and approved.
vices For complete system requirements and a list of
qualified computers, operating systems, hard
Expandability
drives, and third-party devices, visit:
Optional addition of I/O cards to expand ana-
www.avid.com/compatibility
log or digital I/O
Simultaneous use of multiple Avid HD audio
interfaces to further expand system input and
Registration
output
Review the enclosed Registration Information
Card and follow the instructions on it to quickly
Whats Included register your purchase online. By registering,
you become eligible to receive the following:
Avid HD I/O audio interface
Technical support information
AC power cable
Software update and upgrade notices
DigiLink Mini cable (18 inches [0.46m])
Hardware warranty information
DigiLink Mini adapter
BNC cable (18 inches [0.46m]) Hardware Warranty
HD I/O Guide
Your warranty can be found on the Registration
Health and Safety Guide Information Card.
Registration Information Card
2 HD I/O Guide
Conventions Used in This Guide
About This Guide
All of our guides use the following conventions
This guide provides a basic overview of to indicate menu choices and key commands:
HD I/O features and functionality. :
Convention Action
For hardware installation instructions for your
HDX hardware, see the HDX Install Guide. File > Save Choose Save from the
File menu
For hardware installation instructions for your
Control+N Hold down the Control key
HD Native hardware, see the HD Native Install
and press the N key
Guide.
Control-click Hold down the Control key
For hardware installation instructions for your and click the mouse button
Pro Tools|HD hardware, see the Pro Tools|HD
Right-click Click with the right
User Guide.
mouse button
For Pro Tools software installation instructions,
see the Pro Tools Installation Guide. The names of Commands, Options, and Settings
that appear on-screen are in a different font.
For additional information about using
Pro Tools software, see the Pro Tools Reference The following symbols are used to highlight
Guide (in Pro Tools, choose Help > Pro Tools important information:
Reference Guide).
User Tips are helpful hints for getting the
most from your system.
Chapter 1: Introduction 3
About www.avid.com
The Avid website (www.avid.com) is your best
online source for information to help you get the
most out of your Pro Tools system. The follow-
ing are just a few of the services and features
available.
4 HD I/O Guide
Chapter 2: HD I/O Overview
This chapter describes the front and back panel features of the HD I/O.
With HD Native hardware, Loop Master defaults 44.1 kHz 44.1 kHz
to the first audio interface connected to Digi-
48 kHz 48 kHz
Link Mini Port 1 on the HD Native card.
88.2 kHz 88.2 kHz
For Pro Tools|HD systems, Loop Master defaults 44.1 kHz
to the first audio interface connected to the pri-
mary, or core Pro Tools|HD card. On 96 kHz 96 kHz
48 kHz
Pro Tools|HD (for PCIe), this is the Accel Core
card. On Pro Tools|HD (for PCI), this is the HD 176.4 kHz 176.4 kHz
Core card. 44.1 kHz
6 HD I/O Guide
HD I/O Back Panel
1 2 3 4 5 6 7 8 IN OUT
OUT
OUT
ANALOG OUTPUT
BALANCED
964530300294856
AC ~ 100-240V;50-60HZ; A
ACCESSORY
EXPANSION PORT PRIMARY PORT
1 2 3 4 5 6 7 8
The HD I/O Analog In card contains connectors The HD I/O Analog Out card contains a single
for analog audio input with 24-bit, 192 kHz A/D DB25 connector and Output Trims for eight
converters. Input is provided through two dis- channels of analog audio output. These balanced
crete DB25 connectors (one for +4 dBu outputs operate at +4 dBu levels. See Chapter 6,
sources, and the other for 10 dBV sources). Pinout Diagrams for the DB-25 Connectors.
You can connect sources at both operating levels
and choose between them from within For 10 dBV gear, you can switch a jumper
Pro Tools. on Analog Output cards (on a channel-by-
channel basis) from the default Hi position
+4 dBu Balanced Provides eight balanced input to Lo for a 6 dB pad. You can then adjust
channels at +4 dBu nominal operating levels. the Trim pot for the corresponding output
10 dBV Balanced Provides eight balanced input channels by an additional 4 dB to accom-
channels at 10 dBV nominal operating levels. modate 10 dBV gear. For more informa-
tion, see Chapter 7, HD I/O Calibration
Most consumer electronics operate at 10 dBV Mode Instructions.
levels, and may not feature balanced inputs
and outputs. You can connect 10 dBV signals Output Trims
to the 10 dBV inputs, but you will need to
The Output Trims below the DB25 connector
make sure that the negative terminals are not
are used to individually calibrate each channels
connected.
output level. For more information, see
For wiring information, see Chapter 6, Pinout Chapter 7, HD I/O Calibration Mode Instruc-
Diagrams for the DB-25 Connectors. tions.
Input Trims
8 HD I/O Guide
Digital I/O The inputs on the Digital I/O card feature real-
time sample rate conversion. For example, you
can stream audio with a sample rate of 44.1 kHz
into a 96 kHz session.
We recommend using Avid DB-25 TDIF Other connectors include Loop Sync, External
cables for optimum compatibility. Clock, and ports for attaching the HD I/O to
HDX, HD Native, or Pro Tools|HD cards, or to
Optical (ADAT) Dedicated, eight-channel 24-bit other Avid HD audio interfaces.
capable Optical ports (up to 48 kHz), with real-
time sample rate conversion on input (only).
Note that Optical S/PDIF is not supported with
the Digital I/O card and is supported with the
enclosed Optical ports only (for more informa-
tion, see Optical (ADAT) [Encl] on page 10).
These are balanced, three-conductor XLR con- These are unbalanced RCA jacks that receive
nectors that accept and output a stereo, 24-bit and send two channels of S/PDIF audio. S/PDIF
AES/EBU audio signal. These two ports support supports up to 24-bit audio, at sample rates up
up to 192 kHz sample rates. to 192 kHz.
10 HD I/O Guide
DigiLink Mini Cables and Adapters Clock and Synchronization Ports
Avid provides various cables and adapters to
connect Avid HD audio interfaces to HDX,
HD Native, and Pro Tools|HD cards.
