INDIAN NATIONAL WAR MUSEUM

www.indiannationalwarmuseum.com
 GLOBAL ARCHITECTURAL DESIGN COMPETITION
FOR

INDIAN NATIONAL WAR MUSEUM

&
CONNECTING TUNNEL
INDEX
Invitation 4

Introduction and Intent 5

Objectives of the National War Memorial 6

Location, Site and Climate 6-7

Components 7

Development Rules and Regulations 8

Design Considerations 9-10

Competition Schedule 11-13

Competition Jury and Award 14

Detailed Site Survey Plan (Appendix A) 16

Detailed Site Location & Surroundings Plan (Appendix B) 20

Details of Architecture and Design Competition and Selection of the Consultant

24
(As Appendix C)

Registration Form, Identification Form & Participants Acceptance Form 28

 GLOBAL ARCHITECTURAL DESIGN COMPETITION
FOR

INDIAN NATIONAL WAR MUSEUM

&
CONNECTING TUNNEL

LIST OF APPENDICES, PHOTOGRAPHS AND CHARTS

Appendix A : Detailed Survey Plan.

Appendix B : Detailed Site Location plan showing National War Museum

Appendix C: Details of the Competition and Selection of the Consultant.

List of Photographs enclosed

1. Map of India

2. Map of Delhi

3. Delhi Map showing Zones in Lutyen’s Delhi

4. Site Plan along with the photographs of the surrounding buildings

5. Aerial view of the site

6. Site photographs

7. Solar Chart of Delhi, Annual Temperatures, Average Rain fall, Wind Direction Chart
GLOBAL ARCHITECTURAL DESIGN COMPETITION
FOR
INDIAN NATIONAL WAR MUSEUM
&
CONNECTING TUNNEL
1. Introduction & Intent
(i) India has a rich military
heritage. The gallantry of
Indian soldiers is recognised
world over. Since
independence, the Indian
Armed Forces have fought
four major wars to defend
national borders and uphold
our national interests. The
Armed Forces have also won
laurels and glory while
operating in UN mandated
peace missions, combating
terror and insurgency and
during conduct of
Humanitarian Assistance and
Disaster Relief operations.
(ii) A National War Museum has
been planned in New Delhi as
a tribute to Indian soldiers and
to showcase the nation’s
military culture, customs,
traditions and history. The
Museum is envisaged to be
world class, state of the art
building which will be a ‘must
visit’ landmark for those
visiting New Delhi. Towards
this end, a Global Architecture
and Design Competition will
be held under the aegis of the
Ministry of Defence, herein
after called the Promoter, to
select the architect for
designing the Museum
building and implementing
the National War Museum.
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2. Objectives of the National War Museum
iii. The National War Museum will portray famous battles, eulogise military
martyrs, heroes and leaders and chronicle the course of Indian military
history. The institution will collect, interpret, preserve and display military
artefacts, and relics of historical value. The components of the Indian
Armed Forces and their campaigns, victories, memories, equipment, et
al will be eternalised for perpetuating the memory of the Services, which
will be a source of inspiration for future generations.
iv. The National War Museum will serve following purpose :
a) Portray military campaigns, heroic deeds and victories through
a multi sensory display so as to reinforce citizens’ faith and
pride in the Armed Forces.
b) Exhibit relics and records of historical significance and military
interest, chronicling ascendency of Armed Forces from ancient
times.
c) Display items of military interest and historical value including
development of arms, equipment and their role in the Indian
history.
d) Profile human experience of war and chronicle military events
which shaped development of our country and national character.
e) Enhance awareness of the glorious military heritage of India to
instil and motivate citizens to greater devotion and duty to the
country.
f) Inform about the challenges under which Armed Forces operate
to enhance comprehension and understanding of the Armed
Forces.
g) Act as Military’s premier educational research and archive centre
with multimedia libraries, seminar and exhibition facilities.
h) Establish itself as an outstanding landmark in the National Capital
Region for Indian and foreign visitors.
3. Location & Site
v. The National War Museum is proposed to be constructed in Princess
Park area (10.71 acres) in harmony with National War Memorial. Both
are planned to be constructed in central Delhi, near India Gate (Lutyens
Zone, New Delhi). Detailed Survey Plan is enclosed as Appendix A1.
