Professional Documents
Culture Documents
Amos Rapoport is the first author who comprehensively list cultural aspects about “house form”,
that he examined using anthropological discipline. He termed “modifying factors” to specify non-
architecture aspects that determine the architectural form and functions. Two parts that he
discussed:
However Climate is not con not appear as determining factors of house form.
Case:
1. Not all human need house (A numbers of tribes live without house)
2. people can give more importance to other build than house, such as: granary, family
shrine, kitchen, ancestor’s shrine before shelter.
3. Below are some contradictory value/ anti-climatic manner:
o Cham people regard shade as evil space.
o cycle of hunting tradition molds the American IndianTeepe.
o Sumatran people prefer to alter the thatched to metal roofing regardless the green house
effect that it causes, because It is easy and cheap.
o Javanese prefer to alter the bamboo mat walling with brick for getting more prestige in
society, regardless danger of earthquake.
o Galvanized iron is symbol of success.
o In China popular Feng-Shui and in India popular Vastu is more determining than technical
professional consideration.
1. As Solution
2. Materials, Construction and Technology are defining to one another
Diagram 1. Interrelation between technology, material and construction
1.3. Site
o Site is often considered after economic importance of crops cultivation or the availability
of living sources (i.e. water, food, cattle food);
o In typical of Moslem cities the location of “nobler” craft are immediately around the mosque
and baser; community clustering.
o Abstract image of world on earth. In Vastushastra, tripartite vertical division.
1.4. Defense
o The Sundanese gather granaries in higher places in groups each belonging to each house,
so that in case of fire in the village, it won’t disturb the food storage.
o Balinese put Granaries along the village’s boulevard, raised with gathering spaces below
where youths usually would gather for chatting and playing game, while guarding the
granary above.
o the pile dwelling in most of Southeast Asian house has an obvious defensive component
against people, insects, animals and snakes.
o Lock and door designs are often equipped with hot water or oil shower to hold enemies to
enter the building.
c. spiritual defense,
o hierarchical spatial zoning in Mandala, where putting center as the sacred points, flanked
by layers of concentric zones which is gradually profane as it recede away the center.
o In, Java and Angkor the spiritual defense is actualized by mounting the building to
resemble meru, as power preservation, while in India is actualized by void.
Mayamata and Arthasastra prescribe defense needs in more a systematic plot of urban
configuration, that aim of controlling the development so as to keep the sustainability of the
whole system.
1.5. Economics
1.6. Religion
1. C Kluckhohn infere religion as set of believes, from which socially rules and order,
the profane and the sacred was produced.
2. Religion affects the form, plan, spatial arrangements, and orientation of the house.
Religion also defines if one should need their own shelters.
o In Southeast Asia, house is not only a place for habitation, but place of origin of the kin
groups – ancestral house. Sometime it is left inhibited, while the real resident leaves
somewhere nearby or adjacent to it. Therefore the house it self appear more like a
temple and is considered sacred (1990, p.43).
o Mostly the ancestor’s house is still occasionally visited for conducting pooja (praying).
o The arrangement of house plan in Minangkabau, West Sumatra follows rites of the
passages of family, from baby to old times.
The socio-cultural forces refer to a fact that societies share certain generally accepted goals
and life values. In accordance, Rapoport mentioned three types of meaning :
o high level meanings, which are themes like cosmologies, cultural schemata, world views,
reflections of philosophical systems, the kind of stuff we find in traditional architecture -both
vernacular and the sacred high style – these are the “symbols” usually discussed;
o Middle level meanings concerned with things like identity, power, status, wealth, etc., that
we communicate; and
o Low level everyday and instrumental meanings; these tell you where to walk in, where to
sit down, etc.
o the greater the number of possibilities, the greater the choice, depending on the value
system.
o As the criticality increases along the different scales-climatic, economic,
technologicalconsideration, the fewer choice to be taken.
2.3. Factors of Basic Needs
House, settlements and landscapes are products of the same culture system and world view,
and are therefore parts of a single system. The house can not be seen in isolation from the
settlement, but must be viewed as part of a total social and spatial system.
There are some classifications of attitudes that has been historically performing various
interrelation between site and people, individually and collectively:
1. Religious and cosmological- the environment is regarded as dominant and man is less
than nature
2. Symbiotic – here man and nature are in a state of balance, and man regards himself as a
steward and custodian of nature
3. Exploitative – here man is regarded the completer and modifier of nature, then creator and
finally destroyer of the environment.
It refer to the fact that along time architecture in any scale would undergo changes,
transformation and alteration. It also refer to habit that in general architect always assume the
architecture would not change. How much do architects could respond on the consideration of
constancy and changes?
In 1995, on Victor Papanek made an attempt to advance the Rapoport’s ideas by putting all
prescriptive factors and explanations into a web of interconnections, called – he uses Rapaport
terms – Dynamic Web of Vernacular Matrix, ‘
1. Existence of changing of patterns and types along history that can be finally reflected in
modern style architecture.
2. Geographically shared Expression.
3. Play of ornaments and aesthetic.
Diagram2. Dynamic Web of Vernacular Matrix (Victor Papanek:1995)
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In 1992, Nold Egenter established a concept, Anthopo-Architecture which is combination of
anthropological and architectural studies.
Anthrop-Arch is an architectural design method which uses the results of Architectural
Anthropology and Habitat Research for the design of contemporary buildings and
environments.
The “Architectural Anthropology”is a field of research that put architecture as its concepts
and approaches. With this term Nold Egenter suggest.
Habitat Research is a field of research that interprets human conditions past and present not in
the isolated sectors of conventional disciplines, but basically in their environmental totality.