50 (15.25m), the maximum length sup- Because crucial timing data is passed
ported for 176.4 kHz and 192 kHz sessions through the Loop Sync and Word Clock
(sold separately) ports, you should use high-quality, 75-Ohm
100 (30.5m), the maximum length sup- RG59 cables for making connections.
ported by 88.2 kHz and 96 kHz sessions
(sold separately)
AC Power
This connector accepts a standard AC power ca-
ble. HD I/O is auto power-selecting (100V to
240V) and will automatically work with a stan-
dard modular cable (IEC) to connect to AC
power outlets in any country.
Accessory Port
This port currently has no functionality.
12 HD I/O Guide
Chapter 3: Connecting HD I/O
HD I/O provides up to sixteen channels of ana- Pro Tools|HD With Pro Tools|HD hardware,
log and digital I/O with HD I/O with Avid HDX, HD I/O is connected to a Pro Tools|HD card
HD Native, or Pro Tools|HD hardware. using a DigiLink cable with a DigiLink Mini
adapter. You can connect additional HD audio
HDX With HDX hardware, HD I/O is connected interfaces to your system using the Expansion
to the HDX card using a DigiLink Mini cable. port on the back of HD I/O or using additional
You can connect additional HD audio interfaces Pro Tools|HD cards. See Connecting HD I/O to
to your system using the Expansion port on the Pro Tools|HD Cards on page 18.
back of HD I/O, the second DigiLink Mini Port
on the HDX card, or by using additional HDX For more information about installing
cards. See Connecting HD I/O to HDX Cards Pro Tools|HD cards, see the Pro Tools|HD
on page 14. User Guide .
For more information about installing HDX Rack Mounting HD Audio Interfaces
cards, see the HDX Install Guide .
HD I/O and all Avid HD audio interfaces need
HD Native With HD Native hardware, HD I/O is room at their sides to maintain proper air flow
connected to the HD Native card using a for cooling. Do not block the sides of the unit or
DigiLink Mini cable. You can connect additional disconnect the internal fan. If the units are rack-
HD audio interfaces to your system using the mounted in a case, remove the case lids or doors
Expansion port on the back of HD I/O or the sec- before operating the system. Failure to do so can
ond DigiLink Mini Port on the HD Native card. result in the units overheating very quickly,
See Connecting HD I/O to an HD Native Card which can permanently damage sensitive
on page 16. components.
Connect the HD I/O Primary Port to DigiLink Mini Port 1 on the HDX card using a DigiLink Mini
cable.
14 HD I/O Guide
First HDX card
Figure 2. Making DigiLink and Loop Sync connections with two HDX cards, one HD OMNI, and five HD I/Os
Connect the HD I/O Primary Port to DigiLink Mini Port 1 on the HD Native card using the included
PORT 1
PORT 2
Figure 3. HD I/O connected to the DigiLink Mini Port 1 on an HD Native card
1Connect the Primary Port to DigiLink Mini Port 1 on the HD Native card using the included DigiLink
Mini cable.
2 Connect the additional HD I/O (or other compatible Pro Tools audio interface) by doing one of the
following:
Connect the Primary Port of the secondary interface to the Expansion Port of the primary
interface with an additional DigiLink Mini cable (or DigiLink to DigiLink Mini adapter).
or
Connect the Primary Port of the secondary interface to DigiLink Mini Port 2 on the HD Native
card.
3 Make the necessary Loop Sync connections (see Connecting Loop Sync on page 17).
16 HD I/O Guide
Connecting Loop Sync
If you are using two or more Pro Tools audio interfaces or a SYNC peripheral, Loop Sync must be
connected to maintain proper clock synchronization among the devices. For examples that include a
SYNC peripheral, see the SYNC HD Guide. For an example of connecting multiple Avid HD audio
interfaces, see Figure 4 below.
PORT 1
PORT 2
Figure 4. DigiLink Mini and Loop Sync connections for two HD I/Os with HD Native
Connect HD I/O Primary Port to the DigiLink Port on the first available Pro Tools|HD card with a
DigiLink cable (included with your Pro Tools|HD hardware) and a DigiLink Mini adapter.
Figure 5. HD I/O connected to the DigiLink Port on a Pro Tools|HD Accel Core card (16-channel I/O system)
1 Connect the Primary Port of the first HD I/O to the DigiLink Port on the Pro Tools|HD Accel Core
card with a DigiLink cable (included with your Pro Tools|HD system) and a DigiLink Mini adapter.
2 Do one of the following:
Connect the Primary Port of the second HD I/O to the Expansion Port on the first HD I/O with the
included 18-inch DigiLink Mini cable.
or
Connect the Primary Port of the second HD I/O to the next available Pro Tools|HD card with a
DigiLink cable and a DigiLink to DigiLink Mini adapter.
3 Connect additional HD I/Os to additional Pro Tools|HD cards.
4 Make the necessary Loop Sync connections.
18 HD I/O Guide
Connecting Loop Sync
If you are using two or more Pro Tools audio interfaces or a SYNC peripheral, Loop Sync must be
connected to maintain proper clock synchronization among the devices. For an example of connect-
ing multiple Avid HD audio interfaces, see Figure 6 below.
Figure 6. Making DigiLink and Loop Sync connections with two Pro Tools|HD cards, one HD OMNI,
and three HD I/Os
This chapter explains how to configure To change the default Sample Rate for new
Pro Tools for use with HD I/O. sessions:
4 Click OK.
Clock Source
The Pro Tools Hardware Setup dialog lets you
set the Clock Source for the system.
External If you are transferring material into Selecting the Clock Source
Pro Tools from an external digital device, or if
3 Click OK.
you utilize a common house clock signal, you
will need to synchronize Pro Tools to that digi- Your digital input device must be connected
tal device or common signal. Depending on your and powered on for Pro Tools to synchronize
audio interface configuration and the selected to it. If your input device is not powered on,
sample rate, external options can include: leave the Clock Source set to Internal.
S/PDIF [Encl] (at all sample rates)
Optical (S/PDIF) [Encl] (up to 96 kHz)
AES/EBU [Encl] (at all sample rates)
AES/EBU 18 (Single Wire in stereo pairs at
all sample rates)
AES/EBU 14 (Dual Wire) (in stereo pairs at
176.4 and 192 kHz)
ADAT 18 (at 44.1 and 48 kHz)
ADAT S/MUX 14 (at 88.2 and 96 kHz)
ADAT S/MUX 12 (at 176.4 and 192 kHz)
TDIF 18 (at 44.1 and 48 kHz)
Optical ADAT [Encl] (at 44.1 and 48 kHz)
Word Clock (at all sample rates)
22 HD I/O Guide
Identify
Configuring HD I/O
If you have multiple audio interfaces of the same
type connected to your system, you should con- To configure controls for HD I/O:
firm the identity of each interface. This ensures 1 Choose Setup > Hardware.
that you select the appropriate interface in the
Peripherals list when defining its inputs and 2 From the Peripherals list, select the HD I/O
outputs, and other settings, in the Hardware audio interface.