vi. New Delhi was conceived by Edvin Lutyens and built in the period 1912
to 1930. It is 28.73 sqkm in area and is approximately 2% of the National
Capital Region, which is approximately 1,404 sqkm. Lutyens Zone is
centrally located and is part of Zone D of Delhi Master Plan 2021. It has
impressive green cover which is a key environmental asset and an
essential lung space for the city. The Lutyens Zone was designed on
‘Garden City’ principles with a magnificent Vijay Path (‘Road to Victory’)
aligned centrally and bordered with lush green trees and imposing
Government buildings. The entire Vijay Path is overlooked by the
historical Rastrapati Bhavan (President House) at one end. The National
War Museum and the Memorial are planned to be constructed at the
other end of the Vijay Path (Refer site plan showing National War
Museum – Appendix B)
( 1 The existing structures in the demarcated region in the location / survey plan of the
proposed National War Museum can be demolished. The encroachments in the area are
proposed to be demolished in due course. While transplantation of smaller trees is
possible to the site, it may be better to preserve existing trees which are 22 to 100 years
old.)
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4. Climate
vii. Delhi is characterized by long hot summers and a
cold short winter with the rainy season in the
months from July to September. The variations in
the mean maximum and minimum temperatures
for each of the months, the average rainfall and the
variation in average relative humidity are provided
in the Charts and Graph enclosed.
viii. The prevailing winds are predominantly from
North-West both in summers and in winters. The
rain bearing monsoon winds are from the East and
South-East. The recorded wind direction for each
of the months is provided in the table given
herewith.
ix. Delhi features a humid subtropical climate.
Temperatures range from 5 to 40°C (41.0 to
104.0°F) with the lowest and highest temperatures
ever recorded being -2.2 and 48.4°C (28.0 and
119.0°F) respectively. The annual mean temp
42.5°C (77.0°F) and the monthly mean
temperatures range from 13 to 32°C (55 to 90°F).
The average annual rainfall is approximately
714 mm (28.1in), most of which falls during the
monsoon in July and August. The average date of
the advent of monsoon winds in Delhi is 29 June.
5. Components
(x) An inter connecting underground tunnel connecting
the Museum with the National War Memorial
(being planned in C Hexagon near India Gate) will
be integral part of the Museum Complex. The
National War Museum would be structured to
showcase famous battles, military victories and
sacrifices, historical legacy, military components,
etc, through multimedia / multisensory auditoriums,
display galleries, exhibit areas, research /
educational assets, restoration / archive facilities,
secure storage vaults and central facilities on the
pattern of contemporary and global best practices.
Approximate percentage space allocation in the
Museum will be as follows:
a) Indian Military – Ancient to Medieval era 1%
b) Indian Military through British Era, WWI, WWII, Post Partition 4%
c) Indo Pak Wars of 1947-48 and Indo China War, 1962, Wars in 30%
1965, 1971 & Kargil Conflict of 1999, Low Intensity Conflict,
Counter Insurgency and Counter Terrorist Operations, UN
Missions and Out of Area Operations
d) Service specific galleries of Indian Army, Indian Navy & Indian 20%
Air Force including Hall of Honour & Memorial Hall
(10%+5%+5%)
e) Central Facilities, Auditoriums, Workshops, Labs, Security 20%
f) Museum Management Organization 5%
g) Public Utilities, Parking, Commerce Generation, Miscellaneous 20%
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6. Development Rules & Regulations
xi. Maximum Ground Coverage will be 35% of the total site with FAR
1.20. The permissible height of the building is 26 M

xi. Parking shall be as follows:

a) Basement to be used for parking & services requirements

only subject to the area allocated for services not
exceeding 30% of the basement area. Use of basement
for purposes other than parking and services shall be
counted towards F.A.R and shall be subject to provisions
under building bye laws & Master Plan Delhi 2021.

b) Parking Standard @ 2ECS /100

sqm of floor area.

c) A proper scheme for visitors

parking. Parking adequacy
statement shall be prepared
taking into consideration a large
visitor footfall.

