Professional Documents
Culture Documents
3) Otto Wagner
5) Eero Saarinen
6) Erich Mendelson
7) Richard Neutra
8) Kenzo Tange
9) Le Corbusier
WA LT E R G R O P I U S
“A r c h i t e c t u r e b e g i n s w h e n e n g i n e e r i n g e n d s ”
German architect and art educator
- founded the Bauhaus school of design
BAUHAUS SCHOOL:
- pioneered a functional, severely simple architectural style
- the elimination of surface decoration and extensive use of glass.
- The school introduced a formal method of architectural education, combining
architecture with other disciplines of art and craft.
Bauhaus originally in
Weimar, and then
moved to Dessau.
FA G U S S H O E FA C TO RY :
1910-1911 : working with Adolph Meyer, he designed the Fagus shoe factory.
The client’s wish for an attractive facade was solved by Gropius in a special way: by means
of a projected steel skeleton, which pulled the function of support to the inside, the
idea of the ‘curtain wall’ was at this point first expressed in a consistent manner.
The corners are left without any support, yielding an unprecedented sense of openness and
continuity between inside and out.
-influenced by architect
Frank Lloyd Wright.
-influenced by Japanese
ideas, reinterpreting
Japanese shoji screens in
steel and glass.
- Gropius imposes the modernist aesthetic on the local materials by painting the house a
stark white
- with the tinted ribbon windows and the glass block appears to be a, slightly Corbusian,
foreign object placed in the landscape.
THE BAUHAUS BUILDING
Form follows function: the building was designed entirely for the needs of the different
areas of art and design.
Bridge with administration offices, connecting school and workshop blocks.
In Walter's designs he
wanted to use a lot of
steel and concrete.
- looks spacious
- light from large
windows, for
workshops and
studios.
The building had sharp clean lines and its façade is made
predominately of glass, giving it a spacious and minimalist feel.
F51 ARMCHAIR:
- square and rectangular shapes to function as all the separate and necessary
parts of the chair.
FRANK LLOYD WRIGHT
“I believe in God , I spell it nature”
- 1867-1969
ORGANIC ARCHITECTURE:
- The interiors often have an open plan, with one room flowing into the other.
“A building should appear to grow easily
from its site and be shaped to harmonize
with its surroundings if Nature is
manifest there.”
“No house should ever be on a hill or on
anything. It should be of the hill. Belonging to
it. Hill and house should live together each
the happier for the other.”
- open plan, with
one room
flowing into the
other.
- overhangs and terraces,
Prairie School houses in the early 1900s to his one story Usonian houses
starting in the 1930s
Features:
- Low buildings,
- shallow sloping roofs,
- clean skylines,
- suppressed chimneys,
- overhangs and terraces,
- unfinished materials that blend with the surroundings
In 1936, during the USA depression, Frank Lloyd Wright developed a simplified
version of Prairie architecture called Usonian.
incorporated into the living areas. Open car ports took the place of
garages.
ZIMMERMAN HOME
In the early 1950s, when the Zimmerman house was first built, some
neighbors were puzzled. They called the small, squat Usonian house a
"chicken coop."
The building uses matte red brick, cast concrete and originally red clay
roof tiles.
- Open floor plan, with rooms flowing into each other, yet smaller and more compact
than the prairie houses.
- The front side is discrete with smaller openings, while the rear side opens up into the
landscape.
The distinctive concrete cast window casings near the entrance provide
light and privacy from the roadside.
Dining opening into the landscape.
KENTUCK KNOB, 1954
the Hagan House
-Low profile, ground hugging
building