Setup dialog. 3 Click the Main tab and configure the options.
Main Page
HD I/O supports up to sixteen channels of
simultaneous input and output in multiple I/O
formats (including analog, AES/EBU, ADAT
Optical, S/MUX, S/PDIF, and TDIF).
24 HD I/O Guide
Input Inputs and Outputs of Similar Formats
Select the corresponding physical inputs from Inputs and outputs of similar formats are differ-
the Input pop-up menu for each stereo pair of entiated in the input and output channel pop-up
Pro Tools Input channels (12, 34, ...1516). menus. For example, the AES/EBU inputs and
Which physical inputs are available depends on outputs in the HD I/O enclosure are listed as
the sample rate and on which HD I/O Expansion AES/EBU [Encl], while the AES/EBU inputs and
cards you have installed (for example, if no outputs on a HD I/O Digital card are listed (in
HD I/O AD card is installed, no analog inputs pairs) as AES/EBU 12, AES/EBU 34, AES/EBU
will be available). 56, and AES/EBU 78. For HD I/Os equipped
with an second Digital card, the additional
These settings are saved with the system, not AES/EBU I/O ports on the optional card are
with the session. listed as AES/EBU 910, AES/EBU 1112,
AES/EBU 1314, and AES/EBU 1516.
Output
These settings are saved with the system, not S/PDIF Two channels of S/PDIF (coaxial) input.
with the session.
Optical (S/PDIF) Two channels of S/PDIF (opti-
cal) input up to 96 kHz. This option is not avail-
Control-click (Mac) or Start-click able at sample rates higher than 96 kHz.
(Windows) to select multiple Inputs or
Outputs. Command-Option-click S/PDIF Format
(Mac) or Control-Alt-click to cascade
For S/PDIF (Sony/Phillips Digital Interface For-
all Input or Output settings.
mat) compatibility with Tascam DA-30 DAT re-
corders, select the Tascam option under S/PDIF
Format.
Analog In Page
+4 dBu and 10 dBV DB-25 Analog Input ports
Limiter
The Analog In page of the Hardware Setup dia-
log lets you set the Reference Level for the phys- HD I/O provides options for soft limiting on
ical analog inputs on HD I/O. You can also apply each of the available analog input channels. Se-
a limiter to each of the available analog inputs. lect the desired option from the corresponding
Limiter pop-up menu:
If you have only a single HD I/O AD Expansion
card installed, a single Analog In tab is available. None Applies no limiting to the incoming ana-
If you have two HD I/O AD Expansion cards in- log signal.
stalled, the tabs Analog 18 and Analog 916 are
Soft Clip Attenuates the incoming analog signal,
available. The Analog In, and Analog 18 and An-
alog 916 pages provide the same controls for
providing extra protection from temporary clip-
the corresponding physical inputs on the HD I/O ping transients that can cause digital distortion
AD card. If no HD I/O AD Expansion card is in- when they exceed the maximum input of the
stalled, these tabs are not available.
26 HD I/O Guide
unit. With Soft Clip enabled, HD I/O supports an
additional 4 dB of headroom by rounding off the At session sample rates above 48 kHz, sam-
top 4 dB to the clip point. This is useful for elim- ple rate conversion for the TDIF and Optical
inating stray transients. (ADAT) inputs on the HD I/O Digital card is
automatically enabled on all eight inputs of
Curv Attenuates the incoming analog signal us- the selected formatunless you are using
ing a soft knee limiter circuit. This guarantees Optical (ADAT S/MUX).
super soft limiting without becoming hard, even
with large overloads on input. Digital Format
AES/EBU 18 Enable this option for eight chan- 12 (S/MUX) Enable this option for two channels
nels of AES/EBU input. This is the only option of ADAT input with S/MUX (sample multiplex-
available at sample rates of 44.1 kHz to 96 kHz. ing). This option only appears at sample rates of
This option is not available at higher sample 176.4 kHz and 192 kHz.
rates.
TDIF
AES/EBU 18 (Single Wire) Enable this option
for eight channels of AES/EBU input. Sample Depending on the sample rate, you can select
Rate Conversion is available for stereo pairs eight channels of TDIF (Tascam Digital Input
when Single Wire mode is selected. This option Format) input TDIF 18, or TDIF 916 for the
only appears at sample rates of 176.4 kHz and second card, if presentwith or without auto-
192 kHz. matic Sample Rate Conversion (SRC).
AES/EBU 14 (Dual Wire) Enable this option for TDIF 18 Enable this option for eight channels of
four channels of AES/EBU input at sample rates TDIF input. This option is only available at sam-
of 176.4 kHz and 192 kHz. Sample Rate Conver- ple rates of 44.1 kHz and 48 kHz.
sion is not available in Dual Wire mode. This op-
18 (SRC) Enable this option for eight channels
tion only appears at sample rates of 176.4 kHz
of TDIF input with automatic Sample Rate Con-
and 192 kHz.
version. This option is only available at sample
ADAT
rates of 88.2 kHz and higher.
28 HD I/O Guide
Sample Rate Conversion ADAT
Sample Rate Conversion (SRC) is independently For sample rates of 44.1 kHz and 48 kHz, when
available for AES/EBU stereo input pairs at all Digital Format is set to ADAT, Sample Rate Con-
sample rates. When Digital Format is set to ADAT version can be enabled or disabled for all inputs.
or TDIF, SRC can only be enabled or disabled for
all channel inputs. Sample Rate Conversion on ADAT (SRC)
Input is only available for Digital I/O cards, it is
At sample rates higher than 48 kHz, with ADAT
not available for the enclosed digital ports.
(SRC) selected as the Digital Format, Sample Rate
Digital outputs do not support sample rate Conversion is enabled automatically for all
conversion. input channels.