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7. Design Considerations
(xii) The National War Museum building should be an
imposing edifice in Princess Park around ‘C’
Hexagon, matching the grandeur and style of other
landmark buildings such as Baroda House, the
Hyderabad House etc. It should necessarily serve
following purposes:
a) Lutyens Zone Delhi buildings having
traditional exteriors with modern interiors,
interlinked and subdivided layouts, seamless
integration of display areas, installations,
interactive zones, multifunction libraries,
seminar rooms and auditoriums with special
effects.
b) Integrated with National War Memorial.
c) Green building having minimal carbon
footprints with alternate energy sources, zero
energy habitability factor and recycling.
d) Structural Engineering for earthquake
resistance, materials engineering for fire and
accidents resistance and New Delhi
Municipal Corporation directives compliance.
e) Integrated with public utilities infrastructure
and service providers viz DVB, DJB, NDMC,
UTTIPEC, DTC, DMRC, with inherent
backups.
f) Progressive design of tertiary facilities in later
phase (upon removal of encroachments).
enriching experience for people from all
walks of life, including differently abled and
blind people, for facilitating individual
pursuits and organized studies / tours.
i) Failsafe & people friendly biometrics driven
sub vault based tiered security facilitating
smooth flow of visitors, ease of subpart
viewership, entry / exits, secure evacuation
etc. Deterrence against terror strikes, thefts,
vandalism, stowaways, pests, animals, birds
etc.
j) Restoration / conservation and archiving
workshops, storage vault reserves for
artefacts, record keeping, documentation and
big data based e-connectivity.
k) Support Staff Infrastructure, parking and
holding areas.
l) Eateries, bistros, kiosks and conveniences.

g) A balance and harmony of urban

requirements, aesthetics, architectural
splendor and grandeur, natural environment
and security considerations should be
maintained.
h) Friendly facilities and unimpaired all round

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xiii. Artifacts & Systems for Display
a) The indoor and outdoor display areas
should facilitate depiction of battle scenes,
paintings / photographs, presentation of
documents, books, pictures, interactive
areas with smart voiceover commentaries
etc. These could be in the form of
dioramas, terrain walk through, virtual
experience, movies, 3D laser shows, war
machines / equipment, mannequins /
models / sculptures / statues, uniforms,
medals, memorabilia, media coverage,
simulators etc.
xiv. Outline of Themes
a) Evolution : Evolution of Indian armed
forces through ages.
b) Partition till Present Day Period: Covers
the period 1947 to date with special
emphasis on wars and other operations.
c) Personallia Gallery: Gallery portraying
distinguished military leaders and soldiers,
Hall of Honour and Memorial Hall. Relics,
souvenirs, documents, photographs,
personal and official records, citations,
uniforms, medals and other information.
d) Specific Aspects: Displays to illustrate
service specific aspects either as a
special theme or integrated into the other
themes.
e) Miscellaneous: The credo, ethos, spirit de
corps and elan would be appropriately
incorporated in the overall exhibition plan
e.g the Regimental colours /crests,
evolution / changes in dress, musical
instruments of Regimental bands, war
posters / hoardings, captured flags/
equipment, outdated formation signs,
histories, press cuttings etc. The
noteworthy contributions to sports, arts &
sciences, books & journalism etc could
also be covered.
f) Temporary Exhibitions: Temporary
exhibitions to highlight special interactive
activities or commemorations would be
organized such as academic
collaborations, centenaries / jubilee days,
administration, recruitment & training
discipline / punishment & rewards, etc.
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8. Competition Schedule
xv. Eligibility selection. The organisers of the Competition
a) The competition is open to all Architects
reserve the right to select or reject any entry
registered in respective countries and multi
without tendering any justification.
disciplinary teams led by a Registered
Architect.
b) The language of competition will be English.

xvi. Registration & Stages of the Competition

a) It will be a two stage competition, with Stage 1
organized only in the online mode on the
Government of India’s citizen engagement
platform MyGov.
b) The prospective competitors are required to
register their detailed profile on the site
https://www.mygov.in/ giving their email
address, contact numbers and other pertinent
details as required by the form. Since the
submission of the designs will be done on the
same platform.
c) In the second stage competition the detailed
drawings and 3D models will have to be
provided by all the 9 shortlisted competitors.
This will be presented to the jury for final

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xviii. Important Dates for the Global Competition

