Professional Documents
Culture Documents
This lesson will introduce students to a new and contemporary art form. Students will explore
using unique materials to create collages, topographical maps, sculptures, and finally installation art. In
a time where going green initiatives are everywhere it dawned on me that the initiatives did not carry
out in the art classroom. Sustainable art is a new art form that combines traditional art forms while
using non-traditional materials. These materials allow students to see that art can be created using
waste or what we usually call trash. Teaching students about sustainable art also creates dialogue about
human’s impact on the environment and how humans are destroying Mother Nature with our synthetic
materials and waste. Using items such as plastic, Styrofoam, glass, and magazines allows students to
explore different methods and art making techniques that a strong artist uses in every work of art. The
study of sustainable art will challenge students to consider using new materials in their bodies of work
1. Introduction/Motivation:
a. Upon entry classroom students will be instructed to hang or mount their work on the
critique wall.
b. A brief introduction covering critique language
c. Reminder that critique is not an attack but a method of learning and teaching
2. Guided Practice
a. Students will be instructed to state what they see
b. Students will then be instructed to talk about 1 thing they like
c. Students will then decide if there can be any improvements
d. Finally students will discuss whether the piece has successful use of shape, line, and has
a unique composition using recycled materials.
3. Independent Practice
a. Students will show they have grasped the concepts taught by guiding themselves
through critique after first example critique
4. Closure
a. Closing statements covering the pieces discussed-praising those who participated and
praising for the hard work students applied to this lesson and first attempt at critique.
5. Formative Evaluation
a. Students will be graded on their participation during the critique
b. Students will be graded on the overall craftsmanship of their piece
c. Students will be graded on the use of shape and line
d. Students will be graded on their composition
e. Students will be graded on exploration of the materials
6. Classroom Management Procedures
a. Managing side conversations during critique
b. Managing any negative comments during critique
(2) Creative expression. The student communicates ideas through original artwork using a
variety of media with appropriate skills. The student expresses thoughts and ideas creatively
while challenging the imagination, fostering reflective thinking, and developing disciplined
effort and progressive problem-solving skills. The student is expected to:
(A) use visual solutions to create original artwork by problem solving through direct
observation, original sources, experiences, narrations, and imagination;
Reflect on, re-engage, revise, and refine works of art or design considering relevant traditional
and contemporary criteria as well as personal artistic vision.
Day 2-4
1. Introduction/Motivation:
a. Noriko Ambe’s website will be on the projector for students to see her work while they
resume their pieces
b. Students who did not finish gluing their pieces will be given the first 15 minutes of class
to catch up.
c. Students who are done gluing and layering will pick up their pieces from the drying
rack and wait for instruction.
2. Guided Practice
a. Students will be instructed to retrieve an exacto knife and sharpie from the drawer
b. Students will then be instructed to draw organic shapes on to their glued pieces
c. Once students have finished drawing they will use the exacto knife to begin carving into
their magazine cubes.
3. Independent Practice
a. Students will finish gluing on their own
b. Once students have caught up they may start drawing and carving
c. Students will demonstrate proper ways to handle and carve using an exacto knife
4. Closure
a. Students will return their works to shelving or cabinets
b. Ask students how they feel their project is going
c. Ask students if they have any questions
5. Formative Evaluation
a. Are students being careful with exactos?
b. Are students making good use of time?
c. Are students pushing for depth in their pieces?
d. Are students adding more layers to correct mistakes?
6. Classroom Management Procedures
a. Returning all supplies to proper cabinets and drawers.
b. Securing wet pieces in drying racks
c. Managing conversation-soft talking is allowed.
d. Watching exacto knife use-those who disrespect art supplies will not participate
resulting in a zero.
(2) Creative expression. The student communicates ideas through original artwork using a
variety of media with appropriate skills. The student expresses thoughts and ideas creatively
while challenging the imagination, fostering reflective thinking, and developing disciplined
effort and progressive problem-solving skills. The student is expected to:
(A) create original artwork using multiple solutions from direct observation, original
sources, experiences, and imagination in order to expand personal themes that
demonstrate artistic intent;
(B) solve visual problems and develop multiple solutions for designing ideas, creating
practical applications, clarifying presentations, and evaluating consumer choices in
order to make successful design decisions;
(F) select from a variety of art media and tools to express intent in drawing, painting,
printmaking, sculpture, ceramics, fiber art, design, digital art and media, photography,
jewelry, and mixed media.