ADAT (S/MUX)
Sample Rate Conversion adds latency to the
At sample rate higher than 48 kHz, with ADAT
input signal, so you should usually disable
(S/MUX) selected as the Digital Format, Sample
Sample Rate Conversion when it is not
Rate Conversion can be enabled or disabled for
needed.
all input channels.
About Input Operating Levels If you want to switch the input levels of the
HD I/O from +4 dBu to 10 dBV, you can
Check the manufacturers documentation for access these parameters on a channel-by-
your mixer, power amplifier, or effects proces- channel basis in the Hardware Setup dialog
sor to see if it operates more comfortably at line (see Hardware Setup on page 21).
level, in which case consider setting the HD I/O
to operate at 10 dBV line levels and adjusting
the Input Trims.
30 HD I/O Guide
Chapter 5: Adding or Removing I/O Cards
32 HD I/O Guide
7 Remove the Expansion I/O card that you want
Installing an Expansion I/O to install from its static-free bag.
Card
Before handling any of the cards or internal
To install an Expansion I/O card: components of HD I/O, discharge any static
1 Power off and disconnect the HD I/O from electricity by touching the outer casing of
your Pro Tools|HD system. the power supply.
2 Make sure that the equipment is properly 8 Slide the edges of the card into the guide rails
grounded. on each side of the bay.
3 Remove all of the small Phillips-head screws
around the edges of the top cover. Put the screws
in a safe place.
4 Lift off the top of the HD I/O and set it aside.
5 If necessary, do one of the following:
Remove the screws on the cover over the
empty bay where you want to install an Ex-
pansion card.
or
Inserting the card into the guide rails for the empty bay
Remove the currently installed I/O card
that you want to replace (see Removing an 9 Gently push the card back into the bay, lifting
I/O Card on page 31). slightly to keep components underneath the card
from touching the back panel.
6 Look into the empty bay to locate the guide
rails for the card to slide in on.
Lifting slightly while pushing the card back into the bay
34 HD I/O Guide
23 Open the Hardware Setup dialog to confirm Troubleshooting
that the new card is recognized:
If the power ring does not turn from orange to
If you installed a Digital Expansion card, green when you boot the computer, check the
you should see a new tab called Digital following:
916.
Make sure the DigiLink Mini cable is con-
If you installed an AD Expansion card, you nected to the Primary port on the back of
should see a new tab called Analog In the unit.
916.
Make sure that the 50-pin cables used to
24 If the new card does not appear in the Hard- connect the installed I/O cards to the chas-
ware Setup dialog, power down, check the seat- sis are firmly connected.
ing of the card, and recheck the cable
connections inside the HD I/O.
1 CH1_COLD 12
25
1 CH1_COLD 12
25
CH1_GND CH1_GND
CH2_HOT 10 CH2_HOT 10
23
2 CH2_COLD
11
2 CH2_COLD 23
11
CH2_GND CH2_GND
CH3_HOT 21 CH3_HOT 21
3 CH3_COLD 9
22
3 CH3_COLD 9
22
CH3_GND CH3_GND
CH4_HOT 7 CH4_HOT 7
20
4 CH4_COLD 20
8
4 CH4_COLD
8
CH4_GND CH4_GND
CH5_HOT 18 CH5_HOT 18
6
5 CH5_COLD
19
5 CH5_COLD 6
19
CH5_GND CH5_GND
CH6_HOT 4 CH6_HOT 4
6 CH6_COLD 17
5
6 CH6_COLD 17
5
CH6_GND CH6_GND
CH7_HOT 15 CH7_HOT 15
3
7 CH7_COLD 3
16
7 CH7_COLD
16
CH7_GND CH7_GND
CH8_HOT 1 CH8_HOT 1
8 CH8_COLD 14
2
8 CH8_COLD 14
2
CH8_GND CH8_GND
NC_1 13 NC_1 13
MH1 26 MH1 26
MH2 27 MH2 27
CH1_HOT 24 24
CH12_RCV_HOT
1 CH1_COLD 12 1-2 CH12_RCV_COLD 12
CH1_GND 25 RCV CH12_RCV_GND 25
CH2_HOT 10 10
CH34_RCV_HOT
2 CH2_COLD 23 3-4 CH34_RCV_COLD 23
CH2_GND 11 RCV CH34_RCV_GND 11
CH3_HOT 21 21
CH56_RCV_HOT
3 CH3_COLD 9 5-6 CH56_RCV_COLD 9
CH3_GND 22 RCV CH56_RCV_GND 22
CH4_HOT 7 7
CH78_RCV_HOT
4 CH4_COLD 20 7-8 CH78_RCV_COLD 20
CH4_GND 8 RCV CH78_RCV_GND 8
CH5_HOT 18 18
CH12_XMT_HOT
5 CH5_COLD 6 1-2 CH12_XMT_COLD 6
CH5_GND 19 XMT CH12_XMT_GND 19
CH6_HOT 4 4
CH34_XMT_HOT
6 CH6_COLD 17 3-4 CH34_XMT_COLD 17
CH6_GND 5 XMT CH34_XMT_GND 5
CH7_HOT 15 15
CH56_XMT_HOT
7 CH7_COLD 3 5-6 CH56_XMT_COLD 3
CH7_GND 16 XMT CH56_XMT_GND 16
CH8_HOT 1 1
CH78_XMT_HOT
8 CH8_COLD 14 7-8 CH78_XMT_COLD 14
CH8_GND 2 XMT CH78_XMT_GND 2
NC_1 13 13
NC_1
MH1 26 26
MH1
MH2 27 27
MH2
38 HD I/O Guide
TDIF DB-25
CH12_RCV_DATA 13
1-2 GND1 25
RCV DATA
CH34_RCV_DATA 12
3-4 GND2 24
CH56_RCV_DATA 11
5-6 GND3 23
CH78_RCV_DATA 10
7-8 GND4 22
CH12_XMT_DATA 1
1-2 GND5 14
XMT DATA
CH34_XMT_DATA 2
3-4 GND6 15
CH56_XMT_DATA 3
5-6 GND7 16
CH78_XMT_DATA 4
7-8 GND8 17
RCV_LRCK 9
21
RCV RCV_EMPHASIS NC=
8
CLK+CTRL RCV_FS1 NC=
RCV_FS0 20 NC=
XMT_LRCK 5
18
XMT XMT_EMPHASIS
19
CLK+CTRL XMT_FS1
XMT_FS0 6
GND9 7
MH1 26
MH2 27
DB25F_RA_TDIF
FB30 FB31
22PF 22PF
GND_C
If you need to recalibrate your HD I/O or other Digital Digital devices do not allow for signals
components of your studio, you can use the that exceed the dynamic range of the input or
alignment procedure described in this chapter. dBFS (dB full scale). When a signal exceeds the
maximum input level for a digital device, clip-
ping occurs, causing digital distortion, which is
About Calibration harsh and usually undesirable.