a) Launch of Competition and Registration 15th Aug. 2016

b) Closing of Online Registration and Team Building 12th Oct. 2016

c) Last Date of Online Submission 15th Oct. 2016

d) Announcement of Result of Stage 1 15th Nov. 2016

e) Submission Deadline of Deliverables by Selected 16th Dec. 2016

9 Competitors

f) Announcement of Final Result 31st Dec. 2016

g) Consultants Acceptance as per Council of Architecture 15th Jan. 2017

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xix. Assessment Criteria : xx. List of Documents to be submitted by the
Competitor :
While the Jury will determine the procedure to be followed
for assessment of the entries, the broad assessment criteria a) Competition Stage I :The competitors may
for assessment of design entries would be as follows:
submit a report providing an explanatory text
a) Aims and objectives of the promoters’ supported by sketches to convey the designer’s
introduction and intent.
interpretation of the architectural programme
b) Responsiveness to local microclimate and
and functional relationship. This shall not
achievement of energy efficiency through
exceed 10 (A3 size) sheets (PDF format)
design. The concept of a ‘Green Building’ needs
including site plan. This will be only conceptual.
to be followed as closely as possible.
All the Competitors must submit the copy of
c) Integration with a good landscape design and
license / registration certificate of architectural
using the elements on site in the best possible
practice in their respective country.
manner.
d) User friendliness of the design to facilitating
administration of the entire Museum complex as a) Competition Stage II : It shall contain site plan

well as the visitors to the premises. / master plan (PDF format), Plans at all levels,

e) Responsiveness of the design to the functional elevation & sections, 3D model (walk through),

and other requirements elaborated in the etc. The Competitors must submit copies of last

Architectural Program. three years of Income Tax returns.

f) Flexibility in design for additions, expansion or

alterations for accommodating future needs.
g) Sensitivity to the local character of the site and
its surroundings with special emphasis on the
location of site in the heritage area of Lutyen’s
Zone.

13
(xxi). Competition Jury and Award :

Thirteen Member Jury consisting of Seven Technical and Six Non – Technical
Members will be composed.

14
xxii. The Professional Advisor:
The Professional Advisor will
be present during
deliberations of the jury in
order to answer possible
questions relating to
technical requirements of the
architectural programme and
conformity with
regulations.
All the queries related to the
competition, site
programme will
be answered through the
Professional Advisor.
xxii. Deliberations of the Jury:
The Chairperson and the
Members of the jury will
determine the procedure to be
followed for assessment of the
entries received for both the
stages of the Competition. On
conclusion of the assessment,
the jury will submit a signed
report to the Promoter
indicating the procedures and
the criteria used for assessment.
xxiii.Other details of the
Competition and selection of
the the Consultant are given at
Appendix C attached.
xxiv.Conclusion: The spirit of
the valour, dedication and
sacrifice of the Indian soldiers
and the martial tradition of the
& Indian military through the
ages are the core values
which are envisaged to be
showcased in the Indian War
Museum and the same needs
to be adequately reflected in
the conceptual design edifice
of the War Museum.
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 Appendix A
(Refers to Para 3 (v) of the Dossier for the Competition)

DETAILED SURVEY PLAN

16
DETAILED SURVEY PLAN 17
SITE PLAN WITH TREES LOCATIONS 18
LIST OF TREES ON SITE

19
 Appendix B
(Refers to Para 3 (vi) of the Dossier for the Competition)

SITE LOCATION & SITE PLAN

FOR

INDIAN NATIONAL WAR MUSEUM

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21
22
Site Location & Surroundings
23
 Appendix C
(Refers to Para 8 (xxiii) of the Dossier for the Competition)
1) General 3) Appointment of Consultant

The Architecture and Design Competition will be held in two stages. (a) The winner of the first prize will be appointed by the Promoter as
The first stage is envisaged to shortlist the best concepts and the
second stage will involve detailed drawings by the shortlisted the Architect for the project in accordance with the Conditions of
designs of the first stage. The organisers of the Competition reserve Engagement as prescribed by the Professional Document of the
the right to select or reject any entry without tendering any
justification. Council of Architecture subject to the competitor satisfying all
other requirements.
2) Compensation and Awards:
(b) The engagement will be for the provision of Comprehensive
a) This being a two stage open completion for the pre-qualified Architectural Services which will cover Architectural, Structural,
architects/architectural firms, the Promoter has decided to
award prizes as follows:- Communication and other services designs (Plumbing & Fire
Fighting, Electrical, HVAC, Mechanical, Security etc) together
b) All 9 entries selected in the first stage will be awarded with
USD 3,000 each * with Landscape and Site Development. Further, the services to
be provided will cover all stages of work, i.e Concept Design,
c) In the second stage the award prize will be as follows:
Preliminary Designs and Drawings (Competition Stage), Drawing
First Prize (One) : USD 75,000 *
for all Approvals, Working Drawings and Tender Documents,
Second Prize (One): USD 50,000 *
Constructions, and Completion Drawings.
Third Prize (One) : USD 25,000 *
(c) In accordance with the minimum criteria for qualifying to
d) The Promotor will award prizes only in accordance with the
participate in the competition, the winner of the first prize
recommendations of the Jury. Only those proposals which fulfil all
should have had a practice for not less than five years as on
the requirements covered in the subsequent paragraph on
01 Aug 2015 after registration as an Architect and Gross
appointment of Consultant, will qualify for being considered for
Receipts of Professional fee not less than ₹ 25.00 Lakhs in
awarded of prize money. All prizes will carry a citation and a
each of the last three financial years. Therefore, on official
certificate.
announcement of the prizes, the winner of the first prize shall
submit the following immediately and in no case later than two
(* For Indian designers the said prize money will be equivalent in
weeks from the date of announcement :
Indian currency)