(3) Historical and cultural relevance. The student demonstrates an understanding of art history
and culture by analyzing artistic styles, historical periods, and a variety of cultures. The student
develops global awareness and respect for the traditions and contributions of diverse cultures.
The student is expected to:
(A) research selected historical periods, artists, general themes, trends, and styles of art;
(D) examine, research, and develop a plan of action for relevant career, entrepreneurial,
and avocational art opportunities within a global economy.
(4) Critical evaluation and response. The student responds to and analyzes the artworks of self
and others, contributing to the development of the lifelong skills of making informed judgments
and reasoned evaluations. The student is expected to:
(A) interpret, evaluate, and justify artistic decisions in artwork such as that in
museums, local galleries, art exhibits, and websites based on evaluation of
developmental progress, competency in problem solving, and a variety of visual ideas;
(B) evaluate and analyze artwork using a method of critique such as describing the
artwork, analyzing the way it is organized, interpreting the artist's intention, and
evaluating the success of the artwork;
(C) analyze personal artwork in order to create a written response such as an artist's
statement reflecting intent, inspiration, the elements of art and principles of design
within the artwork, and measure of uniqueness;
(D) use responses to artwork critiques to make decisions about future directions in
personal work;
(F) select and analyze original artwork, portfolios, and exhibitions to demonstrate
innovation and provide examples of in-depth exploration of qualities such as aesthetics;
formal, historical, and cultural contexts; intentions; and meanings.
(A) use visual comparisons to illustrate concepts and ideas from direct observation, original sources,
experiences, narration, and imagination for original artworks;
(B) identify and apply the elements of art, including line, shape, color, texture, form, space, and value,
as the fundamentals of art in personal artworks;
(C) identify and apply the principles of design, including emphasis, repetition/pattern,
movement/rhythm, contrast/variety, balance, proportion, and unity in personal artworks; and
(D) explore suitability of art media and processes to express specific ideas such as content, meaning,
message, appropriation, and metaphor relating to visual themes of artworks using art vocabulary
accurately
XIV. National Art Standards
Demonstrate in works of art or design how visual and material culture defines, shapes,
enhances, inhibits, and/or empowers people's lives.
Demonstrate understanding of the importance of balancing freedom and responsibility in the
use of images, materials, tools, and equipment in the creation and circulation of creative work.
(1) Foundations: observation and perception. The student develops and expands visual literacy
skills using critical thinking, imagination, and the senses to observe and explore the world by
learning about, understanding, and applying the elements of art, principles of design, and
expressive qualities. The student uses what the student sees, knows, and has experienced as
sources for examining, understanding, and creating original artwork. The student is expected to:
(A) consider concepts and themes for personal artwork that integrate an extensive
range of visual observations, experiences, and imagination;
(B) compare and contrast the elements of art, including line, shape, color, texture, form,
space, and value, as the fundamentals of art in personal artwork;
(D) discriminate between art media and processes to express complex visual
relationships such as content, meaning, message, and metaphor using extensive art
vocabulary.
(2) Creative expression. The student communicates ideas through original artworks using a
variety of media with appropriate skills. The student expresses thoughts and ideas creatively
while challenging the imagination, fostering reflective thinking, and developing disciplined
effort and progressive problem-solving skills. The student is expected to:
(A) produce an original body of artwork that integrates information from a variety of
sources, including original sources, and demonstrates sustained self-directed
investigations into specific themes such as a series or concentration of works;
(B) evaluate and justify design ideas and concepts to create a body of personal artwork;
(F) create artwork, singularly and in a series, by selecting from a variety of art
materials and tools appropriate to course work in drawing, painting, printmaking,
sculpture, ceramics, fiber art, design, digital art and media, photography, jewelry, and
mixed media.
Choose from a range of materials and methods of traditional and contemporary artistic
practices, following or breaking established conventions, to plan the making of multiple works
of art and design based on a theme, idea, or concept.