To calibrate your HD I/O, use one of the HD I/O 6 Insert the Signal Generator plug-in on the
calibration sessions included with Pro Tools track.
(located in the Pro Tools Utilities/Calibration
7 Set the Signal Generator plug-in output level.
Mode Session/HD IO Calibration Session
This should be the same value you entered as the
folder). You can use these sessions as is and
Calibration Reference Level (such as 18 dB).
change the input and output assignments for
more HD I/O channels or use it as a template to 8 Set the Signal Generator frequency to 1000 Hz.
make your own calibration session. 1000 Hz is typical, but any frequency will work.
Other typical values are 250 Hz and 500 Hz.
The following instructions show how to create a
calibration session from scratch. 9 Set the Signal Generator signal waveform to
Sine.
If your system includes one or more EUCON
10 Route the tracks output to Bus 1. In the cali-
controllers, be sure to disable Auto-bank to
bration template, Bus 1 has been renamed to 1k
selected track in EuControl software before
Tone.
enabling Pro Tools Calibration Mode to en-
sure that faders remain silent. To make sure 11 Create a mono Auxiliary Input track for each
Auto-bank to select track is not enabled, HD I/O output you want to calibrate. Set the out-
open the EuControl Settings window, click put assignment for each of these Auxiliary In-
to go to the General tab, and verify the set- puts to its respective I/O output.
ting is not enabled. If necessary, click to dis-
12 Set the input of each Auxiliary Input track to
able Auto-bank to selected track. After ex-
Bus 1, or 1k Tone for the template session.
iting Calibration Mode, be sure to re-enable
the Auto-bank to selected track setting (if
necessary).
42 HD I/O Guide
13 Create an additional mono Auxiliary Input 3 Adjust the HD I/O input level trim pots with
track for each input you want to calibrate. Set the same small flat-head screwdriver or tweaker.
the input assignment for each of these Auxiliary It is best to calibrate the inputs with the back of
Inputs to its respective I/O input. Then set the the HD I/O facing you and the Pro Tools screen
output of each of these Auxiliary Inputs to an well in sight. If you cannot see the Pro Tools
unused bus pair (for example Bus 34). In the screen, consider asking another person to assist
template session the bus names are Null and Out. you with the input calibration. When the level is
This makes sure feedback doesnt occur when properly matched, the track name will stop
monitoring main outputs 12. flashing and the peak volume indicator will indi-
cate your headroom value (the default is
14 Connect an external VU meter to each of the
18.0).
I/O outputs in turn. (One at a time as you cali-
brate.) The Automatch indicator arrows on each track
15 Set all Pro Tools track faders to their default show the direction of adjustment required for
of 0 dB by Option-clicking (Mac) or Alt-clicking alignment:
(Windows) any fader. When the incoming level is higher than the
reference level, the down arrow will appear
16 Adjust the I/O output level trim pot with a
lit (blue). In this case, trim the I/O input
small, flat-head screwdriver to align the outputs
level down.
to read 0 VU on the external VU meter. We
recommend using a tweaker tool with a recessed When the incoming level is lower than the
flat-head surrounded by a plastic tube to hold reference level the up arrow will appear lit
the trim pot. Tweakers can usually be found at (red). In this case, trim the I/O input level
electronic supply stores. up.
44 HD I/O Guide
1
24 D/A
A/D
HD I/O 24 A/D
Analog In HD I/O Analog Out
D/A
HD I/O
192kHz
4 4 . 1 k Hz 4 8 k Hz 8 8 . 2 k Hz 9 6 k Hz
176.4kHz 192kHz
HDI/O 3
8 8 8 8 8
8 /
I/O
16 16 /
16 16 / AES/EBU TDIF DB-25 Optical
24 I/O 16
ADC DAC Digital HD I/O
44.1kHz
48kHz 88.2kHz 96kHz 176.4kHz
192kHz
Digital I/O
HDI/O
16 AES/EBU Optical
HD I/O
16 TDIF
4 88.2kHz S/MUX
LED Optical
I/O I/O HD I/O 96kHz S/PDIF
Optical 2
I/O
192kHz AES/EBU I/O
2
192kHz 24
S/PDIF I/O 2
1 45
Avid HD
Loop Sync Avid
HDI/O
I/O
I/O www.avid.com/compatibility
Avid HD
Avid HDI/O
AC
DigiLink Mini 0.46m18
DigiLink Mini
BNC 0.46m 18
HD I/O
46 HD I/O