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i. Copies of Income Tax Returns for the last three
financial years.
ii. Details of his / her Organisation including
partners, associates, technical and non technical
staff, floor area of office premises, available
infrastructure and equipment's.
iii. Expertise available in-house for providing
consultancy support in any or all of the other
disciplines, i.e Structural, Communication and
other Services (Plumbing & Fire fighting,
Electrical, HVAC, Mechanical, Security etc.) If any
or all of these disciplines are to be supported by
outside consultants, then the winner of the first
prize shall submit letters of consent from each of
the consultants proposed to be associated on the
project.
iv. Provide a full set of the Competition drawings in
‘.DWG’ format.
v. The Promoter shall enter into an Agreement with
the first prize winner within two months of the
announcement of the competition results.
vi. However, if for any reason the first prize winner
fails to fulfill the provisions contained in clauses
under Para 3 (c) above, then the Promoter
reserves the right to engage the second prize
winner in consultation with the jury subject to the
second prize winner satisfactorily fulfilling
requirements of clauses under Paras 3 (a, b, c)
above.
vii. If the Architect selected in accordance with
provisions under clause under Paras 3 (a, b, c)
above, for any reasons is unable to satisfy the
promoter of his ability to carry out the work, then
the jury may require him to collaborate with
another architect of his/her choice and approved
by the jury and the Promoter. The prize amount
of the selected Architect will be adjusted against
the professional fee to be paid to the Architect.
viii. The selected architect may be required to modify
his design to meet any reasonable requirements
of the Promoter. The detailed design will need to
be sanctioned by the Municipal and other
concerned authorities in accordance with the
requirements of New Delhi Municipal Corporation.
The selected architect will need to engage
necessary consultation with the Promoter for
fulfilling the requirements of all engineering
services, landscape design and other support
systems.
ix. Once the Promoter enters into an Agreement with
a prize winning Architect, then it is essential for
the Architect to discharge all responsibilities and
obligations in accordance with the provisions of
the Agreement. In the event of any non-
performance or a breach of contract on the part of
the Architect, the Promoter will be at liberty to
engage any other consultant or adopt any other
alternative means to get the chosen design
executed notwithstanding the Copyright of the
design resting with the chosen Architect.
x. In the event of the chosen Architect withdrawing
from the project after the signing of the
Agreement, the Promoter will be at liberty to get
the chosen design detailed and executed by
engaging any other consultant or adopting any
other alternative means.
xi. The Promoter intends to construct the building in
a single phase and the construction is proposed to
be completed with 30 months from the date of
signing of the Agreement with the architect.
xii. The Promoter retains the right to not award the
work to any of the prize winning architect without
assigning any reasons.
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4. Application of Regulations 6. Resolution of Disputes

a) Sending of submission by a competitor implies a) The jury shall be the sole arbiter at all stages of
the acceptance of all the competition regulations the competition and up to the stage of signing of
contained in the Competition Dossier. The jury an Agreement between the Promoter and the
alone is vested with the authority to enforce the Architect.
regulations. b) In the event of a dispute not related to the
b) Lapses / Omissions, if any, with regard to the judging process or awarding of prize, recourse
conformity of the competition regulations will be to the good offices of the Council of
recorded by the Professional Advisor for the Architecture, India may be taken for resolution
consideration of the jury. of such a dispute.
c) The jury’s decision in the matter will be final and c) In the event of litigation the courts at New Delhi
binding. shall have exclusive jurisdiction. All submitted
d) By sending their submission the competitors entries will become property of Min. of Defence,
submit themselves to the decisions of the jury Govt. of India. In case foreign architect is
which alone will be competent in the application selected for the award of the work he/she will
and Interpretation of the regulations. have to establish his/her office in Delhi, in
association with reputed, experienced,
5. Ownership & Copyright registered Indian Architect, till the completion of
the project.
a) The Promoter retains all rights of ownership of
the design of the prize winner with whom an
Agreement is entered into subject to legal and
regulatory safeguards covering intellectual
property.
b) The Promoter cannot use the submission of any
prize winner unless the author of that prize
winning design is retained under an Agreement
for detailed design and supervision.
The submissions of other competitors, whether
award winner or not, cannot be wholly or
partially used by the Promoter without entering
into an Agreement with the concerned architect.
c) The Promoter reserves the right to retain copies
of the report and the drawings covered under
Para 23, Appointment of Consultant