HD I/O
HDX
HDX File> File
Save
Save
HD Native
Control+N Control
HD Native N
Control- Control
Pro Tools|HD
Pro Tools|HD
Pro Tools
Pro Tools
Pro Tools
ProTools
Pro Tools >
Pro Tools
ProTools
1 47
www.avid.com
Avid www.avid.com
ProTools
A vid Customer
Success
ProTools
ProTools
Avid
Avid
ProTools
48 HD I/O
2 HD I/O
HD I/O
HD I/O
HD I/O
LED
HDI/O LED HD I/O
LED 44.1kHz 48kHz
88.2kHz 96kHz 176.4kHz 192kHz
Pro Tools
LED
LED
2 HD I/O 49
LED DIGDigital A E S / E B U T D I F
Optical ADAT Optical ADAT S/MUX
LED ProTools S/PDIF
LED HD I/O
DIG LED
Pro Tools
Avid HD
1
1 LOOPHDI/O Loop Sync
LED Avid HD
HDX
DigiLink Mini Port 1 EXTExternal
HD I/O EXT CLOCK IN
HD Native HD Native
DigiLink Mini Port 1
EXT CLOCK IN
Pro Tools|HD 1x 48kHz
Pro Tools|HD HD
I/O 44.1kHz 48kHz
Pro Tools|HDPCIe 1x 2x 4x
Accel Core Pro Tools|HDPCI
Accel Core
LED 44.1kHz 44.1kHz
LED ProTools 48kHz 48kHz
88.2kHz 88.2kHz
INTInternal 44.1kHz
HD I/O
96kHz 96kHz
48kHz
176.4kHz 176.4kHz
44.1kHz
192kHz 192kHz
48kHz
50 HD I/O
4 LED 16
42dB 18dB 6dB 0dB
0dB
Pro Tools
2 HD I/O 51
HD I/O
1 2 3 4 5 6 7 8 IN OUT
OUT
OUT
ANALOG OUTPUT
BALANCED
964530300294856
AC ~ 100-240V;50-60HZ; A
ACCESSORY
EXPANSION PORT PRIMARY PORT
1 2 3 4 5 6 7 8
HD I/O 16 AD DA
94 I/O 110
5 I/O
HDI/O 3
8 x 8 x 8
/ HD I/O 192 I/O
16 16 /
16 16 /
HD I/O HD I/O 4
8 x 8 x 8
1 3
I/O 4
8 x 8 x 8
I/O
52 HD I/O
6 DB-25
67
-10dBV +10dBV
8
10dBV
10dBV 10dBV
2 HD I/O 53
I/O
54 HD I/O
I/O ADATEncl
44.1kHz
96kHz ADAT
8
S/PDIF 2
67
ADAT 48kHz
S/MUX
88.2kHz 96kHz
S/MUX
4
176.4kHz 192kHz S/MUX
2
TOS-Link
96 kHz 2
HD I/O
ADAT I/O
AES/EBU IO ADAT ADAT S/MUX
I/O ADAT 88.2/96kHz 8
8 S/PDIF 2 176.4/192kHz 4
S/PDIF I/O 2
AES/EBU Encl
Optical ADAT Encl Optical S/PDIF
Encl S/PDIF Encl Alesis
8
Loop Sync
HD I/O HDX ADAT
HD Native ProTools|HD MDM
Avid HD A / D D / A
S/MUX
AES/EBUEncl
3 XLR
24 AES/EBU
2 192kHz
2 HD I/O 55
S/PDIF I/O HD I/O HDX HD Native
ProTools|HD
RCA HDI/O
S/PDIF 2
S/PDIF 24 /
192kHz
DigiLink Mini
S/PDIF 75
Avid
Avid HD
HDXHDNativeProTools|HD
DigiLink Mini
DigiLink Mini
Avid
www.avid.com
56 HD I/O
DigiLink Mini
Loop Sync WD CLOCK
HD I/O ProTools|HD
DigiLink/DigiLink Mini 75 RG59
DigiLink Mini
HD I/O ProTools|HD
192 I/O LOOP SYNC In/Out
44.1kHz 48kHz
AC
AC
WD CLOCK IN Pro Tools HD I/O
100V 240V
WD IEC
CLOCK OUT
AC
2 HD I/O 57
58 HD I/O
3 HD I/O
3 HD I/O 59
HD I/O HDX
HDX 64
64 I/O 4 16 HD I/O HDX
2 DigiLink Mini 1 2 2
2 HD I/O
HD I/O HDX
HD I/O 2 HDX
1 1
3 Loop Sync 61
HD I/O Loop Sync
DigiLink Mini 2
1
2
HDX DigiLink
Mini 2
60 HD I/O
Loop Sync
2 HD
SYNC
Loop Sync
Avid HD
62 2 SYNC
SYNC HD
Loop Sync
1 BNC
Loop Sync Out
Loop Sync In
2 BNC
Loop Sync Out 1
SYNC Loop Sync In
3 HD I/O 61
HDX
HDX
62 HD I/O
HD I/O HD Native
HD I/O HD Native
PORT 1
PORT 2
3. HD Native DigiLink Mini Port 1 HD I/O
2 HD I/O HD Native
1 DigiLink Mini PRIMARY PORT HD Native DigiLink
Mini Port 1
2 HD I/O Pro Tools
3 HD I/O 63
Loop Sync
2 HD SYNC
Loop Sync SYNC
SYNC HD Avid HD
4
Loop Sync
1 BNC Loop Sync Out
Loop Sync In
2 BNC Loop Sync Out 1
SYNC Loop Sync In
PORT 1
PORT 2
64 HD I/O
HD I/O Pro Tools|HD
HD I/O Pro Tools|HD
DigiLink Mini
12 DigiLink
3 HD I/O 65
Loop Sync
2 ProTools SYNC
Loop Sync Avid HD
6
Loop Sync
1 BNC Loop Sync Out
Loop Sync In
2 BNC Loop Sync Out 1
SYNC Loop Sync In
66 HD I/O
4 ProTools HD I/O
HD I/O
Pro Tools
ProTools
4OK
InternalProTools
ProTools
External
Pro Tools
Pro Tools
S/PDIF Encl
96kHz
OpticalS/PDIFEncl
AES/EBUEncl
68 HD I/O
3OK
HD I/O
ProTools
HD I/O
Setup>
1 Hardware
2
PeripheralsHD I/O
3Main
Hardware Setup
Peripherals
HD I/O
Setup>
1 Hardware
4 HD I/O AD 1
Analog In
2 Peripherals HD
I/O AD 2
1-8
Hardware Setup
Peripherals
3
Identify
LED
HD I/O
HD I/O
HD I/O
HD I/O 9-16
6 1 HD I/O HD I/O I/O
A E S / E B U A D A T
Digital 2 HD I/O S/MUX S/PDIF TDIF 16
18
Digital 18
Hardware Setup
Main
ProTools
ProTools
ProTools
HD I/O
48kHz
S/MUX
HD I/O
TDIF ADAT
8
HD OMNI HD I/O I/O
8 x 8 x 8
70 HD I/O
Input
Pro Tools
12 34 ...1516
HDI/O AES/EBU
AES/EBU Encl
HD I/O HD I/O AES/EBU
AES/EBU
HD I/O AD 12AES/EBU 34AES/EBU 56
AES/EBU 7-8
2 HD I/O
AES/EBU I/O AES/EBU
910 AES/EBU 1112AES/EBU
AES/EBU 1516
1314
Output
I/O
Pro Tools
12 34 ...1516 HD I/O Digital
HD I/O
Optical(S/PDIF) 2 S/PDIF
96kHz
Control- Mac 96kHz
Start- Windows
S/PDIF
Command-Option- Mac Tascam DA-30 DAT
Control-Alt- Windows S / P D I F S o n y / P h i l l i p s D i g i t a l
Interface Format S/PDIF
Tascam
48kHz
48kHz
88.2kHz
88.2kHz
44.1kHz
96kHz
96kHz
48kHz
176.4kHz
176.4kHz
44.1kHz
192kHz
192kHz
48kHz
72 HD I/O
HD I/O
I / O
+4dBu
+4dBu DB-25
I/O 1
1
10dBV
2 HD I/O
10dBV
DB-25 18 916
1
18 916
2 HD I/O
HD I/O
+4dBu 10dBV DB-25
Limiter
HD I/O 4
HD I/O
Soft Clip
48kHz
S/MUX
HD I/O
4dB HD I/O
4dB TDIF ADAT
S/MUX 8
Curv
H D I / O 8
AES/EBU
44.1kHz 96kHz
AES/EBU 18
2
AES/EBU 916
176.4kHz 196kHz
2 AES/EBU
AES/EBU 1-8AES/EBU 8
HD I/O 44.1kHz
44.1kHz 96kHz
AES/EBU 18
AES/EBU 8
HD I/O 96kHz
176.4kHz 196kHz
AES/EBU 14
176.4kHz 196kHz AES/EBU
4
HD I/O 192kHz 176.4kHz 196kHz
74 HD I/O
ADAT 14S/MUXS/MUXSample Multiplexing
ADAT 4
8
ADAT
44.1kHz 48kHz 88.2kHz 96kHz
ADAT 18 2
12S/MUXS/MUXSample Multiplexing
ADAT 916 ADAT 2
88.2kHz 2 ADAT
SRC S/MUX
176.4kHz 196kHz
ADAT 1-8 ADAT 8
TDIF
44.1kHz 48kHz 8
TDIF Tascam Digital Input Format
2
TDIF 18TDIF
18SRC SRC 916
ADAT 8 SRC
96kHz AES/EBU
12 34 SRC
48kHz ADAT
ADAT S/MUX
Digital I/O 44.1kHz 48kHz
TDIF ADAT
ADAT 8
ADATSRC
48kHz
ADATSRC
76 HD I/O
ADATS/MUX
48kHz
ADAT S/MUX
TDIF
44.1kHz 48kHz
TDIF HD
I/O 10dBV
TDIFSRC
48kHz
TDIF SRC
+4dBu 1.5VRMS
HDI/O 10dBV
15.5V RMS
+4dBu
HD I/O +4dBu 18dB
HD I/O +4dBu
HD I/O AD 2 DB25 10dBV
67
HD I/O 4 I/O
HD I/O I/O
1
I/O
2 I/O
1 HDI/O
8 x 8 x 83 4 2
16 x 16 4
HD I/O
16 x 16 2
2
HD I/O
1
I/O 4 HD I/O
192 I/O AD DA
HD I/O
192 I/O
HD I/O
5 I/O 79
5 I/O
HD I/O I/O
HD I/O
I/O
6 HD I/O
50
8
Avid
9 HD I/O 50
10 I/O
11 HD I/O
12
I/O 50
80 HD I/O
6
I/O
Analog In
7 I/O
I/O
I/O HD I/O
1 HD I/O Pro Tools|HD
2 8
4 HD I/O
5
I/O
79 I/O
5 I/O 81
9 12
10
50 HD I/O
I/O
I/O HD I/O 13 I/O HD I/O
50
50
14
I/O HD I/O
11 I/O HD I/O
50
50
50
82 HD I/O
15 HD I/O 3 Analog In
16
2
17 HDI/O
916
18 HD I/O
19
LED
HD I/O
20
21 LED
83
22 ProTools
23
LED
916
AD DigiLink Mini
916
24 I/O
50
HD I/O
5 I/O 83
84 HD I/O
6 DB-25
DB-25 +4dBu
DB-25
1 CH1_COLD 12
25
1 CH1_COLD 12
25
CH1_GND CH1_GND
CH2_HOT 10 CH2_HOT 10
23
2 CH2_COLD
11
2 CH2_COLD 23
11
CH2_GND CH2_GND
CH3_HOT 21 CH3_HOT 21
3 CH3_COLD 9
22
3 CH3_COLD 9
22
CH3_GND CH3_GND
CH4_HOT 7 CH4_HOT 7
4 CH4_COLD 20
8
4 CH4_COLD 20
8
CH4_GND CH4_GND
CH5_HOT 18 CH5_HOT 18
6
5 CH5_COLD
19
5 CH5_COLD 6
19
CH5_GND CH5_GND
CH6_HOT 4 CH6_HOT 4
6 CH6_COLD 17
5
6 CH6_COLD 17
5
CH6_GND CH6_GND
CH7_HOT 15 CH7_HOT 15
3
7 CH7_COLD 3
16
7 CH7_COLD
16
CH7_GND CH7_GND
CH8_HOT 1 CH8_HOT 1
14 14
8 CH8_COLD
2
8 CH8_COLD
2
CH8_GND CH8_GND
13 13
NC_1 NC_1
MH1 26 MH1 26
MH2 27 MH2 27
6 DB-25 85
10dBV AES/EBU DB-25
DB-25
CH1_HOT 24 CH12_RCV_HOT 24
12 1-2 12
1 CH1_COLD
25 RCV
CH12_RCV_COLD
25
CH1_GND CH12_RCV_GND
CH2_HOT 10 CH34_RCV_HOT 10
23 3-4 23
2 CH2_COLD
11 RCV
CH34_RCV_COLD
11
CH2_GND CH34_RCV_GND
CH3_HOT 21 CH56_RCV_HOT 21
9 5-6 9
3 CH3_COLD
22 RCV
CH56_RCV_COLD
22
CH3_GND CH56_RCV_GND
CH4_HOT 7 CH78_RCV_HOT 7
20 7-8 20
4 CH4_COLD
8 RCV
CH78_RCV_COLD
8
CH4_GND CH78_RCV_GND
CH5_HOT 18 CH12_XMT_HOT 18
6 1-2 6
5 CH5_COLD
19 XMT
CH12_XMT_COLD
19
CH5_GND CH12_XMT_GND
CH6_HOT 4 CH34_XMT_HOT 4
17 3-4 17
6 CH6_COLD
5 XMT
CH34_XMT_COLD
5
CH6_GND CH34_XMT_GND
CH7_HOT 15 CH56_XMT_HOT 15
3 5-6 3
7 CH7_COLD
16 XMT
CH56_XMT_COLD
16
CH7_GND CH56_XMT_GND
CH8_HOT 1 CH78_XMT_HOT 1
14 7-8 14
8 CH8_COLD
2 XMT
CH78_XMT_COLD
2
CH8_GND CH78_XMT_GND
NC_1 13 NC_1 13
MH1 26 MH1 26
MH2 27 MH2 27
86 HD I/O
TDIF DB-25
CH12_RCV_DATA 13
1-2 GND1 25
RCV DATA
CH34_RCV_DATA 12
3-4 GND2 24
CH56_RCV_DATA 11
5-6 GND3 23
CH78_RCV_DATA 10
7-8 GND4 22
CH12_XMT_DATA 1
1-2 GND5 14
XMT DATA
CH34_XMT_DATA 2
3-4 GND6 15
CH56_XMT_DATA 3
5-6 GND7 16
CH78_XMT_DATA 4
7-8 GND8 17
RCV_LRCK 9
21
RCV RCV_EMPHASIS NC=
8
CLK+CTRL RCV_FS1 NC=
RCV_FS0 20 NC=
XMT_LRCK 5
18
XMT XMT_EMPHASIS
19
CLK+CTRL XMT_FS1
XMT_FS0 6
GND9 7
MH1 26
MH2 27
DB25F_RA_TDIF
FB30 FB31
22PF 22PF
GND_C
6 DB-25 87
88 HD I/O
7 HD I/O
0VU
HDI/O +4dBu 10dBV
+4dBu
0VU
HD I/O +4dBu
+4dBu 18dB
+22dBu
dB
HD I/O
1kHz
0VU
0VU 0VU
HDI/O
dB
7 HD I/O 89
HD I/O
EUCON
0VU HD I/O
dB Pro Tools
EuControl
Auto-bank to selected track
HDI/O 0VU 12dB
Auto-bank to
0VU 1kHz 12dBFS select track
18dB EuControl
18dBFS HD I/O
+4dBu
Auto-bank to selected
0 VU
track
+4dBu
Auto-bank to selected track