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Broad Requirements of the National War Museum
(for reference)
1. Entrance Hall military as existed prior to the coming of Europeans, the
2. Exhibition for Army, Navy, Airforce recruitment and training of Indians in the East India
3. Audio Visual Rooms Company Military, the growth of the British Indian
4. Restoration Labs Army/Navy/Air Force, Indenisation of Indian Armed
5. Auditorium ( 100 persons) Forces, their growth and modernization. Indian Naval
6. Ticketing Counters forces up to 1st World War, activities of Indian war
7. Outdoor Displays vessels and auxiliaries in the World Wars. Indian
8. Display in the connecting underground passage Navies metamorphosis 1947 onwards into two
9. Open Air Theatre dimensional and later as a three dimensional force,
10. Guard Rooms Indian manned aviation units’ exploits in the World war
11. Administrative Offices arenas/ subcontinent and coming into being of the
12. Public Utilities Indian Air Force into a modern air power.
13. Cafeteria, Kitchen etc. 26. Evolution of Armament & Equipment: A historical and
14. Shop for mementos technical display to show the changes over the
15. Central A/C plant including pump house centuries and their impact on tactics in the battle field.
16. Parking's 27. World War I & II: Role of the Indian Armed Forces in
17. Interactive Audio Visual Arcades the World Wars I & II. It would include the historical
18. History Section (Repository) background, tactical and technical aspects, deeds of
19. Library Indian Regiments/units / squadrons / ships, relics &
20. Conference Rooms records.
21. The broad envisaged sections / galleries are as follows: 28. Recent / Contemporary Wars and Conflicts.
Ancient Warfare: Illustrations of ‘Military Archaeology’
and other aids of ancient warfare. a) Indo Pak Wars, 1947- 48 and Indo China War,
22. Warfare in Early Indian History: Military and maritime 1962, Wars in 1965, 1971, Kargil Conflict, 1999,
exploits of India. Low Intensity Conflicts, Counter Insurgency and
23. Decisive Battles & Wars: Researched depictions of Counter Terrorist Operations, UN Missions and
battles fought on Indian soil illustrated by means of Out of Area operations.
battle plans, models, documents, sculpture, miniature
paintings etc to highlight evolution of medieval warfare b) Service specific galleries of Indian Army, Indian
tactics i.e employment of elephant/camel/horse cavalry, Navy and Indian Air Force including Hall of
evolution of forts & fortifications. Coastline of India Honour and Memorial Hall (10%+5%+5%).
before arrival of foreigners, after gaining of their 29. Other requirements alluded to in the Dossier.
foothold, sea skirmishes, boats & weapons used.
24. Medieval Period: Chronicle the military events
preceding the British era.
25. Evolution of Indian Military: To illustrate the pattern of
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REGISTRATON FORM

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IDENTIFICATION CODE FORM

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ACCEPTANCE FORM OF PROMOTERS TERMS

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Map of India
31
Map of Delhi State 32
Luyten’s Delhi
Zoning Map
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35
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INFORMATION AND REGISTRATION

www.indiannationalwarmuseum.com

Professional Advisor :

Ar. Prakash Deshmukh

Director,
Associated Space Designers, Pune
Email : ar.psdiia@gmail.com, spaceds@vsnl.com

Associates:
Acknowledgements
Ar. Ashutosh Agarwal
The above document is made with the help of Ministry of Defence
Architect, Urban Designer
and Service Headquarters. The photographs of the Site, Delhi
Email : ashuagra@yahoo.com
Climate are provided by Ministry of Defence , Government of
India.
Ar. Kalpak Deshmukh
All the other images & maps are used under General Public
Associated Space Designers, Pune
License.
Email : kalpak.deshmukh@spaceds.com

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