HD I/O
HD I/O
ProTools HDI/O
Pro Tools
Utilities/Calibration Mode Session/HD IO Signal
Calibration Session Generator
HD I/O
1 ProTools
2 Setup Preferences
Operation
3
dB 18dB
4OK
New
Track >
5
90 HD I/O
6 Signal Generator 14 VU I/O
7 Signal Generator
15 Pro Tools
Option- Mac Alt-
18dB Windows 0dB
8 Signal Generator 1000Hz
1000Hz 16 I/O
250Hz VU
500Hz 0VU
9 Signal Generator
10 1
1 HD I/O
1k Tone
1 HD I/O
11 HDI/O HD I/O
AUX
AUX
DB-25/DB-25
I/O
DB-25/XLR XLR
12 AUX
1
2 ProTools Options>
1k Tone
Calibration Mode
13
AUX
AUX
I/O
AU X
AUX
34
18dB
Null Out
12
7 HD I/O 91
3
HD I/O
HD I/O
Pro Tools HD I/O
8
Pro Tools Hi Lo
H i
+4dBu
18.0
10dBV
Automatch
Hi 6dB
Lo
I/O 4dB 10dBV
I/O
1 HD I/O
5 I/O
Automatch 2
3
dB
19.1
1 8 d B
1.1dB
-16.5
18dB +1.5dB
4 Options>
Calibration Mode
92 HD I/O
4 Hi
Lo
Hi
DB-25
Lo6dB
DB-25
5 HD I/O
5 I/O
7 HD I/O 93
94 HD I/O
Appendix A: Compliance Information
This symbol on the product or its packaging indicates that this Communication Statement
product must not be disposed of with other waste. Instead, it Note: This equipment has been tested and found to comply with
is your responsibility to dispose of your waste equipment by the limits for a Class A digital device, pursuant to part 15 of
handing it over to a designated collection point for the recycling the FCC Rules. These limits are designed to provide reasonable
of waste electrical and electronic equipment. The separate protection against harmful interference when the equipment
collection and recycling of your waste equipment at the time of is operated in a commercial environment. This equipment
disposal will help conserve natural resources and ensure that generates, uses, and can radiate radio frequency energy and,
it is recycled in a manner that protects human health and the if not installed and used in accordance with the instruction
environment. For more information about where you can drop manual, may cause harmful interference to radio communications.
off your waste equipment for recycling, please contact your Operation of this equipment in a residential area is likely to
local city recycling office or the dealer from whom you purchased cause harmful interference in which case the user will be
the product. required to correct the interference at his own expense.
Perchlorate Notice
This product may contain a lithium coin battery. The State of
California requires the following disclosure statement: Perchlorate
Material special handling may apply, See
www.dtsc.ca.gov/hazardouswaste/perchlorate.
Recycling Notice
Avid is authorized to apply the CE (Conformit Europnne) mark 1) Read these instructions.
on this compliant equipment thereby declaring conformity to EMC
Directive 2004/108/EC and Low Voltage Directive 2006/95/EC. 2) Keep these instructions.
12) For products that are not rack-mountable: Use only with a cart,
stand, tripod, bracket, or table specified by the manufacturer,
or sold with the equipment. When a cart is used, use caution when
moving the cart/equipment combination to avoid injury from tip-over.
96 HD I/O Guide
13) Unplug this equipment during lightning storms or when unused Warning! To reduce the risk of fire or electric shock, do not expose
for long periods of time. this equipment to rain or moisture.
14) Refer all servicing to qualified service personnel. Servicing 16) For products containing a lithium battery:
is required when the equipment has been damaged in any way, CAUTION! Danger of explosion if battery is incorrectly replaced.
such as power-supply cord or plug is damaged, liquid has been Replace only with the same or equivalent type.
spilled or objects have fallen into the equipment, the equipment
has been exposed to rain or moisture, does not operate normally, 17) For products with a power switch:
or has been dropped. The main power switch is located on the front panel of the HD I/O.
It should remain accessible after installation.
15) For products that are a Mains powered device:
The equipment shall not be exposed to dripping or splashing 18) The equipment shall be used at a maximum ambient
and no objects filled with liquids (such as vases) shall be placed temperature of 40 C.
on the equipment.